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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49D8B it is the complementary color #4B6274. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49D8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49D8B shade: #B99D86, #CAAF99, #DBC1AC, #ECD3BF and #FDE5D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49D8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49D8B shade: #B49D8B, #A38B78, #927965, #816752 and #70553F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49D8B shade: #B49E8D, #B4948D and #B48D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49D8B shade: #B49E8D, #B4A98D, #B4B48D, #ABB48D and #A0B48D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49D8B shade matches the following richer shades: #B49E8D, #C49C7E, #D39B6E, #E2995F and #F29750

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49D8B shade: #B49E8D, #A5A09C, #96A2AB, #87A4BB and #77A6CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49D8B shade: #B48D91, #B4938D, #B49E8D, #B4A98D and #B4B38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49D8B shade: #90745E, #A48974, #B49E8D, #C5B3A6 and #D5C9BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49D8B shade: #B49D8B, #9BB48D and #8E8DB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49D8B shade: #B49D8B, #8DB49E and #9E8DB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49D8B shade: #B49D8B, #9BB48D, #8DA3B4 and #A68DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49D8B shade: #B49D8B, #8FB48D, #8DA3B4 and #B28DB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

Complementary color

CMYK 35 / 16 / 0 / 55

HEX #4B6274

RGB 75 98 116

HSL 206.34, 0.21%, 0.37%

LAB 40.4, -3.78, -12.92

 

CMYK 0 / 15 / 28 / 27

HEX #B99D86

RGB 185 157 134

HSL 27.06, 0.27%, 0.63%

LAB 66.63, 6.81, 15.87

 

CMYK 0 / 13 / 24 / 21

HEX #CAAF99

RGB 202 175 153

HSL 26.94, 0.32%, 0.7%

LAB 73.23, 6.34, 14.88

 

CMYK 0 / 12 / 21 / 14

HEX #DBC1AC

RGB 219 193 172

HSL 26.81, 0.39%, 0.77%

LAB 79.72, 5.93, 13.94

 

CMYK 0 / 11 / 19 / 7

HEX #ECD3BF

RGB 236 211 191

HSL 26.67, 0.54%, 0.84%

LAB 86.1, 5.55, 13.07

 

CMYK 0 / 9 / 17 / 1

HEX #FDE5D2

RGB 253 229 210

HSL 26.51, 0.91%, 0.91%

LAB 92.39, 5.22, 12.23

 

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

CMYK 0 / 15 / 26 / 36

HEX #A38B78

RGB 163 139 120

HSL 26.51, 0.19%, 0.55%

LAB 59.53, 6.04, 13.52

 

CMYK 0 / 17 / 31 / 43

HEX #927965

RGB 146 121 101

HSL 26.67, 0.18%, 0.48%

LAB 52.65, 6.57, 14.6

 

CMYK 0 / 20 / 36 / 49

HEX #816752

RGB 129 103 82

HSL 26.81, 0.22%, 0.41%

LAB 45.6, 7.21, 15.79

 

CMYK 0 / 24 / 44 / 56

HEX #70553F

RGB 112 85 63

HSL 26.94, 0.28%, 0.34%

LAB 38.38, 8, 17.14

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 18 / 22 / 29

HEX #B4948D

RGB 180 148 141

HSL 10.77, 0.21%, 0.63%

LAB 64, 10.86, 8.19

 

CMYK 0 / 22 / 22 / 29

HEX #B48D8D

RGB 180 141 141

HSL 0, 0.21%, 0.63%

LAB 62.23, 14.76, 5.66

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 6 / 22 / 29

HEX #B4A98D

RGB 180 169 141

HSL 43.08, 0.21%, 0.63%

LAB 69.47, -0.66, 15.89

 

CMYK 0 / 0 / 22 / 29

HEX #B4B48D

RGB 180 180 141

HSL 60, 0.21%, 0.63%

LAB 72.41, -6.53, 19.96

 

CMYK 5 / 0 / 22 / 29

HEX #ABB48D

RGB 171 180 141

HSL 73.85, 0.21%, 0.63%

LAB 71.71, -9.95, 18.88

 

CMYK 11 / 0 / 22 / 29

HEX #A0B48D

RGB 160 180 141

HSL 90.77, 0.21%, 0.63%

LAB 70.9, -14.05, 17.64

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 20 / 36 / 23

HEX #C49C7E

RGB 196 156 126

HSL 25.71, 0.37%, 0.63%

LAB 67.29, 10.68, 21.37

 

CMYK 0 / 27 / 48 / 17

HEX #D39B6E

RGB 211 155 110

HSL 26.73, 0.53%, 0.63%

LAB 68.33, 15.54, 31.73

 

CMYK 0 / 32 / 58 / 11

HEX #E2995F

RGB 226 153 95

HSL 26.56, 0.69%, 0.63%

LAB 69.31, 21.46, 41.24

 

CMYK 0 / 38 / 67 / 5

HEX #F29750

RGB 242 151 80

HSL 26.3, 0.86%, 0.63%

LAB 70.59, 28.06, 50.74

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 3 / 5 / 35

HEX #A5A09C

RGB 165 160 156

HSL 26.67, 0.05%, 0.63%

LAB 66.17, 1.07, 2.71

 

CMYK 12 / 5 / 0 / 33

HEX #96A2AB

RGB 150 162 171

HSL 205.71, 0.11%, 0.63%

LAB 65.95, -2.37, -6.12

 

CMYK 28 / 12 / 0 / 27

HEX #87A4BB

RGB 135 164 187

HSL 206.54, 0.28%, 0.63%

LAB 65.97, -4.64, -15.12

 

CMYK 41 / 18 / 0 / 21

HEX #77A6CA

RGB 119 166 202

HSL 206.02, 0.44%, 0.63%

LAB 66.1, -6.41, -23.35

 

CMYK 0 / 22 / 19 / 29

HEX #B48D91

RGB 180 141 145

HSL 353.85, 0.21%, 0.63%

LAB 62.34, 15.38, 3.53

 

CMYK 0 / 18 / 22 / 29

HEX #B4938D

RGB 180 147 141

HSL 9.23, 0.21%, 0.63%

LAB 63.75, 11.41, 7.83

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 6 / 22 / 29

HEX #B4A98D

RGB 180 169 141

HSL 43.08, 0.21%, 0.63%

LAB 69.47, -0.66, 15.89

 

CMYK 0 / 1 / 22 / 29

HEX #B4B38D

RGB 180 179 141

HSL 58.46, 0.21%, 0.63%

LAB 72.14, -6, 19.59

 

CMYK 0 / 19 / 35 / 44

HEX #90745E

RGB 144 116 94

HSL 26.4, 0.21%, 0.47%

LAB 50.95, 7.65, 16.3

 

CMYK 0 / 16 / 29 / 36

HEX #A48974

RGB 164 137 116

HSL 26.25, 0.21%, 0.55%

LAB 59.02, 6.99, 15.09

 

CMYK 0 / 12 / 22 / 29

HEX #B49E8D

RGB 180 158 141

HSL 26.15, 0.21%, 0.63%

LAB 66.58, 5.33, 11.84

 

CMYK 0 / 9 / 16 / 23

HEX #C5B3A6

RGB 197 179 166

HSL 25.16, 0.21%, 0.71%

LAB 74.1, 4.27, 8.96

 

CMYK 0 / 6 / 10 / 16

HEX #D5C9BF

RGB 213 201 191

HSL 27.27, 0.21%, 0.79%

LAB 81.66, 2.47, 6.48

 

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

CMYK 14 / 0 / 22 / 29

HEX #9BB48D

RGB 155 180 141

HSL 98.46, 0.21%, 0.63%

LAB 70.55, -15.88, 17.1

 

CMYK 21 / 22 / 0 / 29

HEX #8E8DB4

RGB 142 141 180

HSL 241.54, 0.21%, 0.63%

LAB 59.98, 8.81, -20.24

 

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

CMYK 22 / 0 / 12 / 29

HEX #8DB49E

RGB 141 180 158

HSL 146.15, 0.21%, 0.63%

LAB 70.02, -17.66, 6.94

 

CMYK 12 / 22 / 0 / 29

HEX #9E8DB4

RGB 158 141 180

HSL 266.15, 0.21%, 0.63%

LAB 61.32, 14.07, -18.07

 

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

CMYK 14 / 0 / 22 / 29

HEX #9BB48D

RGB 155 180 141

HSL 98.46, 0.21%, 0.63%

LAB 70.55, -15.88, 17.1

 

CMYK 22 / 9 / 0 / 29

HEX #8DA3B4

RGB 141 163 180

HSL 206.15, 0.21%, 0.63%

LAB 65.87, -3.88, -11.34

 

CMYK 8 / 22 / 0 / 29

HEX #A68DB4

RGB 166 141 180

HSL 278.46, 0.21%, 0.63%

LAB 62.04, 16.76, -16.91

 

CMYK 0 / 13 / 23 / 29

HEX #B49D8B

RGB 180 157 139

HSL 26.34, 0.21%, 0.63%

LAB 66.28, 5.58, 12.53

 

CMYK 21 / 0 / 22 / 29

HEX #8FB48D

RGB 143 180 141

HSL 116.92, 0.21%, 0.63%

LAB 69.76, -20.16, 15.88

 

CMYK 22 / 9 / 0 / 29

HEX #8DA3B4

RGB 141 163 180

HSL 206.15, 0.21%, 0.63%

LAB 65.87, -3.88, -11.34

 

CMYK 1 / 22 / 0 / 29

HEX #B28DB4

RGB 178 141 180

HSL 296.92, 0.21%, 0.63%

LAB 63.19, 20.86, -15.07

 

Description

Color code: HEX #B49D8B | qconv.com Color code: HEX #B49D8B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 157 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 157 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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