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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4966A it is the complementary color #4B6995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4966A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4966A shade: #B99665, #CAA878, #DBBA8B, #ECCC9E and #FDDEB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4966A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4966A shade: #B4966A, #A38457, #927244, #816031 and #704E1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4966A shade: #B4966A, #B4826A, #B46E6A and #B46A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4966A shade: #B4966A, #B4AA6A, #AAB46A, #96B46A and #82B46A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4966A shade matches the following richer shades: #B4966A, #C69958, #D89D45, #EAA033 and #FCA421

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4966A shade: #B4966A, #A2927C, #908F8E, #7D8BA0 and #6B88B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4966A shade: #B46D6A, #B4816A, #B4956A, #B4A96A and #ABB46A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4966A shade: #876C44, #A28252, #B4966A, #C2A985 and #CFBCA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4966A shade: #B4966A, #7AB46A and #776AB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4966A shade: #B4966A, #6AB495 and #956AB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4966A shade: #B4966A, #7AB46A, #6A89B4 and #A46AB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4966A shade: #B4966A, #6AB470, #6A89B4 and #B46AAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

Complementary color

CMYK 50 / 30 / 0 / 42

HEX #4B6995

RGB 75 105 149

HSL 215.68, 0.33%, 0.44%

LAB 43.9, 1.9, -27.42

 

CMYK 0 / 19 / 45 / 27

HEX #B99665

RGB 185 150 101

HSL 35, 0.38%, 0.56%

LAB 64.21, 6.6, 30.73

 

CMYK 0 / 17 / 41 / 21

HEX #CAA878

RGB 202 168 120

HSL 35.12, 0.44%, 0.63%

LAB 70.81, 5.88, 29.44

 

CMYK 0 / 15 / 37 / 14

HEX #DBBA8B

RGB 219 186 139

HSL 35.25, 0.53%, 0.7%

LAB 77.31, 5.27, 28.23

 

CMYK 0 / 14 / 33 / 7

HEX #ECCC9E

RGB 236 204 158

HSL 35.38, 0.67%, 0.77%

LAB 83.7, 4.73, 27.1

 

CMYK 0 / 12 / 30 / 1

HEX #FDDEB1

RGB 253 222 177

HSL 35.53, 0.95%, 0.84%

LAB 90, 4.25, 26.03

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 19 / 47 / 36

HEX #A38457

RGB 163 132 87

HSL 35.53, 0.3%, 0.49%

LAB 57.05, 5.8, 28.71

 

CMYK 0 / 22 / 53 / 43

HEX #927244

RGB 146 114 68

HSL 35.38, 0.36%, 0.42%

LAB 50.17, 6.69, 30.13

 

CMYK 0 / 26 / 62 / 49

HEX #816031

RGB 129 96 49

HSL 35.25, 0.45%, 0.35%

LAB 43.14, 7.8, 31.63

 

CMYK 0 / 30 / 73 / 56

HEX #704E1E

RGB 112 78 30

HSL 35.12, 0.58%, 0.28%

LAB 35.96, 9.22, 33.09

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 28 / 41 / 29

HEX #B4826A

RGB 180 130 106

HSL 19.46, 0.33%, 0.56%

LAB 58.7, 16.17, 20.6

 

CMYK 0 / 39 / 41 / 29

HEX #B46E6A

RGB 180 110 106

HSL 3.24, 0.33%, 0.56%

LAB 53.92, 27.32, 14.05

 

CMYK 0 / 41 / 41 / 29

HEX #B46A6A

RGB 180 106 106

HSL 0, 0.33%, 0.56%

LAB 53.01, 29.52, 12.78

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 6 / 41 / 29

HEX #B4AA6A

RGB 180 170 106

HSL 51.89, 0.33%, 0.56%

LAB 69.11, -5.75, 34.25

 

CMYK 6 / 0 / 41 / 29

HEX #AAB46A

RGB 170 180 106

HSL 68.11, 0.33%, 0.56%

LAB 71.03, -15.04, 36.52

 

CMYK 17 / 0 / 41 / 29

HEX #96B46A

RGB 150 180 106

HSL 84.32, 0.33%, 0.56%

LAB 69.59, -22.9, 34.39

 

CMYK 28 / 0 / 41 / 29

HEX #82B46A

RGB 130 180 106

HSL 100.54, 0.33%, 0.56%

LAB 68.34, -30.31, 32.54

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 23 / 56 / 22

HEX #C69958

RGB 198 153 88

HSL 35.45, 0.49%, 0.56%

LAB 66.13, 9.22, 40.27

 

CMYK 0 / 27 / 68 / 15

HEX #D89D45

RGB 216 157 69

HSL 35.92, 0.65%, 0.56%

LAB 68.85, 13.42, 53.15

 

CMYK 0 / 32 / 78 / 8

HEX #EAA033

RGB 234 160 51

HSL 35.74, 0.81%, 0.56%

LAB 71.47, 18.65, 63.93

 

CMYK 0 / 35 / 87 / 1

HEX #FCA421

RGB 252 164 33

HSL 35.89, 0.97%, 0.56%

LAB 74.42, 23.61, 73.01

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 10 / 23 / 36

HEX #A2927C

RGB 162 146 124

HSL 34.74, 0.17%, 0.56%

LAB 61.39, 2.32, 13.84

 

CMYK 0 / 1 / 1 / 44

HEX #908F8E

RGB 144 143 142

HSL 30, 0.01%, 0.56%

LAB 59.46, 0.18, 0.65

 

CMYK 22 / 13 / 0 / 37

HEX #7D8BA0

RGB 125 139 160

HSL 216, 0.16%, 0.56%

LAB 57.43, -0.31, -12.82

 

CMYK 40 / 24 / 0 / 30

HEX #6B88B2

RGB 107 136 178

HSL 215.49, 0.32%, 0.56%

LAB 56.04, 0.64, -25.36

 

CMYK 0 / 39 / 41 / 29

HEX #B46D6A

RGB 180 109 106

HSL 2.43, 0.33%, 0.56%

LAB 53.69, 27.87, 13.73

 

CMYK 0 / 28 / 41 / 29

HEX #B4816A

RGB 180 129 106

HSL 18.65, 0.33%, 0.56%

LAB 58.46, 16.73, 20.26

 

CMYK 0 / 17 / 41 / 29

HEX #B4956A

RGB 180 149 106

HSL 34.86, 0.33%, 0.56%

LAB 63.54, 5.61, 27.04

 

CMYK 0 / 6 / 41 / 29

HEX #B4A96A

RGB 180 169 106

HSL 51.08, 0.33%, 0.56%

LAB 68.84, -5.22, 33.91

 

CMYK 5 / 0 / 41 / 29

HEX #ABB46A

RGB 171 180 106

HSL 67.3, 0.33%, 0.56%

LAB 71.11, -14.64, 36.63

 

CMYK 0 / 20 / 50 / 47

HEX #876C44

RGB 135 108 68

HSL 35.82, 0.33%, 0.4%

LAB 47.36, 5.25, 26.35

 

CMYK 0 / 20 / 49 / 36

HEX #A28252

RGB 162 130 82

HSL 36, 0.33%, 0.48%

LAB 56.34, 5.98, 30.53

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 0 / 13 / 31 / 24

HEX #C2A985

RGB 194 169 133

HSL 35.41, 0.33%, 0.64%

LAB 70.55, 3.71, 21.95

 

CMYK 0 / 9 / 22 / 19

HEX #CFBCA1

RGB 207 188 161

HSL 35.22, 0.32%, 0.72%

LAB 77.16, 2.46, 16.12

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 32 / 0 / 41 / 29

HEX #7AB46A

RGB 122 180 106

HSL 107.03, 0.33%, 0.56%

LAB 67.89, -33.11, 31.87

 

CMYK 34 / 41 / 0 / 29

HEX #776AB4

RGB 119 106 180

HSL 250.54, 0.33%, 0.56%

LAB 48.92, 22.46, -37.55

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 41 / 0 / 17 / 29

HEX #6AB495

RGB 106 180 149

HSL 154.86, 0.33%, 0.56%

LAB 67.93, -30.31, 8.64

 

CMYK 17 / 41 / 0 / 29

HEX #956AB4

RGB 149 106 180

HSL 274.86, 0.33%, 0.56%

LAB 51.83, 31.32, -32.77

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 32 / 0 / 41 / 29

HEX #7AB46A

RGB 122 180 106

HSL 107.03, 0.33%, 0.56%

LAB 67.89, -33.11, 31.87

 

CMYK 41 / 24 / 0 / 29

HEX #6A89B4

RGB 106 137 180

HSL 214.86, 0.33%, 0.56%

LAB 56.34, 0.35, -26.04

 

CMYK 9 / 41 / 0 / 29

HEX #A46AB4

RGB 164 106 180

HSL 287.03, 0.33%, 0.56%

LAB 53.49, 35.93, -30.06

 

CMYK 0 / 17 / 41 / 29

HEX #B4966A

RGB 180 150 106

HSL 35.68, 0.33%, 0.56%

LAB 63.8, 5.06, 27.38

 

CMYK 41 / 0 / 38 / 29

HEX #6AB470

RGB 106 180 112

HSL 124.86, 0.33%, 0.56%

LAB 67.18, -37.39, 27.65

 

CMYK 41 / 24 / 0 / 29

HEX #6A89B4

RGB 106 137 180

HSL 214.86, 0.33%, 0.56%

LAB 56.34, 0.35, -26.04

 

CMYK 0 / 41 / 3 / 29

HEX #B46AAE

RGB 180 106 174

HSL 304.86, 0.33%, 0.56%

LAB 55.14, 39.79, -23.88

 

Description

Color code: HEX #B4966A | qconv.com Color code: HEX #B4966A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 150 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 150 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 41 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 41% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Albatros
Link: http://albatrosqc.bandcamp.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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