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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48C10 it is the complementary color #4B73EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48C10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48C10 shade: #B98C0B, #CA9E1E, #DBB031, #ECC244 and #FDD457

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48C10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48C10 shade: #B48C10, #A37A00, #926800, #815600 and #704400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48C10 shade: #B28B10, #B25F10, #B23310 and #B21010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48C10 shade: #B28B10, #AEB210, #82B210, #56B210 and #2AB210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48C10 shade matches the following richer shades: #B28B10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48C10 shade: #B28B10, #A3831F, #937B2F, #83733F and #746A4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48C10 shade: #B23310, #B25E10, #B28A10, #B0B210 and #84B210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48C10 shade: #665009, #8C6D0C, #B28B10, #D8A813 and #ECBC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48C10 shade: #B48C10, #18B210 and #4810B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48C10 shade: #B48C10, #10B28A and #8A10B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48C10 shade: #B48C10, #18B210, #1038B2 and #AA10B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48C10 shade: #B48C10, #10B238, #1038B2 and #B2108A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

Complementary color

CMYK 69 / 52 / 0 / 6

HEX #4B73EF

RGB 75 115 239

HSL 225.37, 0.84%, 0.62%

LAB 51.83, 26.35, -66.65

 

CMYK 0 / 24 / 94 / 27

HEX #B98C0B

RGB 185 140 11

HSL 44.48, 0.89%, 0.38%

LAB 60.87, 7.01, 64

 

CMYK 0 / 22 / 85 / 21

HEX #CA9E1E

RGB 202 158 30

HSL 44.65, 0.74%, 0.45%

LAB 67.35, 5.2, 65.75

 

CMYK 0 / 20 / 78 / 14

HEX #DBB031

RGB 219 176 49

HSL 44.82, 0.7%, 0.53%

LAB 73.76, 3.64, 66.17

 

CMYK 0 / 18 / 71 / 7

HEX #ECC244

RGB 236 194 68

HSL 45, 0.82%, 0.6%

LAB 80.09, 2.31, 65.83

 

CMYK 0 / 16 / 66 / 1

HEX #FDD457

RGB 253 212 87

HSL 45.18, 0.98%, 0.67%

LAB 86.33, 1.16, 65.06

 

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

CMYK 0 / 25 / 100 / 36

HEX #A37A00

RGB 163 122 0

HSL 44.91, 1%, 0.32%

LAB 53.71, 6.8, 59.61

 

CMYK 0 / 29 / 100 / 43

HEX #926800

RGB 146 104 0

HSL 42.74, 1%, 0.29%

LAB 46.99, 9.12, 54.09

 

CMYK 0 / 33 / 100 / 49

HEX #815600

RGB 129 86 0

HSL 40, 1%, 0.25%

LAB 40.12, 11.57, 48.46

 

CMYK 0 / 39 / 100 / 56

HEX #704400

RGB 112 68 0

HSL 36.43, 1%, 0.22%

LAB 33.09, 14.16, 42.73

 

CMYK 0 / 22 / 91 / 30

HEX #B28B10

RGB 178 139 16

HSL 45.56, 0.84%, 0.38%

LAB 59.86, 4.46, 62.01

 

CMYK 0 / 47 / 91 / 30

HEX #B25F10

RGB 178 95 16

HSL 29.26, 0.84%, 0.38%

LAB 49.11, 28.85, 53.83

 

CMYK 0 / 71 / 91 / 30

HEX #B23310

RGB 178 51 16

HSL 12.96, 0.84%, 0.38%

LAB 41.01, 49.86, 47.85

 

CMYK 0 / 91 / 91 / 30

HEX #B21010

RGB 178 16 16

HSL 0, 0.84%, 0.38%

LAB 37.61, 59.4, 45.43

 

CMYK 0 / 22 / 91 / 30

HEX #B28B10

RGB 178 139 16

HSL 45.56, 0.84%, 0.38%

LAB 59.86, 4.46, 62.01

 

CMYK 2 / 0 / 91 / 30

HEX #AEB210

RGB 174 178 16

HSL 61.48, 0.84%, 0.38%

LAB 70.09, -18, 69.8

 

CMYK 27 / 0 / 91 / 30

HEX #82B210

RGB 130 178 16

HSL 77.78, 0.84%, 0.38%

LAB 66.99, -36.44, 66.02

 

CMYK 52 / 0 / 91 / 30

HEX #56B210

RGB 86 178 16

HSL 94.07, 0.84%, 0.38%

LAB 64.85, -51.83, 63.38

 

CMYK 76 / 0 / 91 / 30

HEX #2AB210

RGB 42 178 16

HSL 110.37, 0.84%, 0.38%

LAB 63.65, -61.77, 61.88

 

CMYK 0 / 22 / 91 / 30

HEX #B28B10

RGB 178 139 16

HSL 45.56, 0.84%, 0.38%

LAB 59.86, 4.46, 62.01

 

CMYK 0 / 22 / 91 / 30

HEX #B28B10

RGB 178 139 16

HSL 45.56, 0.84%, 0.38%

LAB 59.86, 4.46, 62.01

 

CMYK 0 / 20 / 81 / 36

HEX #A3831F

RGB 163 131 31

HSL 45.45, 0.68%, 0.38%

LAB 56.21, 2.44, 54.26

 

CMYK 0 / 16 / 68 / 42

HEX #937B2F

RGB 147 123 47

HSL 45.6, 0.52%, 0.38%

LAB 52.48, 0.37, 43.58

 

CMYK 0 / 12 / 52 / 49

HEX #83733F

RGB 131 115 63

HSL 45.88, 0.35%, 0.38%

LAB 48.82, -1.09, 30.85

 

CMYK 0 / 9 / 33 / 55

HEX #746A4E

RGB 116 106 78

HSL 44.21, 0.2%, 0.38%

LAB 45.04, -0.75, 17.18

 

CMYK 0 / 71 / 91 / 30

HEX #B23310

RGB 178 51 16

HSL 12.96, 0.84%, 0.38%

LAB 41.01, 49.86, 47.85

 

CMYK 0 / 47 / 91 / 30

HEX #B25E10

RGB 178 94 16

HSL 28.89, 0.84%, 0.38%

LAB 48.89, 29.39, 53.66

 

CMYK 0 / 22 / 91 / 30

HEX #B28A10

RGB 178 138 16

HSL 45.19, 0.84%, 0.38%

LAB 59.6, 5.02, 61.81

 

CMYK 1 / 0 / 91 / 30

HEX #B0B210

RGB 176 178 16

HSL 60.74, 0.84%, 0.38%

LAB 70.25, -17.12, 70

 

CMYK 26 / 0 / 91 / 30

HEX #84B210

RGB 132 178 16

HSL 77.04, 0.84%, 0.38%

LAB 67.11, -35.65, 66.17

 

CMYK 0 / 22 / 91 / 60

HEX #665009

RGB 102 80 9

HSL 45.81, 0.84%, 0.22%

LAB 35.17, 2.15, 40.57

 

CMYK 0 / 22 / 91 / 45

HEX #8C6D0C

RGB 140 109 12

HSL 45.47, 0.84%, 0.3%

LAB 47.67, 3.62, 51.62

 

CMYK 0 / 22 / 91 / 30

HEX #B28B10

RGB 178 139 16

HSL 45.56, 0.84%, 0.38%

LAB 59.86, 4.46, 62.01

 

CMYK 0 / 22 / 91 / 15

HEX #D8A813

RGB 216 168 19

HSL 45.38, 0.84%, 0.46%

LAB 71.32, 5.79, 71.94

 

CMYK 0 / 20 / 83 / 7

HEX #ECBC28

RGB 236 188 40

HSL 45.31, 0.84%, 0.54%

LAB 78.43, 4.39, 73.71

 

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

CMYK 87 / 0 / 91 / 30

HEX #18B210

RGB 24 178 16

HSL 117.04, 0.84%, 0.38%

LAB 63.4, -63.95, 61.58

 

CMYK 60 / 91 / 0 / 30

HEX #4810B2

RGB 72 16 178

HSL 260.74, 0.84%, 0.38%

LAB 26.63, 59.13, -72.67

 

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

CMYK 91 / 0 / 22 / 30

HEX #10B28A

RGB 16 178 138

HSL 165.19, 0.84%, 0.38%

LAB 64.79, -47.31, 9.92

 

CMYK 22 / 91 / 0 / 30

HEX #8A10B2

RGB 138 16 178

HSL 285.19, 0.84%, 0.38%

LAB 35.96, 66.85, -57

 

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

CMYK 87 / 0 / 91 / 30

HEX #18B210

RGB 24 178 16

HSL 117.04, 0.84%, 0.38%

LAB 63.4, -63.95, 61.58

 

CMYK 91 / 69 / 0 / 30

HEX #1038B2

RGB 16 56 178

HSL 225.19, 0.84%, 0.38%

LAB 29.79, 35.97, -67.55

 

CMYK 4 / 91 / 0 / 30

HEX #AA10B2

RGB 170 16 178

HSL 297.04, 0.84%, 0.38%

LAB 41.42, 71.98, -47.9

 

CMYK 0 / 22 / 91 / 29

HEX #B48C10

RGB 180 140 16

HSL 45.37, 0.84%, 0.38%

LAB 60.34, 4.82, 62.47

 

CMYK 91 / 0 / 69 / 30

HEX #10B238

RGB 16 178 56

HSL 134.81, 0.84%, 0.38%

LAB 63.54, -61.97, 49.77

 

CMYK 91 / 69 / 0 / 30

HEX #1038B2

RGB 16 56 178

HSL 225.19, 0.84%, 0.38%

LAB 29.79, 35.97, -67.55

 

CMYK 0 / 91 / 22 / 30

HEX #B2108A

RGB 178 16 138

HSL 314.81, 0.84%, 0.38%

LAB 40.69, 67.83, -24.86

 

Description

Color code: HEX #B48C10 | qconv.com Color code: HEX #B48C10 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 140 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 140 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 91 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 91% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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