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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48832 it is the complementary color #4B77CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48832. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48832 shade: #B9882D, #CA9A40, #DBAC53, #ECBE66 and #FDD079

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48832. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48832 shade: #B48832, #A3761F, #92640C, #815200 and #704000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48832 shade: #B48831, #B46531, #B44131 and #B43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48832 shade: #B48831, #B4AB31, #9AB431, #77B431 and #53B431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48832 shade matches the following richer shades: #B48831, #C78E1F and #D9940C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48832 shade: #B48831, #A28244, #8F7C56, #7C7669 and #6A707C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48832 shade: #B44131, #B46331, #B48631, #B4A931 and #9CB431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48832 shade: #735720, #946F28, #B48831, #CC9D43 and #D4AE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48832 shade: #B48832, #45B431 and #5231B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48832 shade: #B48832, #31B486 and #8631B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48832 shade: #B48832, #45B431, #315FB4 and #A131B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48832 shade: #B48832, #31B445, #315FB4 and #B431A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

Complementary color

CMYK 63 / 42 / 0 / 20

HEX #4B77CD

RGB 75 119 205

HSL 219.69, 0.57%, 0.55%

LAB 50.8, 12.01, -49.12

 

CMYK 0 / 26 / 76 / 27

HEX #B9882D

RGB 185 136 45

HSL 39, 0.61%, 0.45%

LAB 59.99, 10.17, 53.4

 

CMYK 0 / 24 / 68 / 21

HEX #CA9A40

RGB 202 154 64

HSL 39.13, 0.57%, 0.52%

LAB 66.55, 8.74, 52.5

 

CMYK 0 / 21 / 62 / 14

HEX #DBAC53

RGB 219 172 83

HSL 39.26, 0.65%, 0.59%

LAB 73.02, 7.52, 51.33

 

CMYK 0 / 19 / 57 / 7

HEX #ECBE66

RGB 236 190 102

HSL 39.4, 0.78%, 0.66%

LAB 79.4, 6.48, 50.06

 

CMYK 0 / 18 / 52 / 1

HEX #FDD079

RGB 253 208 121

HSL 39.55, 0.97%, 0.73%

LAB 85.69, 5.58, 48.78

 

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

CMYK 0 / 28 / 81 / 36

HEX #A3761F

RGB 163 118 31

HSL 39.55, 0.68%, 0.38%

LAB 52.78, 9.75, 51.17

 

CMYK 0 / 32 / 92 / 43

HEX #92640C

RGB 146 100 12

HSL 39.4, 0.85%, 0.31%

LAB 45.98, 11.65, 50.6

 

CMYK 0 / 36 / 100 / 49

HEX #815200

RGB 129 82 0

HSL 38.14, 1%, 0.25%

LAB 39.07, 13.94, 47.77

 

CMYK 0 / 43 / 100 / 56

HEX #704000

RGB 112 64 0

HSL 34.29, 1%, 0.22%

LAB 32.06, 16.58, 42.06

 

CMYK 0 / 24 / 73 / 29

HEX #B48831

RGB 180 136 49

HSL 39.85, 0.57%, 0.45%

LAB 59.46, 8.13, 51.02

 

CMYK 0 / 44 / 73 / 29

HEX #B46531

RGB 180 101 49

HSL 23.82, 0.57%, 0.45%

LAB 50.96, 27.55, 42.18

 

CMYK 0 / 64 / 73 / 29

HEX #B44131

RGB 180 65 49

HSL 7.33, 0.57%, 0.45%

LAB 43.81, 45.76, 34.33

 

CMYK 0 / 73 / 73 / 29

HEX #B43131

RGB 180 49 49

HSL 0, 0.57%, 0.45%

LAB 41.41, 52.28, 31.59

 

CMYK 0 / 24 / 73 / 29

HEX #B48831

RGB 180 136 49

HSL 39.85, 0.57%, 0.45%

LAB 59.46, 8.13, 51.02

 

CMYK 0 / 5 / 73 / 29

HEX #B4AB31

RGB 180 171 49

HSL 55.88, 0.57%, 0.45%

LAB 68.79, -10.74, 60.19

 

CMYK 14 / 0 / 73 / 29

HEX #9AB431

RGB 154 180 49

HSL 71.91, 0.57%, 0.45%

LAB 69.28, -26.39, 59.97

 

CMYK 34 / 0 / 73 / 29

HEX #77B431

RGB 119 180 49

HSL 87.94, 0.57%, 0.45%

LAB 67.12, -40.12, 57.11

 

CMYK 54 / 0 / 73 / 29

HEX #53B431

RGB 83 180 49

HSL 104.43, 0.57%, 0.45%

LAB 65.52, -51.79, 54.98

 

CMYK 0 / 24 / 73 / 29

HEX #B48831

RGB 180 136 49

HSL 39.85, 0.57%, 0.45%

LAB 59.46, 8.13, 51.02

 

CMYK 0 / 29 / 84 / 22

HEX #C78E1F

RGB 199 142 31

HSL 39.64, 0.73%, 0.45%

LAB 63, 12.58, 61.7

 

CMYK 0 / 32 / 94 / 15

HEX #D9940C

RGB 217 148 12

HSL 39.8, 0.9%, 0.45%

LAB 66.49, 16.85, 69.57

 

CMYK 0 / 24 / 73 / 29

HEX #B48831

RGB 180 136 49

HSL 39.85, 0.57%, 0.45%

LAB 59.46, 8.13, 51.02

 

CMYK 0 / 20 / 58 / 36

HEX #A28244

RGB 162 130 68

HSL 39.57, 0.41%, 0.45%

LAB 56.15, 4.71, 37.76

 

CMYK 0 / 13 / 40 / 44

HEX #8F7C56

RGB 143 124 86

HSL 40, 0.25%, 0.45%

LAB 52.87, 1.61, 23.45

 

CMYK 0 / 5 / 15 / 51

HEX #7C7669

RGB 124 118 105

HSL 41.05, 0.08%, 0.45%

LAB 49.81, -0.09, 7.98

 

CMYK 15 / 10 / 0 / 51

HEX #6A707C

RGB 106 112 124

HSL 220, 0.08%, 0.45%

LAB 47.12, 0.39, -7.4

 

CMYK 0 / 64 / 73 / 29

HEX #B44131

RGB 180 65 49

HSL 7.33, 0.57%, 0.45%

LAB 43.81, 45.76, 34.33

 

CMYK 0 / 45 / 73 / 29

HEX #B46331

RGB 180 99 49

HSL 22.9, 0.57%, 0.45%

LAB 50.51, 28.64, 41.71

 

CMYK 0 / 26 / 73 / 29

HEX #B48631

RGB 180 134 49

HSL 38.93, 0.57%, 0.45%

LAB 58.95, 9.24, 50.5

 

CMYK 0 / 6 / 73 / 29

HEX #B4A931

RGB 180 169 49

HSL 54.96, 0.57%, 0.45%

LAB 68.24, -9.7, 59.67

 

CMYK 13 / 0 / 73 / 29

HEX #9CB431

RGB 156 180 49

HSL 70.99, 0.57%, 0.45%

LAB 69.42, -25.56, 60.15

 

CMYK 0 / 24 / 72 / 55

HEX #735720

RGB 115 87 32

HSL 39.76, 0.56%, 0.29%

LAB 38.84, 5.35, 35.24

 

CMYK 0 / 25 / 73 / 42

HEX #946F28

RGB 148 111 40

HSL 39.44, 0.57%, 0.37%

LAB 49.27, 7.26, 43.48

 

CMYK 0 / 24 / 73 / 29

HEX #B48831

RGB 180 136 49

HSL 39.85, 0.57%, 0.45%

LAB 59.46, 8.13, 51.02

 

CMYK 0 / 23 / 67 / 20

HEX #CC9D43

RGB 204 157 67

HSL 39.42, 0.57%, 0.53%

LAB 67.54, 8.15, 52.27

 

CMYK 0 / 18 / 53 / 17

HEX #D4AE64

RGB 212 174 100

HSL 39.64, 0.57%, 0.61%

LAB 73.02, 4.81, 42.85

 

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

CMYK 62 / 0 / 73 / 29

HEX #45B431

RGB 69 180 49

HSL 110.84, 0.57%, 0.45%

LAB 65.07, -55.38, 54.38

 

CMYK 54 / 73 / 0 / 29

HEX #5231B4

RGB 82 49 180

HSL 255.11, 0.57%, 0.45%

LAB 32.45, 47.56, -64.23

 

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

CMYK 73 / 0 / 26 / 29

HEX #31B486

RGB 49 180 134

HSL 158.93, 0.57%, 0.45%

LAB 65.76, -45.93, 13.54

 

CMYK 26 / 73 / 0 / 29

HEX #8631B4

RGB 134 49 180

HSL 278.93, 0.57%, 0.45%

LAB 38.83, 56.88, -53.56

 

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

CMYK 62 / 0 / 73 / 29

HEX #45B431

RGB 69 180 49

HSL 110.84, 0.57%, 0.45%

LAB 65.07, -55.38, 54.38

 

CMYK 73 / 47 / 0 / 29

HEX #315FB4

RGB 49 95 180

HSL 218.93, 0.57%, 0.45%

LAB 41.43, 13.97, -49.75

 

CMYK 11 / 73 / 0 / 29

HEX #A131B4

RGB 161 49 180

HSL 291.3, 0.57%, 0.45%

LAB 42.87, 62.44, -46.86

 

CMYK 0 / 24 / 72 / 29

HEX #B48832

RGB 180 136 50

HSL 39.69, 0.57%, 0.45%

LAB 59.47, 8.18, 50.59

 

CMYK 73 / 0 / 62 / 29

HEX #31B445

RGB 49 180 69

HSL 129.16, 0.57%, 0.45%

LAB 64.74, -57.42, 45.63

 

CMYK 73 / 47 / 0 / 29

HEX #315FB4

RGB 49 95 180

HSL 218.93, 0.57%, 0.45%

LAB 41.43, 13.97, -49.75

 

CMYK 0 / 73 / 11 / 29

HEX #B431A1

RGB 180 49 161

HSL 308.7, 0.57%, 0.45%

LAB 44.9, 63.52, -32.16

 

Description

Color code: HEX #B48832 | qconv.com Color code: HEX #B48832 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 136 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 136 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 72 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 72% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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