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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B487A8 it is the complementary color #4B7857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B487A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B487A8 shade: #B987A3, #CA99B6, #DBABC9, #ECBDDC and #FDCFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B487A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B487A8 shade: #B487A8, #A37595, #926382, #81516F and #703F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B487A8 shade: #B487A8, #B4879C, #B48790 and #B48787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B487A8 shade: #B487A8, #B487B4, #A887B4, #9C87B4 and #9087B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B487A8 shade matches the following richer shades: #B487A8, #C478AF, #D368B7, #E358BE and #F349C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B487A8 shade: #B487A8, #A497A1, #95A799, #85B692 and #75C68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B487A8 shade: #A887B4, #B487B4, #B487A8, #B4879C and #B48790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B487A8 shade: #8F5981, #A46E96, #B487A8, #C4A1BA and #D4BACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B487A8 shade: #B487A8, #B49C87 and #87B4AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B487A8 shade: #B487A8, #A8B487 and #87A8B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B487A8 shade: #B487A8, #B49C87, #87B493 and #879FB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B487A8 shade: #B487A8, #B4A987, #87B493 and #8792B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

Complementary color

CMYK 38 / 0 / 28 / 53

HEX #4B7857

RGB 75 120 87

HSL 136, 0.23%, 0.38%

LAB 46.47, -23.12, 13.35

 

CMYK 0 / 27 / 12 / 27

HEX #B987A3

RGB 185 135 163

HSL 326.4, 0.26%, 0.63%

LAB 61.9, 23.56, -7.28

 

CMYK 0 / 24 / 10 / 21

HEX #CA99B6

RGB 202 153 182

HSL 324.49, 0.32%, 0.7%

LAB 68.55, 22.93, -7.91

 

CMYK 0 / 22 / 8 / 14

HEX #DBABC9

RGB 219 171 201

HSL 322.5, 0.4%, 0.76%

LAB 75.08, 22.35, -8.51

 

CMYK 0 / 20 / 7 / 7

HEX #ECBDDC

RGB 236 189 220

HSL 320.43, 0.55%, 0.83%

LAB 81.51, 21.81, -9.07

 

CMYK 0 / 18 / 6 / 1

HEX #FDCFEF

RGB 253 207 239

HSL 318.26, 0.92%, 0.9%

LAB 87.84, 21.32, -9.61

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 28 / 9 / 36

HEX #A37595

RGB 163 117 149

HSL 318.26, 0.2%, 0.55%

LAB 54.74, 23.32, -10.16

 

CMYK 0 / 32 / 11 / 43

HEX #926382

RGB 146 99 130

HSL 320.43, 0.19%, 0.48%

LAB 47.81, 24.05, -9.54

 

CMYK 0 / 37 / 14 / 49

HEX #81516F

RGB 129 81 111

HSL 322.5, 0.23%, 0.41%

LAB 40.73, 24.84, -8.84

 

CMYK 0 / 44 / 18 / 56

HEX #703F5C

RGB 112 63 92

HSL 324.49, 0.28%, 0.34%

LAB 33.5, 25.7, -8.01

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 25 / 13 / 29

HEX #B4879C

RGB 180 135 156

HSL 332, 0.23%, 0.62%

LAB 61.16, 20.55, -4.45

 

CMYK 0 / 25 / 20 / 29

HEX #B48790

RGB 180 135 144

HSL 348, 0.23%, 0.62%

LAB 60.82, 18.59, 1.91

 

CMYK 0 / 25 / 25 / 29

HEX #B48787

RGB 180 135 135

HSL 0, 0.23%, 0.62%

LAB 60.59, 17.21, 6.71

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 25 / 0 / 29

HEX #B487B4

RGB 180 135 180

HSL 300, 0.23%, 0.62%

LAB 61.93, 24.91, -16.94

 

CMYK 7 / 25 / 0 / 29

HEX #A887B4

RGB 168 135 180

HSL 284, 0.23%, 0.62%

LAB 60.74, 20.84, -18.87

 

CMYK 13 / 25 / 0 / 29

HEX #9C87B4

RGB 156 135 180

HSL 268, 0.23%, 0.62%

LAB 59.61, 16.83, -20.7

 

CMYK 20 / 25 / 0 / 29

HEX #9087B4

RGB 144 135 180

HSL 252, 0.23%, 0.62%

LAB 58.56, 12.91, -22.4

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 39 / 11 / 23

HEX #C478AF

RGB 196 120 175

HSL 316.58, 0.39%, 0.62%

LAB 60.13, 37.67, -16.67

 

CMYK 0 / 51 / 13 / 17

HEX #D368B7

RGB 211 104 183

HSL 315.7, 0.55%, 0.62%

LAB 59.13, 51.98, -22.59

 

CMYK 0 / 61 / 16 / 11

HEX #E358BE

RGB 227 88 190

HSL 315.97, 0.71%, 0.62%

LAB 59, 64.86, -26.61

 

CMYK 0 / 70 / 19 / 5

HEX #F349C5

RGB 243 73 197

HSL 316.24, 0.88%, 0.62%

LAB 59.75, 75.54, -29.24

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 8 / 2 / 36

HEX #A497A1

RGB 164 151 161

HSL 313.85, 0.07%, 0.62%

LAB 63.83, 6.63, -3.51

 

CMYK 11 / 0 / 8 / 35

HEX #95A799

RGB 149 167 153

HSL 133.33, 0.09%, 0.62%

LAB 66.77, -9.06, 5.1

 

CMYK 27 / 0 / 20 / 29

HEX #85B692

RGB 133 182 146

HSL 135.92, 0.25%, 0.62%

LAB 69.84, -23.65, 13.18

 

CMYK 41 / 0 / 30 / 22

HEX #75C68B

RGB 117 198 139

HSL 136.3, 0.42%, 0.62%

LAB 73.57, -37.54, 21.99

 

CMYK 7 / 25 / 0 / 29

HEX #A887B4

RGB 168 135 180

HSL 284, 0.23%, 0.62%

LAB 60.74, 20.84, -18.87

 

CMYK 0 / 25 / 0 / 29

HEX #B487B4

RGB 180 135 180

HSL 300, 0.23%, 0.62%

LAB 61.93, 24.91, -16.94

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 25 / 13 / 29

HEX #B4879C

RGB 180 135 156

HSL 332, 0.23%, 0.62%

LAB 61.16, 20.55, -4.45

 

CMYK 0 / 25 / 20 / 29

HEX #B48790

RGB 180 135 144

HSL 348, 0.23%, 0.62%

LAB 60.82, 18.59, 1.91

 

CMYK 0 / 38 / 10 / 44

HEX #8F5981

RGB 143 89 129

HSL 315.56, 0.23%, 0.45%

LAB 45.04, 28.55, -13.15

 

CMYK 0 / 33 / 9 / 36

HEX #A46E96

RGB 164 110 150

HSL 315.56, 0.23%, 0.54%

LAB 53.22, 27.84, -13.02

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 18 / 5 / 23

HEX #C4A1BA

RGB 196 161 186

HSL 317.14, 0.23%, 0.7%

LAB 70.01, 17.12, -8.01

 

CMYK 0 / 12 / 3 / 17

HEX #D4BACD

RGB 212 186 205

HSL 316.15, 0.23%, 0.78%

LAB 78.18, 12.53, -6.15

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 13 / 25 / 29

HEX #B49C87

RGB 180 156 135

HSL 28, 0.23%, 0.62%

LAB 65.93, 5.54, 14.26

 

CMYK 25 / 0 / 3 / 29

HEX #87B4AE

RGB 135 180 174

HSL 172, 0.23%, 0.62%

LAB 70.07, -16.22, -1.83

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 7 / 0 / 25 / 29

HEX #A8B487

RGB 168 180 135

HSL 76, 0.23%, 0.62%

LAB 71.36, -12, 21.61

 

CMYK 25 / 7 / 0 / 29

HEX #87A8B4

RGB 135 168 180

HSL 196, 0.23%, 0.62%

LAB 66.86, -8.49, -9.89

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 13 / 25 / 29

HEX #B49C87

RGB 180 156 135

HSL 28, 0.23%, 0.62%

LAB 65.93, 5.54, 14.26

 

CMYK 25 / 0 / 18 / 29

HEX #87B493

RGB 135 180 147

HSL 136, 0.23%, 0.62%

LAB 69.4, -21.79, 12.03

 

CMYK 25 / 12 / 0 / 29

HEX #879FB4

RGB 135 159 180

HSL 208, 0.23%, 0.62%

LAB 64.36, -3.57, -13.65

 

CMYK 0 / 25 / 7 / 29

HEX #B487A8

RGB 180 135 168

HSL 316, 0.23%, 0.62%

LAB 61.53, 22.67, -10.73

 

CMYK 0 / 6 / 25 / 29

HEX #B4A987

RGB 180 169 135

HSL 45.33, 0.23%, 0.62%

LAB 69.35, -1.54, 19.01

 

CMYK 25 / 0 / 18 / 29

HEX #87B493

RGB 135 180 147

HSL 136, 0.23%, 0.62%

LAB 69.4, -21.79, 12.03

 

CMYK 25 / 19 / 0 / 29

HEX #8792B4

RGB 135 146 180

HSL 225.33, 0.23%, 0.62%

LAB 60.79, 3.73, -19.06

 

Description

Color code: HEX #B487A8 | qconv.com Color code: HEX #B487A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 135 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 135 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 7% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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