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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B486A4 it is the complementary color #4B795B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B486A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B486A4 shade: #B9869F, #CA98B2, #DBAAC5, #ECBCD8 and #FDCEEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B486A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B486A4 shade: #B486A4, #A37491, #92627E, #81506B and #703E58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B486A4 shade: #B488A5, #B48899, #B4888D and #B48888

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B486A4 shade: #B488A5, #B488B1, #AC88B4, #A088B4 and #9488B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B486A4 shade matches the following richer shades: #B488A5, #C478AA, #D468AE, #E359B3 and #F349B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B486A4 shade: #B488A5, #A597A0, #95A79B, #85B797 and #76C792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B486A4 shade: #AB88B4, #B488B1, #B488A6, #B4889A and #B4888E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B486A4 shade: #905A7D, #A56E92, #B488A5, #C4A1B8 and #D4BBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B486A4 shade: #B486A4, #B4A088 and #88B4B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B486A4 shade: #B486A4, #A6B488 and #88A6B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B486A4 shade: #B486A4, #B4A088, #88B497 and #889DB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B486A4 shade: #B486A4, #B4AD88, #88B497 and #888FB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

Complementary color

CMYK 38 / 0 / 25 / 53

HEX #4B795B

RGB 75 121 91

HSL 140.87, 0.23%, 0.38%

LAB 46.88, -22.81, 11.57

 

CMYK 0 / 28 / 14 / 27

HEX #B9869F

RGB 185 134 159

HSL 330.59, 0.27%, 0.63%

LAB 61.54, 23.44, -5.54

 

CMYK 0 / 25 / 12 / 21

HEX #CA98B2

RGB 202 152 178

HSL 328.8, 0.32%, 0.69%

LAB 68.19, 22.8, -6.21

 

CMYK 0 / 22 / 10 / 14

HEX #DBAAC5

RGB 219 170 197

HSL 326.94, 0.4%, 0.76%

LAB 74.72, 22.21, -6.84

 

CMYK 0 / 20 / 8 / 7

HEX #ECBCD8

RGB 236 188 216

HSL 325, 0.56%, 0.83%

LAB 81.16, 21.66, -7.44

 

CMYK 0 / 19 / 7 / 1

HEX #FDCEEB

RGB 253 206 235

HSL 322.98, 0.92%, 0.9%

LAB 87.5, 21.16, -8.01

 

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

CMYK 0 / 29 / 11 / 36

HEX #A37491

RGB 163 116 145

HSL 322.98, 0.2%, 0.55%

LAB 54.37, 23.18, -8.39

 

CMYK 0 / 33 / 14 / 43

HEX #92627E

RGB 146 98 126

HSL 325, 0.2%, 0.48%

LAB 47.43, 23.91, -7.71

 

CMYK 0 / 38 / 17 / 49

HEX #81506B

RGB 129 80 107

HSL 326.94, 0.23%, 0.41%

LAB 40.35, 24.72, -6.94

 

CMYK 0 / 45 / 21 / 56

HEX #703E58

RGB 112 62 88

HSL 328.8, 0.29%, 0.34%

LAB 33.12, 25.6, -6.03

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 24 / 15 / 29

HEX #B48899

RGB 180 136 153

HSL 336.82, 0.23%, 0.62%

LAB 61.32, 19.49, -2.5

 

CMYK 0 / 24 / 22 / 29

HEX #B4888D

RGB 180 136 141

HSL 353.18, 0.23%, 0.62%

LAB 60.99, 17.56, 3.86

 

CMYK 0 / 24 / 24 / 29

HEX #B48888

RGB 180 136 136

HSL 0, 0.23%, 0.62%

LAB 60.86, 16.8, 6.53

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 24 / 2 / 29

HEX #B488B1

RGB 180 136 177

HSL 304.09, 0.23%, 0.62%

LAB 62.07, 23.78, -15.03

 

CMYK 4 / 24 / 0 / 29

HEX #AC88B4

RGB 172 136 180

HSL 289.09, 0.23%, 0.62%

LAB 61.37, 21.63, -17.87

 

CMYK 11 / 24 / 0 / 29

HEX #A088B4

RGB 160 136 180

HSL 272.73, 0.23%, 0.62%

LAB 60.23, 17.59, -19.72

 

CMYK 18 / 24 / 0 / 29

HEX #9488B4

RGB 148 136 180

HSL 256.36, 0.23%, 0.62%

LAB 59.16, 13.63, -21.45

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 39 / 13 / 23

HEX #C478AA

RGB 196 120 170

HSL 320.53, 0.39%, 0.62%

LAB 59.95, 36.83, -14.07

 

CMYK 0 / 51 / 18 / 17

HEX #D468AE

RGB 212 104 174

HSL 321.11, 0.56%, 0.62%

LAB 58.93, 50.91, -17.72

 

CMYK 0 / 61 / 21 / 11

HEX #E359B3

RGB 227 89 179

HSL 320.87, 0.71%, 0.62%

LAB 58.72, 62.9, -20.71

 

CMYK 0 / 70 / 24 / 5

HEX #F349B8

RGB 243 73 184

HSL 320.82, 0.88%, 0.62%

LAB 59.23, 73.88, -22.59

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 8 / 3 / 35

HEX #A597A0

RGB 165 151 160

HSL 321.43, 0.07%, 0.62%

LAB 63.89, 6.8, -2.85

 

CMYK 11 / 0 / 7 / 35

HEX #95A79B

RGB 149 167 155

HSL 140, 0.09%, 0.62%

LAB 66.82, -8.68, 4.06

 

CMYK 27 / 0 / 17 / 28

HEX #85B797

RGB 133 183 151

HSL 141.6, 0.26%, 0.62%

LAB 70.24, -23.18, 11.02

 

CMYK 41 / 0 / 27 / 22

HEX #76C792

RGB 118 199 146

HSL 140.74, 0.42%, 0.62%

LAB 74.04, -36.41, 18.93

 

CMYK 5 / 24 / 0 / 29

HEX #AB88B4

RGB 171 136 180

HSL 287.73, 0.23%, 0.62%

LAB 61.27, 21.29, -18.03

 

CMYK 0 / 24 / 2 / 29

HEX #B488B1

RGB 180 136 177

HSL 304.09, 0.23%, 0.62%

LAB 62.07, 23.78, -15.03

 

CMYK 0 / 24 / 8 / 29

HEX #B488A6

RGB 180 136 166

HSL 319.09, 0.23%, 0.62%

LAB 61.71, 21.74, -9.33

 

CMYK 0 / 24 / 14 / 29

HEX #B4889A

RGB 180 136 154

HSL 335.45, 0.23%, 0.62%

LAB 61.35, 19.65, -3.03

 

CMYK 0 / 24 / 21 / 29

HEX #B4888E

RGB 180 136 142

HSL 351.82, 0.23%, 0.62%

LAB 61.01, 17.71, 3.33

 

CMYK 0 / 38 / 13 / 44

HEX #905A7D

RGB 144 90 125

HSL 321.11, 0.23%, 0.46%

LAB 45.25, 27.62, -10.4

 

CMYK 0 / 33 / 12 / 35

HEX #A56E92

RGB 165 110 146

HSL 320.73, 0.23%, 0.54%

LAB 53.2, 27.48, -10.7

 

CMYK 0 / 24 / 8 / 29

HEX #B488A5

RGB 180 136 165

HSL 320.45, 0.23%, 0.62%

LAB 61.68, 21.56, -8.81

 

CMYK 0 / 18 / 6 / 23

HEX #C4A1B8

RGB 196 161 184

HSL 320.57, 0.23%, 0.7%

LAB 69.96, 16.76, -6.99

 

CMYK 0 / 12 / 4 / 17

HEX #D4BBCB

RGB 212 187 203

HSL 321.6, 0.23%, 0.78%

LAB 78.37, 11.64, -4.78

 

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

CMYK 0 / 11 / 24 / 29

HEX #B4A088

RGB 180 160 136

HSL 32.73, 0.23%, 0.62%

LAB 66.99, 3.49, 15.2

 

CMYK 24 / 0 / 2 / 29

HEX #88B4B1

RGB 136 180 177

HSL 175.91, 0.23%, 0.62%

LAB 70.21, -15.24, -3.26

 

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

CMYK 8 / 0 / 24 / 29

HEX #A6B488

RGB 166 180 136

HSL 79.09, 0.23%, 0.62%

LAB 71.23, -12.6, 20.87

 

CMYK 24 / 8 / 0 / 29

HEX #88A6B4

RGB 136 166 180

HSL 199.09, 0.23%, 0.62%

LAB 66.37, -7.1, -10.62

 

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

CMYK 0 / 11 / 24 / 29

HEX #B4A088

RGB 180 160 136

HSL 32.73, 0.23%, 0.62%

LAB 66.99, 3.49, 15.2

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 24 / 13 / 0 / 29

HEX #889DB4

RGB 136 157 180

HSL 211.36, 0.23%, 0.62%

LAB 63.87, -2.15, -14.37

 

CMYK 0 / 26 / 9 / 29

HEX #B486A4

RGB 180 134 164

HSL 320.87, 0.23%, 0.62%

LAB 61.16, 22.51, -9.01

 

CMYK 0 / 4 / 24 / 29

HEX #B4AD88

RGB 180 173 136

HSL 50.45, 0.23%, 0.62%

LAB 70.43, -3.54, 19.95

 

CMYK 24 / 0 / 16 / 29

HEX #88B497

RGB 136 180 151

HSL 140.45, 0.23%, 0.62%

LAB 69.55, -20.69, 10.06

 

CMYK 24 / 21 / 0 / 29

HEX #888FB4

RGB 136 143 180

HSL 230.45, 0.23%, 0.62%

LAB 60.05, 5.75, -20.18

 

Description

Color code: HEX #B486A4 | qconv.com Color code: HEX #B486A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 134 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 134 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 9 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 9% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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