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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48639 it is the complementary color #4B79C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48639. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48639 shade: #B98634, #CA9847, #DBAA5A, #ECBC6D and #FDCE80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48639. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48639 shade: #B48639, #A37426, #926213, #815000 and #703E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48639 shade: #B28538, #B26438, #B24338 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48639 shade: #B28538, #B2A638, #9EB238, #7DB238 and #5CB238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48639 shade matches the following richer shades: #B28538, #C58925 and #D88E12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48639 shade: #B28538, #9F804B, #8C7B5E, #797671 and #667284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48639 shade: #B24238, #B26338, #B28438, #B2A438 and #A0B238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48639 shade: #745624, #936D2E, #B28538, #C7994D and #D1AB6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48639 shade: #B48639, #4FB238 and #5338B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48639 shade: #B48639, #38B284 and #8438B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48639 shade: #B48639, #4FB238, #3867B2 and #9C38B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48639 shade: #B48639, #38B247, #3867B2 and #B238A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

Complementary color

CMYK 62 / 39 / 0 / 22

HEX #4B79C6

RGB 75 121 198

HSL 217.56, 0.52%, 0.54%

LAB 50.98, 8.37, -44.85

 

CMYK 0 / 28 / 72 / 27

HEX #B98634

RGB 185 134 52

HSL 36.99, 0.56%, 0.46%

LAB 59.54, 11.61, 49.96

 

CMYK 0 / 25 / 65 / 21

HEX #CA9847

RGB 202 152 71

HSL 37.1, 0.55%, 0.54%

LAB 66.11, 10.24, 48.79

 

CMYK 0 / 22 / 59 / 14

HEX #DBAA5A

RGB 219 170 90

HSL 37.21, 0.64%, 0.61%

LAB 72.59, 9.08, 47.48

 

CMYK 0 / 20 / 54 / 7

HEX #ECBC6D

RGB 236 188 109

HSL 37.32, 0.77%, 0.68%

LAB 78.99, 8.08, 46.14

 

CMYK 0 / 19 / 49 / 1

HEX #FDCE80

RGB 253 206 128

HSL 37.44, 0.97%, 0.75%

LAB 85.29, 7.22, 44.83

 

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

CMYK 0 / 29 / 77 / 36

HEX #A37426

RGB 163 116 38

HSL 37.44, 0.62%, 0.39%

LAB 52.31, 11.17, 47.96

 

CMYK 0 / 33 / 87 / 43

HEX #926213

RGB 146 98 19

HSL 37.32, 0.77%, 0.32%

LAB 45.49, 12.98, 48.2

 

CMYK 0 / 38 / 100 / 49

HEX #815000

RGB 129 80 0

HSL 37.21, 1%, 0.25%

LAB 38.56, 15.12, 47.44

 

CMYK 0 / 45 / 100 / 56

HEX #703E00

RGB 112 62 0

HSL 33.21, 1%, 0.22%

LAB 31.56, 17.78, 41.72

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 0 / 44 / 69 / 30

HEX #B26438

RGB 178 100 56

HSL 21.64, 0.52%, 0.46%

LAB 50.53, 27.64, 38.02

 

CMYK 0 / 62 / 69 / 30

HEX #B24338

RGB 178 67 56

HSL 5.41, 0.52%, 0.46%

LAB 43.89, 44.5, 30.3

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 0 / 7 / 69 / 30

HEX #B2A638

RGB 178 166 56

HSL 54.1, 0.52%, 0.46%

LAB 67.29, -8.64, 55.97

 

CMYK 11 / 0 / 69 / 30

HEX #9EB238

RGB 158 178 56

HSL 69.84, 0.52%, 0.46%

LAB 69.04, -23.35, 57.21

 

CMYK 30 / 0 / 69 / 30

HEX #7DB238

RGB 125 178 56

HSL 86.07, 0.52%, 0.46%

LAB 66.89, -36.53, 54.33

 

CMYK 48 / 0 / 69 / 30

HEX #5CB238

RGB 92 178 56

HSL 102.3, 0.52%, 0.46%

LAB 65.28, -47.84, 52.15

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 0 / 30 / 81 / 23

HEX #C58925

RGB 197 137 37

HSL 37.5, 0.68%, 0.46%

LAB 61.56, 14.61, 58.4

 

CMYK 0 / 34 / 92 / 15

HEX #D88E12

RGB 216 142 18

HSL 37.58, 0.85%, 0.46%

LAB 64.95, 19.73, 67.37

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 0 / 19 / 53 / 38

HEX #9F804B

RGB 159 128 75

HSL 37.86, 0.36%, 0.46%

LAB 55.4, 5.12, 33.08

 

CMYK 0 / 12 / 33 / 45

HEX #8C7B5E

RGB 140 123 94

HSL 37.83, 0.2%, 0.46%

LAB 52.45, 1.94, 18.28

 

CMYK 0 / 2 / 7 / 53

HEX #797671

RGB 121 118 113

HSL 37.5, 0.03%, 0.46%

LAB 49.75, 0.18, 3.15

 

CMYK 23 / 14 / 0 / 48

HEX #667284

RGB 102 114 132

HSL 216, 0.13%, 0.46%

LAB 47.66, -0.26, -11.39

 

CMYK 0 / 63 / 69 / 30

HEX #B24238

RGB 178 66 56

HSL 4.92, 0.52%, 0.46%

LAB 43.72, 44.95, 30.09

 

CMYK 0 / 44 / 69 / 30

HEX #B26338

RGB 178 99 56

HSL 21.15, 0.52%, 0.46%

LAB 50.3, 28.19, 37.77

 

CMYK 0 / 26 / 69 / 30

HEX #B28438

RGB 178 132 56

HSL 37.38, 0.52%, 0.46%

LAB 58.28, 9.84, 46.56

 

CMYK 0 / 8 / 69 / 30

HEX #B2A438

RGB 178 164 56

HSL 53.11, 0.52%, 0.46%

LAB 66.75, -7.58, 55.41

 

CMYK 10 / 0 / 69 / 30

HEX #A0B238

RGB 160 178 56

HSL 68.85, 0.52%, 0.46%

LAB 69.18, -22.51, 57.41

 

CMYK 0 / 26 / 69 / 55

HEX #745624

RGB 116 86 36

HSL 37.5, 0.53%, 0.3%

LAB 38.72, 6.69, 33.12

 

CMYK 0 / 26 / 69 / 42

HEX #936D2E

RGB 147 109 46

HSL 37.43, 0.52%, 0.38%

LAB 48.68, 8.3, 39.98

 

CMYK 0 / 25 / 69 / 30

HEX #B28538

RGB 178 133 56

HSL 37.87, 0.52%, 0.46%

LAB 58.53, 9.28, 46.83

 

CMYK 0 / 23 / 61 / 22

HEX #C7994D

RGB 199 153 77

HSL 37.38, 0.52%, 0.54%

LAB 66.11, 8.81, 45.8

 

CMYK 0 / 18 / 48 / 18

HEX #D1AB6C

RGB 209 171 108

HSL 37.43, 0.52%, 0.62%

LAB 72.07, 5.89, 37.52

 

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

CMYK 56 / 0 / 69 / 30

HEX #4FB238

RGB 79 178 56

HSL 108.69, 0.52%, 0.46%

LAB 64.79, -51.56, 51.49

 

CMYK 53 / 69 / 0 / 30

HEX #5338B2

RGB 83 56 178

HSL 253.28, 0.52%, 0.46%

LAB 33.74, 43.35, -60.93

 

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

CMYK 69 / 0 / 26 / 30

HEX #38B284

RGB 56 178 132

HSL 157.38, 0.52%, 0.46%

LAB 65.24, -44.49, 13.93

 

CMYK 26 / 69 / 0 / 30

HEX #8438B2

RGB 132 56 178

HSL 277.38, 0.52%, 0.46%

LAB 39.49, 52.98, -51.32

 

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

CMYK 56 / 0 / 69 / 30

HEX #4FB238

RGB 79 178 56

HSL 108.69, 0.52%, 0.46%

LAB 64.79, -51.56, 51.49

 

CMYK 69 / 42 / 0 / 30

HEX #3867B2

RGB 56 103 178

HSL 216.89, 0.52%, 0.46%

LAB 43.88, 9.16, -44.63

 

CMYK 12 / 69 / 0 / 30

HEX #9C38B2

RGB 156 56 178

HSL 289.18, 0.52%, 0.46%

LAB 42.93, 58.29, -45.62

 

CMYK 0 / 26 / 68 / 29

HEX #B48639

RGB 180 134 57

HSL 37.56, 0.52%, 0.46%

LAB 59.02, 9.67, 46.96

 

CMYK 69 / 0 / 60 / 30

HEX #38B247

RGB 56 178 71

HSL 127.38, 0.52%, 0.46%

LAB 64.27, -55.25, 44.21

 

CMYK 69 / 42 / 0 / 30

HEX #3867B2

RGB 56 103 178

HSL 216.89, 0.52%, 0.46%

LAB 43.88, 9.16, -44.63

 

CMYK 0 / 69 / 8 / 30

HEX #B238A4

RGB 178 56 164

HSL 306.89, 0.52%, 0.46%

LAB 45.6, 61.03, -32.88

 

Description

Color code: HEX #B48639 | qconv.com Color code: HEX #B48639 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 134 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 134 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 68 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 68% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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