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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B48381 it is the complementary color #4B7C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B48381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B48381 shade: #B9837C, #CA958F, #DBA7A2, #ECB9B5 and #FDCBC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B48381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B48381 shade: #B48381, #A3716E, #925F5B, #814D48 and #703B35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B48381 shade: #B48583 and #B48383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B48381 shade: #B48583, #B49283, #B49F83, #B4AD83 and #AFB483

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B48381 shade matches the following richer shades: #B48583, #C57673, #D56763, #E55852 and #F54942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B48381 shade: #B48583, #A49393, #94A2A3, #84B1B3 and #74C0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B48381 shade: #B4839C, #B4838E, #B48483, #B49283 and #B49F83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B48381 shade: #8F5856, #A56B69, #B48583, #C49E9C and #D3B7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B48381 shade: #B48381, #A9B483 and #8395B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B48381 shade: #B48381, #83B484 and #8483B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B48381 shade: #B48381, #A9B483, #83B3B4 and #8E83B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B48381 shade: #B48381, #9AB483, #83B3B4 and #9D83B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

Complementary color

CMYK 40 / 2 / 0 / 51

HEX #4B7C7E

RGB 75 124 126

HSL 182.35, 0.25%, 0.39%

LAB 48.78, -15.96, -6.32

 

CMYK 0 / 29 / 33 / 27

HEX #B9837C

RGB 185 131 124

HSL 6.89, 0.3%, 0.61%

LAB 59.89, 19.86, 12.08

 

CMYK 0 / 26 / 29 / 21

HEX #CA958F

RGB 202 149 143

HSL 6.1, 0.36%, 0.68%

LAB 66.55, 19.09, 10.99

 

CMYK 0 / 24 / 26 / 14

HEX #DBA7A2

RGB 219 167 162

HSL 5.26, 0.44%, 0.75%

LAB 73.09, 18.4, 9.99

 

CMYK 0 / 22 / 23 / 7

HEX #ECB9B5

RGB 236 185 181

HSL 4.36, 0.59%, 0.82%

LAB 79.54, 17.79, 9.07

 

CMYK 0 / 20 / 21 / 1

HEX #FDCBC8

RGB 253 203 200

HSL 3.4, 0.93%, 0.89%

LAB 85.89, 17.23, 8.21

 

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

CMYK 0 / 31 / 33 / 36

HEX #A3716E

RGB 163 113 110

HSL 3.4, 0.22%, 0.54%

LAB 52.64, 19.37, 9.62

 

CMYK 0 / 35 / 38 / 43

HEX #925F5B

RGB 146 95 91

HSL 4.36, 0.23%, 0.46%

LAB 45.7, 20.29, 10.86

 

CMYK 0 / 40 / 44 / 49

HEX #814D48

RGB 129 77 72

HSL 5.26, 0.28%, 0.39%

LAB 38.63, 21.34, 12.32

 

CMYK 0 / 47 / 53 / 56

HEX #703B35

RGB 112 59 53

HSL 6.1, 0.36%, 0.32%

LAB 31.42, 22.57, 14.08

 

CMYK 0 / 26 / 27 / 29

HEX #B48583

RGB 180 133 131

HSL 2.45, 0.25%, 0.61%

LAB 59.99, 17.74, 8.15

 

CMYK 0 / 27 / 27 / 29

HEX #B48383

RGB 180 131 131

HSL 0, 0.25%, 0.61%

LAB 59.5, 18.86, 7.45

 

CMYK 0 / 26 / 27 / 29

HEX #B48583

RGB 180 133 131

HSL 2.45, 0.25%, 0.61%

LAB 59.99, 17.74, 8.15

 

CMYK 0 / 19 / 27 / 29

HEX #B49283

RGB 180 146 131

HSL 18.37, 0.25%, 0.61%

LAB 63.26, 10.49, 12.77

 

CMYK 0 / 12 / 27 / 29

HEX #B49F83

RGB 180 159 131

HSL 34.29, 0.25%, 0.61%

LAB 66.63, 3.32, 17.45

 

CMYK 0 / 4 / 27 / 29

HEX #B4AD83

RGB 180 173 131

HSL 51.43, 0.25%, 0.61%

LAB 70.34, -4.24, 22.53

 

CMYK 3 / 0 / 27 / 29

HEX #AFB483

RGB 175 180 131

HSL 66.12, 0.25%, 0.61%

LAB 71.82, -9.89, 24.48

 

CMYK 0 / 26 / 27 / 29

HEX #B48583

RGB 180 133 131

HSL 2.45, 0.25%, 0.61%

LAB 59.99, 17.74, 8.15

 

CMYK 0 / 40 / 42 / 23

HEX #C57673

RGB 197 118 115

HSL 2.2, 0.41%, 0.61%

LAB 58.1, 30.6, 14.96

 

CMYK 0 / 52 / 54 / 16

HEX #D56763

RGB 213 103 99

HSL 2.11, 0.58%, 0.61%

LAB 56.83, 42.9, 22.83

 

CMYK 0 / 62 / 64 / 10

HEX #E55852

RGB 229 88 82

HSL 2.45, 0.74%, 0.61%

LAB 56.33, 54.37, 32.43

 

CMYK 0 / 70 / 73 / 4

HEX #F54942

RGB 245 73 66

HSL 2.35, 0.9%, 0.61%

LAB 56.65, 64.69, 42.44

 

CMYK 0 / 26 / 27 / 29

HEX #B48583

RGB 180 133 131

HSL 2.45, 0.25%, 0.61%

LAB 59.99, 17.74, 8.15

 

CMYK 0 / 10 / 10 / 36

HEX #A49393

RGB 164 147 147

HSL 0, 0.09%, 0.61%

LAB 62.39, 6.3, 2.29

 

CMYK 9 / 1 / 0 / 36

HEX #94A2A3

RGB 148 162 163

HSL 184, 0.08%, 0.61%

LAB 65.58, -4.72, -2.22

 

CMYK 26 / 1 / 0 / 30

HEX #84B1B3

RGB 132 177 179

HSL 182.55, 0.24%, 0.61%

LAB 69.19, -14.44, -5.9

 

CMYK 41 / 2 / 0 / 24

HEX #74C0C3

RGB 116 192 195

HSL 182.28, 0.4%, 0.61%

LAB 73.12, -22.72, -8.92

 

CMYK 0 / 27 / 13 / 29

HEX #B4839C

RGB 180 131 156

HSL 329.39, 0.25%, 0.61%

LAB 60.19, 22.8, -5.88

 

CMYK 0 / 27 / 21 / 29

HEX #B4838E

RGB 180 131 142

HSL 346.53, 0.25%, 0.61%

LAB 59.79, 20.51, 1.55

 

CMYK 0 / 27 / 27 / 29

HEX #B48483

RGB 180 132 131

HSL 1.22, 0.25%, 0.61%

LAB 59.75, 18.3, 7.8

 

CMYK 0 / 19 / 27 / 29

HEX #B49283

RGB 180 146 131

HSL 18.37, 0.25%, 0.61%

LAB 63.26, 10.49, 12.77

 

CMYK 0 / 12 / 27 / 29

HEX #B49F83

RGB 180 159 131

HSL 34.29, 0.25%, 0.61%

LAB 66.63, 3.32, 17.45

 

CMYK 0 / 38 / 40 / 44

HEX #8F5856

RGB 143 88 86

HSL 2.11, 0.25%, 0.45%

LAB 43.49, 22.47, 10.75

 

CMYK 0 / 35 / 36 / 35

HEX #A56B69

RGB 165 107 105

HSL 2, 0.25%, 0.53%

LAB 51.31, 22.92, 10.71

 

CMYK 0 / 26 / 27 / 29

HEX #B48583

RGB 180 133 131

HSL 2.45, 0.25%, 0.61%

LAB 59.99, 17.74, 8.15

 

CMYK 0 / 19 / 20 / 23

HEX #C49E9C

RGB 196 158 156

HSL 3, 0.25%, 0.69%

LAB 68.45, 13.75, 6.37

 

CMYK 0 / 13 / 14 / 17

HEX #D3B7B6

RGB 211 183 182

HSL 2.07, 0.25%, 0.77%

LAB 76.74, 9.85, 4.2

 

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

CMYK 6 / 0 / 27 / 29

HEX #A9B483

RGB 169 180 131

HSL 73.47, 0.25%, 0.61%

LAB 71.36, -12.2, 23.78

 

CMYK 27 / 17 / 0 / 29

HEX #8395B4

RGB 131 149 180

HSL 217.96, 0.25%, 0.61%

LAB 61.32, 0.78, -18.27

 

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

CMYK 27 / 0 / 27 / 29

HEX #83B484

RGB 131 180 132

HSL 121.22, 0.25%, 0.61%

LAB 68.85, -25.87, 19.39

 

CMYK 27 / 27 / 0 / 29

HEX #8483B4

RGB 132 131 180

HSL 241.22, 0.25%, 0.61%

LAB 56.52, 11.45, -25.61

 

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

CMYK 6 / 0 / 27 / 29

HEX #A9B483

RGB 169 180 131

HSL 73.47, 0.25%, 0.61%

LAB 71.36, -12.2, 23.78

 

CMYK 27 / 1 / 0 / 29

HEX #83B3B4

RGB 131 179 180

HSL 181.22, 0.25%, 0.61%

LAB 69.73, -15.55, -5.66

 

CMYK 21 / 27 / 0 / 29

HEX #8E83B4

RGB 142 131 180

HSL 253.47, 0.25%, 0.61%

LAB 57.35, 14.59, -24.27

 

CMYK 0 / 27 / 28 / 29

HEX #B48381

RGB 180 131 129

HSL 2.35, 0.25%, 0.61%

LAB 59.45, 18.58, 8.52

 

CMYK 14 / 0 / 27 / 29

HEX #9AB483

RGB 154 180 131

HSL 91.84, 0.25%, 0.61%

LAB 70.28, -17.86, 22.13

 

CMYK 27 / 1 / 0 / 29

HEX #83B3B4

RGB 131 179 180

HSL 181.22, 0.25%, 0.61%

LAB 69.73, -15.55, -5.66

 

CMYK 13 / 27 / 0 / 29

HEX #9D83B4

RGB 157 131 180

HSL 271.84, 0.25%, 0.61%

LAB 58.69, 19.46, -22.09

 

Description

Color code: HEX #B48381 | qconv.com Color code: HEX #B48381 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 131 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 131 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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