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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4805E it is the complementary color #4B7FA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4805E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4805E shade: #B98059, #CA926C, #DBA47F, #ECB692 and #FDC8A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4805E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4805E shade: #B4805E, #A36E4B, #925C38, #814A25 and #703812

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4805E shade: #B4815F, #B46A5F and #B45F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4805E shade: #B4815F, #B4985F, #B4AE5F, #A3B45F and #8CB45F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4805E shade matches the following richer shades: #B4815F, #C77D4C, #DA793A and #ED7527

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4805E shade: #B4815F, #A18572, #8E8985, #7B8D98 and #6891AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4805E shade: #B45F6C, #B4695F, #B4805F, #B4965F and #B4AD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4805E shade: #83593E, #9F6C4B, #B4815F, #C1977C and #CEAD98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4805E shade: #B4805E, #83B45F and #5F61B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4805E shade: #B4805E, #5FB480 and #805FB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4805E shade: #B4805E, #83B45F, #5F94B4 and #915FB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4805E shade: #B4805E, #69B45F, #5F94B4 and #AA5FB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

Complementary color

CMYK 53 / 21 / 0 / 37

HEX #4B7FA1

RGB 75 127 161

HSL 203.72, 0.36%, 0.46%

LAB 50.98, -7.4, -23.51

 

CMYK 0 / 31 / 52 / 27

HEX #B98059

RGB 185 128 89

HSL 24.38, 0.41%, 0.54%

LAB 58.48, 17.59, 29.93

 

CMYK 0 / 28 / 47 / 21

HEX #CA926C

RGB 202 146 108

HSL 24.26, 0.47%, 0.61%

LAB 65.12, 16.56, 28.45

 

CMYK 0 / 25 / 42 / 14

HEX #DBA47F

RGB 219 164 127

HSL 24.13, 0.56%, 0.68%

LAB 71.65, 15.66, 27.1

 

CMYK 0 / 23 / 38 / 7

HEX #ECB692

RGB 236 182 146

HSL 24, 0.7%, 0.75%

LAB 78.09, 14.87, 25.85

 

CMYK 0 / 21 / 35 / 1

HEX #FDC8A5

RGB 253 200 165

HSL 23.86, 0.96%, 0.82%

LAB 84.44, 14.18, 24.7

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 0 / 33 / 54 / 36

HEX #A36E4B

RGB 163 110 75

HSL 23.86, 0.37%, 0.47%

LAB 51.21, 17.08, 27.94

 

CMYK 0 / 37 / 62 / 43

HEX #925C38

RGB 146 92 56

HSL 24, 0.45%, 0.4%

LAB 44.31, 18.39, 29.65

 

CMYK 0 / 43 / 71 / 49

HEX #814A25

RGB 129 74 37

HSL 24.13, 0.55%, 0.33%

LAB 37.3, 19.96, 31.49

 

CMYK 0 / 50 / 84 / 56

HEX #703812

RGB 112 56 18

HSL 24.26, 0.72%, 0.25%

LAB 30.2, 21.85, 33.26

 

CMYK 0 / 28 / 47 / 29

HEX #B4815F

RGB 180 129 95

HSL 24, 0.36%, 0.54%

LAB 58.25, 15.53, 26.19

 

CMYK 0 / 41 / 47 / 29

HEX #B46A5F

RGB 180 106 95

HSL 7.76, 0.36%, 0.54%

LAB 52.77, 28.32, 18.9

 

CMYK 0 / 47 / 47 / 29

HEX #B45F5F

RGB 180 95 95

HSL 0, 0.36%, 0.54%

LAB 50.35, 34.28, 15.61

 

CMYK 0 / 28 / 47 / 29

HEX #B4815F

RGB 180 129 95

HSL 24, 0.36%, 0.54%

LAB 58.25, 15.53, 26.19

 

CMYK 0 / 16 / 47 / 29

HEX #B4985F

RGB 180 152 95

HSL 40.24, 0.36%, 0.54%

LAB 64.15, 2.78, 33.76

 

CMYK 0 / 3 / 47 / 29

HEX #B4AE5F

RGB 180 174 95

HSL 55.76, 0.36%, 0.54%

LAB 70.04, -9, 41.06

 

CMYK 9 / 0 / 47 / 29

HEX #A3B45F

RGB 163 180 95

HSL 72, 0.36%, 0.54%

LAB 70.35, -19.06, 41.14

 

CMYK 22 / 0 / 47 / 29

HEX #8CB45F

RGB 140 180 95

HSL 88.24, 0.36%, 0.54%

LAB 68.78, -28.06, 38.86

 

CMYK 0 / 28 / 47 / 29

HEX #B4815F

RGB 180 129 95

HSL 24, 0.36%, 0.54%

LAB 58.25, 15.53, 26.19

 

CMYK 0 / 37 / 62 / 22

HEX #C77D4C

RGB 199 125 76

HSL 23.9, 0.52%, 0.54%

LAB 59.28, 24.05, 38.32

 

CMYK 0 / 44 / 73 / 15

HEX #DA793A

RGB 218 121 58

HSL 23.63, 0.68%, 0.54%

LAB 60.68, 32.96, 49.67

 

CMYK 0 / 51 / 84 / 7

HEX #ED7527

RGB 237 117 39

HSL 23.64, 0.85%, 0.54%

LAB 62.4, 41.85, 60.43

 

CMYK 0 / 28 / 47 / 29

HEX #B4815F

RGB 180 129 95

HSL 24, 0.36%, 0.54%

LAB 58.25, 15.53, 26.19

 

CMYK 0 / 17 / 29 / 37

HEX #A18572

RGB 161 133 114

HSL 24.26, 0.2%, 0.54%

LAB 57.62, 7.74, 14.25

 

CMYK 0 / 4 / 6 / 44

HEX #8E8985

RGB 142 137 133

HSL 26.67, 0.04%, 0.54%

LAB 57.4, 1.11, 2.8

 

CMYK 19 / 7 / 0 / 40

HEX #7B8D98

RGB 123 141 152

HSL 202.76, 0.12%, 0.54%

LAB 57.59, -3.98, -8.01

 

CMYK 39 / 15 / 0 / 33

HEX #6891AB

RGB 104 145 171

HSL 203.28, 0.29%, 0.54%

LAB 58.16, -7.26, -18.12

 

CMYK 0 / 47 / 40 / 29

HEX #B45F6C

RGB 180 95 108

HSL 350.82, 0.36%, 0.54%

LAB 50.65, 35.7, 8.29

 

CMYK 0 / 42 / 47 / 29

HEX #B4695F

RGB 180 105 95

HSL 7.06, 0.36%, 0.54%

LAB 52.55, 28.87, 18.6

 

CMYK 0 / 29 / 47 / 29

HEX #B4805F

RGB 180 128 95

HSL 23.29, 0.36%, 0.54%

LAB 58.01, 16.09, 25.86

 

CMYK 0 / 17 / 47 / 29

HEX #B4965F

RGB 180 150 95

HSL 38.82, 0.36%, 0.54%

LAB 63.62, 3.88, 33.1

 

CMYK 0 / 4 / 47 / 29

HEX #B4AD5F

RGB 180 173 95

HSL 55.06, 0.36%, 0.54%

LAB 69.77, -8.48, 40.73

 

CMYK 0 / 32 / 53 / 49

HEX #83593E

RGB 131 89 62

HSL 23.48, 0.36%, 0.38%

LAB 41.72, 14.03, 22.54

 

CMYK 0 / 32 / 53 / 38

HEX #9F6C4B

RGB 159 108 75

HSL 23.57, 0.36%, 0.46%

LAB 50.22, 16.5, 26.59

 

CMYK 0 / 28 / 47 / 29

HEX #B4815F

RGB 180 129 95

HSL 24, 0.36%, 0.54%

LAB 58.25, 15.53, 26.19

 

CMYK 0 / 22 / 36 / 24

HEX #C1977C

RGB 193 151 124

HSL 23.48, 0.36%, 0.62%

LAB 65.69, 11.97, 20.24

 

CMYK 0 / 16 / 26 / 19

HEX #CEAD98

RGB 206 173 152

HSL 23.33, 0.36%, 0.7%

LAB 73.07, 8.81, 15.26

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 27 / 0 / 47 / 29

HEX #83B45F

RGB 131 180 95

HSL 94.59, 0.36%, 0.54%

LAB 68.24, -31.4, 38.06

 

CMYK 47 / 46 / 0 / 29

HEX #5F61B4

RGB 95 97 180

HSL 238.59, 0.36%, 0.54%

LAB 44.63, 21.66, -44.47

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 47 / 0 / 29 / 29

HEX #5FB480

RGB 95 180 128

HSL 143.29, 0.36%, 0.54%

LAB 67, -37.68, 18.74

 

CMYK 29 / 47 / 0 / 29

HEX #805FB4

RGB 128 95 180

HSL 263.29, 0.36%, 0.54%

LAB 47.06, 31.55, -40.42

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 27 / 0 / 47 / 29

HEX #83B45F

RGB 131 180 95

HSL 94.59, 0.36%, 0.54%

LAB 68.24, -31.4, 38.06

 

CMYK 47 / 18 / 0 / 29

HEX #5F94B4

RGB 95 148 180

HSL 202.59, 0.36%, 0.54%

LAB 58.89, -8.77, -22.17

 

CMYK 19 / 47 / 0 / 29

HEX #915FB4

RGB 145 95 180

HSL 275.29, 0.36%, 0.54%

LAB 48.88, 36.39, -37.43

 

CMYK 0 / 29 / 48 / 29

HEX #B4805E

RGB 180 128 94

HSL 23.72, 0.36%, 0.54%

LAB 57.99, 15.98, 26.4

 

CMYK 42 / 0 / 47 / 29

HEX #69B45F

RGB 105 180 95

HSL 112.94, 0.36%, 0.54%

LAB 66.88, -40.28, 36.07

 

CMYK 47 / 18 / 0 / 29

HEX #5F94B4

RGB 95 148 180

HSL 202.59, 0.36%, 0.54%

LAB 58.89, -8.77, -22.17

 

CMYK 6 / 47 / 0 / 29

HEX #AA5FB4

RGB 170 95 180

HSL 292.94, 0.36%, 0.54%

LAB 51.87, 43.72, -32.54

 

Description

Color code: HEX #B4805E | qconv.com Color code: HEX #B4805E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 128 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 128 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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