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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47E79 it is the complementary color #4B8186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47E79 shade: #B97E74, #CA9087, #DBA29A, #ECB4AD and #FDC6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47E79 shade: #B47E79, #A36C66, #925A53, #814840 and #70362D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47E79 shade: #B47E79 and #B47979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47E79 shade: #B47E79, #B48E79, #B49E79, #B4AD79 and #AAB479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47E79 shade matches the following richer shades: #B47E79, #C57068, #D66257, #E65446 and #F74636

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47E79 shade: #B47E79, #A38C8A, #929A9B, #81A8AC and #70B6BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47E79 shade: #B47994, #B47984, #B47E79, #B48E79 and #B49D79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47E79 shade: #8C544F, #A5655F, #B47E79, #C39894 and #D1B1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47E79 shade: #B47E79, #A3B479 and #798CB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47E79 shade: #B47E79, #79B47E and #7E79B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47E79 shade: #B47E79, #A3B479, #79AFB4 and #8A79B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47E79 shade: #B47E79, #92B479, #79AFB4 and #9B79B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

Complementary color

CMYK 44 / 4 / 0 / 47

HEX #4B8186

RGB 75 129 134

HSL 185.08, 0.28%, 0.41%

LAB 50.59, -16.5, -8.33

 

CMYK 0 / 32 / 37 / 27

HEX #B97E74

RGB 185 126 116

HSL 8.7, 0.33%, 0.59%

LAB 58.51, 21.62, 14.72

 

CMYK 0 / 29 / 33 / 21

HEX #CA9087

RGB 202 144 135

HSL 8.06, 0.39%, 0.66%

LAB 65.16, 20.76, 13.52

 

CMYK 0 / 26 / 30 / 14

HEX #DBA29A

RGB 219 162 154

HSL 7.38, 0.47%, 0.73%

LAB 71.71, 20, 12.44

 

CMYK 0 / 24 / 27 / 7

HEX #ECB4AD

RGB 236 180 173

HSL 6.67, 0.62%, 0.8%

LAB 78.16, 19.32, 11.44

 

CMYK 0 / 22 / 24 / 1

HEX #FDC6C0

RGB 253 198 192

HSL 5.9, 0.94%, 0.87%

LAB 84.52, 18.71, 10.51

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 34 / 37 / 36

HEX #A36C66

RGB 163 108 102

HSL 5.9, 0.25%, 0.52%

LAB 51.23, 21.17, 12.34

 

CMYK 0 / 38 / 43 / 43

HEX #925A53

RGB 146 90 83

HSL 6.67, 0.28%, 0.45%

LAB 44.3, 22.19, 13.75

 

CMYK 0 / 44 / 50 / 49

HEX #814840

RGB 129 72 64

HSL 7.38, 0.34%, 0.38%

LAB 37.25, 23.36, 15.41

 

CMYK 0 / 52 / 60 / 56

HEX #70362D

RGB 112 54 45

HSL 8.06, 0.43%, 0.31%

LAB 30.09, 24.71, 17.45

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 33 / 33 / 29

HEX #B47979

RGB 180 121 121

HSL 0, 0.28%, 0.59%

LAB 56.84, 23.07, 9.42

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 21 / 33 / 29

HEX #B48E79

RGB 180 142 121

HSL 21.36, 0.28%, 0.59%

LAB 62.02, 11.33, 16.67

 

CMYK 0 / 12 / 33 / 29

HEX #B49E79

RGB 180 158 121

HSL 37.63, 0.28%, 0.59%

LAB 66.17, 2.51, 22.33

 

CMYK 0 / 4 / 33 / 29

HEX #B4AD79

RGB 180 173 121

HSL 52.88, 0.28%, 0.59%

LAB 70.16, -5.56, 27.67

 

CMYK 6 / 0 / 33 / 29

HEX #AAB479

RGB 170 180 121

HSL 70.17, 0.28%, 0.59%

LAB 71.26, -13.19, 28.99

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 43 / 47 / 23

HEX #C57068

RGB 197 112 104

HSL 5.16, 0.44%, 0.59%

LAB 56.54, 32.66, 19.17

 

CMYK 0 / 54 / 59 / 16

HEX #D66257

RGB 214 98 87

HSL 5.2, 0.61%, 0.59%

LAB 55.81, 44.8, 28.42

 

CMYK 0 / 63 / 70 / 10

HEX #E65446

RGB 230 84 70

HSL 5.25, 0.76%, 0.59%

LAB 55.69, 55.77, 38.45

 

CMYK 0 / 72 / 78 / 3

HEX #F74636

RGB 247 70 54

HSL 4.97, 0.92%, 0.59%

LAB 56.51, 65.92, 48.77

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 14 / 15 / 36

HEX #A38C8A

RGB 163 140 138

HSL 4.8, 0.12%, 0.59%

LAB 60.23, 8.31, 4.26

 

CMYK 6 / 1 / 0 / 39

HEX #929A9B

RGB 146 154 155

HSL 186.67, 0.04%, 0.59%

LAB 63, -2.66, -1.52

 

CMYK 25 / 2 / 0 / 33

HEX #81A8AC

RGB 129 168 172

HSL 185.58, 0.21%, 0.59%

LAB 66.25, -12.21, -6.39

 

CMYK 41 / 4 / 0 / 26

HEX #70B6BD

RGB 112 182 189

HSL 185.45, 0.37%, 0.59%

LAB 69.88, -20.18, -10.5

 

CMYK 0 / 33 / 18 / 29

HEX #B47994

RGB 180 121 148

HSL 332.54, 0.28%, 0.59%

LAB 57.57, 27.06, -5.15

 

CMYK 0 / 33 / 27 / 29

HEX #B47984

RGB 180 121 132

HSL 348.81, 0.28%, 0.59%

LAB 57.12, 24.6, 3.45

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 21 / 33 / 29

HEX #B48E79

RGB 180 142 121

HSL 21.36, 0.28%, 0.59%

LAB 62.02, 11.33, 16.67

 

CMYK 0 / 13 / 33 / 29

HEX #B49D79

RGB 180 157 121

HSL 36.61, 0.28%, 0.59%

LAB 65.9, 3.06, 21.97

 

CMYK 0 / 40 / 44 / 45

HEX #8C544F

RGB 140 84 79

HSL 4.92, 0.28%, 0.43%

LAB 41.97, 22.69, 12.84

 

CMYK 0 / 39 / 42 / 35

HEX #A5655F

RGB 165 101 95

HSL 5.14, 0.28%, 0.51%

LAB 49.66, 25.09, 14.33

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 0 / 22 / 24 / 24

HEX #C39894

RGB 195 152 148

HSL 5.11, 0.28%, 0.67%

LAB 66.67, 15.46, 8.27

 

CMYK 0 / 15 / 17 / 18

HEX #D1B1AE

RGB 209 177 174

HSL 5.14, 0.28%, 0.75%

LAB 74.86, 11.06, 5.82

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 9 / 0 / 33 / 29

HEX #A3B479

RGB 163 180 121

HSL 77.29, 0.28%, 0.59%

LAB 70.74, -15.92, 28.2

 

CMYK 33 / 22 / 0 / 29

HEX #798CB4

RGB 121 140 180

HSL 220.68, 0.28%, 0.59%

LAB 58.15, 2.89, -23.18

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 33 / 0 / 30 / 29

HEX #79B47E

RGB 121 180 126

HSL 125.08, 0.28%, 0.59%

LAB 68.18, -30.25, 21.63

 

CMYK 30 / 33 / 0 / 29

HEX #7E79B4

RGB 126 121 180

HSL 245.08, 0.28%, 0.59%

LAB 53.39, 15.52, -30.5

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 9 / 0 / 33 / 29

HEX #A3B479

RGB 163 180 121

HSL 77.29, 0.28%, 0.59%

LAB 70.74, -15.92, 28.2

 

CMYK 33 / 3 / 0 / 29

HEX #79AFB4

RGB 121 175 180

HSL 185.08, 0.28%, 0.59%

LAB 68.04, -16.38, -8.23

 

CMYK 23 / 33 / 0 / 29

HEX #8A79B4

RGB 138 121 180

HSL 257.29, 0.28%, 0.59%

LAB 54.42, 19.18, -28.82

 

CMYK 0 / 30 / 33 / 29

HEX #B47E79

RGB 180 126 121

HSL 5.08, 0.28%, 0.59%

LAB 58.04, 20.28, 11.12

 

CMYK 19 / 0 / 33 / 29

HEX #92B479

RGB 146 180 121

HSL 94.58, 0.28%, 0.59%

LAB 69.56, -22.34, 26.43

 

CMYK 33 / 3 / 0 / 29

HEX #79AFB4

RGB 121 175 180

HSL 185.08, 0.28%, 0.59%

LAB 68.04, -16.38, -8.23

 

CMYK 14 / 33 / 0 / 29

HEX #9B79B4

RGB 155 121 180

HSL 274.58, 0.28%, 0.59%

LAB 56.03, 24.57, -26.21

 

Description

Color code: HEX #B47E79 | qconv.com Color code: HEX #B47E79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 126 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 126 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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