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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47B2E it is the complementary color #4B84D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47B2E shade: #B97B29, #CA8D3C, #DB9F4F, #ECB162 and #FDC375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47B2E shade: #B47B2E, #A3691B, #925708, #814500 and #703300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47B2E shade: #B27A2E, #B2562E, #B2332E and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47B2E shade: #B27A2E, #B29E2E, #A3B22E, #80B22E and #5CB22E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47B2E shade matches the following richer shades: #B27A2E, #C57D1C and #D7800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47B2E shade: #B27A2E, #A07740, #8E7552, #7C7264 and #6A6F77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47B2E shade: #B2322E, #B2562E, #B2792E, #B29C2E and #A5B22E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47B2E shade: #714D1D, #926426, #B27A2E, #CD903D and #D5A25E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47B2E shade: #B47B2E, #4DB22E and #442EB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47B2E shade: #B47B2E, #2EB279 and #792EB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47B2E shade: #B47B2E, #4DB22E, #2E67B2 and #942EB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47B2E shade: #B47B2E, #2EB237, #2E67B2 and #B22EAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

Complementary color

CMYK 64 / 37 / 0 / 18

HEX #4B84D1

RGB 75 132 209

HSL 214.48, 0.59%, 0.56%

LAB 54.66, 5.47, -45.26

 

CMYK 0 / 34 / 78 / 27

HEX #B97B29

RGB 185 123 41

HSL 34.17, 0.64%, 0.44%

LAB 56.72, 17.2, 51.88

 

CMYK 0 / 30 / 70 / 21

HEX #CA8D3C

RGB 202 141 60

HSL 34.23, 0.57%, 0.51%

LAB 63.29, 15.59, 50.86

 

CMYK 0 / 27 / 64 / 14

HEX #DB9F4F

RGB 219 159 79

HSL 34.29, 0.66%, 0.58%

LAB 69.77, 14.21, 49.57

 

CMYK 0 / 25 / 58 / 7

HEX #ECB162

RGB 236 177 98

HSL 34.35, 0.78%, 0.65%

LAB 76.17, 13.02, 48.2

 

CMYK 0 / 23 / 54 / 1

HEX #FDC375

RGB 253 195 117

HSL 34.41, 0.97%, 0.73%

LAB 82.48, 11.99, 46.83

 

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

CMYK 0 / 36 / 83 / 36

HEX #A3691B

RGB 163 105 27

HSL 34.41, 0.72%, 0.37%

LAB 49.46, 16.99, 49.68

 

CMYK 0 / 40 / 95 / 43

HEX #925708

RGB 146 87 8

HSL 34.35, 0.9%, 0.3%

LAB 42.68, 19.1, 49.1

 

CMYK 0 / 47 / 100 / 49

HEX #814500

RGB 129 69 0

HSL 32.09, 1%, 0.25%

LAB 35.84, 21.56, 45.71

 

CMYK 0 / 54 / 100 / 56

HEX #703300

RGB 112 51 0

HSL 27.32, 1%, 0.22%

LAB 28.93, 24.21, 39.77

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 52 / 74 / 30

HEX #B2562E

RGB 178 86 46

HSL 18.18, 0.59%, 0.44%

LAB 47.39, 34.61, 39.81

 

CMYK 0 / 71 / 74 / 30

HEX #B2332E

RGB 178 51 46

HSL 2.27, 0.59%, 0.44%

LAB 41.26, 50.75, 33.08

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 11 / 74 / 30

HEX #B29E2E

RGB 178 158 46

HSL 50.91, 0.59%, 0.44%

LAB 65.05, -4.9, 57.65

 

CMYK 8 / 0 / 74 / 30

HEX #A3B22E

RGB 163 178 46

HSL 66.82, 0.59%, 0.44%

LAB 69.34, -21.78, 61.3

 

CMYK 28 / 0 / 74 / 30

HEX #80B22E

RGB 128 178 46

HSL 82.73, 0.59%, 0.44%

LAB 67, -36.04, 58.23

 

CMYK 48 / 0 / 74 / 30

HEX #5CB22E

RGB 92 178 46

HSL 99.09, 0.59%, 0.44%

LAB 65.21, -48.61, 55.87

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 37 / 86 / 23

HEX #C57D1C

RGB 197 125 28

HSL 34.44, 0.75%, 0.44%

LAB 58.62, 20.92, 58.87

 

CMYK 0 / 40 / 95 / 16

HEX #D7800A

RGB 215 128 10

HSL 34.54, 0.91%, 0.44%

LAB 61.57, 26.72, 66.32

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 26 / 60 / 37

HEX #A07740

RGB 160 119 64

HSL 34.38, 0.43%, 0.44%

LAB 52.99, 9.71, 36.06

 

CMYK 0 / 18 / 42 / 44

HEX #8E7552

RGB 142 117 82

HSL 35, 0.27%, 0.44%

LAB 50.78, 4.7, 22.96

 

CMYK 0 / 8 / 19 / 51

HEX #7C7264

RGB 124 114 100

HSL 35, 0.11%, 0.44%

LAB 48.56, 1.37, 9.16

 

CMYK 11 / 7 / 0 / 53

HEX #6A6F77

RGB 106 111 119

HSL 216.92, 0.06%, 0.44%

LAB 46.66, -0.16, -5.09

 

CMYK 0 / 72 / 74 / 30

HEX #B2322E

RGB 178 50 46

HSL 1.82, 0.59%, 0.44%

LAB 41.13, 51.13, 32.93

 

CMYK 0 / 52 / 74 / 30

HEX #B2562E

RGB 178 86 46

HSL 18.18, 0.59%, 0.44%

LAB 47.39, 34.61, 39.81

 

CMYK 0 / 32 / 74 / 30

HEX #B2792E

RGB 178 121 46

HSL 34.09, 0.59%, 0.44%

LAB 55.42, 15.45, 48.16

 

CMYK 0 / 12 / 74 / 30

HEX #B29C2E

RGB 178 156 46

HSL 50, 0.59%, 0.44%

LAB 64.51, -3.83, 57.13

 

CMYK 7 / 0 / 74 / 30

HEX #A5B22E

RGB 165 178 46

HSL 65.91, 0.59%, 0.44%

LAB 69.5, -20.93, 61.5

 

CMYK 0 / 32 / 74 / 56

HEX #714D1D

RGB 113 77 29

HSL 34.29, 0.59%, 0.28%

LAB 35.8, 10.25, 33.47

 

CMYK 0 / 32 / 74 / 43

HEX #926426

RGB 146 100 38

HSL 34.44, 0.59%, 0.36%

LAB 46.13, 12.58, 41.1

 

CMYK 0 / 31 / 74 / 30

HEX #B27A2E

RGB 178 122 46

HSL 34.55, 0.59%, 0.44%

LAB 55.67, 14.89, 48.41

 

CMYK 0 / 30 / 70 / 20

HEX #CD903D

RGB 205 144 61

HSL 34.58, 0.59%, 0.52%

LAB 64.37, 15.3, 51.65

 

CMYK 0 / 24 / 56 / 16

HEX #D5A25E

RGB 213 162 94

HSL 34.29, 0.59%, 0.6%

LAB 70.03, 11.16, 42.29

 

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

CMYK 57 / 0 / 74 / 30

HEX #4DB22E

RGB 77 178 46

HSL 105.91, 0.59%, 0.44%

LAB 64.66, -52.89, 55.13

 

CMYK 62 / 74 / 0 / 30

HEX #442EB2

RGB 68 46 178

HSL 250, 0.59%, 0.44%

LAB 30.39, 46.59, -66.47

 

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

CMYK 74 / 0 / 32 / 30

HEX #2EB279

RGB 46 178 121

HSL 154.09, 0.59%, 0.44%

LAB 64.81, -48.45, 19.29

 

CMYK 32 / 74 / 0 / 30

HEX #792EB2

RGB 121 46 178

HSL 274.09, 0.59%, 0.44%

LAB 36.43, 55.16, -56.35

 

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

CMYK 57 / 0 / 74 / 30

HEX #4DB22E

RGB 77 178 46

HSL 105.91, 0.59%, 0.44%

LAB 64.66, -52.89, 55.13

 

CMYK 74 / 42 / 0 / 30

HEX #2E67B2

RGB 46 103 178

HSL 214.09, 0.59%, 0.44%

LAB 43.5, 7.67, -45.26

 

CMYK 17 / 74 / 0 / 30

HEX #942EB2

RGB 148 46 178

HSL 286.36, 0.59%, 0.44%

LAB 40.35, 60.46, -49.82

 

CMYK 0 / 32 / 74 / 29

HEX #B47B2E

RGB 180 123 46

HSL 34.48, 0.59%, 0.44%

LAB 56.15, 15.21, 48.98

 

CMYK 74 / 0 / 69 / 30

HEX #2EB237

RGB 46 178 55

HSL 124.09, 0.59%, 0.44%

LAB 63.92, -58.74, 50.69

 

CMYK 74 / 42 / 0 / 30

HEX #2E67B2

RGB 46 103 178

HSL 214.09, 0.59%, 0.44%

LAB 43.5, 7.67, -45.26

 

CMYK 0 / 74 / 4 / 30

HEX #B22EAA

RGB 178 46 170

HSL 303.64, 0.59%, 0.44%

LAB 44.69, 65.43, -37.87

 

Description

Color code: HEX #B47B2E | qconv.com Color code: HEX #B47B2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 123 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 123 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 74 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 74% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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