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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47A81 it is the complementary color #4B857E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47A81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47A81 shade: #B97A7C, #CA8C8F, #DB9EA2, #ECB0B5 and #FDC2C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47A81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47A81 shade: #B47A81, #A3686E, #92565B, #814448 and #703235

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47A81 shade: #B47980 and #B47979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47A81 shade: #B47980, #B47990, #B479A0, #B479B0 and #A879B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47A81 shade matches the following richer shades: #B47980, #C56873, #D65767, #E6465A and #F7364D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47A81 shade: #B47980, #A38A8D, #929B9A, #81ACA7 and #70BDB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47A81 shade: #B479A0, #B47991, #B47981, #B48179 and #B49179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47A81 shade: #8C4F56, #A55F67, #B47980, #C39499 and #D1AEB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47A81 shade: #B47A81, #B0B479 and #7998B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47A81 shade: #B47A81, #81B479 and #7981B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47A81 shade: #B47A81, #B0B479, #79B4AC and #7D79B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47A81 shade: #B47A81, #9EB479, #79B4AC and #8F79B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

Complementary color

CMYK 44 / 0 / 5 / 48

HEX #4B857E

RGB 75 133 126

HSL 172.76, 0.28%, 0.41%

LAB 51.58, -20.78, -2.18

 

CMYK 0 / 34 / 33 / 27

HEX #B97A7C

RGB 185 122 124

HSL 358.1, 0.31%, 0.6%

LAB 57.74, 24.86, 9.05

 

CMYK 0 / 31 / 29 / 21

HEX #CA8C8F

RGB 202 140 143

HSL 357.1, 0.37%, 0.67%

LAB 64.4, 24.02, 7.94

 

CMYK 0 / 28 / 26 / 14

HEX #DB9EA2

RGB 219 158 162

HSL 356.07, 0.46%, 0.74%

LAB 70.96, 23.26, 6.94

 

CMYK 0 / 25 / 23 / 7

HEX #ECB0B5

RGB 236 176 181

HSL 355, 0.61%, 0.81%

LAB 77.41, 22.57, 6.02

 

CMYK 0 / 23 / 21 / 1

HEX #FDC2C8

RGB 253 194 200

HSL 353.9, 0.94%, 0.88%

LAB 83.78, 21.95, 5.17

 

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

CMYK 0 / 36 / 33 / 36

HEX #A3686E

RGB 163 104 110

HSL 353.9, 0.24%, 0.52%

LAB 50.47, 24.49, 6.53

 

CMYK 0 / 41 / 38 / 43

HEX #92565B

RGB 146 86 91

HSL 355, 0.26%, 0.45%

LAB 43.54, 25.47, 7.82

 

CMYK 0 / 47 / 44 / 49

HEX #814448

RGB 129 68 72

HSL 356.07, 0.31%, 0.39%

LAB 36.5, 26.56, 9.37

 

CMYK 0 / 55 / 53 / 56

HEX #703235

RGB 112 50 53

HSL 357.1, 0.38%, 0.32%

LAB 29.37, 27.73, 11.31

 

CMYK 0 / 33 / 29 / 29

HEX #B47980

RGB 180 121 128

HSL 352.88, 0.28%, 0.59%

LAB 57.01, 24.03, 5.62

 

CMYK 0 / 33 / 33 / 29

HEX #B47979

RGB 180 121 121

HSL 0, 0.28%, 0.59%

LAB 56.84, 23.07, 9.42

 

CMYK 0 / 33 / 29 / 29

HEX #B47980

RGB 180 121 128

HSL 352.88, 0.28%, 0.59%

LAB 57.01, 24.03, 5.62

 

CMYK 0 / 33 / 20 / 29

HEX #B47990

RGB 180 121 144

HSL 336.61, 0.28%, 0.59%

LAB 57.46, 26.42, -3.01

 

CMYK 0 / 33 / 11 / 29

HEX #B479A0

RGB 180 121 160

HSL 320.34, 0.28%, 0.59%

LAB 57.96, 29.07, -11.51

 

CMYK 0 / 33 / 2 / 29

HEX #B479B0

RGB 180 121 176

HSL 304.07, 0.28%, 0.59%

LAB 58.52, 31.97, -19.86

 

CMYK 7 / 33 / 0 / 29

HEX #A879B4

RGB 168 121 180

HSL 287.8, 0.28%, 0.59%

LAB 57.36, 28.79, -24.04

 

CMYK 0 / 33 / 29 / 29

HEX #B47980

RGB 180 121 128

HSL 352.88, 0.28%, 0.59%

LAB 57.01, 24.03, 5.62

 

CMYK 0 / 47 / 42 / 23

HEX #C56873

RGB 197 104 115

HSL 352.9, 0.44%, 0.59%

LAB 55.08, 38.05, 10.75

 

CMYK 0 / 59 / 52 / 16

HEX #D65767

RGB 214 87 103

HSL 352.44, 0.61%, 0.59%

LAB 54.12, 51.24, 16.87

 

CMYK 0 / 70 / 61 / 10

HEX #E6465A

RGB 230 70 90

HSL 352.5, 0.76%, 0.59%

LAB 53.96, 62.42, 24.81

 

CMYK 0 / 78 / 69 / 3

HEX #F7364D

RGB 247 54 77

HSL 352.85, 0.92%, 0.59%

LAB 55.02, 71.73, 34.4

 

CMYK 0 / 33 / 29 / 29

HEX #B47980

RGB 180 121 128

HSL 352.88, 0.28%, 0.59%

LAB 57.01, 24.03, 5.62

 

CMYK 0 / 15 / 13 / 36

HEX #A38A8D

RGB 163 138 141

HSL 352.8, 0.12%, 0.59%

LAB 59.79, 9.94, 1.91

 

CMYK 6 / 0 / 1 / 39

HEX #929B9A

RGB 146 155 154

HSL 173.33, 0.04%, 0.59%

LAB 63.25, -3.41, -0.6

 

CMYK 25 / 0 / 3 / 33

HEX #81ACA7

RGB 129 172 167

HSL 173.02, 0.21%, 0.59%

LAB 67.25, -15.47, -2.14

 

CMYK 41 / 0 / 5 / 26

HEX #70BDB4

RGB 112 189 180

HSL 172.99, 0.37%, 0.59%

LAB 71.65, -25.95, -2.94

 

CMYK 0 / 33 / 11 / 29

HEX #B479A0

RGB 180 121 160

HSL 320.34, 0.28%, 0.59%

LAB 57.96, 29.07, -11.51

 

CMYK 0 / 33 / 19 / 29

HEX #B47991

RGB 180 121 145

HSL 335.59, 0.28%, 0.59%

LAB 57.48, 26.58, -3.55

 

CMYK 0 / 33 / 28 / 29

HEX #B47981

RGB 180 121 129

HSL 351.86, 0.28%, 0.59%

LAB 57.04, 24.17, 5.07

 

CMYK 0 / 28 / 33 / 29

HEX #B48179

RGB 180 129 121

HSL 8.14, 0.28%, 0.59%

LAB 58.77, 18.6, 12.15

 

CMYK 0 / 19 / 33 / 29

HEX #B49179

RGB 180 145 121

HSL 24.41, 0.28%, 0.59%

LAB 62.79, 9.67, 17.72

 

CMYK 0 / 44 / 39 / 45

HEX #8C4F56

RGB 140 79 86

HSL 353.11, 0.28%, 0.43%

LAB 40.96, 26.42, 7.13

 

CMYK 0 / 42 / 38 / 35

HEX #A55F67

RGB 165 95 103

HSL 353.14, 0.28%, 0.51%

LAB 48.46, 29.4, 7.89

 

CMYK 0 / 33 / 29 / 29

HEX #B47980

RGB 180 121 128

HSL 352.88, 0.28%, 0.59%

LAB 57.01, 24.03, 5.62

 

CMYK 0 / 24 / 22 / 24

HEX #C39499

RGB 195 148 153

HSL 353.62, 0.28%, 0.67%

LAB 65.81, 18.41, 4.23

 

CMYK 0 / 17 / 15 / 18

HEX #D1AEB2

RGB 209 174 178

HSL 353.14, 0.28%, 0.75%

LAB 74.22, 13.32, 2.71

 

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

CMYK 2 / 0 / 33 / 29

HEX #B0B479

RGB 176 180 121

HSL 64.07, 0.28%, 0.59%

LAB 71.73, -10.84, 29.69

 

CMYK 33 / 16 / 0 / 29

HEX #7998B4

RGB 121 152 180

HSL 208.47, 0.28%, 0.59%

LAB 61.5, -3.93, -18.06

 

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

CMYK 28 / 0 / 33 / 29

HEX #81B479

RGB 129 180 121

HSL 111.86, 0.28%, 0.59%

LAB 68.53, -28.41, 24.86

 

CMYK 33 / 28 / 0 / 29

HEX #7981B4

RGB 121 129 180

HSL 231.86, 0.28%, 0.59%

LAB 55.13, 9.3, -27.82

 

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

CMYK 2 / 0 / 33 / 29

HEX #B0B479

RGB 176 180 121

HSL 64.07, 0.28%, 0.59%

LAB 71.73, -10.84, 29.69

 

CMYK 33 / 0 / 4 / 29

HEX #79B4AC

RGB 121 180 172

HSL 171.86, 0.28%, 0.59%

LAB 69.25, -20.86, -2.02

 

CMYK 31 / 33 / 0 / 29

HEX #7D79B4

RGB 125 121 180

HSL 244.07, 0.28%, 0.59%

LAB 53.31, 15.22, -30.63

 

CMYK 0 / 32 / 28 / 29

HEX #B47A81

RGB 180 122 129

HSL 352.76, 0.28%, 0.59%

LAB 57.28, 23.61, 5.41

 

CMYK 12 / 0 / 33 / 29

HEX #9EB479

RGB 158 180 121

HSL 82.37, 0.28%, 0.59%

LAB 70.38, -17.83, 27.66

 

CMYK 33 / 0 / 4 / 29

HEX #79B4AC

RGB 121 180 172

HSL 171.86, 0.28%, 0.59%

LAB 69.25, -20.86, -2.02

 

CMYK 21 / 33 / 0 / 29

HEX #8F79B4

RGB 143 121 180

HSL 262.37, 0.28%, 0.59%

LAB 54.88, 20.75, -28.08

 

Description

Color code: HEX #B47A81 | qconv.com Color code: HEX #B47A81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 122 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 122 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 28 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 28% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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