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Color name
HEX #B47128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B47128 it is the complementary color #4B8ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B47128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B47128 shade: #B97123, #CA8336, #DB9549, #ECA75C and #FDB96F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B47128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B47128 shade: #B47128, #A35F15, #924D02, #813B00 and #702900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B47128 shade: #B47127, #B44B27 and #B42727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B47128 shade: #B47127, #B49727, #ABB427, #85B427 and #60B427

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B47128 shade matches the following richer shades: #B47127, #C67116 and #D77204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B47128 shade: #B47127, #A27039, #906F4B, #7F6E5D and #6D6E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B47128 shade: #B4272A, #B44B27, #B47027, #B49527 and #ADB427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B47128 shade: #704619, #925B20, #B47127, #D28632 and #DA9A54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B47128 shade: #B47128, #4FB427 and #3827B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B47128 shade: #B47128, #27B470 and #7027B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B47128 shade: #B47128, #4FB427, #276BB4 and #8C27B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B47128 shade: #B47128, #27B42A, #276BB4 and #B427B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

Complementary color

CMYK 65 / 34 / 0 / 16

HEX #4B8ED7

RGB 75 142 215

HSL 211.29, 0.64%, 0.57%

LAB 57.8, 1.58, -43.68

 

CMYK 0 / 39 / 81 / 27

HEX #B97123

RGB 185 113 35

HSL 31.2, 0.68%, 0.43%

LAB 54.29, 22.51, 52.02

 

CMYK 0 / 35 / 73 / 21

HEX #CA8336

RGB 202 131 54

HSL 31.22, 0.58%, 0.5%

LAB 60.83, 20.75, 51.03

 

CMYK 0 / 32 / 67 / 14

HEX #DB9549

RGB 219 149 73

HSL 31.23, 0.67%, 0.57%

LAB 67.3, 19.22, 49.69

 

CMYK 0 / 29 / 61 / 7

HEX #ECA75C

RGB 236 167 92

HSL 31.25, 0.79%, 0.64%

LAB 73.7, 17.9, 48.25

 

CMYK 0 / 27 / 56 / 1

HEX #FDB96F

RGB 253 185 111

HSL 31.27, 0.97%, 0.71%

LAB 80.03, 16.73, 46.82

 

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

CMYK 0 / 42 / 87 / 36

HEX #A35F15

RGB 163 95 21

HSL 31.27, 0.77%, 0.36%

LAB 47.01, 22.46, 49.71

 

CMYK 0 / 47 / 99 / 43

HEX #924D02

RGB 146 77 2

HSL 31.25, 0.97%, 0.29%

LAB 40.28, 24.68, 49.13

 

CMYK 0 / 54 / 100 / 49

HEX #813B00

RGB 129 59 0

HSL 27.44, 1%, 0.25%

LAB 33.55, 27.21, 44.33

 

CMYK 0 / 63 / 100 / 56

HEX #702900

RGB 112 41 0

HSL 21.96, 1%, 0.22%

LAB 26.82, 29.64, 37.99

 

CMYK 0 / 37 / 78 / 29

HEX #B47127

RGB 180 113 39

HSL 31.49, 0.64%, 0.43%

LAB 53.66, 20.48, 49.57

 

CMYK 0 / 58 / 78 / 29

HEX #B44B27

RGB 180 75 39

HSL 15.32, 0.64%, 0.43%

LAB 45.47, 40.65, 41.51

 

CMYK 0 / 78 / 78 / 29

HEX #B42727

RGB 180 39 39

HSL 0, 0.64%, 0.43%

LAB 40.08, 55.23, 35.95

 

CMYK 0 / 37 / 78 / 29

HEX #B47127

RGB 180 113 39

HSL 31.49, 0.64%, 0.43%

LAB 53.66, 20.48, 49.57

 

CMYK 0 / 16 / 78 / 29

HEX #B49727

RGB 180 151 39

HSL 47.66, 0.64%, 0.43%

LAB 63.33, -0.54, 58.62

 

CMYK 5 / 0 / 78 / 29

HEX #ABB427

RGB 171 180 39

HSL 63.83, 0.64%, 0.43%

LAB 70.49, -19.67, 64.81

 

CMYK 26 / 0 / 78 / 29

HEX #85B427

RGB 133 180 39

HSL 80, 0.64%, 0.43%

LAB 67.85, -35.38, 61.44

 

CMYK 47 / 0 / 78 / 29

HEX #60B427

RGB 96 180 39

HSL 95.74, 0.64%, 0.43%

LAB 65.96, -48.58, 58.99

 

CMYK 0 / 37 / 78 / 29

HEX #B47127

RGB 180 113 39

HSL 31.49, 0.64%, 0.43%

LAB 53.66, 20.48, 49.57

 

CMYK 0 / 43 / 89 / 22

HEX #C67116

RGB 198 113 22

HSL 31.02, 0.8%, 0.43%

LAB 55.96, 27.73, 58.59

 

CMYK 0 / 47 / 98 / 16

HEX #D77204

RGB 215 114 4

HSL 31.28, 0.96%, 0.43%

LAB 58.5, 34.04, 65.27

 

CMYK 0 / 37 / 78 / 29

HEX #B47127

RGB 180 113 39

HSL 31.49, 0.64%, 0.43%

LAB 53.66, 20.48, 49.57

 

CMYK 0 / 31 / 65 / 36

HEX #A27039

RGB 162 112 57

HSL 31.43, 0.48%, 0.43%

LAB 51.34, 14.07, 37.87

 

CMYK 0 / 23 / 48 / 44

HEX #906F4B

RGB 144 111 75

HSL 31.3, 0.32%, 0.43%

LAB 49.26, 8.24, 25.01

 

CMYK 0 / 13 / 27 / 50

HEX #7F6E5D

RGB 127 110 93

HSL 30, 0.15%, 0.43%

LAB 47.56, 3.83, 11.95

 

CMYK 1 / 0 / 0 / 57

HEX #6D6E6E

RGB 109 110 110

HSL 180, 0%, 0.43%

LAB 46.35, -0.38, -0.14

 

CMYK 0 / 78 / 77 / 29

HEX #B4272A

RGB 180 39 42

HSL 358.72, 0.64%, 0.43%

LAB 40.12, 55.34, 34.25

 

CMYK 0 / 58 / 78 / 29

HEX #B44B27

RGB 180 75 39

HSL 15.32, 0.64%, 0.43%

LAB 45.47, 40.65, 41.51

 

CMYK 0 / 38 / 78 / 29

HEX #B47027

RGB 180 112 39

HSL 31.06, 0.64%, 0.43%

LAB 53.43, 21.04, 49.34

 

CMYK 0 / 17 / 78 / 29

HEX #B49527

RGB 180 149 39

HSL 46.81, 0.64%, 0.43%

LAB 62.8, 0.55, 58.13

 

CMYK 4 / 0 / 78 / 29

HEX #ADB427

RGB 173 180 39

HSL 62.98, 0.64%, 0.43%

LAB 70.65, -18.81, 65.01

 

CMYK 0 / 38 / 78 / 56

HEX #704619

RGB 112 70 25

HSL 31.03, 0.64%, 0.27%

LAB 33.76, 13.8, 33.32

 

CMYK 0 / 38 / 78 / 43

HEX #925B20

RGB 146 91 32

HSL 31.05, 0.64%, 0.35%

LAB 43.8, 17.5, 41.54

 

CMYK 0 / 37 / 78 / 29

HEX #B47127

RGB 180 113 39

HSL 31.49, 0.64%, 0.43%

LAB 53.66, 20.48, 49.57

 

CMYK 0 / 36 / 76 / 18

HEX #D28632

RGB 210 134 50

HSL 31.5, 0.64%, 0.51%

LAB 62.49, 22.36, 54.77

 

CMYK 0 / 29 / 61 / 15

HEX #DA9A54

RGB 218 154 84

HSL 31.34, 0.64%, 0.59%

LAB 68.5, 16.82, 45.64

 

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

CMYK 56 / 0 / 78 / 29

HEX #4FB427

RGB 79 180 39

HSL 102.98, 0.64%, 0.43%

LAB 65.32, -53.56, 58.15

 

CMYK 69 / 78 / 0 / 29

HEX #3827B4

RGB 56 39 180

HSL 247.23, 0.64%, 0.43%

LAB 28.35, 49.49, -71.07

 

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

CMYK 78 / 0 / 38 / 29

HEX #27B470

RGB 39 180 112

HSL 151.06, 0.64%, 0.43%

LAB 65.16, -52, 24.59

 

CMYK 38 / 78 / 0 / 29

HEX #7027B4

RGB 112 39 180

HSL 271.06, 0.64%, 0.43%

LAB 34.38, 56.88, -60.93

 

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

CMYK 56 / 0 / 78 / 29

HEX #4FB427

RGB 79 180 39

HSL 102.98, 0.64%, 0.43%

LAB 65.32, -53.56, 58.15

 

CMYK 78 / 41 / 0 / 29

HEX #276BB4

RGB 39 107 180

HSL 211.06, 0.64%, 0.43%

LAB 44.58, 5.02, -44.72

 

CMYK 22 / 78 / 0 / 29

HEX #8C27B4

RGB 140 39 180

HSL 282.98, 0.64%, 0.43%

LAB 38.41, 61.75, -54.19

 

CMYK 0 / 37 / 78 / 29

HEX #B47128

RGB 180 113 40

HSL 31.29, 0.64%, 0.43%

LAB 53.67, 20.52, 49.15

 

CMYK 78 / 0 / 77 / 29

HEX #27B42A

RGB 39 180 42

HSL 121.28, 0.64%, 0.43%

LAB 64.36, -61.5, 55.91

 

CMYK 78 / 41 / 0 / 29

HEX #276BB4

RGB 39 107 180

HSL 211.06, 0.64%, 0.43%

LAB 44.58, 5.02, -44.72

 

CMYK 0 / 78 / 2 / 29

HEX #B427B1

RGB 180 39 177

HSL 301.28, 0.64%, 0.43%

LAB 44.7, 68.99, -41.98

 

Description

Color code: HEX #B47128 | qconv.com Color code: HEX #B47128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 113 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 113 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 78 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 78% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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