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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B46C78 it is the complementary color #4B9387. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B46C78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B46C78 shade: #B96C73, #CA7E86, #DB9099, #ECA2AC and #FDB4BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B46C78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B46C78 shade: #B46C78, #A35A65, #924852, #81363F and #70242C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B46C78 shade: #B36B77 and #B36B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B46C78 shade: #B36B77, #B36B8A, #B36B9E, #B36BB1 and #A16BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B46C78 shade matches the following richer shades: #B36B77, #C5596B, #D7475F, #E93453 and #FB2246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B46C78 shade: #B36B77, #A17D83, #8E8F8F, #7CA19B and #6AB4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B46C78 shade: #B36B9D, #B36B8A, #B36B77, #B3726B and #B3856B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B46C78 shade: #864550, #A15360, #B36B77, #C18690 and #CFA1A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B46C78 shade: #B46C78, #B0B36B and #6B94B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B46C78 shade: #B46C78, #77B36B and #6B77B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B46C78 shade: #B46C78, #B0B36B, #6BB3A7 and #6D6BB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B46C78 shade: #B46C78, #9BB36B, #6BB3A7 and #836BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

Complementary color

CMYK 49 / 0 / 8 / 42

HEX #4B9387

RGB 75 147 135

HSL 170, 0.32%, 0.44%

LAB 56.2, -25.63, -0.61

 

CMYK 0 / 42 / 38 / 27

HEX #B96C73

RGB 185 108 115

HSL 354.55, 0.35%, 0.57%

LAB 54.32, 31.42, 9.44

 

CMYK 0 / 38 / 34 / 21

HEX #CA7E86

RGB 202 126 134

HSL 353.68, 0.42%, 0.64%

LAB 60.96, 30.46, 8.15

 

CMYK 0 / 34 / 30 / 14

HEX #DB9099

RGB 219 144 153

HSL 352.8, 0.51%, 0.71%

LAB 67.51, 29.57, 7.01

 

CMYK 0 / 31 / 27 / 7

HEX #ECA2AC

RGB 236 162 172

HSL 351.89, 0.66%, 0.78%

LAB 73.97, 28.76, 5.99

 

CMYK 0 / 29 / 25 / 1

HEX #FDB4BF

RGB 253 180 191

HSL 350.96, 0.95%, 0.85%

LAB 80.34, 28.02, 5.05

 

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

CMYK 0 / 45 / 38 / 36

HEX #A35A65

RGB 163 90 101

HSL 350.96, 0.29%, 0.5%

LAB 47.02, 31.14, 7.01

 

CMYK 0 / 51 / 44 / 43

HEX #924852

RGB 146 72 82

HSL 351.89, 0.34%, 0.43%

LAB 40.17, 32.19, 8.62

 

CMYK 0 / 58 / 51 / 49

HEX #81363F

RGB 129 54 63

HSL 352.8, 0.41%, 0.36%

LAB 33.27, 33.25, 10.63

 

CMYK 0 / 68 / 61 / 56

HEX #70242C

RGB 112 36 44

HSL 353.68, 0.51%, 0.29%

LAB 26.41, 34.16, 13.28

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 40 / 40 / 30

HEX #B36B6B

RGB 179 107 107

HSL 0, 0.32%, 0.56%

LAB 53.12, 28.7, 12.34

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 40 / 23 / 30

HEX #B36B8A

RGB 179 107 138

HSL 334.17, 0.32%, 0.56%

LAB 53.96, 32.87, -4.69

 

CMYK 0 / 40 / 12 / 30

HEX #B36B9E

RGB 179 107 158

HSL 317.5, 0.32%, 0.56%

LAB 54.62, 36.09, -15.4

 

CMYK 0 / 40 / 1 / 30

HEX #B36BB1

RGB 179 107 177

HSL 301.67, 0.32%, 0.56%

LAB 55.35, 39.5, -25.3

 

CMYK 10 / 40 / 0 / 30

HEX #A16BB3

RGB 161 107 179

HSL 285, 0.32%, 0.56%

LAB 53.33, 34.23, -29.76

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 55 / 46 / 23

HEX #C5596B

RGB 197 89 107

HSL 350, 0.48%, 0.56%

LAB 51.92, 44.81, 11.04

 

CMYK 0 / 67 / 56 / 16

HEX #D7475F

RGB 215 71 95

HSL 350, 0.64%, 0.56%

LAB 51.59, 57.75, 18.2

 

CMYK 0 / 78 / 64 / 9

HEX #E93453

RGB 233 52 83

HSL 349.72, 0.8%, 0.56%

LAB 52.29, 68.72, 26.9

 

CMYK 0 / 86 / 72 / 2

HEX #FB2246

RGB 251 34 70

HSL 350.05, 0.96%, 0.56%

LAB 54.13, 76.93, 37.59

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 22 / 19 / 37

HEX #A17D83

RGB 161 125 131

HSL 350, 0.16%, 0.56%

LAB 55.97, 14.89, 2.1

 

CMYK 1 / 0 / 0 / 44

HEX #8E8F8F

RGB 142 143 143

HSL 180, 0%, 0.56%

LAB 59.32, -0.36, -0.14

 

CMYK 23 / 0 / 4 / 37

HEX #7CA19B

RGB 124 161 155

HSL 170.27, 0.16%, 0.56%

LAB 63.46, -13.92, -1.03

 

CMYK 41 / 0 / 7 / 29

HEX #6AB4A7

RGB 106 180 167

HSL 169.46, 0.33%, 0.56%

LAB 68.39, -26.2, -0.61

 

CMYK 0 / 40 / 12 / 30

HEX #B36B9D

RGB 179 107 157

HSL 318.33, 0.32%, 0.56%

LAB 54.59, 35.92, -14.87

 

CMYK 0 / 40 / 23 / 30

HEX #B36B8A

RGB 179 107 138

HSL 334.17, 0.32%, 0.56%

LAB 53.96, 32.87, -4.69

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 36 / 40 / 30

HEX #B3726B

RGB 179 114 107

HSL 5.83, 0.32%, 0.56%

LAB 54.74, 24.82, 14.59

 

CMYK 0 / 26 / 40 / 30

HEX #B3856B

RGB 179 133 107

HSL 21.67, 0.32%, 0.56%

LAB 59.36, 14.2, 20.9

 

CMYK 0 / 49 / 40 / 47

HEX #864550

RGB 134 69 80

HSL 349.85, 0.32%, 0.4%

LAB 37.67, 28.95, 6.08

 

CMYK 0 / 48 / 40 / 37

HEX #A15360

RGB 161 83 96

HSL 350, 0.32%, 0.48%

LAB 45.09, 33.58, 7.26

 

CMYK 0 / 40 / 34 / 30

HEX #B36B77

RGB 179 107 119

HSL 350, 0.32%, 0.56%

LAB 53.42, 30.19, 5.7

 

CMYK 0 / 31 / 25 / 24

HEX #C18690

RGB 193 134 144

HSL 349.83, 0.32%, 0.64%

LAB 62, 24.05, 3.79

 

CMYK 0 / 22 / 18 / 19

HEX #CFA1A9

RGB 207 161 169

HSL 349.57, 0.32%, 0.72%

LAB 70.61, 18.22, 2.4

 

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

CMYK 2 / 0 / 40 / 30

HEX #B0B36B

RGB 176 179 107

HSL 62.5, 0.32%, 0.56%

LAB 71.24, -12, 36.37

 

CMYK 40 / 17 / 0 / 30

HEX #6B94B3

RGB 107 148 179

HSL 205.83, 0.32%, 0.56%

LAB 59.49, -5.93, -20.63

 

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

CMYK 34 / 0 / 40 / 30

HEX #77B36B

RGB 119 179 107

HSL 110, 0.32%, 0.56%

LAB 67.44, -33.52, 30.74

 

CMYK 40 / 34 / 0 / 30

HEX #6B77B3

RGB 107 119 179

HSL 230, 0.32%, 0.56%

LAB 51.35, 10.98, -33.21

 

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

CMYK 2 / 0 / 40 / 30

HEX #B0B36B

RGB 176 179 107

HSL 62.5, 0.32%, 0.56%

LAB 71.24, -12, 36.37

 

CMYK 40 / 0 / 7 / 30

HEX #6BB3A7

RGB 107 179 167

HSL 170, 0.32%, 0.56%

LAB 68.14, -25.43, -0.97

 

CMYK 39 / 40 / 0 / 30

HEX #6D6BB3

RGB 109 107 179

HSL 241.67, 0.32%, 0.56%

LAB 48.29, 18.81, -38.02

 

CMYK 0 / 40 / 33 / 29

HEX #B46C78

RGB 180 108 120

HSL 350, 0.32%, 0.56%

LAB 53.8, 30.15, 5.67

 

CMYK 13 / 0 / 40 / 30

HEX #9BB36B

RGB 155 179 107

HSL 80, 0.32%, 0.56%

LAB 69.66, -20.34, 34.04

 

CMYK 40 / 0 / 7 / 30

HEX #6BB3A7

RGB 107 179 167

HSL 170, 0.32%, 0.56%

LAB 68.14, -25.43, -0.97

 

CMYK 27 / 40 / 0 / 30

HEX #836BB3

RGB 131 107 179

HSL 260, 0.32%, 0.56%

LAB 50.21, 25.08, -34.86

 

Description

Color code: HEX #B46C78 | qconv.com Color code: HEX #B46C78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 108 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 108 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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