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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4666C it is the complementary color #4B9993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4666C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4666C shade: #B96667, #CA787A, #DB8A8D, #EC9CA0 and #FDAEB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4666C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4666C shade: #B4666C, #A35459, #924246, #813033 and #701E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4666C shade: #B3656B and #B36565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4666C shade: #B3656B, #B36580, #B36595, #B365AA and #A765B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4666C shade matches the following richer shades: #B3656B, #C6535C, #D8404C, #EB2E3C and #FE1B2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4666C shade: #B3656B, #A1787B, #8E8A8B, #7C9D9A and #69B0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4666C shade: #B36595, #B36581, #B3656C, #B37465 and #B38865

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4666C shade: #854147, #A04F55, #B3656B, #C18186 and #CE9DA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4666C shade: #B4666C, #AAB365 and #658BB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4666C shade: #B4666C, #6CB365 and #656CB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4666C shade: #B4666C, #AAB365, #65B3AD and #6E65B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4666C shade: #B4666C, #93B365, #65B3AD and #8665B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

Complementary color

CMYK 51 / 0 / 4 / 40

HEX #4B9993

RGB 75 153 147

HSL 175.38, 0.34%, 0.45%

LAB 58.4, -25.5, -4.23

 

CMYK 0 / 45 / 44 / 27

HEX #B96667

RGB 185 102 103

HSL 359.28, 0.37%, 0.56%

LAB 52.73, 33.29, 14.26

 

CMYK 0 / 41 / 40 / 21

HEX #CA787A

RGB 202 120 122

HSL 358.54, 0.44%, 0.63%

LAB 59.34, 32.23, 12.75

 

CMYK 0 / 37 / 36 / 14

HEX #DB8A8D

RGB 219 138 141

HSL 357.78, 0.53%, 0.7%

LAB 65.87, 31.26, 11.43

 

CMYK 0 / 34 / 32 / 7

HEX #EC9CA0

RGB 236 156 160

HSL 357, 0.68%, 0.77%

LAB 72.33, 30.37, 10.26

 

CMYK 0 / 31 / 29 / 1

HEX #FDAEB3

RGB 253 174 179

HSL 356.2, 0.95%, 0.84%

LAB 78.7, 29.56, 9.19

 

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

CMYK 0 / 48 / 45 / 36

HEX #A35459

RGB 163 84 89

HSL 356.2, 0.32%, 0.48%

LAB 45.43, 33.01, 12.03

 

CMYK 0 / 55 / 52 / 43

HEX #924246

RGB 146 66 70

HSL 357, 0.38%, 0.42%

LAB 38.64, 34.14, 13.98

 

CMYK 0 / 63 / 60 / 49

HEX #813033

RGB 129 48 51

HSL 357.78, 0.46%, 0.35%

LAB 31.85, 35.22, 16.45

 

CMYK 0 / 73 / 71 / 56

HEX #701E20

RGB 112 30 32

HSL 358.54, 0.58%, 0.28%

LAB 25.19, 36.02, 19.69

 

CMYK 0 / 44 / 40 / 30

HEX #B3656B

RGB 179 101 107

HSL 355.38, 0.34%, 0.55%

LAB 51.78, 31.98, 10.46

 

CMYK 0 / 44 / 44 / 30

HEX #B36565

RGB 179 101 101

HSL 0, 0.34%, 0.55%

LAB 51.65, 31.3, 13.82

 

CMYK 0 / 44 / 40 / 30

HEX #B3656B

RGB 179 101 107

HSL 355.38, 0.34%, 0.55%

LAB 51.78, 31.98, 10.46

 

CMYK 0 / 44 / 28 / 30

HEX #B36580

RGB 179 101 128

HSL 339.23, 0.34%, 0.55%

LAB 52.34, 34.68, -1.17

 

CMYK 0 / 44 / 17 / 30

HEX #B36595

RGB 179 101 149

HSL 323.08, 0.34%, 0.55%

LAB 53.02, 37.84, -12.56

 

CMYK 0 / 44 / 5 / 30

HEX #B365AA

RGB 179 101 170

HSL 306.92, 0.34%, 0.55%

LAB 53.81, 41.42, -23.63

 

CMYK 7 / 44 / 0 / 30

HEX #A765B3

RGB 167 101 179

HSL 290.77, 0.34%, 0.55%

LAB 52.71, 39.4, -30.68

 

CMYK 0 / 44 / 40 / 30

HEX #B3656B

RGB 179 101 107

HSL 355.38, 0.34%, 0.55%

LAB 51.78, 31.98, 10.46

 

CMYK 0 / 58 / 54 / 22

HEX #C6535C

RGB 198 83 92

HSL 355.3, 0.5%, 0.55%

LAB 50.65, 46.66, 18.24

 

CMYK 0 / 70 / 65 / 15

HEX #D8404C

RGB 216 64 76

HSL 355.26, 0.66%, 0.55%

LAB 50.44, 59.49, 28.06

 

CMYK 0 / 80 / 74 / 8

HEX #EB2E3C

RGB 235 46 60

HSL 355.56, 0.83%, 0.55%

LAB 51.77, 69.82, 39.81

 

CMYK 0 / 89 / 83 / 0

HEX #FE1B2C

RGB 254 27 44

HSL 355.51, 0.99%, 0.55%

LAB 54.07, 77.98, 51.98

 

CMYK 0 / 44 / 40 / 30

HEX #B3656B

RGB 179 101 107

HSL 355.38, 0.34%, 0.55%

LAB 51.78, 31.98, 10.46

 

CMYK 0 / 25 / 24 / 37

HEX #A1787B

RGB 161 120 123

HSL 355.61, 0.18%, 0.55%

LAB 54.49, 16.47, 4.62

 

CMYK 0 / 3 / 2 / 44

HEX #8E8A8B

RGB 142 138 139

HSL 345, 0.02%, 0.55%

LAB 57.84, 1.68, -0.01

 

CMYK 21 / 0 / 2 / 38

HEX #7C9D9A

RGB 124 157 154

HSL 174.55, 0.14%, 0.55%

LAB 62.28, -12, -2.2

 

CMYK 40 / 0 / 3 / 31

HEX #69B0AA

RGB 105 176 170

HSL 174.93, 0.31%, 0.55%

LAB 67.24, -23.73, -3.95

 

CMYK 0 / 44 / 17 / 30

HEX #B36595

RGB 179 101 149

HSL 323.08, 0.34%, 0.55%

LAB 53.02, 37.84, -12.56

 

CMYK 0 / 44 / 28 / 30

HEX #B36581

RGB 179 101 129

HSL 338.46, 0.34%, 0.55%

LAB 52.37, 34.82, -1.72

 

CMYK 0 / 44 / 40 / 30

HEX #B3656C

RGB 179 101 108

HSL 354.62, 0.34%, 0.55%

LAB 51.81, 32.1, 9.91

 

CMYK 0 / 35 / 44 / 30

HEX #B37465

RGB 179 116 101

HSL 11.54, 0.34%, 0.55%

LAB 55.09, 23.02, 18.54

 

CMYK 0 / 24 / 44 / 30

HEX #B38865

RGB 179 136 101

HSL 26.92, 0.34%, 0.55%

LAB 60.01, 11.84, 25.13

 

CMYK 0 / 51 / 47 / 48

HEX #854147

RGB 133 65 71

HSL 354.71, 0.34%, 0.39%

LAB 36.41, 29.72, 9.97

 

CMYK 0 / 51 / 47 / 37

HEX #A04F55

RGB 160 79 85

HSL 355.56, 0.34%, 0.47%

LAB 43.83, 34.12, 12.19

 

CMYK 0 / 44 / 40 / 30

HEX #B3656B

RGB 179 101 107

HSL 355.38, 0.34%, 0.55%

LAB 51.78, 31.98, 10.46

 

CMYK 0 / 33 / 31 / 24

HEX #C18186

RGB 193 129 134

HSL 355.31, 0.34%, 0.63%

LAB 60.57, 25.41, 7.45

 

CMYK 0 / 24 / 22 / 19

HEX #CE9DA0

RGB 206 157 160

HSL 356.33, 0.33%, 0.71%

LAB 69.31, 18.66, 5.51

 

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

CMYK 5 / 0 / 44 / 30

HEX #AAB365

RGB 170 179 101

HSL 66.92, 0.34%, 0.55%

LAB 70.68, -15.09, 38.64

 

CMYK 44 / 22 / 0 / 30

HEX #658BB3

RGB 101 139 179

HSL 210.77, 0.34%, 0.55%

LAB 56.57, -2.43, -25.14

 

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

CMYK 40 / 0 / 44 / 30

HEX #6CB365

RGB 108 179 101

HSL 114.62, 0.34%, 0.55%

LAB 66.8, -38.03, 32.93

 

CMYK 44 / 40 / 0 / 30

HEX #656CB3

RGB 101 108 179

HSL 234.62, 0.34%, 0.55%

LAB 47.94, 16.07, -38.61

 

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

CMYK 5 / 0 / 44 / 30

HEX #AAB365

RGB 170 179 101

HSL 66.92, 0.34%, 0.55%

LAB 70.68, -15.09, 38.64

 

CMYK 44 / 0 / 3 / 30

HEX #65B3AD

RGB 101 179 173

HSL 175.38, 0.34%, 0.55%

LAB 68.04, -25.51, -4.46

 

CMYK 39 / 44 / 0 / 30

HEX #6E65B3

RGB 110 101 179

HSL 246.92, 0.34%, 0.55%

LAB 46.81, 22.74, -40.34

 

CMYK 0 / 43 / 40 / 29

HEX #B4666C

RGB 180 102 108

HSL 355.38, 0.34%, 0.55%

LAB 52.16, 31.94, 10.42

 

CMYK 18 / 0 / 44 / 30

HEX #93B365

RGB 147 179 101

HSL 84.62, 0.34%, 0.55%

LAB 69.03, -24.18, 36.22

 

CMYK 44 / 0 / 3 / 30

HEX #65B3AD

RGB 101 179 173

HSL 175.38, 0.34%, 0.55%

LAB 68.04, -25.51, -4.46

 

CMYK 25 / 44 / 0 / 30

HEX #8665B3

RGB 134 101 179

HSL 265.38, 0.34%, 0.55%

LAB 49.04, 29.5, -36.67

 

Description

Color code: HEX #B4666C | qconv.com Color code: HEX #B4666C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 102 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 102 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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