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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B461C2 it is the complementary color #4B9E3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B461C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B461C2 shade: #B961BD, #CA73D0, #DB85E3, #EC97F6 and #FDA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B461C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B461C2 shade: #B461C2, #A34FAF, #923D9C, #812B89 and #701976

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B461C2 shade: #B461C2, #C261B6, #C2619B, #C26181 and #C26167

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B461C2 shade: #B461C2, #9A61C2, #8061C2, #6661C2 and #6161C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B461C2 shade matches the following richer shades: #B461C2, #C04FD3, #CD3EE5 and #DA2CF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B461C2 shade: #B461C2, #A773B0, #9A859E, #8E968C and #81A87B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B461C2 shade: #8061C2, #9961C2, #B361C2, #C261B6 and #C2619D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B461C2 shade: #893A96, #A446B4, #B461C2, #C27FCD and #D09DD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B461C2 shade: #B461C2, #C26661 and #61C28D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B461C2 shade: #B461C2, #C2B361 and #61C2B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B461C2 shade: #B461C2, #C26661, #70C261 and #61BDC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B461C2 shade: #B461C2, #C28361, #70C261 and #61A0C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

Complementary color

CMYK 53 / 0 / 61 / 38

HEX #4B9E3D

RGB 75 158 61

HSL 111.34, 0.44%, 0.43%

LAB 58.31, -44.38, 42.15

 

CMYK 2 / 49 / 0 / 26

HEX #B961BD

RGB 185 97 189

HSL 297.39, 0.41%, 0.56%

LAB 54.59, 48.79, -33.34

 

CMYK 3 / 45 / 0 / 18

HEX #CA73D0

RGB 202 115 208

HSL 296.13, 0.5%, 0.63%

LAB 61.11, 48.09, -33.83

 

CMYK 4 / 41 / 0 / 11

HEX #DB85E3

RGB 219 133 227

HSL 294.89, 0.63%, 0.71%

LAB 67.56, 47.35, -34.25

 

CMYK 4 / 39 / 0 / 4

HEX #EC97F6

RGB 236 151 246

HSL 293.68, 0.84%, 0.78%

LAB 73.95, 46.62, -34.62

 

CMYK 1 / 34 / 0 / 0

HEX #FDA9FF

RGB 253 169 255

HSL 298.6, 1%, 0.83%

LAB 79.89, 44.06, -30.17

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 7 / 55 / 0 / 31

HEX #A34FAF

RGB 163 79 175

HSL 292.5, 0.38%, 0.5%

LAB 47.59, 48.97, -36.4

 

CMYK 6 / 61 / 0 / 39

HEX #923D9C

RGB 146 61 156

HSL 293.68, 0.44%, 0.43%

LAB 40.97, 49.43, -35.72

 

CMYK 6 / 69 / 0 / 46

HEX #812B89

RGB 129 43 137

HSL 294.89, 0.52%, 0.35%

LAB 34.4, 49.52, -34.74

 

CMYK 5 / 79 / 0 / 54

HEX #701976

RGB 112 25 118

HSL 296.13, 0.65%, 0.28%

LAB 27.97, 48.83, -33.23

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 0 / 50 / 6 / 24

HEX #C261B6

RGB 194 97 182

HSL 307.42, 0.44%, 0.57%

LAB 55.48, 50.17, -27.84

 

CMYK 0 / 50 / 20 / 24

HEX #C2619B

RGB 194 97 155

HSL 324.12, 0.44%, 0.57%

LAB 54.43, 45.83, -13.74

 

CMYK 0 / 50 / 34 / 24

HEX #C26181

RGB 194 97 129

HSL 340.21, 0.44%, 0.57%

LAB 53.6, 42.24, 0.33

 

CMYK 0 / 50 / 47 / 24

HEX #C26167

RGB 194 97 103

HSL 356.29, 0.44%, 0.57%

LAB 52.95, 39.31, 14.77

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 21 / 50 / 0 / 24

HEX #9A61C2

RGB 154 97 194

HSL 275.26, 0.44%, 0.57%

LAB 51.05, 41.03, -42.04

 

CMYK 34 / 50 / 0 / 24

HEX #8061C2

RGB 128 97 194

HSL 259.18, 0.44%, 0.57%

LAB 48.3, 34.03, -46.58

 

CMYK 47 / 50 / 0 / 24

HEX #6661C2

RGB 102 97 194

HSL 243.09, 0.44%, 0.57%

LAB 46, 27.61, -50.39

 

CMYK 50 / 50 / 0 / 24

HEX #6161C2

RGB 97 97 194

HSL 240, 0.44%, 0.57%

LAB 45.61, 26.48, -51.03

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 9 / 63 / 0 / 17

HEX #C04FD3

RGB 192 79 211

HSL 291.36, 0.6%, 0.57%

LAB 53.49, 63.2, -47.6

 

CMYK 10 / 73 / 0 / 10

HEX #CD3EE5

RGB 205 62 229

HSL 291.38, 0.76%, 0.57%

LAB 54.11, 75.71, -56.7

 

CMYK 12 / 82 / 0 / 3

HEX #DA2CF7

RGB 218 44 247

HSL 291.43, 0.93%, 0.57%

LAB 55.5, 86.06, -64.46

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 5 / 35 / 0 / 31

HEX #A773B0

RGB 167 115 176

HSL 291.15, 0.28%, 0.57%

LAB 55.7, 31.03, -24.31

 

CMYK 3 / 16 / 0 / 38

HEX #9A859E

RGB 154 133 158

HSL 290.4, 0.11%, 0.57%

LAB 58.14, 12.65, -10.36

 

CMYK 5 / 0 / 7 / 41

HEX #8E968C

RGB 142 150 140

HSL 108, 0.05%, 0.57%

LAB 61.18, -4.83, 4.27

 

CMYK 23 / 0 / 27 / 34

HEX #81A87B

RGB 129 168 123

HSL 112, 0.21%, 0.57%

LAB 65.04, -22.15, 19.06

 

CMYK 34 / 50 / 0 / 24

HEX #8061C2

RGB 128 97 194

HSL 259.18, 0.44%, 0.57%

LAB 48.3, 34.03, -46.58

 

CMYK 21 / 50 / 0 / 24

HEX #9961C2

RGB 153 97 194

HSL 274.64, 0.44%, 0.57%

LAB 50.94, 40.75, -42.23

 

CMYK 8 / 50 / 0 / 24

HEX #B361C2

RGB 179 97 194

HSL 290.72, 0.44%, 0.57%

LAB 54.06, 48.04, -37.1

 

CMYK 0 / 50 / 6 / 24

HEX #C261B6

RGB 194 97 182

HSL 307.42, 0.44%, 0.57%

LAB 55.48, 50.17, -27.84

 

CMYK 0 / 50 / 19 / 24

HEX #C2619D

RGB 194 97 157

HSL 322.89, 0.44%, 0.57%

LAB 54.5, 46.13, -14.81

 

CMYK 9 / 61 / 0 / 41

HEX #893A96

RGB 137 58 150

HSL 291.52, 0.44%, 0.41%

LAB 38.81, 47.32, -35.61

 

CMYK 9 / 61 / 0 / 29

HEX #A446B4

RGB 164 70 180

HSL 291.27, 0.44%, 0.49%

LAB 46.4, 54.5, -41.19

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 5 / 38 / 0 / 20

HEX #C27FCD

RGB 194 127 205

HSL 291.54, 0.44%, 0.65%

LAB 62.55, 38.75, -29.97

 

CMYK 4 / 28 / 0 / 15

HEX #D09DD9

RGB 208 157 217

HSL 291, 0.44%, 0.73%

LAB 71.24, 29.2, -23.18

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 0 / 47 / 50 / 24

HEX #C26661

RGB 194 102 97

HSL 3.09, 0.44%, 0.57%

LAB 53.85, 36.13, 19.52

 

CMYK 50 / 0 / 27 / 24

HEX #61C28D

RGB 97 194 141

HSL 147.22, 0.44%, 0.57%

LAB 71.59, -40.81, 18.07

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 0 / 8 / 50 / 24

HEX #C2B361

RGB 194 179 97

HSL 50.72, 0.44%, 0.57%

LAB 72.61, -5.61, 43.47

 

CMYK 50 / 0 / 8 / 24

HEX #61C2B3

RGB 97 194 179

HSL 170.72, 0.44%, 0.57%

LAB 72.48, -32.26, -1.24

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 0 / 47 / 50 / 24

HEX #C26661

RGB 194 102 97

HSL 3.09, 0.44%, 0.57%

LAB 53.85, 36.13, 19.52

 

CMYK 42 / 0 / 50 / 24

HEX #70C261

RGB 112 194 97

HSL 110.72, 0.44%, 0.57%

LAB 71.48, -43.86, 40.85

 

CMYK 50 / 3 / 0 / 24

HEX #61BDC2

RGB 97 189 194

HSL 183.09, 0.44%, 0.57%

LAB 71.44, -25.96, -10.97

 

CMYK 7 / 50 / 0 / 24

HEX #B461C2

RGB 180 97 194

HSL 291.34, 0.44%, 0.57%

LAB 54.18, 48.32, -36.9

 

CMYK 0 / 32 / 50 / 24

HEX #C28361

RGB 194 131 97

HSL 21.03, 0.44%, 0.57%

LAB 60.4, 20.42, 28.17

 

CMYK 42 / 0 / 50 / 24

HEX #70C261

RGB 112 194 97

HSL 110.72, 0.44%, 0.57%

LAB 71.48, -43.86, 40.85

 

CMYK 50 / 18 / 0 / 24

HEX #61A0C2

RGB 97 160 194

HSL 201.03, 0.44%, 0.57%

LAB 62.99, -10.84, -23.76

 

Description

Color code: HEX #B461C2 | qconv.com Color code: HEX #B461C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 97 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 97 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 50 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 50% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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