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Color name
HEX #B45F394C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B45F394C it is the complementary color #4BA0C64C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B45F394C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B45F394C shade: #B95F344C, #CA71474C, #DB835A4C, #EC956D4C and #FDA7804C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B45F394C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B45F394C shade: #B45F394C, #A34D264C, #923B134C, #8129004C and #7017004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B45F394C shade: #B25E38, #B23D38 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B45F394C shade: #B25E38, #B27F38, #B2A038, #A4B238 and #83B238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B45F394C shade matches the following richer shades: #B25E38, #C55725 and #D84F12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B45F394C shade: #B25E38, #9F654B, #8C6C5E, #797471 and #667B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B45F394C shade: #B23855, #B23C38, #B25D38, #B27D38 and #B29E38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B45F394C shade: #743D24, #934D2E, #B25E38, #C7734D and #D18B6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B45F394C shade: #B45F39, #75B238 and #3845B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B45F394C shade: #B45F39, #38B25D and #5D38B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B45F394C shade: #B45F39, #75B238, #388EB2 and #7538B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B45F394C shade: #B45F39, #51B238, #388EB2 and #9A38B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 21 / 9

HEX #B45F394C

RGBA 180 95 57 0.3

HSLA 18.54, 0.52%, 0.46%, 0.3

LABA 49.72, 31.23, 36.64, 0.3

 

Complementary color

CMYK 19 / 6 / 0 / 7

HEX #4BA0C64C

RGBA 75 160 198 0.3

HSLA 198.54, 0.52%, 0.54%, 0.3

LABA 62.27, -14.18, -27.19, 0.3

 

CMYK 0 / 15 / 22 / 8

HEX #B95F344C

RGBA 185 95 52 0.3

HSLA 19.4, 0.56%, 0.46%, 0.3

LABA 50.39, 33, 40.25, 0.3

 

CMYK 0 / 13 / 19 / 6

HEX #CA71474C

RGBA 202 113 71 0.3

HSLA 19.24, 0.55%, 0.54%, 0.3

LABA 56.9, 31.42, 38.26, 0.3

 

CMYK 0 / 12 / 18 / 4

HEX #DB835A4C

RGBA 219 131 90 0.3

HSLA 19.07, 0.64%, 0.61%, 0.3

LABA 63.37, 30, 36.4, 0.3

 

CMYK 0 / 11 / 16 / 2

HEX #EC956D4C

RGBA 236 149 109 0.3

HSLA 18.9, 0.77%, 0.68%, 0.3

LABA 69.78, 28.72, 34.7, 0.3

 

CMYK 0 / 10 / 15 / 0

HEX #FDA7804C

RGBA 253 167 128 0.3

HSLA 18.72, 0.97%, 0.75%, 0.3

LABA 76.12, 27.58, 33.14, 0.3

 

CMYK 0 / 14 / 21 / 9

HEX #B45F394C

RGBA 180 95 57 0.3

HSLA 18.54, 0.52%, 0.46%, 0.3

LABA 49.72, 31.23, 36.64, 0.3

 

CMYK 0 / 16 / 23 / 11

HEX #A34D264C

RGBA 163 77 38 0.3

HSLA 18.72, 0.62%, 0.39%, 0.3

LABA 43.11, 32.9, 38.73, 0.3

 

CMYK 0 / 18 / 26 / 13

HEX #923B134C

RGBA 146 59 19 0.3

HSLA 18.9, 0.77%, 0.32%, 0.3

LABA 36.53, 34.69, 40.63, 0.3

 

CMYK 0 / 20 / 30 / 15

HEX #8129004C

RGBA 129 41 0 0.3

HSLA 19.07, 1%, 0.25%, 0.3

LABA 30.04, 36.37, 41.96, 0.3

 

CMYK 0 / 24 / 30 / 17

HEX #7017004C

RGBA 112 23 0 0.3

HSLA 12.32, 1%, 0.22%, 0.3

LABA 23.86, 37.65, 35.21, 0.3

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

CMYK 0 / 66 / 69 / 30

HEX #B23D38

RGB 178 61 56

HSL 2.46, 0.52%, 0.46%

LAB 42.9, 47.17, 29.1

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

CMYK 0 / 29 / 69 / 30

HEX #B27F38

RGB 178 127 56

HSL 34.92, 0.52%, 0.46%

LAB 57.01, 12.63, 45.19

 

CMYK 0 / 10 / 69 / 30

HEX #B2A038

RGB 178 160 56

HSL 51.15, 0.52%, 0.46%

LAB 65.66, -5.46, 54.3

 

CMYK 8 / 0 / 69 / 30

HEX #A4B238

RGB 164 178 56

HSL 66.89, 0.52%, 0.46%

LAB 69.48, -20.83, 57.81

 

CMYK 26 / 0 / 69 / 30

HEX #83B238

RGB 131 178 56

HSL 83.11, 0.52%, 0.46%

LAB 67.24, -34.25, 54.8

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

CMYK 0 / 56 / 81 / 23

HEX #C55725

RGB 197 87 37

HSL 18.75, 0.68%, 0.46%

LAB 50.48, 41.2, 48.28

 

CMYK 0 / 63 / 92 / 15

HEX #D84F12

RGB 216 79 18

HSL 18.48, 0.85%, 0.46%

LAB 52.1, 51.46, 58.16

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

CMYK 0 / 36 / 53 / 38

HEX #9F654B

RGB 159 101 75

HSL 18.57, 0.36%, 0.46%

LAB 48.49, 20.5, 24.37

 

CMYK 0 / 23 / 33 / 45

HEX #8C6C5E

RGB 140 108 94

HSL 18.26, 0.2%, 0.46%

LAB 48.4, 10.61, 12.72

 

CMYK 0 / 4 / 7 / 53

HEX #797471

RGB 121 116 113

HSL 22.5, 0.03%, 0.46%

LAB 49.19, 1.34, 2.33

 

CMYK 23 / 7 / 0 / 48

HEX #667B84

RGB 102 123 132

HSL 198, 0.13%, 0.46%

LAB 50.28, -5.5, -7.45

 

CMYK 0 / 69 / 52 / 30

HEX #B23855

RGB 178 56 85

HSL 345.74, 0.52%, 0.46%

LAB 42.69, 51.29, 11.05

 

CMYK 0 / 66 / 69 / 30

HEX #B23C38

RGB 178 60 56

HSL 1.97, 0.52%, 0.46%

LAB 42.74, 47.6, 28.91

 

CMYK 0 / 48 / 69 / 30

HEX #B25D38

RGB 178 93 56

HSL 18.2, 0.52%, 0.46%

LAB 48.98, 31.43, 36.26

 

CMYK 0 / 30 / 69 / 30

HEX #B27D38

RGB 178 125 56

HSL 33.93, 0.52%, 0.46%

LAB 56.5, 13.75, 44.65

 

CMYK 0 / 11 / 69 / 30

HEX #B29E38

RGB 178 158 56

HSL 50.16, 0.52%, 0.46%

LAB 65.12, -4.39, 53.75

 

CMYK 0 / 47 / 69 / 55

HEX #743D24

RGB 116 61 36

HSL 18.75, 0.53%, 0.3%

LAB 32.21, 21.69, 25.75

 

CMYK 0 / 48 / 69 / 42

HEX #934D2E

RGB 147 77 46

HSL 18.42, 0.52%, 0.38%

LAB 40.75, 26.67, 31.11

 

CMYK 0 / 47 / 69 / 30

HEX #B25E38

RGB 178 94 56

HSL 18.69, 0.52%, 0.46%

LAB 49.2, 30.89, 36.51

 

CMYK 0 / 42 / 61 / 22

HEX #C7734D

RGB 199 115 77

HSL 18.69, 0.52%, 0.54%

LAB 57.02, 29.54, 35.06

 

CMYK 0 / 33 / 48 / 18

HEX #D18B6C

RGB 209 139 108

HSL 18.42, 0.52%, 0.62%

LAB 64.24, 23.22, 27.46

 

CMYK 0 / 47 / 68 / 29

HEX #B45F39

RGB 180 95 57

HSL 18.54, 0.52%, 0.46%

LAB 49.72, 31.23, 36.64

 

CMYK 34 / 0 / 69 / 30

HEX #75B238

RGB 117 178 56

HSL 90, 0.52%, 0.46%

LAB 66.45, -39.49, 53.73

 

CMYK 69 / 61 / 0 / 30

HEX #3845B2

RGB 56 69 178

HSL 233.61, 0.52%, 0.46%

LAB 34.62, 31.19, -59.57

 

CMYK 0 / 47 / 68 / 29

HEX #B45F39

RGB 180 95 57

HSL 18.54, 0.52%, 0.46%

LAB 49.72, 31.23, 36.64

 

CMYK 69 / 0 / 48 / 30

HEX #38B25D

RGB 56 178 93

HSL 138.2, 0.52%, 0.46%

LAB 64.54, -52.13, 33.79

 

CMYK 48 / 69 / 0 / 30

HEX #5D38B2

RGB 93 56 178

HSL 258.2, 0.52%, 0.46%

LAB 34.74, 45.12, -59.25

 

CMYK 0 / 47 / 68 / 29

HEX #B45F39

RGB 180 95 57

HSL 18.54, 0.52%, 0.46%

LAB 49.72, 31.23, 36.64

 

CMYK 34 / 0 / 69 / 30

HEX #75B238

RGB 117 178 56

HSL 90, 0.52%, 0.46%

LAB 66.45, -39.49, 53.73

 

CMYK 69 / 20 / 0 / 30

HEX #388EB2

RGB 56 142 178

HSL 197.7, 0.52%, 0.46%

LAB 55.48, -14.03, -26.41

 

CMYK 34 / 69 / 0 / 30

HEX #7538B2

RGB 117 56 178

HSL 270, 0.52%, 0.46%

LAB 37.53, 49.81, -54.6

 

CMYK 0 / 47 / 68 / 29

HEX #B45F39

RGB 180 95 57

HSL 18.54, 0.52%, 0.46%

LAB 49.72, 31.23, 36.64

 

CMYK 54 / 0 / 69 / 30

HEX #51B238

RGB 81 178 56

HSL 107.7, 0.52%, 0.46%

LAB 64.86, -51.02, 51.58

 

CMYK 69 / 20 / 0 / 30

HEX #388EB2

RGB 56 142 178

HSL 197.7, 0.52%, 0.46%

LAB 55.48, -14.03, -26.41

 

CMYK 13 / 69 / 0 / 30

HEX #9A38B2

RGB 154 56 178

HSL 288.2, 0.52%, 0.46%

LAB 42.63, 57.84, -46.11

 

Description

Color code: HEX #B45F394C | qconv.com Color code: HEX #B45F394C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 95 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 95 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 21 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 21% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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