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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B45D034C it is the complementary color #4BA2FC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B45D034C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B45D034C shade: #B95D004C, #CA6F114C, #DB81244C, #EC93374C and #FDA54A4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B45D034C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B45D034C shade: #B45D034C, #A34B004C, #9239004C, #8127004C and #7015004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B45D034C shade: #B55D03, #B52D03 and #B50303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B45D034C shade: #B55D03, #B58D03, #ACB503, #7CB503 and #4CB503

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B45D034C shade matches the following richer shades: #B55D03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B45D034C shade: #B55D03, #A65D12, #975D20, #885D2F and #795C3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B45D034C shade: #B50309, #B52C03, #B55C03, #B58B03 and #AFB503

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B45D034C shade: #643302, #8C4802, #B55D03, #DD7203 and #FB870F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B45D034C shade: #B45D03, #38B503 and #1503B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B45D034C shade: #B45D03, #03B55C and #5C03B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B45D034C shade: #B45D03, #38B503, #035CB5 and #7F03B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B45D034C shade: #B45D03, #03B503, #035CB5 and #B503B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 30 / 9

HEX #B45D034C

RGBA 180 93 3 0.3

HSLA 30.51, 0.97%, 0.36%, 0.3

LABA 48.93, 30.58, 56.89, 0.3

 

Complementary color

CMYK 21 / 11 / 0 / 0

HEX #4BA2FC4C

RGBA 75 162 252 0.3

HSLA 210.51, 0.97%, 0.64%, 0.3

LABA 65.25, 2.59, -52.33, 0.3

 

CMYK 0 / 15 / 30 / 8

HEX #B95D004C

RGBA 185 93 0 0.3

HSLA 30.16, 1%, 0.36%, 0.3

LABA 49.67, 32.63, 58.41, 0.3

 

CMYK 0 / 14 / 27 / 6

HEX #CA6F114C

RGBA 202 111 17 0.3

HSLA 30.49, 0.84%, 0.43%, 0.3

LABA 56.05, 30.4, 60.23, 0.3

 

CMYK 0 / 12 / 25 / 4

HEX #DB81244C

RGBA 219 129 36 0.3

HSLA 30.49, 0.72%, 0.5%, 0.3

LABA 62.41, 28.35, 60.55, 0.3

 

CMYK 0 / 11 / 23 / 2

HEX #EC93374C

RGBA 236 147 55 0.3

HSLA 30.5, 0.83%, 0.57%, 0.3

LABA 68.73, 26.52, 59.86, 0.3

 

CMYK 0 / 10 / 21 / 0

HEX #FDA54A4C

RGBA 253 165 74 0.3

HSLA 30.5, 0.98%, 0.64%, 0.3

LABA 75.01, 24.89, 58.7, 0.3

 

CMYK 0 / 15 / 30 / 9

HEX #B45D034C

RGBA 180 93 3 0.3

HSLA 30.51, 0.97%, 0.36%, 0.3

LABA 48.93, 30.58, 56.89, 0.3

 

CMYK 0 / 16 / 30 / 11

HEX #A34B004C

RGBA 163 75 0 0.3

HSLA 27.61, 1%, 0.32%, 0.3

LABA 42.49, 32.99, 52.42, 0.3

 

CMYK 0 / 18 / 30 / 13

HEX #9239004C

RGBA 146 57 0 0.3

HSLA 23.42, 1%, 0.29%, 0.3

LABA 36.06, 35.31, 47.28, 0.3

 

CMYK 0 / 21 / 30 / 15

HEX #8127004C

RGBA 129 39 0 0.3

HSLA 18.14, 1%, 0.25%, 0.3

LABA 29.71, 37.27, 41.7, 0.3

 

CMYK 0 / 24 / 30 / 17

HEX #7015004C

RGBA 112 21 0 0.3

HSLA 11.25, 1%, 0.22%, 0.3

LABA 23.61, 38.36, 34.95, 0.3

 

CMYK 0 / 49 / 98 / 29

HEX #B55D03

RGB 181 93 3

HSL 30.34, 0.97%, 0.36%

LAB 49.08, 31, 57.06

 

CMYK 0 / 75 / 98 / 29

HEX #B52D03

RGB 181 45 3

HSL 14.16, 0.97%, 0.36%

LAB 40.75, 52.85, 52.23

 

CMYK 0 / 98 / 98 / 29

HEX #B50303

RGB 181 3 3

HSL 0, 0.97%, 0.36%

LAB 37.65, 61.62, 50.77

 

CMYK 0 / 49 / 98 / 29

HEX #B55D03

RGB 181 93 3

HSL 30.34, 0.97%, 0.36%

LAB 49.08, 31, 57.06

 

CMYK 0 / 22 / 98 / 29

HEX #B58D03

RGB 181 141 3

HSL 46.52, 0.97%, 0.36%

LAB 60.68, 4.54, 64.87

 

CMYK 5 / 0 / 98 / 29

HEX #ACB503

RGB 172 181 3

HSL 63.03, 0.97%, 0.36%

LAB 70.75, -20.55, 71.84

 

CMYK 31 / 0 / 98 / 29

HEX #7CB503

RGB 124 181 3

HSL 79.21, 0.97%, 0.36%

LAB 67.53, -40.32, 67.98

 

CMYK 58 / 0 / 98 / 29

HEX #4CB503

RGB 76 181 3

HSL 95.39, 0.97%, 0.36%

LAB 65.43, -55.99, 65.43

 

CMYK 0 / 49 / 98 / 29

HEX #B55D03

RGB 181 93 3

HSL 30.34, 0.97%, 0.36%

LAB 49.08, 31, 57.06

 

CMYK 0 / 49 / 98 / 29

HEX #B55D03

RGB 181 93 3

HSL 30.34, 0.97%, 0.36%

LAB 49.08, 31, 57.06

 

CMYK 0 / 44 / 89 / 35

HEX #A65D12

RGB 166 93 18

HSL 30.41, 0.8%, 0.36%

LAB 46.95, 24.82, 50.82

 

CMYK 0 / 38 / 79 / 41

HEX #975D20

RGB 151 93 32

HSL 30.76, 0.65%, 0.36%

LAB 44.96, 18.61, 42.9

 

CMYK 0 / 32 / 65 / 47

HEX #885D2F

RGB 136 93 47

HSL 31.01, 0.49%, 0.36%

LAB 43.16, 12.64, 32.95

 

CMYK 0 / 24 / 49 / 53

HEX #795C3E

RGB 121 92 62

HSL 30.51, 0.32%, 0.36%

LAB 41.32, 7.74, 21.79

 

CMYK 0 / 98 / 95 / 29

HEX #B50309

RGB 181 3 9

HSL 357.98, 0.97%, 0.36%

LAB 37.68, 61.69, 48.51

 

CMYK 0 / 76 / 98 / 29

HEX #B52C03

RGB 181 44 3

HSL 13.82, 0.97%, 0.36%

LAB 40.62, 53.19, 52.17

 

CMYK 0 / 49 / 98 / 29

HEX #B55C03

RGB 181 92 3

HSL 30, 0.97%, 0.36%

LAB 48.86, 31.53, 56.92

 

CMYK 0 / 23 / 98 / 29

HEX #B58B03

RGB 181 139 3

HSL 45.84, 0.97%, 0.36%

LAB 60.15, 5.64, 64.51

 

CMYK 3 / 0 / 98 / 29

HEX #AFB503

RGB 175 181 3

HSL 62.02, 0.97%, 0.36%

LAB 70.99, -19.24, 72.13

 

CMYK 0 / 49 / 98 / 61

HEX #643302

RGB 100 51 2

HSL 30, 0.96%, 0.2%

LAB 26.97, 18.75, 36.5

 

CMYK 0 / 49 / 99 / 45

HEX #8C4802

RGB 140 72 2

HSL 30.43, 0.97%, 0.28%

LAB 38.22, 24.83, 47.36

 

CMYK 0 / 49 / 98 / 29

HEX #B55D03

RGB 181 93 3

HSL 30.34, 0.97%, 0.36%

LAB 49.08, 31, 57.06

 

CMYK 0 / 48 / 99 / 13

HEX #DD7203

RGB 221 114 3

HSL 30.55, 0.97%, 0.44%

LAB 59.35, 36.46, 66.4

 

CMYK 0 / 46 / 94 / 2

HEX #FB870F

RGB 251 135 15

HSL 30.51, 0.97%, 0.52%

LAB 67.93, 37.89, 72.12

 

CMYK 0 / 48 / 98 / 29

HEX #B45D03

RGB 180 93 3

HSL 30.51, 0.97%, 0.36%

LAB 48.93, 30.58, 56.89

 

CMYK 69 / 0 / 98 / 29

HEX #38B503

RGB 56 181 3

HSL 102.13, 0.97%, 0.36%

LAB 64.88, -60.58, 64.76

 

CMYK 88 / 98 / 0 / 29

HEX #1503B5

RGB 21 3 181

HSL 246.07, 0.97%, 0.36%

LAB 22.16, 60.69, -82

 

CMYK 0 / 48 / 98 / 29

HEX #B45D03

RGB 180 93 3

HSL 30.51, 0.97%, 0.36%

LAB 48.93, 30.58, 56.89

 

CMYK 98 / 0 / 49 / 29

HEX #03B55C

RGB 3 181 92

HSL 150, 0.97%, 0.36%

LAB 64.84, -58.7, 34.53

 

CMYK 49 / 98 / 0 / 29

HEX #5C03B5

RGB 92 3 181

HSL 270, 0.97%, 0.36%

LAB 28.58, 64.04, -71.15

 

CMYK 0 / 48 / 98 / 29

HEX #B45D03

RGB 180 93 3

HSL 30.51, 0.97%, 0.36%

LAB 48.93, 30.58, 56.89

 

CMYK 69 / 0 / 98 / 29

HEX #38B503

RGB 56 181 3

HSL 102.13, 0.97%, 0.36%

LAB 64.88, -60.58, 64.76

 

CMYK 98 / 49 / 0 / 29

HEX #035CB5

RGB 3 92 181

HSL 210, 0.97%, 0.36%

LAB 39.6, 12.61, -53.34

 

CMYK 30 / 98 / 0 / 29

HEX #7F03B5

RGB 127 3 181

HSL 281.8, 0.97%, 0.36%

LAB 33.8, 67.74, -62.38

 

CMYK 0 / 48 / 98 / 29

HEX #B45D03

RGB 180 93 3

HSL 30.51, 0.97%, 0.36%

LAB 48.93, 30.58, 56.89

 

CMYK 98 / 0 / 98 / 29

HEX #03B503

RGB 3 181 3

HSL 120, 0.97%, 0.36%

LAB 64.22, -66.42, 63.95

 

CMYK 98 / 49 / 0 / 29

HEX #035CB5

RGB 3 92 181

HSL 210, 0.97%, 0.36%

LAB 39.6, 12.61, -53.34

 

CMYK 0 / 98 / 0 / 29

HEX #B503B5

RGB 181 3 181

HSL 300, 0.97%, 0.36%

LAB 43.1, 75.67, -46.88

 

Description

Color code: HEX #B45D034C | qconv.com Color code: HEX #B45D034C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 93 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 93 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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