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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B45AF4CE it is the complementary color #4BA50BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B45AF4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B45AF4CE shade: #B95AEFCE, #CA6CFFCE, #DB7EFFCE, #EC90FFCE and #FDA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B45AF4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B45AF4CE shade: #B45AF4CE, #A348E1CE, #9236CECE, #8124BBCE and #7012A8CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B45AF4CE shade: #B357F4, #DD57F4, #F457E1, #F457B7 and #F4578C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B45AF4CE shade: #B357F4, #8957F4, #5E57F4 and #5757F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B45AF4CE shade matches the following richer shades: #B357F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B45AF4CE shade: #B357F4, #B166E6, #AE74D7, #AC83C9 and #A991BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B45AF4CE shade: #5F57F4, #8957F4, #B357F4, #DD57F4 and #F457E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B45AF4CE shade: #8F0FEA, #A130F2, #B357F4, #C57EF7 and #D6A5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B45AF4CE shade: #B45AF4, #F45779 and #57F474

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B45AF4CE shade: #B45AF4, #F4B357 and #57F4B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B45AF4CE shade: #B45AF4, #F45779, #99F457 and #57F4D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B45AF4CE shade: #B45AF4, #F46457, #99F457 and #57E7F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 51 / 0 / 3

HEX #B45AF4CE

RGBA 180 90 244 0.81

HSLA 275.06, 0.88%, 0.65%, 0.81

LABA 55.63, 62.18, -62.86, 0.81

 

Complementary color

CMYK 44 / 0 / 76 / 29

HEX #4BA50BCE

RGBA 75 165 11 0.81

HSLA 95.06, 0.88%, 0.35%, 0.81

LABA 60.28, -50.32, 60.18, 0.81

 

CMYK 18 / 50 / 0 / 5

HEX #B95AEFCE

RGBA 185 90 239 0.81

HSLA 278.26, 0.82%, 0.65%, 0.81

LABA 55.95, 62.21, -59.53, 0.81

 

CMYK 17 / 47 / 0 / 0

HEX #CA6CFFCE

RGBA 202 108 255 0.81

HSLA 278.37, 1%, 0.71%, 0.81

LABA 62.08, 60.96, -58.46, 0.81

 

CMYK 11 / 41 / 0 / 0

HEX #DB7EFFCE

RGBA 219 126 255 0.81

HSLA 283.26, 1%, 0.75%, 0.81

LABA 67.43, 56.35, -49.85, 0.81

 

CMYK 6 / 35 / 0 / 0

HEX #EC90FFCE

RGBA 236 144 255 0.81

HSLA 289.73, 1%, 0.78%, 0.81

LABA 72.89, 51.91, -41.14, 0.81

 

CMYK 1 / 30 / 0 / 0

HEX #FDA2FFCE

RGBA 253 162 255 0.81

HSLA 298.71, 1%, 0.82%, 0.81

LABA 78.43, 47.67, -32.41, 0.81

 

CMYK 21 / 51 / 0 / 3

HEX #B45AF4CE

RGBA 180 90 244 0.81

HSLA 275.06, 0.88%, 0.65%, 0.81

LABA 55.63, 62.18, -62.86, 0.81

 

CMYK 22 / 55 / 0 / 10

HEX #A348E1CE

RGBA 163 72 225 0.81

HSLA 275.69, 0.72%, 0.58%, 0.81

LABA 49.32, 62.66, -62.46, 0.81

 

CMYK 24 / 60 / 0 / 16

HEX #9236CECE

RGBA 146 54 206 0.81

HSLA 276.32, 0.61%, 0.51%, 0.81

LABA 43.07, 62.78, -61.81, 0.81

 

CMYK 25 / 65 / 0 / 22

HEX #8124BBCE

RGBA 129 36 187 0.81

HSLA 276.95, 0.68%, 0.44%, 0.81

LABA 36.96, 62.29, -60.76, 0.81

 

CMYK 27 / 72 / 0 / 28

HEX #7012A8CE

RGBA 112 18 168 0.81

HSLA 277.6, 0.81%, 0.36%, 0.81

LABA 31.12, 60.72, -59.07, 0.81

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 9 / 64 / 0 / 4

HEX #DD57F4

RGB 221 87 244

HSL 291.21, 0.88%, 0.65%

LAB 60.53, 72.54, -54.71

 

CMYK 0 / 64 / 8 / 4

HEX #F457E1

RGB 244 87 225

HSL 307.26, 0.88%, 0.65%

LAB 62.92, 74.75, -40.13

 

CMYK 0 / 64 / 25 / 4

HEX #F457B7

RGB 244 87 183

HSL 323.31, 0.88%, 0.65%

LAB 61.19, 68.91, -19.01

 

CMYK 0 / 64 / 43 / 4

HEX #F4578C

RGB 244 87 140

HSL 339.75, 0.88%, 0.65%

LAB 59.84, 64.11, 3.86

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 44 / 64 / 0 / 4

HEX #8957F4

RGB 137 87 244

HSL 259.11, 0.88%, 0.65%

LAB 50.29, 54.88, -71.72

 

CMYK 61 / 64 / 0 / 4

HEX #5E57F4

RGB 94 87 244

HSL 242.68, 0.88%, 0.65%

LAB 46.62, 47.68, -77.87

 

CMYK 64 / 64 / 0 / 4

HEX #5757F4

RGB 87 87 244

HSL 240, 0.88%, 0.65%

LAB 46.14, 46.71, -78.66

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 23 / 56 / 0 / 10

HEX #B166E6

RGB 177 102 230

HSL 275.16, 0.72%, 0.65%

LAB 56.65, 52.49, -53.43

 

CMYK 19 / 46 / 0 / 16

HEX #AE74D7

RGB 174 116 215

HSL 275.15, 0.55%, 0.65%

LAB 58.41, 40.92, -42.23

 

CMYK 14 / 35 / 0 / 21

HEX #AC83C9

RGB 172 131 201

HSL 275.14, 0.39%, 0.65%

LAB 60.98, 28.87, -30.35

 

CMYK 10 / 22 / 0 / 27

HEX #A991BB

RGB 169 145 187

HSL 274.29, 0.24%, 0.65%

LAB 63.57, 16.97, -18.51

 

CMYK 61 / 64 / 0 / 4

HEX #5F57F4

RGB 95 87 244

HSL 243.06, 0.88%, 0.65%

LAB 46.69, 47.82, -77.75

 

CMYK 44 / 64 / 0 / 4

HEX #8957F4

RGB 137 87 244

HSL 259.11, 0.88%, 0.65%

LAB 50.29, 54.88, -71.72

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 9 / 64 / 0 / 4

HEX #DD57F4

RGB 221 87 244

HSL 291.21, 0.88%, 0.65%

LAB 60.53, 72.54, -54.71

 

CMYK 0 / 64 / 7 / 4

HEX #F457E2

RGB 244 87 226

HSL 306.88, 0.88%, 0.65%

LAB 62.96, 74.9, -40.62

 

CMYK 39 / 94 / 0 / 8

HEX #8F0FEA

RGB 143 15 234

HSL 275.07, 0.88%, 0.49%

LAB 41.41, 78.57, -80.58

 

CMYK 33 / 80 / 0 / 5

HEX #A130F2

RGB 161 48 242

HSL 274.95, 0.88%, 0.57%

LAB 47.11, 75.03, -75.66

 

CMYK 27 / 64 / 0 / 4

HEX #B357F4

RGB 179 87 244

HSL 275.16, 0.88%, 0.65%

LAB 55, 63.36, -63.87

 

CMYK 20 / 49 / 0 / 3

HEX #C57EF7

RGB 197 126 247

HSL 275.21, 0.88%, 0.73%

LAB 64.57, 48.88, -50.14

 

CMYK 14 / 34 / 0 / 2

HEX #D6A5F9

RGB 214 165 249

HSL 275, 0.88%, 0.81%

LAB 74.85, 33.18, -35.02

 

CMYK 26 / 63 / 0 / 4

HEX #B45AF4

RGB 180 90 244

HSL 275.06, 0.88%, 0.65%

LAB 55.63, 62.18, -62.86

 

CMYK 0 / 64 / 50 / 4

HEX #F45779

RGB 244 87 121

HSL 347.01, 0.88%, 0.65%

LAB 59.37, 62.41, 14.29

 

CMYK 64 / 0 / 52 / 4

HEX #57F474

RGB 87 244 116

HSL 131.08, 0.88%, 0.65%

LAB 86, -66.74, 49.34

 

CMYK 26 / 63 / 0 / 4

HEX #B45AF4

RGB 180 90 244

HSL 275.06, 0.88%, 0.65%

LAB 55.63, 62.18, -62.86

 

CMYK 0 / 27 / 64 / 4

HEX #F4B357

RGB 244 179 87

HSL 35.16, 0.88%, 0.65%

LAB 77.38, 14.54, 55.06

 

CMYK 64 / 0 / 27 / 4

HEX #57F4B3

RGB 87 244 179

HSL 155.16, 0.88%, 0.65%

LAB 86.99, -55.9, 19.44

 

CMYK 26 / 63 / 0 / 4

HEX #B45AF4

RGB 180 90 244

HSL 275.06, 0.88%, 0.65%

LAB 55.63, 62.18, -62.86

 

CMYK 0 / 64 / 50 / 4

HEX #F45779

RGB 244 87 121

HSL 347.01, 0.88%, 0.65%

LAB 59.37, 62.41, 14.29

 

CMYK 37 / 0 / 64 / 4

HEX #99F457

RGB 153 244 87

HSL 94.78, 0.88%, 0.65%

LAB 88.05, -52.51, 64.84

 

CMYK 64 / 0 / 14 / 4

HEX #57F4D2

RGB 87 244 210

HSL 167.01, 0.88%, 0.65%

LAB 87.67, -48.92, 4.32

 

CMYK 26 / 63 / 0 / 4

HEX #B45AF4

RGB 180 90 244

HSL 275.06, 0.88%, 0.65%

LAB 55.63, 62.18, -62.86

 

CMYK 0 / 59 / 64 / 4

HEX #F46457

RGB 244 100 87

HSL 4.97, 0.88%, 0.65%

LAB 60.81, 54.48, 35.69

 

CMYK 37 / 0 / 64 / 4

HEX #99F457

RGB 153 244 87

HSL 94.78, 0.88%, 0.65%

LAB 88.05, -52.51, 64.84

 

CMYK 64 / 5 / 0 / 4

HEX #57E7F4

RGB 87 231 244

HSL 184.97, 0.88%, 0.65%

LAB 84.85, -34.22, -17.7

 

Description

Color code: HEX #B45AF4CE | qconv.com Color code: HEX #B45AF4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 90 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 90 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 51 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 51% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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