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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B44C3ACE it is the complementary color #4BB3C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B44C3ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B44C3ACE shade: #B94C35CE, #CA5E48CE, #DB705BCE, #EC826ECE and #FD9481CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B44C3ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B44C3ACE shade: #B44C3ACE, #A33A27CE, #922814CE, #811601CE and #700400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B44C3ACE shade: #B54D3B and #B53B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B44C3ACE shade: #B54D3B, #B56E3B, #B58F3B, #B5B03B and #99B53B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B44C3ACE shade matches the following richer shades: #B54D3B, #C83F27, #DC3114 and #EF2401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B44C3ACE shade: #B54D3B, #A25A4E, #8E6862, #7B7675 and #678388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B44C3ACE shade: #B53B6C, #B53B4B, #B54B3B, #B56C3B and #B58C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B44C3ACE shade: #773227, #964031, #B54D3B, #C76352 and #D17F71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B44C3ACE shade: #B44C3A, #8CB53B and #3B5BB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B44C3ACE shade: #B44C3A, #3BB54B and #4B3BB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B44C3ACE shade: #B44C3A, #8CB53B, #3BA5B5 and #633BB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B44C3ACE shade: #B44C3A, #68B53B, #3BA5B5 and #883BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 55 / 24

HEX #B44C3ACE

RGBA 180 76 58 0.81

HSLA 8.85, 0.51%, 0.47%, 0.81

LABA 45.88, 41.08, 31.59, 0.81

 

Complementary color

CMYK 50 / 7 / 0 / 18

HEX #4BB3C5CE

RGBA 75 179 197 0.81

HSLA 188.85, 0.51%, 0.53%, 0.81

LABA 67.85, -24.42, -18.1, 0.81

 

CMYK 0 / 48 / 58 / 22

HEX #B94C35CE

RGBA 185 76 53 0.81

HSLA 10.45, 0.55%, 0.47%, 0.81

LABA 46.63, 42.67, 35.51, 0.81

 

CMYK 0 / 43 / 52 / 17

HEX #CA5E48CE

RGBA 202 94 72 0.81

HSLA 10.15, 0.55%, 0.54%, 0.81

LABA 52.98, 41.31, 33.01, 0.81

 

CMYK 0 / 40 / 47 / 11

HEX #DB705BCE

RGBA 219 112 91 0.81

HSLA 9.84, 0.64%, 0.61%, 0.81

LABA 59.35, 39.97, 30.82, 0.81

 

CMYK 0 / 36 / 43 / 6

HEX #EC826ECE

RGBA 236 130 110 0.81

HSLA 9.52, 0.77%, 0.68%, 0.81

LABA 65.69, 38.71, 28.88, 0.81

 

CMYK 0 / 34 / 40 / 1

HEX #FD9481CE

RGBA 253 148 129 0.81

HSLA 9.19, 0.97%, 0.75%, 0.81

LABA 71.99, 37.53, 27.17, 0.81

 

CMYK 0 / 47 / 55 / 24

HEX #B44C3ACE

RGBA 180 76 58 0.81

HSLA 8.85, 0.51%, 0.47%, 0.81

LABA 45.88, 41.08, 31.59, 0.81

 

CMYK 0 / 52 / 62 / 29

HEX #A33A27CE

RGBA 163 58 39 0.81

HSLA 9.19, 0.61%, 0.4%, 0.81

LABA 39.51, 42.35, 34.38, 0.81

 

CMYK 0 / 59 / 70 / 35

HEX #922814CE

RGBA 146 40 20 0.81

HSLA 9.52, 0.76%, 0.33%, 0.81

LABA 33.31, 43.36, 37.36, 0.81

 

CMYK 0 / 67 / 80 / 40

HEX #811601CE

RGBA 129 22 1 0.81

HSLA 9.84, 0.98%, 0.25%, 0.81

LABA 27.42, 43.64, 39.43, 0.81

 

CMYK 0 / 78 / 81 / 45

HEX #700400CE

RGBA 112 4 0 0.81

HSLA 2.14, 1%, 0.22%, 0.81

LABA 22.06, 42.76, 33.35, 0.81

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 67 / 67 / 29

HEX #B53B3B

RGB 181 59 59

HSL 0, 0.51%, 0.47%

LAB 43.16, 49.21, 27.76

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 39 / 67 / 29

HEX #B56E3B

RGB 181 110 59

HSL 25.08, 0.51%, 0.47%

LAB 53.27, 23.58, 39.66

 

CMYK 0 / 21 / 67 / 29

HEX #B58F3B

RGB 181 143 59

HSL 41.31, 0.51%, 0.47%

LAB 61.47, 5.26, 48.69

 

CMYK 0 / 3 / 67 / 29

HEX #B5B03B

RGB 181 176 59

HSL 57.54, 0.51%, 0.47%

LAB 70.31, -12.38, 57.9

 

CMYK 15 / 0 / 67 / 29

HEX #99B53B

RGB 153 181 59

HSL 73.77, 0.51%, 0.47%

LAB 69.57, -26.69, 56.46

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 69 / 81 / 22

HEX #C83F27

RGB 200 63 39

HSL 8.94, 0.67%, 0.47%

LAB 46.95, 53.09, 44.13

 

CMYK 0 / 78 / 91 / 14

HEX #DC3114

RGB 220 49 20

HSL 8.7, 0.83%, 0.47%

LAB 48.84, 63.73, 55.62

 

CMYK 0 / 85 / 100 / 6

HEX #EF2401

RGB 239 36 1

HSL 8.82, 0.99%, 0.47%

LAB 51.4, 72.03, 64.28

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 44 / 52 / 36

HEX #A25A4E

RGB 162 90 78

HSL 8.57, 0.35%, 0.47%

LAB 46.37, 28.22, 19.91

 

CMYK 0 / 27 / 31 / 44

HEX #8E6862

RGB 142 104 98

HSL 8.18, 0.18%, 0.47%

LAB 47.67, 14.35, 9.35

 

CMYK 0 / 4 / 5 / 52

HEX #7B7675

RGB 123 118 117

HSL 10, 0.03%, 0.47%

LAB 50.04, 1.72, 1.22

 

CMYK 24 / 4 / 0 / 47

HEX #678388

RGB 103 131 136

HSL 189.09, 0.14%, 0.47%

LAB 52.83, -8.75, -5.99

 

CMYK 0 / 67 / 40 / 29

HEX #B53B6C

RGB 181 59 108

HSL 335.9, 0.51%, 0.47%

LAB 44.28, 53.21, -0.87

 

CMYK 0 / 67 / 59 / 29

HEX #B53B4B

RGB 181 59 75

HSL 352.13, 0.51%, 0.47%

LAB 43.45, 50.24, 18.38

 

CMYK 0 / 59 / 67 / 29

HEX #B54B3B

RGB 181 75 59

HSL 7.87, 0.51%, 0.47%

LAB 45.87, 41.99, 31.04

 

CMYK 0 / 40 / 67 / 29

HEX #B56C3B

RGB 181 108 59

HSL 24.1, 0.51%, 0.47%

LAB 52.8, 24.69, 39.13

 

CMYK 0 / 23 / 67 / 29

HEX #B58C3B

RGB 181 140 59

HSL 39.84, 0.51%, 0.47%

LAB 60.69, 6.91, 47.85

 

CMYK 0 / 58 / 67 / 53

HEX #773227

RGB 119 50 39

HSL 8.25, 0.51%, 0.31%

LAB 30.28, 29.39, 21.72

 

CMYK 0 / 57 / 67 / 41

HEX #964031

RGB 150 64 49

HSL 8.91, 0.51%, 0.39%

LAB 38.5, 35.07, 26.83

 

CMYK 0 / 57 / 67 / 29

HEX #B54D3B

RGB 181 77 59

HSL 8.85, 0.51%, 0.47%

LAB 46.24, 41.02, 31.49

 

CMYK 0 / 50 / 59 / 22

HEX #C76352

RGB 199 99 82

HSL 8.72, 0.51%, 0.55%

LAB 53.68, 38.33, 28.11

 

CMYK 0 / 39 / 46 / 18

HEX #D17F71

RGB 209 127 113

HSL 8.75, 0.51%, 0.63%

LAB 61.59, 30.19, 21.13

 

CMYK 0 / 58 / 68 / 29

HEX #B44C3A

RGB 180 76 58

HSL 8.85, 0.51%, 0.47%

LAB 45.88, 41.08, 31.59

 

CMYK 23 / 0 / 67 / 29

HEX #8CB53B

RGB 140 181 59

HSL 80.16, 0.51%, 0.47%

LAB 68.71, -31.92, 55.3

 

CMYK 67 / 50 / 0 / 29

HEX #3B5BB5

RGB 59 91 181

HSL 224.26, 0.51%, 0.47%

LAB 40.81, 18.45, -51.3

 

CMYK 0 / 58 / 68 / 29

HEX #B44C3A

RGB 180 76 58

HSL 8.85, 0.51%, 0.47%

LAB 45.88, 41.08, 31.59

 

CMYK 67 / 0 / 59 / 29

HEX #3BB54B

RGB 59 181 75

HSL 127.87, 0.51%, 0.47%

LAB 65.35, -55.24, 43.62

 

CMYK 59 / 67 / 0 / 29

HEX #4B3BB5

RGB 75 59 181

HSL 247.87, 0.51%, 0.47%

LAB 33.9, 41.24, -62.47

 

CMYK 0 / 58 / 68 / 29

HEX #B44C3A

RGB 180 76 58

HSL 8.85, 0.51%, 0.47%

LAB 45.88, 41.08, 31.59

 

CMYK 23 / 0 / 67 / 29

HEX #8CB53B

RGB 140 181 59

HSL 80.16, 0.51%, 0.47%

LAB 68.71, -31.92, 55.3

 

CMYK 67 / 9 / 0 / 29

HEX #3BA5B5

RGB 59 165 181

HSL 187.87, 0.51%, 0.47%

LAB 62.66, -24.77, -17.12

 

CMYK 45 / 67 / 0 / 29

HEX #633BB5

RGB 99 59 181

HSL 259.67, 0.51%, 0.47%

LAB 36.21, 45.47, -58.61

 

CMYK 0 / 58 / 68 / 29

HEX #B44C3A

RGB 180 76 58

HSL 8.85, 0.51%, 0.47%

LAB 45.88, 41.08, 31.59

 

CMYK 43 / 0 / 67 / 29

HEX #68B53B

RGB 104 181 59

HSL 97.87, 0.51%, 0.47%

LAB 66.75, -45.02, 52.65

 

CMYK 67 / 9 / 0 / 29

HEX #3BA5B5

RGB 59 165 181

HSL 187.87, 0.51%, 0.47%

LAB 62.66, -24.77, -17.12

 

CMYK 25 / 67 / 0 / 29

HEX #883BB5

RGB 136 59 181

HSL 277.87, 0.51%, 0.47%

LAB 40.73, 53.14, -51.07

 

Description

Color code: HEX #B44C3ACE | qconv.com Color code: HEX #B44C3ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 76 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 76 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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