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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B44B2ACE it is the complementary color #4BB4D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B44B2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B44B2ACE shade: #B94B25CE, #CA5D38CE, #DB6F4BCE, #EC815ECE and #FD9371CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B44B2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B44B2ACE shade: #B44B2ACE, #A33917CE, #922704CE, #811500CE and #700300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B44B2ACE shade: #B64C2B and #B62B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B44B2ACE shade: #B64C2B, #B6712B, #B6972B, #AFB62B and #8AB62B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B44B2ACE shade matches the following richer shades: #B64C2B, #C84218 and #DA3906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B44B2ACE shade: #B64C2B, #A4553D, #915F4F, #7F6861 and #6D7273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B44B2ACE shade: #B62B54, #B62B2F, #B64B2B, #B6702B and #B6952B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B44B2ACE shade: #73301B, #943E23, #B64C2B, #D15D39 and #D8795B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B44B2ACE shade: #B44B2A, #79B62B and #2B42B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B44B2ACE shade: #B44B2A, #2BB64B and #4B2BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B44B2ACE shade: #B44B2A, #79B62B, #2B95B6 and #672BB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B44B2ACE shade: #B44B2A, #50B62B, #2B95B6 and #912BB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 62 / 24

HEX #B44B2ACE

RGBA 180 75 42 0.81

HSLA 14.35, 0.62%, 0.44%, 0.81

LABA 45.5, 40.77, 39.99, 0.81

 

Complementary color

CMYK 52 / 13 / 0 / 13

HEX #4BB4D5CE

RGBA 75 180 213 0.81

HSLA 194.35, 0.62%, 0.56%, 0.81

LABA 68.71, -20.09, -25.59, 0.81

 

CMYK 0 / 48 / 65 / 22

HEX #B94B25CE

RGBA 185 75 37 0.81

HSLA 15.41, 0.67%, 0.44%, 0.81

LABA 46.28, 42.46, 43.59, 0.81

 

CMYK 0 / 44 / 59 / 17

HEX #CA5D38CE

RGBA 202 93 56 0.81

HSLA 15.21, 0.58%, 0.51%, 0.81

LABA 52.59, 40.92, 41.3, 0.81

 

CMYK 0 / 40 / 53 / 11

HEX #DB6F4BCE

RGBA 219 111 75 0.81

HSLA 15, 0.67%, 0.58%, 0.81

LABA 58.92, 39.41, 39.08, 0.81

 

CMYK 0 / 37 / 49 / 6

HEX #EC815ECE

RGBA 236 129 94 0.81

HSLA 14.79, 0.79%, 0.65%, 0.81

LABA 65.23, 38, 37.05, 0.81

 

CMYK 0 / 34 / 45 / 1

HEX #FD9371CE

RGBA 253 147 113 0.81

HSLA 14.57, 0.97%, 0.72%, 0.81

LABA 71.52, 36.69, 35.21, 0.81

 

CMYK 0 / 47 / 62 / 24

HEX #B44B2ACE

RGBA 180 75 42 0.81

HSLA 14.35, 0.62%, 0.44%, 0.81

LABA 45.5, 40.77, 39.99, 0.81

 

CMYK 0 / 53 / 70 / 29

HEX #A33917CE

RGBA 163 57 23 0.81

HSLA 14.57, 0.75%, 0.36%, 0.81

LABA 39.2, 42.25, 42.32, 0.81

 

CMYK 0 / 59 / 79 / 35

HEX #922704CE

RGBA 146 39 4 0.81

HSLA 14.79, 0.95%, 0.29%, 0.81

LABA 33.07, 43.44, 43.98, 0.81

 

CMYK 0 / 68 / 81 / 40

HEX #811500CE

RGBA 129 21 0 0.81

HSLA 9.77, 1%, 0.25%, 0.81

LABA 27.31, 43.91, 39.74, 0.81

 

CMYK 0 / 79 / 81 / 45

HEX #700300CE

RGBA 112 3 0 0.81

HSLA 1.61, 1%, 0.22%, 0.81

LABA 21.98, 42.99, 33.27, 0.81

 

CMYK 0 / 58 / 76 / 29

HEX #B64C2B

RGB 182 76 43

HSL 14.24, 0.62%, 0.44%

LAB 46.03, 41.08, 40.12

 

CMYK 0 / 76 / 76 / 29

HEX #B62B2B

RGB 182 43 43

HSL 0, 0.62%, 0.44%

LAB 40.97, 54.73, 34.72

 

CMYK 0 / 58 / 76 / 29

HEX #B64C2B

RGB 182 76 43

HSL 14.24, 0.62%, 0.44%

LAB 46.03, 41.08, 40.12

 

CMYK 0 / 38 / 76 / 29

HEX #B6712B

RGB 182 113 43

HSL 30.22, 0.62%, 0.44%

LAB 53.95, 21.52, 48.2

 

CMYK 0 / 17 / 76 / 29

HEX #B6972B

RGB 182 151 43

HSL 46.62, 0.62%, 0.44%

LAB 63.55, 0.52, 57.47

 

CMYK 4 / 0 / 76 / 29

HEX #AFB62B

RGB 175 182 43

HSL 63.02, 0.62%, 0.44%

LAB 71.38, -18.8, 64.52

 

CMYK 24 / 0 / 76 / 29

HEX #8AB62B

RGB 138 182 43

HSL 78.99, 0.62%, 0.44%

LAB 68.78, -34.13, 61.15

 

CMYK 0 / 58 / 76 / 29

HEX #B64C2B

RGB 182 76 43

HSL 14.24, 0.62%, 0.44%

LAB 46.03, 41.08, 40.12

 

CMYK 0 / 67 / 88 / 22

HEX #C84218

RGB 200 66 24

HSL 14.32, 0.79%, 0.44%

LAB 47.29, 51.49, 51.29

 

CMYK 0 / 74 / 97 / 15

HEX #DA3906

RGB 218 57 6

HSL 14.43, 0.95%, 0.44%

LAB 49.31, 60.48, 59.71

 

CMYK 0 / 58 / 76 / 29

HEX #B64C2B

RGB 182 76 43

HSL 14.24, 0.62%, 0.44%

LAB 46.03, 41.08, 40.12

 

CMYK 0 / 48 / 63 / 36

HEX #A4553D

RGB 164 85 61

HSL 13.98, 0.46%, 0.44%

LAB 45.26, 30.35, 28.53

 

CMYK 0 / 34 / 46 / 43

HEX #915F4F

RGB 145 95 79

HSL 14.55, 0.29%, 0.44%

LAB 45.32, 18.41, 17.5

 

CMYK 0 / 18 / 24 / 50

HEX #7F6861

RGB 127 104 97

HSL 14, 0.13%, 0.44%

LAB 46.01, 7.99, 7.38

 

CMYK 5 / 1 / 0 / 55

HEX #6D7273

RGB 109 114 115

HSL 190, 0.03%, 0.44%

LAB 47.65, -1.68, -1.22

 

CMYK 0 / 76 / 54 / 29

HEX #B62B54

RGB 182 43 84

HSL 342.3, 0.62%, 0.44%

LAB 41.71, 57.11, 10.43

 

CMYK 0 / 76 / 74 / 29

HEX #B62B2F

RGB 182 43 47

HSL 358.27, 0.62%, 0.44%

LAB 41.02, 54.89, 32.43

 

CMYK 0 / 59 / 76 / 29

HEX #B64B2B

RGB 182 75 43

HSL 13.81, 0.62%, 0.44%

LAB 45.84, 41.57, 39.93

 

CMYK 0 / 38 / 76 / 29

HEX #B6702B

RGB 182 112 43

HSL 29.78, 0.62%, 0.44%

LAB 53.72, 22.07, 47.96

 

CMYK 0 / 18 / 76 / 29

HEX #B6952B

RGB 182 149 43

HSL 45.76, 0.62%, 0.44%

LAB 63.02, 1.6, 56.97

 

CMYK 0 / 58 / 77 / 55

HEX #73301B

RGB 115 48 27

HSL 14.32, 0.62%, 0.28%

LAB 29, 28.09, 27.35

 

CMYK 0 / 58 / 76 / 42

HEX #943E23

RGB 148 62 35

HSL 14.34, 0.62%, 0.36%

LAB 37.59, 34.54, 33.77

 

CMYK 0 / 58 / 76 / 29

HEX #B64C2B

RGB 182 76 43

HSL 14.24, 0.62%, 0.44%

LAB 46.03, 41.08, 40.12

 

CMYK 0 / 56 / 73 / 18

HEX #D15D39

RGB 209 93 57

HSL 14.21, 0.62%, 0.52%

LAB 53.69, 43.61, 42.29

 

CMYK 0 / 44 / 58 / 15

HEX #D8795B

RGB 216 121 91

HSL 14.4, 0.62%, 0.6%

LAB 60.81, 34.16, 32.58

 

CMYK 0 / 58 / 77 / 29

HEX #B44B2A

RGB 180 75 42

HSL 14.35, 0.62%, 0.44%

LAB 45.5, 40.77, 39.99

 

CMYK 34 / 0 / 76 / 29

HEX #79B62B

RGB 121 182 43

HSL 86.33, 0.62%, 0.44%

LAB 67.8, -40.62, 59.87

 

CMYK 76 / 64 / 0 / 29

HEX #2B42B6

RGB 43 66 182

HSL 230.07, 0.62%, 0.44%

LAB 33.54, 32.98, -63.74

 

CMYK 0 / 58 / 77 / 29

HEX #B44B2A

RGB 180 75 42

HSL 14.35, 0.62%, 0.44%

LAB 45.5, 40.77, 39.99

 

CMYK 76 / 0 / 59 / 29

HEX #2BB64B

RGB 43 182 75

HSL 133.81, 0.62%, 0.44%

LAB 65.34, -58.28, 43.53

 

CMYK 59 / 76 / 0 / 29

HEX #4B2BB6

RGB 75 43 182

HSL 253.81, 0.62%, 0.44%

LAB 30.88, 50.21, -68.02

 

CMYK 0 / 58 / 77 / 29

HEX #B44B2A

RGB 180 75 42

HSL 14.35, 0.62%, 0.44%

LAB 45.5, 40.77, 39.99

 

CMYK 34 / 0 / 76 / 29

HEX #79B62B

RGB 121 182 43

HSL 86.33, 0.62%, 0.44%

LAB 67.8, -40.62, 59.87

 

CMYK 76 / 18 / 0 / 29

HEX #2B95B6

RGB 43 149 182

HSL 194.24, 0.62%, 0.44%

LAB 57.45, -18.27, -25.67

 

CMYK 43 / 76 / 0 / 29

HEX #672BB6

RGB 103 43 182

HSL 265.9, 0.62%, 0.44%

LAB 33.96, 54.26, -62.85

 

CMYK 0 / 58 / 77 / 29

HEX #B44B2A

RGB 180 75 42

HSL 14.35, 0.62%, 0.44%

LAB 45.5, 40.77, 39.99

 

CMYK 56 / 0 / 76 / 29

HEX #50B62B

RGB 80 182 43

HSL 104.03, 0.62%, 0.44%

LAB 66.01, -53.77, 57.53

 

CMYK 76 / 18 / 0 / 29

HEX #2B95B6

RGB 43 149 182

HSL 194.24, 0.62%, 0.44%

LAB 57.45, -18.27, -25.67

 

CMYK 20 / 76 / 0 / 29

HEX #912BB6

RGB 145 43 182

HSL 284.03, 0.62%, 0.44%

LAB 39.79, 61.72, -53.11

 

Description

Color code: HEX #B44B2ACE | qconv.com Color code: HEX #B44B2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 75 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 75 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 62 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 62% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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