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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B447D5 it is the complementary color #4BB82A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B447D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B447D5 shade: #B947D0, #CA59E3, #DB6BF6, #EC7DFF and #FD8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B447D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B447D5 shade: #B447D5, #A335C2, #9223AF, #81119C and #700089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B447D5 shade: #B548D5, #D548D0, #D548AA, #D54884 and #D5485E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B447D5 shade: #B548D5, #8F48D5, #6848D5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B447D5 shade matches the following richer shades: #B548D5, #BE36E8 and #C824FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B447D5 shade: #B548D5, #AB5AC3, #A16CB1, #977F9F and #8E918D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B447D5 shade: #6948D5, #8F48D5, #B448D5, #D548D1 and #D548AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B447D5 shade: #8826A6, #A32DC7, #B548D5, #C26ADD and #D08BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B447D5 shade: #B447D5, #D5484D and #48D57C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B447D5 shade: #B447D5, #D5B448 and #48D5B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B447D5 shade: #B447D5, #D5484D, #69D548 and #48D5D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B447D5 shade: #B447D5, #D56E48, #69D548 and #48B0D5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

Complementary color

CMYK 59 / 0 / 77 / 28

HEX #4BB82A

RGB 75 184 42

HSL 106.06, 0.63%, 0.44%

LAB 66.48, -55.85, 58.26

 

CMYK 11 / 66 / 0 / 18

HEX #B947D0

RGB 185 71 208

HSL 289.93, 0.59%, 0.55%

LAB 51.12, 64.38, -49.72

 

CMYK 11 / 61 / 0 / 11

HEX #CA59E3

RGB 202 89 227

HSL 289.13, 0.71%, 0.62%

LAB 57.32, 64.2, -50.49

 

CMYK 11 / 57 / 0 / 4

HEX #DB6BF6

RGB 219 107 246

HSL 288.35, 0.89%, 0.69%

LAB 63.53, 63.77, -51.07

 

CMYK 7 / 51 / 0 / 0

HEX #EC7DFF

RGB 236 125 255

HSL 291.23, 1%, 0.75%

LAB 69.27, 61.32, -46.81

 

CMYK 1 / 44 / 0 / 0

HEX #FD8FFF

RGB 253 143 255

HSL 298.93, 1%, 0.78%

LAB 74.67, 57.22, -38.23

 

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

CMYK 16 / 73 / 0 / 24

HEX #A335C2

RGB 163 53 194

HSL 286.81, 0.57%, 0.48%

LAB 44.56, 64.03, -52.33

 

CMYK 17 / 80 / 0 / 31

HEX #9223AF

RGB 146 35 175

HSL 287.57, 0.67%, 0.41%

LAB 38.57, 63.15, -50.93

 

CMYK 17 / 89 / 0 / 39

HEX #81119C

RGB 129 17 156

HSL 288.35, 0.8%, 0.34%

LAB 32.85, 61.16, -48.87

 

CMYK 18 / 100 / 0 / 46

HEX #700089

RGB 112 0 137

HSL 289.05, 1%, 0.27%

LAB 27.44, 57.88, -46.07

 

CMYK 15 / 66 / 0 / 16

HEX #B548D5

RGB 181 72 213

HSL 286.38, 0.63%, 0.56%

LAB 50.99, 64.02, -52.82

 

CMYK 0 / 66 / 2 / 16

HEX #D548D0

RGB 213 72 208

HSL 302.13, 0.63%, 0.56%

LAB 55.42, 70.4, -42.65

 

CMYK 0 / 66 / 20 / 16

HEX #D548AA

RGB 213 72 170

HSL 318.3, 0.63%, 0.56%

LAB 53.69, 64.74, -23.4

 

CMYK 0 / 66 / 38 / 16

HEX #D54884

RGB 213 72 132

HSL 334.47, 0.63%, 0.56%

LAB 52.34, 60.1, -2.97

 

CMYK 0 / 66 / 56 / 16

HEX #D5485E

RGB 213 72 94

HSL 350.64, 0.63%, 0.56%

LAB 51.37, 56.65, 18.45

 

CMYK 15 / 66 / 0 / 16

HEX #B548D5

RGB 181 72 213

HSL 286.38, 0.63%, 0.56%

LAB 50.99, 64.02, -52.82

 

CMYK 33 / 66 / 0 / 16

HEX #8F48D5

RGB 143 72 213

HSL 270.21, 0.63%, 0.56%

LAB 46.01, 55.84, -61.09

 

CMYK 51 / 66 / 0 / 16

HEX #6848D5

RGB 104 72 213

HSL 253.62, 0.63%, 0.56%

LAB 41.82, 48.37, -68.1

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 15 / 66 / 0 / 16

HEX #B548D5

RGB 181 72 213

HSL 286.38, 0.63%, 0.56%

LAB 50.99, 64.02, -52.82

 

CMYK 18 / 77 / 0 / 9

HEX #BE36E8

RGB 190 54 232

HSL 285.84, 0.79%, 0.56%

LAB 51.17, 75.97, -63.25

 

CMYK 20 / 86 / 0 / 2

HEX #C824FA

RGB 200 36 250

HSL 285.98, 0.96%, 0.56%

LAB 52.33, 85.4, -71.39

 

CMYK 15 / 66 / 0 / 16

HEX #B548D5

RGB 181 72 213

HSL 286.38, 0.63%, 0.56%

LAB 50.99, 64.02, -52.82

 

CMYK 12 / 54 / 0 / 24

HEX #AB5AC3

RGB 171 90 195

HSL 286.29, 0.47%, 0.56%

LAB 51.74, 49.6, -41.4

 

CMYK 9 / 39 / 0 / 31

HEX #A16CB1

RGB 161 108 177

HSL 286.09, 0.31%, 0.56%

LAB 53.47, 33.25, -28.39

 

CMYK 5 / 20 / 0 / 38

HEX #977F9F

RGB 151 127 159

HSL 285, 0.14%, 0.56%

LAB 56.35, 15.25, -13.66

 

CMYK 2 / 0 / 3 / 43

HEX #8E918D

RGB 142 145 141

HSL 105, 0.02%, 0.56%

LAB 59.82, -1.87, 1.73

 

CMYK 51 / 66 / 0 / 16

HEX #6948D5

RGB 105 72 213

HSL 254.04, 0.63%, 0.56%

LAB 41.91, 48.54, -67.94

 

CMYK 33 / 66 / 0 / 16

HEX #8F48D5

RGB 143 72 213

HSL 270.21, 0.63%, 0.56%

LAB 46.01, 55.84, -61.09

 

CMYK 15 / 66 / 0 / 16

HEX #B448D5

RGB 180 72 213

HSL 285.96, 0.63%, 0.56%

LAB 50.85, 63.79, -53.05

 

CMYK 0 / 66 / 2 / 16

HEX #D548D1

RGB 213 72 209

HSL 301.7, 0.63%, 0.56%

LAB 55.47, 70.57, -43.14

 

CMYK 0 / 66 / 20 / 16

HEX #D548AB

RGB 213 72 171

HSL 317.87, 0.63%, 0.56%

LAB 53.73, 64.88, -23.92

 

CMYK 18 / 77 / 0 / 35

HEX #8826A6

RGB 136 38 166

HSL 285.94, 0.63%, 0.4%

LAB 36.69, 58.56, -48.65

 

CMYK 18 / 77 / 0 / 22

HEX #A32DC7

RGB 163 45 199

HSL 285.97, 0.63%, 0.48%

LAB 43.93, 67.73, -56.25

 

CMYK 15 / 66 / 0 / 16

HEX #B548D5

RGB 181 72 213

HSL 286.38, 0.63%, 0.56%

LAB 50.99, 64.02, -52.82

 

CMYK 12 / 52 / 0 / 13

HEX #C26ADD

RGB 194 106 221

HSL 285.91, 0.63%, 0.64%

LAB 58.97, 52.95, -44.56

 

CMYK 9 / 39 / 0 / 10

HEX #D08BE5

RGB 208 139 229

HSL 286, 0.63%, 0.72%

LAB 67.67, 41.31, -35.27

 

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

CMYK 0 / 66 / 64 / 16

HEX #D5484D

RGB 213 72 77

HSL 357.87, 0.63%, 0.56%

LAB 51.06, 55.5, 28.14

 

CMYK 66 / 0 / 42 / 16

HEX #48D57C

RGB 72 213 124

HSL 142.13, 0.63%, 0.56%

LAB 76.33, -57.13, 33.2

 

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

CMYK 0 / 15 / 66 / 16

HEX #D5B448

RGB 213 180 72

HSL 45.96, 0.63%, 0.56%

LAB 74.35, 0.05, 57.59

 

CMYK 66 / 0 / 15 / 16

HEX #48D5B4

RGB 72 213 180

HSL 165.96, 0.63%, 0.56%

LAB 77.44, -45.37, 5.33

 

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

CMYK 0 / 66 / 64 / 16

HEX #D5484D

RGB 213 72 77

HSL 357.87, 0.63%, 0.56%

LAB 51.06, 55.5, 28.14

 

CMYK 51 / 0 / 66 / 16

HEX #69D548

RGB 105 213 72

HSL 105.96, 0.63%, 0.56%

LAB 76.72, -56.24, 58.04

 

CMYK 66 / 0 / 2 / 16

HEX #48D5D1

RGB 72 213 209

HSL 178.3, 0.63%, 0.56%

LAB 78.21, -37.82, -9.07

 

CMYK 15 / 67 / 0 / 16

HEX #B447D5

RGB 180 71 213

HSL 286.06, 0.63%, 0.56%

LAB 50.7, 64.21, -53.29

 

CMYK 0 / 48 / 66 / 16

HEX #D56E48

RGB 213 110 72

HSL 16.17, 0.63%, 0.56%

LAB 57.81, 37.42, 39.18

 

CMYK 51 / 0 / 66 / 16

HEX #69D548

RGB 105 213 72

HSL 105.96, 0.63%, 0.56%

LAB 76.72, -56.24, 58.04

 

CMYK 66 / 17 / 0 / 16

HEX #48B0D5

RGB 72 176 213

HSL 195.74, 0.63%, 0.56%

LAB 67.45, -18.49, -27.53

 

Description

Color code: HEX #B447D5 | qconv.com Color code: HEX #B447D5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 71 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 71 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 67 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 67% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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