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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B44379 it is the complementary color #4BBC86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B44379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B44379 shade: #B94374, #CA5587, #DB679A, #EC79AD and #FD8BC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B44379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B44379 shade: #B44379, #A33166, #921F53, #810D40 and #70002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B44379 shade: #B34278, #B3425A and #B34242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B44379 shade: #B34278, #B34296, #B142B3, #9242B3 and #7442B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B44379 shade matches the following richer shades: #B34278, #C72E77, #DA1A76 and #EE0775

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B44379 shade: #B34278, #9F5679, #8B6A7A, #777E7B and #63917B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B44379 shade: #B142B3, #B34297, #B34279, #B3425A and #B34842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B44379 shade: #762C4F, #953764, #B34278, #C35C8D and #CE7AA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B44379 shade: #B44379, #B39342 and #42A6B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B44379 shade: #B44379, #79B342 and #4279B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B44379 shade: #B44379, #B39342, #42B37C and #4262B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B44379 shade: #B44379, #B1B342, #42B37C and #4442B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

Complementary color

CMYK 60 / 0 / 29 / 26

HEX #4BBC86

RGB 75 188 134

HSL 151.33, 0.46%, 0.52%

LAB 68.88, -44.72, 17.98

 

CMYK 0 / 64 / 37 / 27

HEX #B94374

RGB 185 67 116

HSL 335.08, 0.47%, 0.49%

LAB 46.43, 51.97, -2.54

 

CMYK 0 / 58 / 33 / 21

HEX #CA5587

RGB 202 85 135

HSL 334.36, 0.52%, 0.56%

LAB 52.73, 51.5, -4.37

 

CMYK 0 / 53 / 30 / 14

HEX #DB679A

RGB 219 103 154

HSL 333.62, 0.62%, 0.63%

LAB 59.06, 50.83, -5.87

 

CMYK 0 / 49 / 27 / 7

HEX #EC79AD

RGB 236 121 173

HSL 332.87, 0.75%, 0.7%

LAB 65.38, 50.08, -7.13

 

CMYK 0 / 45 / 24 / 1

HEX #FD8BC0

RGB 253 139 192

HSL 332.11, 0.97%, 0.77%

LAB 71.66, 49.29, -8.22

 

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

CMYK 0 / 70 / 37 / 36

HEX #A33166

RGB 163 49 102

HSL 332.11, 0.54%, 0.42%

LAB 39.48, 51.14, -4.56

 

CMYK 0 / 79 / 43 / 43

HEX #921F53

RGB 146 31 83

HSL 332.87, 0.65%, 0.35%

LAB 33.38, 50.6, -1.78

 

CMYK 0 / 90 / 50 / 49

HEX #810D40

RGB 129 13 64

HSL 333.62, 0.82%, 0.28%

LAB 27.64, 48.89, 2.01

 

CMYK 0 / 100 / 60 / 56

HEX #70002D

RGB 112 0 45

HSL 335.89, 1%, 0.22%

LAB 22.42, 45.51, 7.17

 

CMYK 0 / 63 / 33 / 30

HEX #B34278

RGB 179 66 120

HSL 331.33, 0.46%, 0.48%

LAB 45.41, 51.02, -6.61

 

CMYK 0 / 63 / 50 / 30

HEX #B3425A

RGB 179 66 90

HSL 347.26, 0.46%, 0.48%

LAB 44.54, 47.8, 10.57

 

CMYK 0 / 63 / 63 / 30

HEX #B34242

RGB 179 66 66

HSL 0, 0.46%, 0.48%

LAB 44.05, 45.92, 24.59

 

CMYK 0 / 63 / 33 / 30

HEX #B34278

RGB 179 66 120

HSL 331.33, 0.46%, 0.48%

LAB 45.41, 51.02, -6.61

 

CMYK 0 / 63 / 16 / 30

HEX #B34296

RGB 179 66 150

HSL 315.4, 0.46%, 0.48%

LAB 46.55, 55.12, -23.02

 

CMYK 1 / 63 / 0 / 30

HEX #B142B3

RGB 177 66 179

HSL 298.94, 0.46%, 0.48%

LAB 47.62, 59.32, -38.56

 

CMYK 18 / 63 / 0 / 30

HEX #9242B3

RGB 146 66 179

HSL 282.48, 0.46%, 0.48%

LAB 43.16, 51.73, -45.93

 

CMYK 35 / 63 / 0 / 30

HEX #7442B3

RGB 116 66 179

HSL 266.55, 0.46%, 0.48%

LAB 39.35, 44.71, -52.24

 

CMYK 0 / 63 / 33 / 30

HEX #B34278

RGB 179 66 120

HSL 331.33, 0.46%, 0.48%

LAB 45.41, 51.02, -6.61

 

CMYK 0 / 77 / 40 / 22

HEX #C72E77

RGB 199 46 119

HSL 331.37, 0.62%, 0.48%

LAB 46.21, 63.97, -4.42

 

CMYK 0 / 88 / 46 / 15

HEX #DA1A76

RGB 218 26 118

HSL 331.25, 0.79%, 0.48%

LAB 48.2, 73.1, -0.47

 

CMYK 0 / 97 / 51 / 7

HEX #EE0775

RGB 238 7 117

HSL 331.43, 0.94%, 0.48%

LAB 51.4, 79.59, 5.26

 

CMYK 0 / 63 / 33 / 30

HEX #B34278

RGB 179 66 120

HSL 331.33, 0.46%, 0.48%

LAB 45.41, 51.02, -6.61

 

CMYK 0 / 46 / 24 / 38

HEX #9F5679

RGB 159 86 121

HSL 331.23, 0.3%, 0.48%

LAB 46.19, 34.59, -6.38

 

CMYK 0 / 24 / 12 / 45

HEX #8B6A7A

RGB 139 106 122

HSL 330.91, 0.13%, 0.48%

LAB 48.51, 15.88, -3.8

 

CMYK 6 / 0 / 2 / 51

HEX #777E7B

RGB 119 126 123

HSL 154.29, 0.03%, 0.48%

LAB 52.15, -3.21, 0.72

 

CMYK 32 / 0 / 15 / 43

HEX #63917B

RGB 99 145 123

HSL 151.3, 0.19%, 0.48%

LAB 56.42, -20.59, 6.72

 

CMYK 1 / 63 / 0 / 30

HEX #B142B3

RGB 177 66 179

HSL 298.94, 0.46%, 0.48%

LAB 47.62, 59.32, -38.56

 

CMYK 0 / 63 / 16 / 30

HEX #B34297

RGB 179 66 151

HSL 314.87, 0.46%, 0.48%

LAB 46.6, 55.27, -23.55

 

CMYK 0 / 63 / 32 / 30

HEX #B34279

RGB 179 66 121

HSL 330.8, 0.46%, 0.48%

LAB 45.44, 51.15, -7.17

 

CMYK 0 / 63 / 50 / 30

HEX #B3425A

RGB 179 66 90

HSL 347.26, 0.46%, 0.48%

LAB 44.54, 47.8, 10.57

 

CMYK 0 / 60 / 63 / 30

HEX #B34842

RGB 179 72 66

HSL 3.19, 0.46%, 0.48%

LAB 45.1, 43.14, 25.91

 

CMYK 0 / 63 / 33 / 54

HEX #762C4F

RGB 118 44 79

HSL 331.62, 0.46%, 0.32%

LAB 29.95, 36.24, -4.82

 

CMYK 0 / 63 / 33 / 42

HEX #953764

RGB 149 55 100

HSL 331.28, 0.46%, 0.4%

LAB 37.92, 44.02, -5.89

 

CMYK 0 / 63 / 33 / 30

HEX #B34278

RGB 179 66 120

HSL 331.33, 0.46%, 0.48%

LAB 45.41, 51.02, -6.61

 

CMYK 0 / 53 / 28 / 24

HEX #C35C8D

RGB 195 92 141

HSL 331.46, 0.46%, 0.56%

LAB 53.15, 46.65, -7.43

 

CMYK 0 / 41 / 21 / 19

HEX #CE7AA2

RGB 206 122 162

HSL 331.43, 0.46%, 0.64%

LAB 61.35, 37.93, -7.27

 

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

CMYK 0 / 18 / 63 / 30

HEX #B39342

RGB 179 147 66

HSL 43.01, 0.46%, 0.48%

LAB 62.38, 2.63, 46.34

 

CMYK 63 / 7 / 0 / 30

HEX #42A6B3

RGB 66 166 179

HSL 186.9, 0.46%, 0.48%

LAB 63.08, -24.75, -15.33

 

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

CMYK 32 / 0 / 63 / 30

HEX #79B342

RGB 121 179 66

HSL 90.8, 0.46%, 0.48%

LAB 67.05, -37.66, 50.27

 

CMYK 63 / 32 / 0 / 30

HEX #4279B3

RGB 66 121 179

HSL 210.8, 0.46%, 0.48%

LAB 49.6, 0.16, -36.12

 

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

CMYK 0 / 18 / 63 / 30

HEX #B39342

RGB 179 147 66

HSL 43.01, 0.46%, 0.48%

LAB 62.38, 2.63, 46.34

 

CMYK 63 / 0 / 31 / 30

HEX #42B37C

RGB 66 179 124

HSL 150.8, 0.46%, 0.48%

LAB 65.63, -44.86, 18.88

 

CMYK 63 / 45 / 0 / 30

HEX #4262B3

RGB 66 98 179

HSL 223.01, 0.46%, 0.48%

LAB 42.99, 14.45, -46.62

 

CMYK 0 / 63 / 33 / 29

HEX #B44379

RGB 180 67 121

HSL 331.33, 0.46%, 0.48%

LAB 45.77, 51.01, -6.67

 

CMYK 1 / 0 / 63 / 30

HEX #B1B342

RGB 177 179 66

HSL 61.06, 0.46%, 0.48%

LAB 70.86, -15.2, 55.49

 

CMYK 63 / 0 / 31 / 30

HEX #42B37C

RGB 66 179 124

HSL 150.8, 0.46%, 0.48%

LAB 65.63, -44.86, 18.88

 

CMYK 62 / 63 / 0 / 30

HEX #4442B3

RGB 68 66 179

HSL 241.06, 0.46%, 0.48%

LAB 34.76, 35.26, -59.9

 

Description

Color code: HEX #B44379 | qconv.com Color code: HEX #B44379 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 67 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 67 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 33% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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