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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43918CE it is the complementary color #4BC6E7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43918CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43918CE shade: #B93913CE, #CA4B26CE, #DB5D39CE, #EC6F4CCE and #FD815FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43918CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43918CE shade: #B43918CE, #A32705CE, #921500CE, #810300CE and #700000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43918CE shade: #B43918 and #B41818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43918CE shade: #B43918, #B46318, #B48D18, #B0B418 and #87B418

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43918CE shade matches the following richer shades: #B43918 and #C43008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43918CE shade: #B43918, #A34329, #934C39, #82564A and #725F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43918CE shade: #B4184C, #B41823, #B43718, #B46118 and #B48A18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43918CE shade: #6B220F, #8F2E14, #B43918, #D8451D and #E45E3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43918CE shade: #B43918, #76B418 and #1837B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43918CE shade: #B43918, #18B437 and #3718B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43918CE shade: #B43918, #76B418, #1895B4 and #5618B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43918CE shade: #B43918, #47B418, #1895B4 and #8518B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 70 / 24

HEX #B43918CE

RGBA 180 57 24 0.81

HSLA 12.69, 0.76%, 0.4%, 0.81

LABA 42.3, 48.31, 45.74, 0.81

 

Complementary color

CMYK 55 / 12 / 0 / 8

HEX #4BC6E7CE

RGBA 75 198 231 0.81

HSLA 192.69, 0.76%, 0.6%, 0.81

LABA 74.61, -23.76, -26.35, 0.81

 

CMYK 0 / 56 / 73 / 22

HEX #B93913CE

RGBA 185 57 19 0.81

HSLA 13.73, 0.81%, 0.4%, 0.81

LABA 43.19, 49.92, 48.91, 0.81

 

CMYK 0 / 51 / 66 / 17

HEX #CA4B26CE

RGBA 202 75 38 0.81

HSLA 13.54, 0.68%, 0.47%, 0.81

LABA 49.17, 48.7, 46.88, 0.81

 

CMYK 0 / 47 / 60 / 11

HEX #DB5D39CE

RGBA 219 93 57 0.81

HSLA 13.33, 0.69%, 0.54%, 0.81

LABA 55.26, 47.31, 44.46, 0.81

 

CMYK 0 / 43 / 55 / 6

HEX #EC6F4CCE

RGBA 236 111 76 0.81

HSLA 13.13, 0.81%, 0.61%, 0.81

LABA 61.41, 45.88, 42.1, 0.81

 

CMYK 0 / 40 / 51 / 1

HEX #FD815FCE

RGBA 253 129 95 0.81

HSLA 12.91, 0.98%, 0.68%, 0.81

LABA 67.58, 44.49, 39.93, 0.81

 

CMYK 0 / 55 / 70 / 24

HEX #B43918CE

RGBA 180 57 24 0.81

HSLA 12.69, 0.76%, 0.4%, 0.81

LABA 42.3, 48.31, 45.74, 0.81

 

CMYK 0 / 62 / 79 / 29

HEX #A32705CE

RGBA 163 39 5 0.81

HSLA 12.91, 0.94%, 0.33%, 0.81

LABA 36.46, 49.14, 47.3, 0.81

 

CMYK 0 / 69 / 81 / 35

HEX #921500CE

RGBA 146 21 0 0.81

HSLA 8.63, 1%, 0.29%, 0.81

LABA 30.99, 49.14, 44.22, 0.81

 

CMYK 0 / 79 / 81 / 40

HEX #810300CE

RGBA 129 3 0 0.81

HSLA 1.4, 1%, 0.25%, 0.81

LABA 25.96, 47.77, 38.54, 0.81

 

CMYK 0 / 81 / 81 / 45

HEX #700000CE

RGBA 112 0 0 0.81

HSLA 0, 1%, 0.22%, 0.81

LABA 21.74, 43.67, 33.02, 0.81

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 0 / 87 / 87 / 29

HEX #B41818

RGB 180 24 24

HSL 0, 0.76%, 0.4%

LAB 38.59, 58.65, 42.63

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 0 / 45 / 87 / 29

HEX #B46318

RGB 180 99 24

HSL 28.85, 0.76%, 0.4%

LAB 50.33, 27.7, 52.4

 

CMYK 0 / 22 / 87 / 29

HEX #B48D18

RGB 180 141 24

HSL 45, 0.76%, 0.4%

LAB 60.62, 4.44, 60.85

 

CMYK 2 / 0 / 87 / 29

HEX #B0B418

RGB 176 180 24

HSL 61.54, 0.76%, 0.4%

LAB 70.83, -17.97, 69.03

 

CMYK 25 / 0 / 87 / 29

HEX #87B418

RGB 135 180 24

HSL 77.31, 0.76%, 0.4%

LAB 67.92, -35.16, 65.43

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 0 / 76 / 96 / 23

HEX #C43008

RGB 196 48 8

HSL 12.77, 0.92%, 0.4%

LAB 44.04, 56.64, 54.04

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 0 / 59 / 75 / 36

HEX #A34329

RGB 163 67 41

HSL 12.79, 0.6%, 0.4%

LAB 41.15, 38.16, 35.05

 

CMYK 0 / 48 / 61 / 42

HEX #934C39

RGB 147 76 57

HSL 12.67, 0.44%, 0.4%

LAB 40.68, 28, 24.64

 

CMYK 0 / 34 / 43 / 49

HEX #82564A

RGB 130 86 74

HSL 12.86, 0.27%, 0.4%

LAB 41.05, 16.7, 14.42

 

CMYK 0 / 17 / 21 / 55

HEX #725F5A

RGB 114 95 90

HSL 12.5, 0.12%, 0.4%

LAB 42, 6.8, 5.72

 

CMYK 0 / 87 / 58 / 29

HEX #B4184C

RGB 180 24 76

HSL 340, 0.76%, 0.4%

LAB 39.37, 60.94, 12.2

 

CMYK 0 / 87 / 81 / 29

HEX #B41823

RGB 180 24 35

HSL 355.77, 0.76%, 0.4%

LAB 38.69, 58.94, 36.79

 

CMYK 0 / 69 / 87 / 29

HEX #B43718

RGB 180 55 24

HSL 11.92, 0.76%, 0.4%

LAB 42, 49.13, 45.49

 

CMYK 0 / 46 / 87 / 29

HEX #B46118

RGB 180 97 24

HSL 28.08, 0.76%, 0.4%

LAB 49.88, 28.79, 52.03

 

CMYK 0 / 23 / 87 / 29

HEX #B48A18

RGB 180 138 24

HSL 43.85, 0.76%, 0.4%

LAB 59.84, 6.1, 60.21

 

CMYK 0 / 68 / 86 / 58

HEX #6B220F

RGB 107 34 15

HSL 12.39, 0.75%, 0.24%

LAB 24.65, 31.54, 29.22

 

CMYK 0 / 68 / 86 / 44

HEX #8F2E14

RGB 143 46 20

HSL 12.68, 0.75%, 0.32%

LAB 33.66, 39.77, 37.45

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 0 / 68 / 87 / 15

HEX #D8451D

RGB 216 69 29

HSL 12.83, 0.76%, 0.48%

LAB 50.62, 55.78, 53.13

 

CMYK 0 / 59 / 75 / 11

HEX #E45E3A

RGB 228 94 58

HSL 12.71, 0.76%, 0.56%

LAB 56.88, 50.14, 46.11

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 34 / 0 / 87 / 29

HEX #76B418

RGB 118 180 24

HSL 83.85, 0.76%, 0.4%

LAB 66.95, -41.68, 64.22

 

CMYK 87 / 69 / 0 / 29

HEX #1837B4

RGB 24 55 180

HSL 228.08, 0.76%, 0.4%

LAB 29.97, 37.77, -68.45

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 87 / 0 / 69 / 29

HEX #18B437

RGB 24 180 55

HSL 131.92, 0.76%, 0.4%

LAB 64.25, -62.08, 50.96

 

CMYK 69 / 87 / 0 / 29

HEX #3718B4

RGB 55 24 180

HSL 251.92, 0.76%, 0.4%

LAB 26.04, 55.93, -74.89

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 34 / 0 / 87 / 29

HEX #76B418

RGB 118 180 24

HSL 83.85, 0.76%, 0.4%

LAB 66.95, -41.68, 64.22

 

CMYK 87 / 17 / 0 / 29

HEX #1895B4

RGB 24 149 180

HSL 191.92, 0.76%, 0.4%

LAB 57.06, -20.71, -25.17

 

CMYK 52 / 87 / 0 / 29

HEX #5618B4

RGB 86 24 180

HSL 263.85, 0.76%, 0.4%

LAB 29.23, 58.66, -69.51

 

CMYK 0 / 68 / 87 / 29

HEX #B43918

RGB 180 57 24

HSL 12.69, 0.76%, 0.4%

LAB 42.3, 48.31, 45.74

 

CMYK 61 / 0 / 87 / 29

HEX #47B418

RGB 71 180 24

HSL 101.92, 0.76%, 0.4%

LAB 65, -56.35, 61.77

 

CMYK 87 / 17 / 0 / 29

HEX #1895B4

RGB 24 149 180

HSL 191.92, 0.76%, 0.4%

LAB 57.06, -20.71, -25.17

 

CMYK 26 / 87 / 0 / 29

HEX #8518B4

RGB 133 24 180

HSL 281.92, 0.76%, 0.4%

LAB 35.86, 64.86, -58.39

 

Description

Color code: HEX #B43918CE | qconv.com Color code: HEX #B43918CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 57 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 57 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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