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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43885 it is the complementary color #4BC77A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43885. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43885 shade: #B93880, #CA4A93, #DB5CA6, #EC6EB9 and #FD80CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43885. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43885 shade: #B43885, #A32672, #92145F, #81024C and #700039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43885 shade: #B33784, #B33763, #B33741 and #B33737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43885 shade: #B33784, #B337A6, #A037B3, #7E37B3 and #5C37B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43885 shade matches the following richer shades: #B33784, #C62489 and #D9118E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43885 shade: #B33784, #A04A80, #8E5D7B, #7B7077 and #688372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43885 shade: #9F37B3, #B337A7, #B33786, #B33765 and #B33744

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43885 shade: #742456, #942D6D, #B33784, #C84C99 and #D26BAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43885 shade: #B43885, #B37E37 and #37B3AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43885 shade: #B43885, #86B337 and #3786B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43885 shade: #B43885, #B37E37, #37B365 and #376DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43885 shade: #B43885, #B3A337, #37B365 and #3748B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

Complementary color

CMYK 62 / 0 / 39 / 22

HEX #4BC77A

RGB 75 199 122

HSL 142.74, 0.53%, 0.54%

LAB 72.06, -51.54, 28.64

 

CMYK 0 / 70 / 31 / 27

HEX #B93880

RGB 185 56 128

HSL 326.51, 0.54%, 0.47%

LAB 45.22, 57.82, -11.67

 

CMYK 0 / 63 / 27 / 21

HEX #CA4A93

RGB 202 74 147

HSL 325.78, 0.55%, 0.54%

LAB 51.34, 57.85, -13.59

 

CMYK 0 / 58 / 24 / 14

HEX #DB5CA6

RGB 219 92 166

HSL 325.04, 0.64%, 0.61%

LAB 57.53, 57.52, -15.13

 

CMYK 0 / 53 / 22 / 7

HEX #EC6EB9

RGB 236 110 185

HSL 324.29, 0.77%, 0.68%

LAB 63.74, 56.99, -16.39

 

CMYK 0 / 49 / 19 / 1

HEX #FD80CC

RGB 253 128 204

HSL 323.52, 0.97%, 0.75%

LAB 69.95, 56.34, -17.46

 

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

CMYK 0 / 77 / 30 / 36

HEX #A32672

RGB 163 38 114

HSL 323.52, 0.62%, 0.39%

LAB 38.53, 56.46, -13.53

 

CMYK 0 / 86 / 35 / 43

HEX #92145F

RGB 146 20 95

HSL 324.29, 0.76%, 0.33%

LAB 32.78, 54.85, -10.47

 

CMYK 0 / 98 / 41 / 49

HEX #81024C

RGB 129 2 76

HSL 325.04, 0.97%, 0.26%

LAB 27.39, 51.98, -6.45

 

CMYK 0 / 100 / 49 / 56

HEX #700039

RGB 112 0 57

HSL 329.46, 1%, 0.22%

LAB 22.79, 46.49, -0.7

 

CMYK 0 / 69 / 26 / 30

HEX #B33784

RGB 179 55 132

HSL 322.74, 0.53%, 0.46%

LAB 44.21, 57.05, -15.75

 

CMYK 0 / 69 / 45 / 30

HEX #B33763

RGB 179 55 99

HSL 338.71, 0.53%, 0.46%

LAB 43.09, 53.27, 2.93

 

CMYK 0 / 69 / 64 / 30

HEX #B33741

RGB 179 55 65

HSL 355.16, 0.53%, 0.46%

LAB 42.3, 50.53, 22.97

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 69 / 26 / 30

HEX #B33784

RGB 179 55 132

HSL 322.74, 0.53%, 0.46%

LAB 44.21, 57.05, -15.75

 

CMYK 0 / 69 / 7 / 30

HEX #B337A6

RGB 179 55 166

HSL 306.29, 0.53%, 0.46%

LAB 45.73, 61.96, -33.85

 

CMYK 11 / 69 / 0 / 30

HEX #A037B3

RGB 160 55 179

HSL 290.81, 0.53%, 0.46%

LAB 43.45, 59.78, -45.34

 

CMYK 30 / 69 / 0 / 30

HEX #7E37B3

RGB 126 55 179

HSL 274.35, 0.53%, 0.46%

LAB 38.59, 52.4, -53.41

 

CMYK 49 / 69 / 0 / 30

HEX #5C37B3

RGB 92 55 179

HSL 257.9, 0.53%, 0.46%

LAB 34.52, 45.76, -60.2

 

CMYK 0 / 69 / 26 / 30

HEX #B33784

RGB 179 55 132

HSL 322.74, 0.53%, 0.46%

LAB 44.21, 57.05, -15.75

 

CMYK 0 / 82 / 31 / 22

HEX #C62489

RGB 198 36 137

HSL 322.59, 0.69%, 0.46%

LAB 45.73, 68.31, -16.16

 

CMYK 0 / 92 / 35 / 15

HEX #D9118E

RGB 217 17 142

HSL 322.5, 0.85%, 0.46%

LAB 48.39, 76.33, -14.81

 

CMYK 0 / 69 / 26 / 30

HEX #B33784

RGB 179 55 132

HSL 322.74, 0.53%, 0.46%

LAB 44.21, 57.05, -15.75

 

CMYK 0 / 54 / 20 / 37

HEX #A04A80

RGB 160 74 128

HSL 322.33, 0.37%, 0.46%

LAB 44.13, 42.32, -13.71

 

CMYK 0 / 35 / 13 / 44

HEX #8E5D7B

RGB 142 93 123

HSL 323.27, 0.21%, 0.46%

LAB 45.65, 24.8, -8.63

 

CMYK 0 / 9 / 3 / 52

HEX #7B7077

RGB 123 112 119

HSL 321.82, 0.05%, 0.46%

LAB 48.42, 5.62, -2.32

 

CMYK 21 / 0 / 13 / 49

HEX #688372

RGB 104 131 114

HSL 142.22, 0.11%, 0.46%

LAB 52.28, -13.34, 6.02

 

CMYK 11 / 69 / 0 / 30

HEX #9F37B3

RGB 159 55 179

HSL 290.32, 0.53%, 0.46%

LAB 43.3, 59.56, -45.59

 

CMYK 0 / 69 / 7 / 30

HEX #B337A7

RGB 179 55 167

HSL 305.81, 0.53%, 0.46%

LAB 45.78, 62.12, -34.36

 

CMYK 0 / 69 / 25 / 30

HEX #B33786

RGB 179 55 134

HSL 321.77, 0.53%, 0.46%

LAB 44.29, 57.31, -16.85

 

CMYK 0 / 69 / 44 / 30

HEX #B33765

RGB 179 55 101

HSL 337.74, 0.53%, 0.46%

LAB 43.15, 53.47, 1.77

 

CMYK 0 / 69 / 62 / 30

HEX #B33744

RGB 179 55 68

HSL 353.71, 0.53%, 0.46%

LAB 42.36, 50.72, 21.19

 

CMYK 0 / 69 / 26 / 55

HEX #742456

RGB 116 36 86

HSL 322.5, 0.53%, 0.3%

LAB 28.5, 40.32, -11.64

 

CMYK 0 / 70 / 26 / 42

HEX #942D6D

RGB 148 45 109

HSL 322.72, 0.53%, 0.38%

LAB 36.51, 49.22, -13.71

 

CMYK 0 / 69 / 26 / 30

HEX #B33784

RGB 179 55 132

HSL 322.74, 0.53%, 0.46%

LAB 44.21, 57.05, -15.75

 

CMYK 0 / 62 / 24 / 22

HEX #C84C99

RGB 200 76 153

HSL 322.74, 0.53%, 0.54%

LAB 51.55, 57.22, -16.86

 

CMYK 0 / 49 / 19 / 18

HEX #D26BAB

RGB 210 107 171

HSL 322.72, 0.53%, 0.62%

LAB 59.12, 48.35, -15.73

 

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

CMYK 0 / 30 / 69 / 30

HEX #B37E37

RGB 179 126 55

HSL 34.35, 0.53%, 0.46%

LAB 56.86, 13.57, 45.55

 

CMYK 69 / 0 / 2 / 30

HEX #37B3AF

RGB 55 179 175

HSL 178.06, 0.53%, 0.46%

LAB 66.63, -33.97, -7.81

 

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

CMYK 25 / 0 / 69 / 30

HEX #86B337

RGB 134 179 55

HSL 81.77, 0.53%, 0.46%

LAB 67.71, -33.61, 55.74

 

CMYK 69 / 25 / 0 / 30

HEX #3786B3

RGB 55 134 179

HSL 201.77, 0.53%, 0.46%

LAB 53.08, -9.36, -30.71

 

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

CMYK 0 / 30 / 69 / 30

HEX #B37E37

RGB 179 126 55

HSL 34.35, 0.53%, 0.46%

LAB 56.86, 13.57, 45.55

 

CMYK 69 / 0 / 44 / 30

HEX #37B365

RGB 55 179 101

HSL 142.26, 0.53%, 0.46%

LAB 64.96, -51.33, 30.19

 

CMYK 69 / 39 / 0 / 30

HEX #376DB3

RGB 55 109 179

HSL 213.87, 0.53%, 0.46%

LAB 45.64, 5.59, -42.42

 

CMYK 0 / 69 / 26 / 29

HEX #B43885

RGB 180 56 133

HSL 322.74, 0.53%, 0.46%

LAB 44.55, 57.07, -15.81

 

CMYK 0 / 9 / 69 / 30

HEX #B3A337

RGB 179 163 55

HSL 52.26, 0.53%, 0.46%

LAB 66.56, -6.67, 55.66

 

CMYK 69 / 0 / 44 / 30

HEX #37B365

RGB 55 179 101

HSL 142.26, 0.53%, 0.46%

LAB 64.96, -51.33, 30.19

 

CMYK 69 / 60 / 0 / 30

HEX #3748B3

RGB 55 72 179

HSL 231.77, 0.53%, 0.46%

LAB 35.4, 29.47, -58.89

 

Description

Color code: HEX #B43885 | qconv.com Color code: HEX #B43885 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 56 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 56 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 26% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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