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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4334E it is the complementary color #4BCCB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4334E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4334E shade: #B93349, #CA455C, #DB576F, #EC6982 and #FD7B95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4334E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4334E shade: #B4334E, #A3213B, #920F28, #810015 and #700002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4334E shade: #B3324D and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4334E shade: #B3324D, #B33270, #B33293, #B132B3 and #8E32B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4334E shade matches the following richer shades: #B3324D, #C62043 and #D80D38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4334E shade: #B3324D, #A04558, #8E5863, #7B6A6E and #697D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4334E shade: #B33293, #B33271, #B3324E, #B33932 and #B35B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4334E shade: #732032, #93293F, #B3324D, #CA4460 and #D3657C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4334E shade: #B4334E, #B3B132 and #3282B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4334E shade: #B4334E, #4EB332 and #324EB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4334E shade: #B4334E, #B3B132, #32B397 and #3235B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4334E shade: #B4334E, #8FB332, #32B397 and #5732B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

Complementary color

CMYK 63 / 0 / 13 / 20

HEX #4BCCB1

RGB 75 204 177

HSL 167.44, 0.56%, 0.55%

LAB 74.73, -41.71, 3.05

 

CMYK 0 / 72 / 61 / 27

HEX #B93349

RGB 185 51 73

HSL 350.15, 0.57%, 0.46%

LAB 43.01, 54.47, 19.16

 

CMYK 0 / 66 / 54 / 21

HEX #CA455C

RGB 202 69 92

HSL 349.62, 0.56%, 0.53%

LAB 48.99, 54.21, 16.1

 

CMYK 0 / 60 / 49 / 14

HEX #DB576F

RGB 219 87 111

HSL 349.09, 0.65%, 0.6%

LAB 55.1, 53.6, 13.61

 

CMYK 0 / 56 / 45 / 7

HEX #EC6982

RGB 236 105 130

HSL 348.55, 0.78%, 0.67%

LAB 61.26, 52.8, 11.53

 

CMYK 0 / 51 / 41 / 1

HEX #FD7B95

RGB 253 123 149

HSL 348, 0.97%, 0.74%

LAB 67.44, 51.93, 9.76

 

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

CMYK 0 / 80 / 64 / 36

HEX #A3213B

RGB 163 33 59

HSL 348, 0.66%, 0.38%

LAB 36.35, 52.93, 18.42

 

CMYK 0 / 90 / 73 / 43

HEX #920F28

RGB 146 15 40

HSL 348.55, 0.81%, 0.32%

LAB 30.89, 51.52, 23.05

 

CMYK 0 / 100 / 84 / 49

HEX #810015

RGB 129 0 21

HSL 350.23, 1%, 0.25%

LAB 25.93, 48.76, 28.58

 

CMYK 0 / 100 / 98 / 56

HEX #700002

RGB 112 0 2

HSL 358.93, 1%, 0.22%

LAB 21.76, 43.72, 32.22

 

CMYK 0 / 72 / 57 / 30

HEX #B3324D

RGB 179 50 77

HSL 347.44, 0.56%, 0.45%

LAB 41.85, 53.27, 14.92

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 0 / 72 / 57 / 30

HEX #B3324D

RGB 179 50 77

HSL 347.44, 0.56%, 0.45%

LAB 41.85, 53.27, 14.92

 

CMYK 0 / 72 / 37 / 30

HEX #B33270

RGB 179 50 112

HSL 331.16, 0.56%, 0.45%

LAB 42.82, 56.5, -5.55

 

CMYK 0 / 72 / 18 / 30

HEX #B33293

RGB 179 50 147

HSL 314.88, 0.56%, 0.45%

LAB 44.19, 60.9, -24.88

 

CMYK 1 / 72 / 0 / 30

HEX #B132B3

RGB 177 50 179

HSL 299.07, 0.56%, 0.45%

LAB 45.47, 65.36, -41.96

 

CMYK 21 / 72 / 0 / 30

HEX #8E32B3

RGB 142 50 179

HSL 282.79, 0.56%, 0.45%

LAB 40.06, 57.89, -50.93

 

CMYK 0 / 72 / 57 / 30

HEX #B3324D

RGB 179 50 77

HSL 347.44, 0.56%, 0.45%

LAB 41.85, 53.27, 14.92

 

CMYK 0 / 84 / 66 / 22

HEX #C62043

RGB 198 32 67

HSL 347.35, 0.72%, 0.45%

LAB 43.42, 63.44, 23.9

 

CMYK 0 / 94 / 74 / 15

HEX #D80D38

RGB 216 13 56

HSL 347.29, 0.89%, 0.45%

LAB 45.87, 70.61, 34.43

 

CMYK 0 / 72 / 57 / 30

HEX #B3324D

RGB 179 50 77

HSL 347.44, 0.56%, 0.45%

LAB 41.85, 53.27, 14.92

 

CMYK 0 / 57 / 45 / 37

HEX #A04558

RGB 160 69 88

HSL 347.47, 0.4%, 0.45%

LAB 41.9, 39.61, 7.64

 

CMYK 0 / 38 / 30 / 44

HEX #8E5863

RGB 142 88 99

HSL 347.78, 0.23%, 0.45%

LAB 43.7, 23.82, 3.09

 

CMYK 0 / 14 / 11 / 52

HEX #7B6A6E

RGB 123 106 110

HSL 345.88, 0.07%, 0.45%

LAB 46.51, 7.44, 0.24

 

CMYK 16 / 0 / 3 / 51

HEX #697D79

RGB 105 125 121

HSL 168, 0.09%, 0.45%

LAB 50.75, -8.16, -0.27

 

CMYK 0 / 72 / 18 / 30

HEX #B33293

RGB 179 50 147

HSL 314.88, 0.56%, 0.45%

LAB 44.19, 60.9, -24.88

 

CMYK 0 / 72 / 37 / 30

HEX #B33271

RGB 179 50 113

HSL 330.7, 0.56%, 0.45%

LAB 42.85, 56.61, -6.12

 

CMYK 0 / 72 / 56 / 30

HEX #B3324E

RGB 179 50 78

HSL 346.98, 0.56%, 0.45%

LAB 41.87, 53.35, 14.32

 

CMYK 0 / 68 / 72 / 30

HEX #B33932

RGB 179 57 50

HSL 3.26, 0.56%, 0.45%

LAB 42.37, 48.89, 32.06

 

CMYK 0 / 49 / 72 / 30

HEX #B35B32

RGB 179 91 50

HSL 19.07, 0.56%, 0.45%

LAB 48.63, 32.58, 39.11

 

CMYK 0 / 72 / 57 / 55

HEX #732032

RGB 115 32 50

HSL 346.99, 0.56%, 0.29%

LAB 26.47, 37.53, 9.43

 

CMYK 0 / 72 / 57 / 42

HEX #93293F

RGB 147 41 63

HSL 347.55, 0.56%, 0.37%

LAB 34.29, 45.54, 12.54

 

CMYK 0 / 72 / 57 / 30

HEX #B3324D

RGB 179 50 77

HSL 347.44, 0.56%, 0.45%

LAB 41.85, 53.27, 14.92

 

CMYK 0 / 66 / 52 / 21

HEX #CA4460

RGB 202 68 96

HSL 347.46, 0.56%, 0.53%

LAB 48.93, 54.94, 13.6

 

CMYK 0 / 52 / 41 / 17

HEX #D3657C

RGB 211 101 124

HSL 347.45, 0.56%, 0.61%

LAB 56.69, 45.57, 8.04

 

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

CMYK 0 / 1 / 72 / 30

HEX #B3B132

RGB 179 177 50

HSL 59.07, 0.56%, 0.45%

LAB 70.36, -14.23, 61.31

 

CMYK 72 / 27 / 0 / 30

HEX #3282B3

RGB 50 130 179

HSL 202.79, 0.56%, 0.45%

LAB 51.72, -7.81, -32.84

 

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

CMYK 56 / 0 / 72 / 30

HEX #4EB332

RGB 78 179 50

HSL 106.98, 0.56%, 0.45%

LAB 65.03, -52.7, 54.06

 

CMYK 72 / 56 / 0 / 30

HEX #324EB3

RGB 50 78 179

HSL 226.98, 0.56%, 0.45%

LAB 36.71, 24.86, -56.78

 

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

CMYK 0 / 1 / 72 / 30

HEX #B3B132

RGB 179 177 50

HSL 59.07, 0.56%, 0.45%

LAB 70.36, -14.23, 61.31

 

CMYK 72 / 0 / 16 / 30

HEX #32B397

RGB 50 179 151

HSL 166.98, 0.56%, 0.45%

LAB 65.87, -41.2, 4.34

 

CMYK 72 / 70 / 0 / 30

HEX #3235B3

RGB 50 53 179

HSL 238.6, 0.56%, 0.45%

LAB 30.59, 40.8, -66.78

 

CMYK 0 / 72 / 57 / 29

HEX #B4334E

RGB 180 51 78

HSL 347.44, 0.56%, 0.45%

LAB 42.19, 53.29, 14.79

 

CMYK 20 / 0 / 72 / 30

HEX #8FB332

RGB 143 179 50

HSL 76.74, 0.56%, 0.45%

LAB 68.25, -30.35, 58.34

 

CMYK 72 / 0 / 16 / 30

HEX #32B397

RGB 50 179 151

HSL 166.98, 0.56%, 0.45%

LAB 65.87, -41.2, 4.34

 

CMYK 51 / 72 / 0 / 30

HEX #5732B3

RGB 87 50 179

HSL 257.21, 0.56%, 0.45%

LAB 33.05, 47.54, -62.63

 

Description

Color code: HEX #B4334E | qconv.com Color code: HEX #B4334E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 51 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 51 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 57 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 57% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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