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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43188 it is the complementary color #4BCE77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43188 shade: #B93183, #CA4396, #DB55A9, #EC67BC and #FD79CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43188 shade: #B43188, #A31F75, #920D62, #81004F and #70003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43188 shade: #B43188, #B43165, #B43142 and #B43131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43188 shade: #B43188, #B431AC, #9A31B4, #7631B4 and #5331B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43188 shade matches the following richer shades: #B43188, #C71F8E and #D90C94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43188 shade: #B43188, #A24482, #8F567C, #7C6976 and #6A7C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43188 shade: #9A31B4, #B431AB, #B43189, #B43166 and #B43143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43188 shade: #732057, #942870, #B43188, #CC439E and #D464AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43188 shade: #B43188, #B47731 and #31B4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43188 shade: #B43188, #89B431 and #3189B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43188 shade: #B43188, #B47731, #31B45D and #316EB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43188 shade: #B43188, #B49E31, #31B45D and #3147B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

Complementary color

CMYK 64 / 0 / 42 / 19

HEX #4BCE77

RGB 75 206 119

HSL 140.15, 0.57%, 0.55%

LAB 74.17, -54.78, 32.95

 

CMYK 0 / 74 / 29 / 27

HEX #B93183

RGB 185 49 131

HSL 323.82, 0.58%, 0.46%

LAB 44.45, 60.68, -14.68

 

CMYK 0 / 67 / 26 / 21

HEX #CA4396

RGB 202 67 150

HSL 323.11, 0.56%, 0.53%

LAB 50.42, 61.07, -16.77

 

CMYK 0 / 61 / 23 / 14

HEX #DB55A9

RGB 219 85 169

HSL 322.39, 0.65%, 0.6%

LAB 56.51, 60.98, -18.42

 

CMYK 0 / 56 / 20 / 7

HEX #EC67BC

RGB 236 103 188

HSL 321.65, 0.78%, 0.66%

LAB 62.65, 60.61, -19.76

 

CMYK 0 / 52 / 18 / 1

HEX #FD79CF

RGB 253 121 207

HSL 320.91, 0.97%, 0.73%

LAB 68.8, 60.07, -20.88

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 81 / 28 / 36

HEX #A31F75

RGB 163 31 117

HSL 320.91, 0.68%, 0.38%

LAB 37.93, 58.88, -16.32

 

CMYK 0 / 91 / 33 / 43

HEX #920D62

RGB 146 13 98

HSL 321.65, 0.84%, 0.31%

LAB 32.44, 56.54, -12.94

 

CMYK 0 / 100 / 39 / 49

HEX #81004F

RGB 129 0 79

HSL 323.26, 1%, 0.25%

LAB 27.38, 52.64, -8.46

 

CMYK 0 / 100 / 46 / 56

HEX #70003C

RGB 112 0 60

HSL 327.86, 1%, 0.22%

LAB 22.9, 46.77, -2.63

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 73 / 44 / 29

HEX #B43165

RGB 180 49 101

HSL 336.18, 0.57%, 0.45%

LAB 42.52, 56, 0.88

 

CMYK 0 / 73 / 63 / 29

HEX #B43142

RGB 180 49 66

HSL 352.21, 0.57%, 0.45%

LAB 41.68, 53.2, 21.58

 

CMYK 0 / 73 / 73 / 29

HEX #B43131

RGB 180 49 49

HSL 0, 0.57%, 0.45%

LAB 41.41, 52.28, 31.59

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 73 / 4 / 29

HEX #B431AC

RGB 180 49 172

HSL 303.66, 0.57%, 0.45%

LAB 45.47, 65.22, -37.81

 

CMYK 14 / 73 / 0 / 29

HEX #9A31B4

RGB 154 49 180

HSL 288.09, 0.57%, 0.45%

LAB 41.79, 60.97, -48.65

 

CMYK 34 / 73 / 0 / 29

HEX #7631B4

RGB 118 49 180

HSL 271.6, 0.57%, 0.45%

LAB 36.64, 53.76, -57.22

 

CMYK 54 / 73 / 0 / 29

HEX #5331B4

RGB 83 49 180

HSL 255.57, 0.57%, 0.45%

LAB 32.55, 47.72, -64.06

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 84 / 29 / 22

HEX #C71F8E

RGB 199 31 142

HSL 320.36, 0.73%, 0.45%

LAB 45.74, 70.21, -19.17

 

CMYK 0 / 94 / 32 / 15

HEX #D90C94

RGB 217 12 148

HSL 320.2, 0.9%, 0.45%

LAB 48.45, 77.45, -18.34

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 58 / 20 / 36

HEX #A24482

RGB 162 68 130

HSL 320.43, 0.41%, 0.45%

LAB 43.4, 46.22, -16.01

 

CMYK 0 / 40 / 13 / 44

HEX #8F567C

RGB 143 86 124

HSL 320, 0.25%, 0.45%

LAB 44.16, 29.37, -11.45

 

CMYK 0 / 15 / 5 / 51

HEX #7C6976

RGB 124 105 118

HSL 318.95, 0.08%, 0.45%

LAB 46.57, 9.96, -4.45

 

CMYK 15 / 0 / 10 / 51

HEX #6A7C70

RGB 106 124 112

HSL 140, 0.08%, 0.45%

LAB 50.27, -9.15, 4.33

 

CMYK 14 / 73 / 0 / 29

HEX #9A31B4

RGB 154 49 180

HSL 288.09, 0.57%, 0.45%

LAB 41.79, 60.97, -48.65

 

CMYK 0 / 73 / 5 / 29

HEX #B431AB

RGB 180 49 171

HSL 304.12, 0.57%, 0.45%

LAB 45.41, 65.06, -37.3

 

CMYK 0 / 73 / 24 / 29

HEX #B43189

RGB 180 49 137

HSL 319.69, 0.57%, 0.45%

LAB 43.81, 60.14, -19.39

 

CMYK 0 / 73 / 43 / 29

HEX #B43166

RGB 180 49 102

HSL 335.73, 0.57%, 0.45%

LAB 42.55, 56.1, 0.3

 

CMYK 0 / 73 / 63 / 29

HEX #B43143

RGB 180 49 67

HSL 351.76, 0.57%, 0.45%

LAB 41.7, 53.26, 20.99

 

CMYK 0 / 72 / 24 / 55

HEX #732057

RGB 115 32 87

HSL 320.24, 0.56%, 0.29%

LAB 27.75, 41.87, -13.46

 

CMYK 0 / 73 / 24 / 42

HEX #942870

RGB 148 40 112

HSL 320, 0.57%, 0.37%

LAB 35.95, 51.55, -16.46

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 67 / 23 / 20

HEX #CC439E

RGB 204 67 158

HSL 320.15, 0.57%, 0.53%

LAB 51.06, 62.66, -20.51

 

CMYK 0 / 53 / 17 / 17

HEX #D464AF

RGB 212 100 175

HSL 319.82, 0.57%, 0.61%

LAB 58.23, 52.99, -19.36

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 34 / 73 / 29

HEX #B47731

RGB 180 119 49

HSL 32.06, 0.57%, 0.45%

LAB 55.19, 17.59, 46.65

 

CMYK 73 / 0 / 5 / 29

HEX #31B4AB

RGB 49 180 171

HSL 175.88, 0.57%, 0.45%

LAB 66.7, -36.37, -5.51

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 24 / 0 / 73 / 29

HEX #89B431

RGB 137 180 49

HSL 79.69, 0.57%, 0.45%

LAB 68.16, -33.28, 58.48

 

CMYK 73 / 24 / 0 / 29

HEX #3189B4

RGB 49 137 180

HSL 199.69, 0.57%, 0.45%

LAB 53.86, -11.6, -30.09

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 34 / 73 / 29

HEX #B47731

RGB 180 119 49

HSL 32.06, 0.57%, 0.45%

LAB 55.19, 17.59, 46.65

 

CMYK 73 / 0 / 48 / 29

HEX #31B45D

RGB 49 180 93

HSL 140.15, 0.57%, 0.45%

LAB 65.03, -54.05, 34.38

 

CMYK 73 / 39 / 0 / 29

HEX #316EB4

RGB 49 110 180

HSL 212.06, 0.57%, 0.45%

LAB 45.77, 4.43, -42.8

 

CMYK 0 / 73 / 24 / 29

HEX #B43188

RGB 180 49 136

HSL 320.15, 0.57%, 0.45%

LAB 43.77, 60.01, -18.85

 

CMYK 0 / 12 / 73 / 29

HEX #B49E31

RGB 180 158 49

HSL 49.92, 0.57%, 0.45%

LAB 65.26, -3.87, 56.78

 

CMYK 73 / 0 / 48 / 29

HEX #31B45D

RGB 49 180 93

HSL 140.15, 0.57%, 0.45%

LAB 65.03, -54.05, 34.38

 

CMYK 73 / 61 / 0 / 29

HEX #3147B4

RGB 49 71 180

HSL 229.92, 0.57%, 0.45%

LAB 34.91, 29.69, -60.3

 

Description

Color code: HEX #B43188 | qconv.com Color code: HEX #B43188 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 49 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 49 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 24 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 24% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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