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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B43079 it is the complementary color #4BCF86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B43079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B43079 shade: #B93074, #CA4287, #DB549A, #EC66AD and #FD78C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B43079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B43079 shade: #B43079, #A31E66, #920C53, #810040 and #70002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B43079 shade: #B5307A, #B53056, #B53032 and #B53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B43079 shade: #B5307A, #B5309E, #A930B5, #8530B5 and #6130B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B43079 shade matches the following richer shades: #B5307A, #C81E7C and #DA0B7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B43079 shade: #B5307A, #A34378, #905576, #7E6874 and #6B7A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B43079 shade: #A830B5, #B5309F, #B5307C, #B53058 and #B53035

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B43079 shade: #741F4E, #952864, #B5307A, #CD428F and #D563A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B43079 shade: #B43079, #B58430 and #30B1B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B43079 shade: #B43079, #7CB530 and #307CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B43079 shade: #B43079, #B58430, #30B56A and #3061B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B43079 shade: #B43079, #B5AC30, #30B56A and #3039B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

Complementary color

CMYK 64 / 0 / 35 / 19

HEX #4BCF86

RGB 75 207 134

HSL 146.82, 0.58%, 0.55%

LAB 74.73, -52.46, 25.95

 

CMYK 0 / 74 / 37 / 27

HEX #B93074

RGB 185 48 116

HSL 330.22, 0.59%, 0.46%

LAB 43.78, 59.29, -6.46

 

CMYK 0 / 67 / 33 / 21

HEX #CA4287

RGB 202 66 135

HSL 329.56, 0.56%, 0.53%

LAB 49.74, 59.62, -8.82

 

CMYK 0 / 62 / 30 / 14

HEX #DB549A

RGB 219 84 154

HSL 328.89, 0.65%, 0.59%

LAB 55.82, 59.47, -10.7

 

CMYK 0 / 57 / 27 / 7

HEX #EC66AD

RGB 236 102 173

HSL 328.21, 0.78%, 0.66%

LAB 61.96, 59.05, -12.24

 

CMYK 0 / 53 / 24 / 1

HEX #FD78C0

RGB 253 120 192

HSL 327.52, 0.97%, 0.73%

LAB 68.11, 58.46, -13.52

 

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

CMYK 0 / 82 / 37 / 36

HEX #A31E66

RGB 163 30 102

HSL 327.52, 0.69%, 0.38%

LAB 37.25, 57.42, -7.89

 

CMYK 0 / 92 / 43 / 43

HEX #920C53

RGB 146 12 83

HSL 328.21, 0.85%, 0.31%

LAB 31.8, 55.13, -4.12

 

CMYK 0 / 100 / 50 / 49

HEX #810040

RGB 129 0 64

HSL 330.23, 1%, 0.25%

LAB 26.84, 51.22, 0.85

 

CMYK 0 / 100 / 60 / 56

HEX #70002D

RGB 112 0 45

HSL 335.89, 1%, 0.22%

LAB 22.42, 45.51, 7.17

 

CMYK 0 / 73 / 33 / 29

HEX #B5307A

RGB 181 48 122

HSL 326.62, 0.58%, 0.45%

LAB 43.28, 58.88, -11

 

CMYK 0 / 73 / 52 / 29

HEX #B53056

RGB 181 48 86

HSL 342.86, 0.58%, 0.45%

LAB 42.17, 55.3, 9.79

 

CMYK 0 / 73 / 72 / 29

HEX #B53032

RGB 181 48 50

HSL 359.1, 0.58%, 0.45%

LAB 41.48, 53, 31.13

 

CMYK 0 / 73 / 73 / 29

HEX #B53030

RGB 181 48 48

HSL 0, 0.58%, 0.45%

LAB 41.46, 52.91, 32.28

 

CMYK 0 / 73 / 33 / 29

HEX #B5307A

RGB 181 48 122

HSL 326.62, 0.58%, 0.45%

LAB 43.28, 58.88, -11

 

CMYK 0 / 73 / 13 / 29

HEX #B5309E

RGB 181 48 158

HSL 310.38, 0.58%, 0.45%

LAB 44.81, 63.64, -30.5

 

CMYK 7 / 73 / 0 / 29

HEX #A930B5

RGB 169 48 181

HSL 294.59, 0.58%, 0.45%

LAB 44.07, 64.66, -45.45

 

CMYK 27 / 73 / 0 / 29

HEX #8530B5

RGB 133 48 181

HSL 278.35, 0.58%, 0.45%

LAB 38.61, 57.3, -54.51

 

CMYK 46 / 73 / 0 / 29

HEX #6130B5

RGB 97 48 181

HSL 262.11, 0.58%, 0.45%

LAB 33.97, 50.73, -62.28

 

CMYK 0 / 73 / 33 / 29

HEX #B5307A

RGB 181 48 122

HSL 326.62, 0.58%, 0.45%

LAB 43.28, 58.88, -11

 

CMYK 0 / 85 / 38 / 22

HEX #C81E7C

RGB 200 30 124

HSL 326.82, 0.74%, 0.45%

LAB 45.17, 68.72, -9.03

 

CMYK 0 / 95 / 42 / 15

HEX #DA0B7E

RGB 218 11 126

HSL 326.67, 0.9%, 0.45%

LAB 47.82, 75.63, -5.93

 

CMYK 0 / 73 / 33 / 29

HEX #B5307A

RGB 181 48 122

HSL 326.62, 0.58%, 0.45%

LAB 43.28, 58.88, -11

 

CMYK 0 / 59 / 26 / 36

HEX #A34378

RGB 163 67 120

HSL 326.88, 0.42%, 0.45%

LAB 43, 45.56, -10.49

 

CMYK 0 / 41 / 18 / 44

HEX #905576

RGB 144 85 118

HSL 326.44, 0.26%, 0.45%

LAB 43.85, 29.27, -8.26

 

CMYK 0 / 17 / 8 / 51

HEX #7E6874

RGB 126 104 116

HSL 327.27, 0.1%, 0.45%

LAB 46.44, 10.94, -3.42

 

CMYK 12 / 0 / 7 / 52

HEX #6B7A72

RGB 107 122 114

HSL 148, 0.07%, 0.45%

LAB 49.81, -7.24, 2.5

 

CMYK 7 / 73 / 0 / 29

HEX #A830B5

RGB 168 48 181

HSL 294.14, 0.58%, 0.45%

LAB 43.91, 64.45, -45.72

 

CMYK 0 / 73 / 12 / 29

HEX #B5309F

RGB 181 48 159

HSL 309.92, 0.58%, 0.45%

LAB 44.86, 63.79, -31.02

 

CMYK 0 / 73 / 31 / 29

HEX #B5307C

RGB 181 48 124

HSL 325.71, 0.58%, 0.45%

LAB 43.35, 59.12, -12.12

 

CMYK 0 / 73 / 51 / 29

HEX #B53058

RGB 181 48 88

HSL 341.95, 0.58%, 0.45%

LAB 42.22, 55.47, 8.61

 

CMYK 0 / 73 / 71 / 29

HEX #B53035

RGB 181 48 53

HSL 357.74, 0.58%, 0.45%

LAB 41.52, 53.15, 29.38

 

CMYK 0 / 73 / 33 / 55

HEX #741F4E

RGB 116 31 78

HSL 326.82, 0.58%, 0.29%

LAB 27.42, 41.33, -8

 

CMYK 0 / 73 / 33 / 42

HEX #952864

RGB 149 40 100

HSL 326.97, 0.58%, 0.37%

LAB 35.65, 50.27, -9.29

 

CMYK 0 / 73 / 33 / 29

HEX #B5307A

RGB 181 48 122

HSL 326.62, 0.58%, 0.45%

LAB 43.28, 58.88, -11

 

CMYK 0 / 68 / 30 / 20

HEX #CD428F

RGB 205 66 143

HSL 326.76, 0.58%, 0.53%

LAB 50.52, 61.41, -12.39

 

CMYK 0 / 54 / 24 / 16

HEX #D563A2

RGB 213 99 162

HSL 326.84, 0.58%, 0.61%

LAB 57.73, 51.9, -12.59

 

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

CMYK 0 / 27 / 73 / 29

HEX #B58430

RGB 181 132 48

HSL 37.89, 0.58%, 0.45%

LAB 58.55, 10.74, 50.56

 

CMYK 73 / 2 / 0 / 29

HEX #30B1B5

RGB 48 177 181

HSL 181.8, 0.58%, 0.45%

LAB 66.07, -32.17, -12

 

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

CMYK 31 / 0 / 73 / 29

HEX #7CB530

RGB 124 181 48

HSL 85.71, 0.58%, 0.45%

LAB 67.68, -38.78, 58.12

 

CMYK 73 / 31 / 0 / 29

HEX #307CB5

RGB 48 124 181

HSL 205.71, 0.58%, 0.45%

LAB 49.95, -3.86, -36.77

 

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

CMYK 0 / 27 / 73 / 29

HEX #B58430

RGB 181 132 48

HSL 37.89, 0.58%, 0.45%

LAB 58.55, 10.74, 50.56

 

CMYK 73 / 0 / 41 / 29

HEX #30B56A

RGB 48 181 106

HSL 146.17, 0.58%, 0.45%

LAB 65.53, -52.32, 28.29

 

CMYK 73 / 46 / 0 / 29

HEX #3061B5

RGB 48 97 181

HSL 217.89, 0.58%, 0.45%

LAB 42.02, 12.92, -49.38

 

CMYK 0 / 73 / 33 / 29

HEX #B43079

RGB 180 48 121

HSL 326.82, 0.58%, 0.45%

LAB 43.06, 58.5, -10.73

 

CMYK 0 / 5 / 73 / 29

HEX #B5AC30

RGB 181 172 48

HSL 55.94, 0.58%, 0.45%

LAB 69.14, -10.87, 60.92

 

CMYK 73 / 0 / 41 / 29

HEX #30B56A

RGB 48 181 106

HSL 146.17, 0.58%, 0.45%

LAB 65.53, -52.32, 28.29

 

CMYK 73 / 69 / 0 / 29

HEX #3039B5

RGB 48 57 181

HSL 235.94, 0.58%, 0.45%

LAB 31.56, 38.84, -66.39

 

Description

Color code: HEX #B43079 | qconv.com Color code: HEX #B43079 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 48 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 48 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 33 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 33% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - STYLING-EXPRESS סטיי...
Link: http://www.styling-express.co.il

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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