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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42F83 it is the complementary color #4BD07C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42F83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42F83 shade: #B92F7E, #CA4191, #DB53A4, #EC65B7 and #FD77CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42F83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42F83 shade: #B42F83, #A31D70, #920B5D, #81004A and #700037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42F83 shade: #B62F85, #B62F60, #B62F3C and #B62F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42F83 shade: #B62F85, #B62FA9, #9F2FB6, #7B2FB6 and #562FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42F83 shade matches the following richer shades: #B62F85, #C91C89 and #DC0A8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42F83 shade: #B62F85, #A44280, #91547B, #7F6776 and #6C7971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42F83 shade: #A02FB6, #B62FA9, #B62F85, #B62F61 and #B62F3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42F83 shade: #751E55, #96276D, #B62F85, #CE419A and #D662AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42F83 shade: #B42F83, #B67C2F and #2FB6B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42F83 shade: #B42F83, #85B62F and #2F85B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42F83 shade: #B42F83, #B67C2F, #2FB661 and #2F6AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42F83 shade: #B42F83, #B6A42F, #2FB661 and #2F41B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

Complementary color

CMYK 64 / 0 / 40 / 18

HEX #4BD07C

RGB 75 208 124

HSL 142.11, 0.59%, 0.55%

LAB 74.86, -54.68, 31.3

 

CMYK 0 / 75 / 32 / 27

HEX #B92F7E

RGB 185 47 126

HSL 325.65, 0.59%, 0.45%

LAB 44.02, 60.74, -12.26

 

CMYK 0 / 68 / 28 / 21

HEX #CA4191

RGB 202 65 145

HSL 324.96, 0.56%, 0.52%

LAB 49.96, 61.2, -14.49

 

CMYK 0 / 62 / 25 / 14

HEX #DB53A4

RGB 219 83 164

HSL 324.26, 0.65%, 0.59%

LAB 56.01, 61.16, -16.26

 

CMYK 0 / 57 / 22 / 7

HEX #EC65B7

RGB 236 101 183

HSL 323.56, 0.78%, 0.66%

LAB 62.13, 60.82, -17.69

 

CMYK 0 / 53 / 20 / 1

HEX #FD77CA

RGB 253 119 202

HSL 322.84, 0.97%, 0.73%

LAB 68.27, 60.29, -18.89

 

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

CMYK 0 / 82 / 31 / 36

HEX #A31D70

RGB 163 29 112

HSL 322.84, 0.7%, 0.38%

LAB 37.54, 58.8, -13.78

 

CMYK 0 / 92 / 36 / 43

HEX #920B5D

RGB 146 11 93

HSL 323.56, 0.86%, 0.31%

LAB 32.12, 56.31, -10.17

 

CMYK 0 / 100 / 43 / 49

HEX #81004A

RGB 129 0 74

HSL 325.58, 1%, 0.25%

LAB 27.19, 52.13, -5.4

 

CMYK 0 / 100 / 51 / 56

HEX #700037

RGB 112 0 55

HSL 330.54, 1%, 0.22%

LAB 22.73, 46.31, 0.59

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 74 / 47 / 29

HEX #B62F60

RGB 182 47 96

HSL 338.22, 0.59%, 0.45%

LAB 42.49, 56.8, 4.01

 

CMYK 0 / 74 / 67 / 29

HEX #B62F3C

RGB 182 47 60

HSL 354.22, 0.59%, 0.45%

LAB 41.7, 54.17, 25.38

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 74 / 7 / 29

HEX #B62FA9

RGB 182 47 169

HSL 305.78, 0.59%, 0.45%

LAB 45.42, 65.84, -36.09

 

CMYK 13 / 74 / 0 / 29

HEX #9F2FB6

RGB 159 47 182

HSL 289.78, 0.59%, 0.45%

LAB 42.43, 63.1, -48.75

 

CMYK 32 / 74 / 0 / 29

HEX #7B2FB6

RGB 123 47 182

HSL 273.78, 0.59%, 0.45%

LAB 37.15, 56.03, -57.53

 

CMYK 53 / 74 / 0 / 29

HEX #562FB6

RGB 86 47 182

HSL 257.33, 0.59%, 0.45%

LAB 32.68, 49.76, -65.03

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 86 / 32 / 21

HEX #C91C89

RGB 201 28 137

HSL 322.2, 0.76%, 0.45%

LAB 45.71, 70.69, -16.15

 

CMYK 0 / 95 / 35 / 14

HEX #DC0A8E

RGB 220 10 142

HSL 322.29, 0.91%, 0.45%

LAB 48.74, 77.63, -14.22

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 60 / 22 / 36

HEX #A44280

RGB 164 66 128

HSL 322.04, 0.43%, 0.45%

LAB 43.28, 47.48, -14.94

 

CMYK 0 / 42 / 15 / 43

HEX #91547B

RGB 145 84 123

HSL 321.64, 0.27%, 0.45%

LAB 43.93, 31.04, -11.17

 

CMYK 0 / 19 / 7 / 50

HEX #7F6776

RGB 127 103 118

HSL 322.5, 0.1%, 0.45%

LAB 46.34, 12.31, -4.76

 

CMYK 11 / 0 / 7 / 53

HEX #6C7971

RGB 108 121 113

HSL 143.08, 0.06%, 0.45%

LAB 49.56, -6.51, 2.74

 

CMYK 12 / 74 / 0 / 29

HEX #A02FB6

RGB 160 47 182

HSL 290.22, 0.59%, 0.45%

LAB 42.59, 63.31, -48.49

 

CMYK 0 / 74 / 7 / 29

HEX #B62FA9

RGB 182 47 169

HSL 305.78, 0.59%, 0.45%

LAB 45.42, 65.84, -36.09

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 74 / 47 / 29

HEX #B62F61

RGB 182 47 97

HSL 337.78, 0.59%, 0.45%

LAB 42.52, 56.89, 3.43

 

CMYK 0 / 74 / 66 / 29

HEX #B62F3D

RGB 182 47 61

HSL 353.78, 0.59%, 0.45%

LAB 41.71, 54.23, 24.79

 

CMYK 0 / 74 / 27 / 54

HEX #751E55

RGB 117 30 85

HSL 322.07, 0.59%, 0.29%

LAB 27.75, 42.96, -12.11

 

CMYK 0 / 74 / 27 / 41

HEX #96276D

RGB 150 39 109

HSL 322.16, 0.59%, 0.37%

LAB 36.06, 52.05, -14.37

 

CMYK 0 / 74 / 27 / 29

HEX #B62F85

RGB 182 47 133

HSL 321.78, 0.59%, 0.45%

LAB 43.76, 60.81, -17

 

CMYK 0 / 68 / 25 / 19

HEX #CE419A

RGB 206 65 154

HSL 322.13, 0.59%, 0.53%

LAB 50.96, 63.42, -18.26

 

CMYK 0 / 54 / 20 / 16

HEX #D662AB

RGB 214 98 171

HSL 322.24, 0.59%, 0.61%

LAB 58.01, 53.96, -17.36

 

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

CMYK 0 / 32 / 74 / 29

HEX #B67C2F

RGB 182 124 47

HSL 34.22, 0.59%, 0.45%

LAB 56.65, 15.59, 49.12

 

CMYK 74 / 0 / 2 / 29

HEX #2FB6B2

RGB 47 182 178

HSL 178.22, 0.59%, 0.45%

LAB 67.48, -35.53, -8.22

 

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

CMYK 27 / 0 / 74 / 29

HEX #85B62F

RGB 133 182 47

HSL 81.78, 0.59%, 0.45%

LAB 68.5, -35.87, 59.44

 

CMYK 74 / 27 / 0 / 29

HEX #2F85B6

RGB 47 133 182

HSL 201.78, 0.59%, 0.45%

LAB 52.68, -8.89, -33.07

 

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

CMYK 0 / 32 / 74 / 29

HEX #B67C2F

RGB 182 124 47

HSL 34.22, 0.59%, 0.45%

LAB 56.65, 15.59, 49.12

 

CMYK 74 / 0 / 47 / 29

HEX #2FB661

RGB 47 182 97

HSL 142.22, 0.59%, 0.45%

LAB 65.69, -54.43, 33.16

 

CMYK 74 / 42 / 0 / 29

HEX #2F6AB6

RGB 47 106 182

HSL 213.78, 0.59%, 0.45%

LAB 44.65, 7.41, -45.77

 

CMYK 0 / 74 / 27 / 29

HEX #B42F83

RGB 180 47 131

HSL 322.11, 0.59%, 0.45%

LAB 43.32, 60.04, -16.47

 

CMYK 0 / 10 / 74 / 29

HEX #B6A42F

RGB 182 164 47

HSL 52, 0.59%, 0.45%

LAB 67.05, -6.28, 59.32

 

CMYK 74 / 0 / 47 / 29

HEX #2FB661

RGB 47 182 97

HSL 142.22, 0.59%, 0.45%

LAB 65.69, -54.43, 33.16

 

CMYK 74 / 64 / 0 / 29

HEX #2F41B6

RGB 47 65 182

HSL 232, 0.59%, 0.45%

LAB 33.48, 34.05, -63.82

 

Description

Color code: HEX #B42F83 | qconv.com Color code: HEX #B42F83 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 47 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 47 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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