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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42EB6 it is the complementary color #4BD149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42EB6 shade: #B92EB1, #CA40C4, #DB52D7, #EC64EA and #FD76FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42EB6 shade: #B42EB6, #A31CA3, #920A90, #81007D and #70006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42EB6 shade: #B52DB7, #B72D94, #B72D6F, #B72D4A and #B72D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42EB6 shade: #B52DB7, #902DB7, #6B2DB7, #462DB7 and #2D2DB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42EB6 shade matches the following richer shades: #B52DB7, #C71BCA and #D908DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42EB6 shade: #B52DB7, #A340A5, #915392, #7F657F and #6D786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42EB6 shade: #6B2DB7, #902DB7, #B52DB7, #B72D95 and #B72D70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42EB6 shade: #741D75, #942596, #B52DB7, #CD3FCF and #D560D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42EB6 shade: #B42EB6, #B7472D and #2DB77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42EB6 shade: #B42EB6, #B7B52D and #2DB7B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42EB6 shade: #B42EB6, #B7472D, #30B72D and #2D9EB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42EB6 shade: #B42EB6, #B7702D, #30B72D and #2D75B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

Complementary color

CMYK 64 / 0 / 65 / 18

HEX #4BD149

RGB 75 209 73

HSL 119.12, 0.6%, 0.55%

LAB 74.56, -62.04, 55.02

 

CMYK 0 / 75 / 4 / 27

HEX #B92EB1

RGB 185 46 177

HSL 303.45, 0.6%, 0.45%

LAB 46.23, 68.05, -39.49

 

CMYK 0 / 68 / 3 / 21

HEX #CA40C4

RGB 202 64 196

HSL 302.61, 0.57%, 0.52%

LAB 52.07, 68.86, -41.16

 

CMYK 0 / 63 / 2 / 14

HEX #DB52D7

RGB 219 82 215

HSL 301.75, 0.66%, 0.59%

LAB 58.04, 69.11, -42.43

 

CMYK 0 / 58 / 1 / 7

HEX #EC64EA

RGB 236 100 234

HSL 300.88, 0.78%, 0.66%

LAB 64.07, 68.99, -43.42

 

CMYK 0 / 53 / 0 / 1

HEX #FD76FD

RGB 253 118 253

HSL 300, 0.97%, 0.73%

LAB 70.13, 68.63, -44.22

 

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

CMYK 0 / 83 / 0 / 36

HEX #A31CA3

RGB 163 28 163

HSL 300, 0.71%, 0.37%

LAB 40.02, 66.15, -41.28

 

CMYK 0 / 93 / 1 / 43

HEX #920A90

RGB 146 10 144

HSL 300.88, 0.87%, 0.31%

LAB 34.68, 63.23, -38.42

 

CMYK 0 / 100 / 3 / 49

HEX #81007D

RGB 129 0 125

HSL 301.86, 1%, 0.25%

LAB 29.78, 58.65, -34.6

 

CMYK 0 / 100 / 5 / 56

HEX #70006A

RGB 112 0 106

HSL 303.21, 1%, 0.22%

LAB 25.22, 52.61, -29.91

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 0 / 75 / 19 / 28

HEX #B72D94

RGB 183 45 148

HSL 315.22, 0.61%, 0.45%

LAB 44.35, 63.66, -25.18

 

CMYK 0 / 75 / 39 / 28

HEX #B72D6F

RGB 183 45 111

HSL 331.3, 0.61%, 0.45%

LAB 42.9, 59.2, -4.72

 

CMYK 0 / 75 / 60 / 28

HEX #B72D4A

RGB 183 45 74

HSL 347.39, 0.61%, 0.45%

LAB 41.9, 56.02, 17

 

CMYK 0 / 75 / 75 / 28

HEX #B72D2D

RGB 183 45 45

HSL 0, 0.61%, 0.45%

LAB 41.43, 54.45, 34.11

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 21 / 75 / 0 / 28

HEX #902DB7

RGB 144 45 183

HSL 283.04, 0.61%, 0.45%

LAB 39.96, 61.02, -53.44

 

CMYK 42 / 75 / 0 / 28

HEX #6B2DB7

RGB 107 45 183

HSL 266.96, 0.61%, 0.45%

LAB 34.85, 54.3, -61.98

 

CMYK 62 / 75 / 0 / 28

HEX #462DB7

RGB 70 45 183

HSL 250.87, 0.61%, 0.45%

LAB 30.87, 48.87, -68.64

 

CMYK 75 / 75 / 0 / 28

HEX #2D2DB7

RGB 45 45 183

HSL 240, 0.61%, 0.45%

LAB 29.04, 46.29, -71.73

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 1 / 87 / 0 / 21

HEX #C71BCA

RGB 199 27 202

HSL 298.97, 0.76%, 0.45%

LAB 48.5, 79.02, -50.33

 

CMYK 1 / 96 / 0 / 14

HEX #D908DC

RGB 217 8 220

HSL 299.15, 0.93%, 0.45%

LAB 51.94, 86.83, -54.97

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 1 / 61 / 0 / 35

HEX #A340A5

RGB 163 64 165

HSL 298.81, 0.44%, 0.45%

LAB 44.48, 54.17, -35.4

 

CMYK 1 / 43 / 0 / 43

HEX #915392

RGB 145 83 146

HSL 299.05, 0.28%, 0.45%

LAB 44.63, 35.84, -23.99

 

CMYK 0 / 20 / 0 / 50

HEX #7F657F

RGB 127 101 127

HSL 300, 0.11%, 0.45%

LAB 46.11, 15.29, -10.51

 

CMYK 9 / 0 / 9 / 53

HEX #6D786D

RGB 109 120 109

HSL 120, 0.05%, 0.45%

LAB 49.24, -6.37, 4.64

 

CMYK 42 / 75 / 0 / 28

HEX #6B2DB7

RGB 107 45 183

HSL 266.96, 0.61%, 0.45%

LAB 34.85, 54.3, -61.98

 

CMYK 21 / 75 / 0 / 28

HEX #902DB7

RGB 144 45 183

HSL 283.04, 0.61%, 0.45%

LAB 39.96, 61.02, -53.44

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 0 / 75 / 19 / 28

HEX #B72D95

RGB 183 45 149

HSL 314.78, 0.61%, 0.45%

LAB 44.4, 63.8, -25.71

 

CMYK 0 / 75 / 39 / 28

HEX #B72D70

RGB 183 45 112

HSL 330.87, 0.61%, 0.45%

LAB 42.93, 59.31, -5.29

 

CMYK 1 / 75 / 0 / 54

HEX #741D75

RGB 116 29 117

HSL 299.32, 0.6%, 0.29%

LAB 29.1, 48.18, -30.76

 

CMYK 1 / 75 / 0 / 41

HEX #942596

RGB 148 37 150

HSL 298.94, 0.6%, 0.37%

LAB 37.52, 58.45, -37.55

 

CMYK 1 / 75 / 0 / 28

HEX #B52DB7

RGB 181 45 183

HSL 299.13, 0.61%, 0.45%

LAB 45.8, 68.46, -43.76

 

CMYK 1 / 70 / 0 / 19

HEX #CD3FCF

RGB 205 63 207

HSL 299.17, 0.6%, 0.53%

LAB 52.99, 71.66, -45.99

 

CMYK 1 / 55 / 0 / 16

HEX #D560D7

RGB 213 96 215

HSL 298.99, 0.6%, 0.61%

LAB 59.36, 61.64, -40.41

 

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

CMYK 0 / 61 / 75 / 28

HEX #B7472D

RGB 183 71 45

HSL 11.3, 0.61%, 0.45%

LAB 45.31, 43.92, 38.35

 

CMYK 75 / 0 / 31 / 28

HEX #2DB77E

RGB 45 183 126

HSL 155.22, 0.61%, 0.45%

LAB 66.47, -49.49, 18.86

 

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

CMYK 0 / 1 / 75 / 28

HEX #B7B52D

RGB 183 181 45

HSL 59.13, 0.61%, 0.45%

LAB 71.76, -14.76, 64.46

 

CMYK 75 / 0 / 1 / 28

HEX #2DB7B5

RGB 45 183 181

HSL 179.13, 0.61%, 0.45%

LAB 67.84, -35.35, -9.34

 

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

CMYK 0 / 61 / 75 / 28

HEX #B7472D

RGB 183 71 45

HSL 11.3, 0.61%, 0.45%

LAB 45.31, 43.92, 38.35

 

CMYK 74 / 0 / 75 / 28

HEX #30B72D

RGB 48 183 45

HSL 118.7, 0.61%, 0.45%

LAB 65.5, -60.88, 56.08

 

CMYK 75 / 14 / 0 / 28

HEX #2D9EB7

RGB 45 158 183

HSL 190.87, 0.61%, 0.45%

LAB 60.28, -22.45, -21.9

 

CMYK 1 / 75 / 0 / 29

HEX #B42EB6

RGB 180 46 182

HSL 299.12, 0.6%, 0.45%

LAB 45.68, 67.78, -43.36

 

CMYK 0 / 39 / 75 / 28

HEX #B7702D

RGB 183 112 45

HSL 29.13, 0.61%, 0.45%

LAB 53.86, 22.59, 47.25

 

CMYK 74 / 0 / 75 / 28

HEX #30B72D

RGB 48 183 45

HSL 118.7, 0.61%, 0.45%

LAB 65.5, -60.88, 56.08

 

CMYK 75 / 36 / 0 / 28

HEX #2D75B7

RGB 45 117 183

HSL 208.7, 0.61%, 0.45%

LAB 47.88, 0.68, -41.21

 

Description

Color code: HEX #B42EB6 | qconv.com Color code: HEX #B42EB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 46 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 46 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 75 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 75% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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