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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B42E72 it is the complementary color #4BD18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B42E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B42E72 shade: #B92E6D, #CA4080, #DB5293, #EC64A6 and #FD76B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B42E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B42E72 shade: #B42E72, #A31C5F, #920A4C, #810039 and #700026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B42E72 shade: #B22E71, #B22E4D and #B22E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B42E72 shade: #B22E71, #B22E95, #AC2EB2, #882EB2 and #652EB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B42E72 shade matches the following richer shades: #B22E71, #C51C71 and #D70A72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B42E72 shade: #B22E71, #A04071, #8E5271, #7C6470 and #6A7770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B42E72 shade: #AC2EB2, #B22E96, #B22E72, #B22E4F and #B2302E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B42E72 shade: #711D48, #92265C, #B22E71, #CD3D86 and #D55E9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B42E72 shade: #B42E72, #B2882E and #2EA7B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B42E72 shade: #B42E72, #72B22E and #2E72B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B42E72 shade: #B42E72, #B2882E, #2EB26E and #2E58B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B42E72 shade: #B42E72, #B2B02E, #2EB26E and #2E30B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

Complementary color

CMYK 64 / 0 / 33 / 18

HEX #4BD18D

RGB 75 209 141

HSL 149.55, 0.59%, 0.56%

LAB 75.46, -51.89, 23.28

 

CMYK 0 / 75 / 41 / 27

HEX #B92E6D

RGB 185 46 109

HSL 332.81, 0.6%, 0.45%

LAB 43.32, 59.22, -2.82

 

CMYK 0 / 68 / 37 / 21

HEX #CA4080

RGB 202 64 128

HSL 332.17, 0.57%, 0.52%

LAB 49.23, 59.59, -5.37

 

CMYK 0 / 63 / 33 / 14

HEX #DB5293

RGB 219 82 147

HSL 331.53, 0.66%, 0.59%

LAB 55.28, 59.47, -7.4

 

CMYK 0 / 58 / 30 / 7

HEX #EC64A6

RGB 236 100 166

HSL 330.88, 0.78%, 0.66%

LAB 61.39, 59.06, -9.06

 

CMYK 0 / 53 / 27 / 1

HEX #FD76B9

RGB 253 118 185

HSL 330.22, 0.97%, 0.73%

LAB 67.53, 58.47, -10.45

 

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

CMYK 0 / 83 / 42 / 36

HEX #A31C5F

RGB 163 28 95

HSL 330.22, 0.71%, 0.37%

LAB 36.82, 57.22, -4.07

 

CMYK 0 / 93 / 48 / 43

HEX #920A4C

RGB 146 10 76

HSL 330.88, 0.87%, 0.31%

LAB 31.46, 54.79, -0.01

 

CMYK 0 / 100 / 56 / 49

HEX #810039

RGB 129 0 57

HSL 333.49, 1%, 0.25%

LAB 26.63, 50.65, 5.32

 

CMYK 0 / 100 / 66 / 56

HEX #700026

RGB 112 0 38

HSL 339.64, 1%, 0.22%

LAB 22.25, 45.04, 11.85

 

CMYK 0 / 74 / 37 / 30

HEX #B22E71

RGB 178 46 113

HSL 329.55, 0.59%, 0.44%

LAB 42.17, 57.73, -7.15

 

CMYK 0 / 74 / 57 / 30

HEX #B22E4D

RGB 178 46 77

HSL 345.91, 0.59%, 0.44%

LAB 41.14, 54.4, 13.93

 

CMYK 0 / 74 / 74 / 30

HEX #B22E2E

RGB 178 46 46

HSL 0, 0.59%, 0.44%

LAB 40.6, 52.59, 32.33

 

CMYK 0 / 74 / 37 / 30

HEX #B22E71

RGB 178 46 113

HSL 329.55, 0.59%, 0.44%

LAB 42.17, 57.73, -7.15

 

CMYK 0 / 74 / 16 / 30

HEX #B22E95

RGB 178 46 149

HSL 313.18, 0.59%, 0.44%

LAB 43.64, 62.28, -26.96

 

CMYK 3 / 74 / 0 / 30

HEX #AC2EB2

RGB 172 46 178

HSL 297.27, 0.59%, 0.44%

LAB 44.15, 65.44, -43.53

 

CMYK 24 / 74 / 0 / 30

HEX #882EB2

RGB 136 46 178

HSL 280.91, 0.59%, 0.44%

LAB 38.56, 58.05, -52.81

 

CMYK 43 / 74 / 0 / 30

HEX #652EB2

RGB 101 46 178

HSL 265, 0.59%, 0.44%

LAB 33.85, 51.57, -60.67

 

CMYK 0 / 74 / 37 / 30

HEX #B22E71

RGB 178 46 113

HSL 329.55, 0.59%, 0.44%

LAB 42.17, 57.73, -7.15

 

CMYK 0 / 86 / 43 / 23

HEX #C51C71

RGB 197 28 113

HSL 329.82, 0.75%, 0.44%

LAB 44.08, 67.36, -3.92

 

CMYK 0 / 95 / 47 / 16

HEX #D70A72

RGB 215 10 114

HSL 329.56, 0.91%, 0.44%

LAB 46.82, 74.05, -0.11

 

CMYK 0 / 74 / 37 / 30

HEX #B22E71

RGB 178 46 113

HSL 329.55, 0.59%, 0.44%

LAB 42.17, 57.73, -7.15

 

CMYK 0 / 60 / 29 / 37

HEX #A04071

RGB 160 64 113

HSL 329.38, 0.43%, 0.44%

LAB 41.74, 45.06, -8.11

 

CMYK 0 / 42 / 20 / 44

HEX #8E5271

RGB 142 82 113

HSL 329, 0.27%, 0.44%

LAB 42.73, 29.41, -6.91

 

CMYK 0 / 19 / 10 / 51

HEX #7C6470

RGB 124 100 112

HSL 330, 0.11%, 0.44%

LAB 45.04, 11.79, -3.1

 

CMYK 11 / 0 / 6 / 53

HEX #6A7770

RGB 106 119 112

HSL 147.69, 0.06%, 0.44%

LAB 48.79, -6.32, 2.2

 

CMYK 3 / 74 / 0 / 30

HEX #AC2EB2

RGB 172 46 178

HSL 297.27, 0.59%, 0.44%

LAB 44.15, 65.44, -43.53

 

CMYK 0 / 74 / 16 / 30

HEX #B22E96

RGB 178 46 150

HSL 312.73, 0.59%, 0.44%

LAB 43.68, 62.42, -27.49

 

CMYK 0 / 74 / 36 / 30

HEX #B22E72

RGB 178 46 114

HSL 329.09, 0.59%, 0.44%

LAB 42.21, 57.84, -7.72

 

CMYK 0 / 74 / 56 / 30

HEX #B22E4F

RGB 178 46 79

HSL 345, 0.59%, 0.44%

LAB 41.19, 54.55, 12.74

 

CMYK 0 / 73 / 74 / 30

HEX #B2302E

RGB 178 48 46

HSL 0.91, 0.59%, 0.44%

LAB 40.86, 51.87, 32.62

 

CMYK 0 / 74 / 36 / 56

HEX #711D48

RGB 113 29 72

HSL 329.29, 0.59%, 0.28%

LAB 26.32, 40.45, -5.69

 

CMYK 0 / 74 / 37 / 43

HEX #92265C

RGB 146 38 92

HSL 330, 0.59%, 0.36%

LAB 34.54, 49.2, -5.89

 

CMYK 0 / 74 / 37 / 30

HEX #B22E71

RGB 178 46 113

HSL 329.55, 0.59%, 0.44%

LAB 42.17, 57.73, -7.15

 

CMYK 0 / 70 / 35 / 20

HEX #CD3D86

RGB 205 61 134

HSL 329.58, 0.59%, 0.52%

LAB 49.54, 62.21, -8.47

 

CMYK 0 / 56 / 28 / 16

HEX #D55E9A

RGB 213 94 154

HSL 329.75, 0.59%, 0.6%

LAB 56.57, 53.19, -9.67

 

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

CMYK 0 / 24 / 74 / 30

HEX #B2882E

RGB 178 136 46

HSL 40.91, 0.59%, 0.44%

LAB 59.22, 7.09, 51.97

 

CMYK 74 / 6 / 0 / 30

HEX #2EA7B2

RGB 46 167 178

HSL 185, 0.59%, 0.44%

LAB 62.87, -28.47, -15.14

 

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

CMYK 36 / 0 / 74 / 30

HEX #72B22E

RGB 114 178 46

HSL 89.09, 0.59%, 0.44%

LAB 66.23, -41.25, 57.21

 

CMYK 74 / 36 / 0 / 30

HEX #2E72B2

RGB 46 114 178

HSL 209.09, 0.59%, 0.44%

LAB 46.75, 0.8, -40.09

 

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

CMYK 0 / 24 / 74 / 30

HEX #B2882E

RGB 178 136 46

HSL 40.91, 0.59%, 0.44%

LAB 59.22, 7.09, 51.97

 

CMYK 74 / 0 / 38 / 30

HEX #2EB26E

RGB 46 178 110

HSL 149.09, 0.59%, 0.44%

LAB 64.6, -50.71, 24.94

 

CMYK 74 / 51 / 0 / 30

HEX #2E58B2

RGB 46 88 178

HSL 220.91, 0.59%, 0.44%

LAB 39.2, 17.37, -52.17

 

CMYK 0 / 74 / 37 / 29

HEX #B42E72

RGB 180 46 114

HSL 329.55, 0.59%, 0.44%

LAB 42.57, 58.38, -7.13

 

CMYK 0 / 1 / 74 / 30

HEX #B2B02E

RGB 178 176 46

HSL 59.09, 0.59%, 0.44%

LAB 69.97, -14.33, 62.32

 

CMYK 74 / 0 / 38 / 30

HEX #2EB26E

RGB 46 178 110

HSL 149.09, 0.59%, 0.44%

LAB 64.6, -50.71, 24.94

 

CMYK 74 / 73 / 0 / 30

HEX #2E30B2

RGB 46 48 178

HSL 239.09, 0.59%, 0.44%

LAB 29.18, 43.01, -68.52

 

Description

Color code: HEX #B42E72 | qconv.com Color code: HEX #B42E72 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 46 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 46 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 37 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 37% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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