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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B421F7 it is the complementary color #4BDE08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B421F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B421F7 shade: #B921F2, #CA33FF, #DB45FF, #EC57FF and #FD69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B421F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B421F7 shade: #B421F7, #A30FE4, #9200D1, #8100BE and #7000AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B421F7 shade: #B422F7, #EE22F7, #F722C7, #F7228D and #F72254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B421F7 shade: #B422F7, #7B22F7, #4122F7 and #2222F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B421F7 shade matches the following richer shades: #B422F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B421F7 shade: #B422F7, #AD34E4, #A647D2, #9F59BF and #986CAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B421F7 shade: #4222F7, #7A22F7, #B322F7, #EC22F7 and #F722C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B421F7 shade: #8507BF, #A108E7, #B422F7, #C249F8 and #CF71FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B421F7 shade: #B421F7, #F7223A and #22F75E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B421F7 shade: #B421F7, #F7B322 and #22F7B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B421F7 shade: #B421F7, #F7223A, #65F722 and #22F7DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B421F7 shade: #B421F7, #F74922, #65F722 and #22D0F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

Complementary color

CMYK 66 / 0 / 96 / 13

HEX #4BDE08

RGB 75 222 8

HSL 101.21, 0.93%, 0.45%

LAB 78.32, -69.68, 75.26

 

CMYK 24 / 86 / 0 / 5

HEX #B921F2

RGB 185 33 242

HSL 283.64, 0.89%, 0.54%

LAB 49.27, 82.36, -71.99

 

CMYK 21 / 80 / 0 / 0

HEX #CA33FF

RGB 202 51 255

HSL 284.41, 1%, 0.6%

LAB 54.18, 83.09, -71.17

 

CMYK 14 / 73 / 0 / 0

HEX #DB45FF

RGB 219 69 255

HSL 288.39, 1%, 0.64%

LAB 58.54, 80.68, -64

 

CMYK 7 / 66 / 0 / 0

HEX #EC57FF

RGB 236 87 255

HSL 293.21, 1%, 0.67%

LAB 63.23, 77.76, -56.36

 

CMYK 1 / 59 / 0 / 0

HEX #FD69FF

RGB 253 105 255

HSL 299.2, 1%, 0.71%

LAB 68.17, 74.54, -48.39

 

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

CMYK 29 / 93 / 0 / 11

HEX #A30FE4

RGB 163 15 228

HSL 281.69, 0.88%, 0.48%

LAB 43.84, 79.74, -73.06

 

CMYK 30 / 100 / 0 / 18

HEX #9200D1

RGB 146 0 209

HSL 281.91, 1%, 0.41%

LAB 39.1, 75.73, -70.03

 

CMYK 32 / 100 / 0 / 25

HEX #8100BE

RGB 129 0 190

HSL 280.74, 1%, 0.37%

LAB 34.77, 70.12, -66.11

 

CMYK 35 / 100 / 0 / 33

HEX #7000AB

RGB 112 0 171

HSL 279.3, 1%, 0.34%

LAB 30.36, 64.42, -62.12

 

CMYK 27 / 86 / 0 / 3

HEX #B422F7

RGB 180 34 247

HSL 281.13, 0.93%, 0.55%

LAB 48.96, 82.37, -75.33

 

CMYK 4 / 86 / 0 / 3

HEX #EE22F7

RGB 238 34 247

HSL 297.46, 0.93%, 0.55%

LAB 58.07, 91.28, -60.16

 

CMYK 0 / 86 / 19 / 3

HEX #F722C7

RGB 247 34 199

HSL 313.52, 0.93%, 0.55%

LAB 57.12, 86.41, -34.44

 

CMYK 0 / 86 / 43 / 3

HEX #F7228D

RGB 247 34 141

HSL 329.86, 0.93%, 0.55%

LAB 54.91, 80.38, -3.86

 

CMYK 0 / 86 / 66 / 3

HEX #F72254

RGB 247 34 84

HSL 345.92, 0.93%, 0.55%

LAB 53.56, 76.54, 28.46

 

CMYK 27 / 86 / 0 / 3

HEX #B422F7

RGB 180 34 247

HSL 281.13, 0.93%, 0.55%

LAB 48.96, 82.37, -75.33

 

CMYK 50 / 86 / 0 / 3

HEX #7B22F7

RGB 123 34 247

HSL 265.07, 0.93%, 0.55%

LAB 41.33, 75.5, -88.14

 

CMYK 74 / 86 / 0 / 3

HEX #4122F7

RGB 65 34 247

HSL 248.73, 0.93%, 0.55%

LAB 35.95, 71.17, -97.22

 

CMYK 86 / 86 / 0 / 3

HEX #2222F7

RGB 34 34 247

HSL 240, 0.93%, 0.55%

LAB 34.4, 70.02, -99.85

 

CMYK 27 / 86 / 0 / 3

HEX #B422F7

RGB 180 34 247

HSL 281.13, 0.93%, 0.55%

LAB 48.96, 82.37, -75.33

 

CMYK 27 / 86 / 0 / 3

HEX #B422F7

RGB 180 34 247

HSL 281.13, 0.93%, 0.55%

LAB 48.96, 82.37, -75.33

 

CMYK 24 / 77 / 0 / 11

HEX #AD34E4

RGB 173 52 228

HSL 281.25, 0.77%, 0.55%

LAB 48.19, 72.85, -65.93

 

CMYK 21 / 66 / 0 / 18

HEX #A647D2

RGB 166 71 210

HSL 281.01, 0.61%, 0.55%

LAB 48.59, 60.53, -55.06

 

CMYK 17 / 53 / 0 / 25

HEX #9F59BF

RGB 159 89 191

HSL 281.18, 0.44%, 0.55%

LAB 49.83, 46.04, -42.21

 

CMYK 12 / 38 / 0 / 32

HEX #986CAD

RGB 152 108 173

HSL 280.62, 0.28%, 0.55%

LAB 52.31, 29.54, -27.95

 

CMYK 73 / 86 / 0 / 3

HEX #4222F7

RGB 66 34 247

HSL 249.01, 0.93%, 0.55%

LAB 36.02, 71.22, -97.1

 

CMYK 51 / 86 / 0 / 3

HEX #7A22F7

RGB 122 34 247

HSL 264.79, 0.93%, 0.55%

LAB 41.21, 75.4, -88.34

 

CMYK 28 / 86 / 0 / 3

HEX #B322F7

RGB 179 34 247

HSL 280.85, 0.93%, 0.55%

LAB 48.81, 82.23, -75.58

 

CMYK 4 / 86 / 0 / 3

HEX #EC22F7

RGB 236 34 247

HSL 296.9, 0.93%, 0.55%

LAB 57.74, 90.95, -60.7

 

CMYK 0 / 86 / 19 / 3

HEX #F722C9

RGB 247 34 201

HSL 312.96, 0.93%, 0.55%

LAB 57.21, 86.66, -35.44

 

CMYK 30 / 96 / 0 / 25

HEX #8507BF

RGB 133 7 191

HSL 281.09, 0.93%, 0.39%

LAB 35.79, 69.9, -65

 

CMYK 30 / 97 / 0 / 9

HEX #A108E7

RGB 161 8 231

HSL 281.17, 0.93%, 0.47%

LAB 43.54, 80.79, -75.28

 

CMYK 27 / 86 / 0 / 3

HEX #B422F7

RGB 180 34 247

HSL 281.13, 0.93%, 0.55%

LAB 48.96, 82.37, -75.33

 

CMYK 22 / 71 / 0 / 3

HEX #C249F8

RGB 194 73 248

HSL 281.49, 0.93%, 0.63%

LAB 55.08, 73.15, -65.87

 

CMYK 17 / 55 / 0 / 2

HEX #CF71FA

RGB 207 113 250

HSL 281.17, 0.93%, 0.71%

LAB 63.32, 58.71, -53.7

 

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

CMYK 0 / 86 / 77 / 3

HEX #F7223A

RGB 247 34 58

HSL 353.24, 0.93%, 0.55%

LAB 53.19, 75.49, 43.16

 

CMYK 86 / 0 / 62 / 3

HEX #22F75E

RGB 34 247 94

HSL 136.9, 0.93%, 0.55%

LAB 85.84, -77.4, 58.66

 

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

CMYK 0 / 28 / 86 / 3

HEX #F7B322

RGB 247 179 34

HSL 40.85, 0.93%, 0.55%

LAB 77.36, 13.66, 74.86

 

CMYK 86 / 0 / 28 / 3

HEX #22F7B3

RGB 34 247 179

HSL 160.85, 0.93%, 0.55%

LAB 87.05, -63.19, 19.4

 

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

CMYK 0 / 86 / 77 / 3

HEX #F7223A

RGB 247 34 58

HSL 353.24, 0.93%, 0.55%

LAB 53.19, 75.49, 43.16

 

CMYK 59 / 0 / 86 / 3

HEX #65F722

RGB 101 247 34

HSL 101.13, 0.93%, 0.55%

LAB 86.7, -71.41, 78.95

 

CMYK 86 / 0 / 10 / 3

HEX #22F7DE

RGB 34 247 222

HSL 172.96, 0.93%, 0.55%

LAB 88.03, -52.74, -1.51

 

CMYK 27 / 87 / 0 / 3

HEX #B421F7

RGB 180 33 247

HSL 281.21, 0.93%, 0.55%

LAB 48.89, 82.57, -75.44

 

CMYK 0 / 70 / 86 / 3

HEX #F74922

RGB 247 73 34

HSL 10.99, 0.93%, 0.55%

LAB 56.74, 64.36, 58.32

 

CMYK 59 / 0 / 86 / 3

HEX #65F722

RGB 101 247 34

HSL 101.13, 0.93%, 0.55%

LAB 86.7, -71.41, 78.95

 

CMYK 86 / 16 / 0 / 3

HEX #22D0F7

RGB 34 208 247

HSL 190.99, 0.93%, 0.55%

LAB 77.38, -27.8, -30.75

 

Description

Color code: HEX #B421F7 | qconv.com Color code: HEX #B421F7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 33 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 33 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 87 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 87% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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