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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B41ACE it is the complementary color #4BE531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B41ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B41ACE shade: #B91AC9, #CA2CDC, #DB3EEF, #EC50FF and #FD62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B41ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B41ACE shade: #B41ACE, #A308BB, #9200A8, #810095 and #700082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B41ACE shade: #B219CC, #CC19B6, #CC1986, #CC1955 and #CC1925

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B41ACE shade: #B219CC, #8219CC, #5219CC, #2219CC and #1919CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B41ACE shade matches the following richer shades: #B219CC and #C007DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B41ACE shade: #B219CC, #A52CBA, #983EA7, #8B5195 and #7E6482

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B41ACE shade: #5219CC, #8219CC, #B119CC, #CC19B7 and #CC1988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B41ACE shade: #721083, #9215A8, #B219CC, #CA2AE5 and #D34FE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B41ACE shade: #B41ACE, #CC2219 and #19CC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B41ACE shade: #B41ACE, #CCB119 and #19CCB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B41ACE shade: #B41ACE, #CC2219, #34CC19 and #19C3CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B41ACE shade: #B41ACE, #CC5819, #34CC19 and #198ECC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

Complementary color

CMYK 67 / 0 / 79 / 10

HEX #4BE531

RGB 75 229 49

HSL 111.33, 0.78%, 0.55%

LAB 80.6, -70.47, 69.63

 

CMYK 8 / 87 / 0 / 21

HEX #B91AC9

RGB 185 26 201

HSL 294.51, 0.77%, 0.45%

LAB 46, 76.63, -53.89

 

CMYK 8 / 80 / 0 / 14

HEX #CA2CDC

RGB 202 44 220

HSL 293.86, 0.72%, 0.52%

LAB 51.3, 78.84, -56.15

 

CMYK 8 / 74 / 0 / 6

HEX #DB3EEF

RGB 219 62 239

HSL 293.22, 0.85%, 0.59%

LAB 56.82, 80.15, -57.87

 

CMYK 7 / 69 / 0 / 0

HEX #EC50FF

RGB 236 80 255

HSL 293.49, 1%, 0.66%

LAB 62.33, 80.31, -57.8

 

CMYK 1 / 62 / 0 / 0

HEX #FD62FF

RGB 253 98 255

HSL 299.24, 1%, 0.69%

LAB 67.16, 77.35, -49.99

 

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

CMYK 13 / 96 / 0 / 27

HEX #A308BB

RGB 163 8 187

HSL 291.96, 0.92%, 0.38%

LAB 40.49, 73.25, -54.79

 

CMYK 13 / 100 / 0 / 34

HEX #9200A8

RGB 146 0 168

HSL 292.14, 1%, 0.33%

LAB 35.86, 68.4, -51.11

 

CMYK 13 / 100 / 0 / 42

HEX #810095

RGB 129 0 149

HSL 291.95, 1%, 0.29%

LAB 31.43, 62.58, -46.88

 

CMYK 14 / 100 / 0 / 49

HEX #700082

RGB 112 0 130

HSL 291.69, 1%, 0.25%

LAB 26.89, 56.62, -42.56

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 0 / 88 / 11 / 20

HEX #CC19B6

RGB 204 25 182

HSL 307.37, 0.78%, 0.45%

LAB 48.15, 77.37, -39.19

 

CMYK 0 / 88 / 34 / 20

HEX #CC1986

RGB 204 25 134

HSL 323.46, 0.78%, 0.45%

LAB 45.98, 71.58, -13.85

 

CMYK 0 / 88 / 58 / 20

HEX #CC1955

RGB 204 25 85

HSL 339.89, 0.78%, 0.45%

LAB 44.5, 67.45, 14.33

 

CMYK 0 / 88 / 82 / 20

HEX #CC1925

RGB 204 25 37

HSL 355.98, 0.78%, 0.45%

LAB 43.75, 65.29, 42.35

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 36 / 88 / 0 / 20

HEX #8219CC

RGB 130 25 204

HSL 275.2, 0.78%, 0.45%

LAB 37.48, 69.09, -69.86

 

CMYK 60 / 88 / 0 / 20

HEX #5219CC

RGB 82 25 204

HSL 259.11, 0.78%, 0.45%

LAB 31.46, 63.98, -79.99

 

CMYK 83 / 88 / 0 / 20

HEX #2219CC

RGB 34 25 204

HSL 243.02, 0.78%, 0.45%

LAB 27.83, 61.25, -86.12

 

CMYK 88 / 88 / 0 / 20

HEX #1919CC

RGB 25 25 204

HSL 240, 0.78%, 0.45%

LAB 27.47, 60.99, -86.74

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 14 / 97 / 0 / 13

HEX #C007DF

RGB 192 7 223

HSL 291.39, 0.94%, 0.45%

LAB 47.86, 83.57, -63.47

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 11 / 76 / 0 / 27

HEX #A52CBA

RGB 165 44 186

HSL 291.13, 0.62%, 0.45%

LAB 43.28, 66.04, -49.69

 

CMYK 9 / 63 / 0 / 35

HEX #983EA7

RGB 152 62 167

HSL 291.43, 0.46%, 0.45%

LAB 42.63, 52.63, -39.62

 

CMYK 7 / 46 / 0 / 42

HEX #8B5195

RGB 139 81 149

HSL 291.18, 0.3%, 0.45%

LAB 43.57, 35.66, -27.5

 

CMYK 3 / 23 / 0 / 49

HEX #7E6482

RGB 126 100 130

HSL 292, 0.13%, 0.45%

LAB 45.85, 16.15, -12.71

 

CMYK 60 / 88 / 0 / 20

HEX #5219CC

RGB 82 25 204

HSL 259.11, 0.78%, 0.45%

LAB 31.46, 63.98, -79.99

 

CMYK 36 / 88 / 0 / 20

HEX #8219CC

RGB 130 25 204

HSL 275.2, 0.78%, 0.45%

LAB 37.48, 69.09, -69.86

 

CMYK 13 / 88 / 0 / 20

HEX #B119CC

RGB 177 25 204

HSL 290.95, 0.78%, 0.45%

LAB 44.8, 75.98, -57.62

 

CMYK 0 / 88 / 10 / 20

HEX #CC19B7

RGB 204 25 183

HSL 307.04, 0.78%, 0.45%

LAB 48.2, 77.51, -39.7

 

CMYK 0 / 88 / 33 / 20

HEX #CC1988

RGB 204 25 136

HSL 322.79, 0.78%, 0.45%

LAB 46.06, 71.79, -14.95

 

CMYK 13 / 88 / 0 / 49

HEX #721083

RGB 114 16 131

HSL 291.13, 0.78%, 0.29%

LAB 28.34, 54.15, -40.83

 

CMYK 13 / 88 / 0 / 34

HEX #9215A8

RGB 146 21 168

HSL 291.02, 0.78%, 0.37%

LAB 36.88, 65.38, -49.47

 

CMYK 13 / 88 / 0 / 20

HEX #B219CC

RGB 178 25 204

HSL 291.28, 0.78%, 0.45%

LAB 44.97, 76.14, -57.35

 

CMYK 12 / 82 / 0 / 10

HEX #CA2AE5

RGB 202 42 229

HSL 291.34, 0.78%, 0.53%

LAB 51.69, 80.82, -60.62

 

CMYK 9 / 66 / 0 / 9

HEX #D34FE9

RGB 211 79 233

HSL 291.43, 0.78%, 0.61%

LAB 57.39, 71.53, -53.67

 

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

CMYK 0 / 83 / 88 / 20

HEX #CC2219

RGB 204 34 25

HSL 3.02, 0.78%, 0.45%

LAB 44.31, 63.17, 48.85

 

CMYK 88 / 0 / 48 / 20

HEX #19CC6A

RGB 25 204 106

HSL 147.15, 0.78%, 0.45%

LAB 72.52, -62.92, 37.22

 

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

CMYK 0 / 13 / 88 / 20

HEX #CCB119

RGB 204 177 25

HSL 50.95, 0.78%, 0.45%

LAB 72.46, -4.13, 71.16

 

CMYK 88 / 0 / 13 / 20

HEX #19CCB1

RGB 25 204 177

HSL 170.95, 0.78%, 0.45%

LAB 73.91, -47.38, 1.75

 

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

CMYK 0 / 83 / 88 / 20

HEX #CC2219

RGB 204 34 25

HSL 3.02, 0.78%, 0.45%

LAB 44.31, 63.17, 48.85

 

CMYK 75 / 0 / 88 / 20

HEX #34CC19

RGB 52 204 25

HSL 110.95, 0.78%, 0.45%

LAB 72.22, -67.85, 67.68

 

CMYK 88 / 4 / 0 / 20

HEX #19C3CC

RGB 25 195 204

HSL 183.02, 0.78%, 0.45%

LAB 71.96, -35.64, -15.81

 

CMYK 13 / 87 / 0 / 19

HEX #B41ACE

RGB 180 26 206

HSL 291.33, 0.78%, 0.45%

LAB 45.49, 76.62, -57.64

 

CMYK 0 / 57 / 88 / 20

HEX #CC5819

RGB 204 88 25

HSL 21.12, 0.78%, 0.45%

LAB 51.71, 43.07, 54.68

 

CMYK 75 / 0 / 88 / 20

HEX #34CC19

RGB 52 204 25

HSL 110.95, 0.78%, 0.45%

LAB 72.22, -67.85, 67.68

 

CMYK 88 / 30 / 0 / 20

HEX #198ECC

RGB 25 142 204

HSL 200.78, 0.78%, 0.45%

LAB 56, -8.2, -40.41

 

Description

Color code: HEX #B41ACE | qconv.com Color code: HEX #B41ACE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 26 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 26 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 87 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 87% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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