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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B412BE it is the complementary color #4BED41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B412BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B412BE shade: #B912B9, #CA24CC, #DB36DF, #EC48F2 and #FD5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B412BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B412BE shade: #B412BE, #A300AB, #920098, #810085 and #700072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B412BE shade: #B512BF, #BF129B, #BF126C, #BF123D and #BF1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B412BE shade: #B512BF, #8612BF, #5812BF, #2912BF and #1212BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B412BE shade matches the following richer shades: #B512BF and #C401D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B412BE shade: #B512BF, #A623AE, #97349D, #88458D and #79557C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B412BE shade: #5712BF, #8512BF, #B412BF, #BF129D and #BF126E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B412BE shade: #6E0B74, #910E9A, #B512BF, #D915E5 and #E237EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B412BE shade: #B412BE, #BF2912 and #12BF6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B412BE shade: #B412BE, #BFB412 and #12BFB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B412BE shade: #B412BE, #BF2912, #1DBF12 and #12A8BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B412BE shade: #B412BE, #BF5D12, #1DBF12 and #1274BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

Complementary color

CMYK 68 / 0 / 73 / 7

HEX #4BED41

RGB 75 237 65

HSL 116.51, 0.83%, 0.59%

LAB 83.15, -71.95, 67.07

 

CMYK 0 / 90 / 0 / 27

HEX #B912B9

RGB 185 18 185

HSL 300, 0.82%, 0.4%

LAB 44.59, 75.37, -46.82

 

CMYK 1 / 82 / 0 / 20

HEX #CA24CC

RGB 202 36 204

HSL 299.29, 0.7%, 0.47%

LAB 49.71, 78.15, -49.52

 

CMYK 2 / 76 / 0 / 13

HEX #DB36DF

RGB 219 54 223

HSL 298.58, 0.73%, 0.54%

LAB 55.1, 79.89, -51.61

 

CMYK 2 / 70 / 0 / 5

HEX #EC48F2

RGB 236 72 242

HSL 297.88, 0.87%, 0.62%

LAB 60.67, 80.89, -53.24

 

CMYK 1 / 65 / 0 / 0

HEX #FD5AFF

RGB 253 90 255

HSL 299.27, 1%, 0.68%

LAB 66.07, 80.38, -51.71

 

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

CMYK 5 / 100 / 0 / 33

HEX #A300AB

RGB 163 0 171

HSL 297.19, 1%, 0.34%

LAB 39.12, 71.53, -47.51

 

CMYK 4 / 100 / 0 / 40

HEX #920098

RGB 146 0 152

HSL 297.63, 1%, 0.3%

LAB 34.76, 65.78, -43.2

 

CMYK 3 / 100 / 0 / 48

HEX #810085

RGB 129 0 133

HSL 298.2, 1%, 0.26%

LAB 30.3, 59.91, -38.79

 

CMYK 2 / 100 / 0 / 55

HEX #700072

RGB 112 0 114

HSL 298.95, 1%, 0.22%

LAB 25.74, 53.89, -34.24

 

CMYK 5 / 91 / 0 / 25

HEX #B512BF

RGB 181 18 191

HSL 296.53, 0.83%, 0.41%

LAB 44.26, 75.61, -50.9

 

CMYK 0 / 91 / 19 / 25

HEX #BF129B

RGB 191 18 155

HSL 312.49, 0.83%, 0.41%

LAB 44.05, 72.32, -29.75

 

CMYK 0 / 91 / 43 / 25

HEX #BF126C

RGB 191 18 108

HSL 328.79, 0.83%, 0.41%

LAB 42.14, 67.2, -3.8

 

CMYK 0 / 91 / 68 / 25

HEX #BF123D

RGB 191 18 61

HSL 345.09, 0.83%, 0.41%

LAB 40.97, 63.95, 24.23

 

CMYK 0 / 91 / 91 / 25

HEX #BF1212

RGB 191 18 18

HSL 0, 0.83%, 0.41%

LAB 40.5, 62.6, 47.89

 

CMYK 5 / 91 / 0 / 25

HEX #B512BF

RGB 181 18 191

HSL 296.53, 0.83%, 0.41%

LAB 44.26, 75.61, -50.9

 

CMYK 30 / 91 / 0 / 25

HEX #8612BF

RGB 134 18 191

HSL 280.23, 0.83%, 0.41%

LAB 36.48, 68.42, -63.86

 

CMYK 54 / 91 / 0 / 25

HEX #5812BF

RGB 88 18 191

HSL 264.28, 0.83%, 0.41%

LAB 30.08, 63.18, -74.62

 

CMYK 79 / 91 / 0 / 25

HEX #2912BF

RGB 41 18 191

HSL 247.98, 0.83%, 0.41%

LAB 25.76, 60.18, -81.92

 

CMYK 91 / 91 / 0 / 25

HEX #1212BF

RGB 18 18 191

HSL 240, 0.83%, 0.41%

LAB 24.71, 59.53, -83.7

 

CMYK 5 / 91 / 0 / 25

HEX #B512BF

RGB 181 18 191

HSL 296.53, 0.83%, 0.41%

LAB 44.26, 75.61, -50.9

 

CMYK 6 / 100 / 0 / 18

HEX #C401D0

RGB 196 1 208

HSL 296.52, 0.99%, 0.41%

LAB 47.38, 82.3, -55.62

 

CMYK 5 / 91 / 0 / 25

HEX #B512BF

RGB 181 18 191

HSL 296.53, 0.83%, 0.41%

LAB 44.26, 75.61, -50.9

 

CMYK 5 / 80 / 0 / 32

HEX #A623AE

RGB 166 35 174

HSL 296.55, 0.67%, 0.41%

LAB 41.79, 66.79, -44.98

 

CMYK 4 / 67 / 0 / 38

HEX #97349D

RGB 151 52 157

HSL 296.57, 0.5%, 0.41%

LAB 40.36, 54.84, -37.24

 

CMYK 4 / 51 / 0 / 45

HEX #88458D

RGB 136 69 141

HSL 295.83, 0.34%, 0.41%

LAB 40.27, 39.67, -27.86

 

CMYK 2 / 31 / 0 / 51

HEX #79557C

RGB 121 85 124

HSL 295.38, 0.19%, 0.41%

LAB 41.24, 22.09, -16.14

 

CMYK 54 / 91 / 0 / 25

HEX #5712BF

RGB 87 18 191

HSL 263.93, 0.83%, 0.41%

LAB 29.96, 63.09, -74.83

 

CMYK 30 / 91 / 0 / 25

HEX #8512BF

RGB 133 18 191

HSL 279.88, 0.83%, 0.41%

LAB 36.33, 68.29, -64.12

 

CMYK 6 / 91 / 0 / 25

HEX #B412BF

RGB 180 18 191

HSL 296.18, 0.83%, 0.41%

LAB 44.09, 75.45, -51.19

 

CMYK 0 / 91 / 18 / 25

HEX #BF129D

RGB 191 18 157

HSL 311.79, 0.83%, 0.41%

LAB 44.15, 72.58, -30.8

 

CMYK 0 / 91 / 42 / 25

HEX #BF126E

RGB 191 18 110

HSL 328.09, 0.83%, 0.41%

LAB 42.21, 67.39, -4.96

 

CMYK 5 / 91 / 0 / 55

HEX #6E0B74

RGB 110 11 116

HSL 296.57, 0.83%, 0.25%

LAB 26.2, 51.77, -34.81

 

CMYK 6 / 91 / 0 / 40

HEX #910E9A

RGB 145 14 154

HSL 296.14, 0.83%, 0.33%

LAB 35.33, 64.08, -43.51

 

CMYK 5 / 91 / 0 / 25

HEX #B512BF

RGB 181 18 191

HSL 296.53, 0.83%, 0.41%

LAB 44.26, 75.61, -50.9

 

CMYK 5 / 91 / 0 / 10

HEX #D915E5

RGB 217 21 229

HSL 296.54, 0.83%, 0.49%

LAB 52.89, 86.98, -58.56

 

CMYK 4 / 77 / 0 / 7

HEX #E237EC

RGB 226 55 236

HSL 296.69, 0.83%, 0.57%

LAB 57.03, 83.01, -55.78

 

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

CMYK 0 / 79 / 91 / 25

HEX #BF2912

RGB 191 41 18

HSL 7.98, 0.83%, 0.41%

LAB 42.32, 57.42, 49.18

 

CMYK 91 / 0 / 42 / 25

HEX #12BF6E

RGB 18 191 110

HSL 151.91, 0.83%, 0.41%

LAB 68.4, -58.22, 29.88

 

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

CMYK 0 / 6 / 91 / 25

HEX #BFB412

RGB 191 180 18

HSL 56.18, 0.83%, 0.41%

LAB 72.07, -11.54, 71.64

 

CMYK 91 / 0 / 6 / 25

HEX #12BFB4

RGB 18 191 180

HSL 176.18, 0.83%, 0.41%

LAB 69.96, -41.33, -5.69

 

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

CMYK 0 / 79 / 91 / 25

HEX #BF2912

RGB 191 41 18

HSL 7.98, 0.83%, 0.41%

LAB 42.32, 57.42, 49.18

 

CMYK 85 / 0 / 91 / 25

HEX #1DBF12

RGB 29 191 18

HSL 116.18, 0.83%, 0.41%

LAB 67.7, -67.16, 64.93

 

CMYK 91 / 12 / 0 / 25

HEX #12A8BF

RGB 18 168 191

HSL 187.98, 0.83%, 0.41%

LAB 63.26, -27.11, -21.86

 

CMYK 5 / 91 / 0 / 25

HEX #B412BE

RGB 180 18 190

HSL 296.51, 0.83%, 0.41%

LAB 44.02, 75.29, -50.71

 

CMYK 0 / 51 / 91 / 25

HEX #BF5D12

RGB 191 93 18

HSL 26.01, 0.83%, 0.41%

LAB 50.63, 35.33, 55.25

 

CMYK 85 / 0 / 91 / 25

HEX #1DBF12

RGB 29 191 18

HSL 116.18, 0.83%, 0.41%

LAB 67.7, -67.16, 64.93

 

CMYK 91 / 39 / 0 / 25

HEX #1274BF

RGB 18 116 191

HSL 206.01, 0.83%, 0.41%

LAB 47.47, 1.91, -46.51

 

Description

Color code: HEX #B412BE | qconv.com Color code: HEX #B412BE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 18 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 18 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 91 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 91% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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