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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4123C it is the complementary color #4BEDC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4123C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4123C shade: #B91237, #CA244A, #DB365D, #EC4870 and #FD5A83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4123C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4123C shade: #B4123C, #A30029, #920016, #810003 and #700000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4123C shade: #B5123C and #B51212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4123C shade: #B5123C, #B51268, #B51294, #AA12B5 and #7E12B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4123C shade matches the following richer shades: #B5123C and #C50234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4123C shade: #B5123C, #A52244, #95324C, #854253 and #75525B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4123C shade: #B51294, #B51269, #B5123D, #B51212 and #B53D12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4123C shade: #6A0A23, #8F0E30, #B5123C, #DB1649 and #EA2F60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4123C shade: #B4123C, #B5AA12 and #127FB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4123C shade: #B4123C, #3DB512 and #123DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4123C shade: #B4123C, #B5AA12, #12B58A and #121DB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4123C shade: #B4123C, #8FB512, #12B58A and #3812B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

Complementary color

CMYK 68 / 0 / 18 / 7

HEX #4BEDC3

RGB 75 237 195

HSL 164.44, 0.82%, 0.61%

LAB 85, -51.39, 8.27

 

CMYK 0 / 90 / 70 / 27

HEX #B91237

RGB 185 18 55

HSL 346.71, 0.82%, 0.4%

LAB 39.62, 62.12, 26.04

 

CMYK 0 / 82 / 63 / 21

HEX #CA244A

RGB 202 36 74

HSL 346.27, 0.7%, 0.47%

LAB 44.68, 63.96, 21.35

 

CMYK 0 / 75 / 58 / 14

HEX #DB365D

RGB 219 54 93

HSL 345.82, 0.7%, 0.54%

LAB 50.08, 64.82, 17.49

 

CMYK 0 / 69 / 53 / 7

HEX #EC4870

RGB 236 72 112

HSL 345.37, 0.81%, 0.6%

LAB 55.72, 65.02, 14.32

 

CMYK 0 / 64 / 48 / 1

HEX #FD5A83

RGB 253 90 131

HSL 344.91, 0.98%, 0.67%

LAB 61.51, 64.8, 11.68

 

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

CMYK 0 / 100 / 75 / 36

HEX #A30029

RGB 163 0 41

HSL 344.91, 1%, 0.32%

LAB 33.87, 58.23, 26.85

 

CMYK 0 / 100 / 85 / 43

HEX #920016

RGB 146 0 22

HSL 350.96, 1%, 0.29%

LAB 29.83, 53.26, 33.11

 

CMYK 0 / 100 / 98 / 49

HEX #810003

RGB 129 0 3

HSL 358.6, 1%, 0.25%

LAB 25.78, 48.38, 37.16

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 90 / 67 / 29

HEX #B5123C

RGB 181 18 60

HSL 344.54, 0.82%, 0.39%

LAB 38.87, 61.33, 21.77

 

CMYK 0 / 90 / 90 / 29

HEX #B51212

RGB 181 18 18

HSL 0, 0.82%, 0.39%

LAB 38.38, 59.92, 45.4

 

CMYK 0 / 90 / 67 / 29

HEX #B5123C

RGB 181 18 60

HSL 344.54, 0.82%, 0.39%

LAB 38.87, 61.33, 21.77

 

CMYK 0 / 90 / 43 / 29

HEX #B51268

RGB 181 18 104

HSL 328.34, 0.82%, 0.39%

LAB 40.01, 64.51, -4.67

 

CMYK 0 / 90 / 18 / 29

HEX #B51294

RGB 181 18 148

HSL 312.15, 0.82%, 0.39%

LAB 41.84, 69.42, -29.13

 

CMYK 6 / 90 / 0 / 29

HEX #AA12B5

RGB 170 18 181

HSL 295.95, 0.82%, 0.39%

LAB 41.71, 72.17, -49.22

 

CMYK 30 / 90 / 0 / 29

HEX #7E12B5

RGB 126 18 181

HSL 279.75, 0.82%, 0.39%

LAB 34.41, 65.34, -61.4

 

CMYK 0 / 90 / 67 / 29

HEX #B5123C

RGB 181 18 60

HSL 344.54, 0.82%, 0.39%

LAB 38.87, 61.33, 21.77

 

CMYK 0 / 99 / 74 / 23

HEX #C50234

RGB 197 2 52

HSL 344.62, 0.98%, 0.39%

LAB 41.47, 66.84, 30.72

 

CMYK 0 / 90 / 67 / 29

HEX #B5123C

RGB 181 18 60

HSL 344.54, 0.82%, 0.39%

LAB 38.87, 61.33, 21.77

 

CMYK 0 / 79 / 59 / 35

HEX #A52244

RGB 165 34 68

HSL 344.43, 0.66%, 0.39%

LAB 37.04, 53.81, 13.64

 

CMYK 0 / 66 / 49 / 42

HEX #95324C

RGB 149 50 76

HSL 344.24, 0.5%, 0.39%

LAB 36.35, 43.58, 7.09

 

CMYK 0 / 50 / 38 / 48

HEX #854253

RGB 133 66 83

HSL 344.78, 0.34%, 0.39%

LAB 36.94, 30.61, 3.13

 

CMYK 0 / 30 / 22 / 54

HEX #75525B

RGB 117 82 91

HSL 344.57, 0.18%, 0.39%

LAB 38.85, 16.08, 0.6

 

CMYK 0 / 90 / 18 / 29

HEX #B51294

RGB 181 18 148

HSL 312.15, 0.82%, 0.39%

LAB 41.84, 69.42, -29.13

 

CMYK 0 / 90 / 42 / 29

HEX #B51269

RGB 181 18 105

HSL 327.98, 0.82%, 0.39%

LAB 40.04, 64.61, -5.25

 

CMYK 0 / 90 / 66 / 29

HEX #B5123D

RGB 181 18 61

HSL 344.17, 0.82%, 0.39%

LAB 38.89, 61.38, 21.15

 

CMYK 0 / 90 / 90 / 29

HEX #B51212

RGB 181 18 18

HSL 0, 0.82%, 0.39%

LAB 38.38, 59.92, 45.4

 

CMYK 0 / 66 / 90 / 29

HEX #B53D12

RGB 181 61 18

HSL 15.83, 0.82%, 0.39%

LAB 43.07, 46.86, 48.87

 

CMYK 0 / 91 / 67 / 58

HEX #6A0A23

RGB 106 10 35

HSL 344.38, 0.83%, 0.23%

LAB 21.59, 40.92, 12.83

 

CMYK 0 / 90 / 66 / 44

HEX #8F0E30

RGB 143 14 48

HSL 344.19, 0.82%, 0.31%

LAB 30.32, 51.3, 16.93

 

CMYK 0 / 90 / 67 / 29

HEX #B5123C

RGB 181 18 60

HSL 344.54, 0.82%, 0.39%

LAB 38.87, 61.33, 21.77

 

CMYK 0 / 90 / 67 / 14

HEX #DB1649

RGB 219 22 73

HSL 344.47, 0.82%, 0.47%

LAB 47.12, 70.98, 25.79

 

CMYK 0 / 80 / 59 / 8

HEX #EA2F60

RGB 234 47 96

HSL 344.28, 0.82%, 0.55%

LAB 52.25, 71.08, 19.08

 

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

CMYK 0 / 6 / 90 / 29

HEX #B5AA12

RGB 181 170 18

HSL 55.95, 0.82%, 0.39%

LAB 68.47, -10.78, 68.46

 

CMYK 90 / 30 / 0 / 29

HEX #127FB5

RGB 18 127 181

HSL 199.88, 0.82%, 0.39%

LAB 50.27, -8.53, -36.32

 

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

CMYK 66 / 0 / 90 / 29

HEX #3DB512

RGB 61 181 18

HSL 104.17, 0.82%, 0.39%

LAB 65.03, -59.2, 62.87

 

CMYK 90 / 66 / 0 / 29

HEX #123DB5

RGB 18 61 181

HSL 224.17, 0.82%, 0.39%

LAB 31.35, 33.96, -66.77

 

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

CMYK 0 / 6 / 90 / 29

HEX #B5AA12

RGB 181 170 18

HSL 55.95, 0.82%, 0.39%

LAB 68.47, -10.78, 68.46

 

CMYK 90 / 0 / 24 / 29

HEX #12B58A

RGB 18 181 138

HSL 164.17, 0.82%, 0.39%

LAB 65.76, -48.41, 11.29

 

CMYK 90 / 84 / 0 / 29

HEX #121DB5

RGB 18 29 181

HSL 235.95, 0.82%, 0.39%

LAB 24.78, 52.38, -77.65

 

CMYK 0 / 90 / 67 / 29

HEX #B4123C

RGB 180 18 60

HSL 344.44, 0.82%, 0.39%

LAB 38.66, 61.07, 21.46

 

CMYK 21 / 0 / 90 / 29

HEX #8FB512

RGB 143 181 18

HSL 73.99, 0.82%, 0.39%

LAB 68.7, -32.55, 67.42

 

CMYK 90 / 0 / 24 / 29

HEX #12B58A

RGB 18 181 138

HSL 164.17, 0.82%, 0.39%

LAB 65.76, -48.41, 11.29

 

CMYK 69 / 90 / 0 / 29

HEX #3812B5

RGB 56 18 181

HSL 253.99, 0.82%, 0.39%

LAB 25.59, 58.23, -76.23

 

Description

Color code: HEX #B4123C | qconv.com Color code: HEX #B4123C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 18 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 18 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 67 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 67% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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