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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40FAC it is the complementary color #4BF053. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40FAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40FAC shade: #B90FA7, #CA21BA, #DB33CD, #EC45E0 and #FD57F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40FAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40FAC shade: #B40FAC, #A30099, #920086, #810073 and #700060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40FAC shade: #B30FAB, #B30F7F, #B30F52, #B30F26 and #B30F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40FAC shade: #B30FAB, #8F0FB3, #620FB3, #360FB3 and #0F0FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40FAC shade matches the following richer shades: #B30FAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40FAC shade: #B30FAB, #A41E9D, #942E8F, #843E81 and #754D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40FAC shade: #610FB3, #8D0FB3, #B30FAE, #B30F82 and #B30F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40FAC shade: #670862, #8D0B87, #B30FAB, #D912D0 and #ED27E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40FAC shade: #B40FAC, #B3350F and #0FB377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40FAC shade: #B40FAC, #AEB30F and #0FAEB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40FAC shade: #B40FAC, #B3350F, #0FB314 and #0F8DB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40FAC shade: #B40FAC, #B3660F, #0FB314 and #0F5BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

Complementary color

CMYK 69 / 0 / 65 / 6

HEX #4BF053

RGB 75 240 83

HSL 122.91, 0.85%, 0.62%

LAB 84.19, -71.38, 61.49

 

CMYK 0 / 92 / 10 / 27

HEX #B90FA7

RGB 185 15 167

HSL 306.35, 0.85%, 0.39%

LAB 43.43, 73.15, -38.01

 

CMYK 0 / 84 / 8 / 21

HEX #CA21BA

RGB 202 33 186

HSL 305.68, 0.72%, 0.46%

LAB 48.5, 76.1, -41

 

CMYK 0 / 77 / 6 / 14

HEX #DB33CD

RGB 219 51 205

HSL 305, 0.7%, 0.53%

LAB 53.85, 77.98, -43.34

 

CMYK 0 / 71 / 5 / 7

HEX #EC45E0

RGB 236 69 224

HSL 304.31, 0.81%, 0.6%

LAB 59.41, 79.06, -45.18

 

CMYK 0 / 66 / 4 / 1

HEX #FD57F3

RGB 253 87 243

HSL 303.61, 0.98%, 0.67%

LAB 65.1, 79.58, -46.63

 

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

CMYK 0 / 100 / 6 / 36

HEX #A30099

RGB 163 0 153

HSL 303.68, 1%, 0.32%

LAB 38, 68.82, -38.45

 

CMYK 0 / 100 / 8 / 43

HEX #920086

RGB 146 0 134

HSL 304.93, 1%, 0.29%

LAB 33.63, 63.05, -33.91

 

CMYK 0 / 100 / 11 / 49

HEX #810073

RGB 129 0 115

HSL 306.51, 1%, 0.25%

LAB 29.17, 57.15, -29.22

 

CMYK 0 / 100 / 14 / 56

HEX #700060

RGB 112 0 96

HSL 308.57, 1%, 0.22%

LAB 24.61, 51.12, -24.34

 

CMYK 0 / 92 / 4 / 30

HEX #B30FAB

RGB 179 15 171

HSL 302.93, 0.85%, 0.38%

LAB 42.56, 72.63, -41.84

 

CMYK 0 / 92 / 29 / 30

HEX #B30F7F

RGB 179 15 127

HSL 319.02, 0.85%, 0.38%

LAB 40.34, 66.88, -18.6

 

CMYK 0 / 92 / 54 / 30

HEX #B30F52

RGB 179 15 82

HSL 335.49, 0.85%, 0.38%

LAB 38.79, 62.65, 7.51

 

CMYK 0 / 92 / 79 / 30

HEX #B30F26

RGB 179 15 38

HSL 351.59, 0.85%, 0.38%

LAB 37.96, 60.34, 34.22

 

CMYK 0 / 92 / 92 / 30

HEX #B30F0F

RGB 179 15 15

HSL 0, 0.85%, 0.38%

LAB 37.77, 59.8, 46.07

 

CMYK 0 / 92 / 4 / 30

HEX #B30FAB

RGB 179 15 171

HSL 302.93, 0.85%, 0.38%

LAB 42.56, 72.63, -41.84

 

CMYK 20 / 92 / 0 / 30

HEX #8F0FB3

RGB 143 15 179

HSL 286.83, 0.85%, 0.38%

LAB 36.81, 67.94, -56.17

 

CMYK 45 / 92 / 0 / 30

HEX #620FB3

RGB 98 15 179

HSL 270.37, 0.85%, 0.38%

LAB 29.89, 62.05, -67.77

 

CMYK 70 / 92 / 0 / 30

HEX #360FB3

RGB 54 15 179

HSL 254.27, 0.85%, 0.38%

LAB 24.89, 58.43, -76.2

 

CMYK 92 / 92 / 0 / 30

HEX #0F0FB3

RGB 15 15 179

HSL 240, 0.85%, 0.38%

LAB 22.65, 57.06, -80

 

CMYK 0 / 92 / 4 / 30

HEX #B30FAB

RGB 179 15 171

HSL 302.93, 0.85%, 0.38%

LAB 42.56, 72.63, -41.84

 

CMYK 0 / 92 / 4 / 30

HEX #B30FAB

RGB 179 15 171

HSL 302.93, 0.85%, 0.38%

LAB 42.56, 72.63, -41.84

 

CMYK 0 / 82 / 4 / 36

HEX #A41E9D

RGB 164 30 157

HSL 303.13, 0.69%, 0.38%

LAB 40.01, 64.93, -37.67

 

CMYK 0 / 69 / 3 / 42

HEX #942E8F

RGB 148 46 143

HSL 302.94, 0.53%, 0.38%

LAB 38.26, 54.05, -32.11

 

CMYK 0 / 53 / 2 / 48

HEX #843E81

RGB 132 62 129

HSL 302.57, 0.36%, 0.38%

LAB 37.73, 39.82, -24.52

 

CMYK 0 / 34 / 2 / 54

HEX #754D73

RGB 117 77 115

HSL 303, 0.21%, 0.38%

LAB 38.42, 23.59, -14.95

 

CMYK 46 / 92 / 0 / 30

HEX #610FB3

RGB 97 15 179

HSL 270, 0.85%, 0.38%

LAB 29.76, 61.94, -68

 

CMYK 21 / 92 / 0 / 30

HEX #8D0FB3

RGB 141 15 179

HSL 286.1, 0.85%, 0.38%

LAB 36.48, 67.64, -56.73

 

CMYK 0 / 92 / 3 / 30

HEX #B30FAE

RGB 179 15 174

HSL 301.83, 0.85%, 0.38%

LAB 42.74, 73.07, -43.34

 

CMYK 0 / 92 / 27 / 30

HEX #B30F82

RGB 179 15 130

HSL 317.93, 0.85%, 0.38%

LAB 40.47, 67.22, -20.25

 

CMYK 0 / 92 / 52 / 30

HEX #B30F56

RGB 179 15 86

HSL 334.02, 0.85%, 0.38%

LAB 38.89, 62.95, 5.1

 

CMYK 0 / 92 / 5 / 60

HEX #670862

RGB 103 8 98

HSL 303.16, 0.86%, 0.22%

LAB 23.47, 47.94, -27.57

 

CMYK 0 / 92 / 4 / 45

HEX #8D0B87

RGB 141 11 135

HSL 302.77, 0.86%, 0.3%

LAB 33.25, 60.77, -35.2

 

CMYK 0 / 92 / 4 / 30

HEX #B30FAB

RGB 179 15 171

HSL 302.93, 0.85%, 0.38%

LAB 42.56, 72.63, -41.84

 

CMYK 0 / 92 / 4 / 15

HEX #D912D0

RGB 217 18 208

HSL 302.71, 0.85%, 0.46%

LAB 51.54, 84.25, -48.75

 

CMYK 0 / 84 / 4 / 7

HEX #ED27E4

RGB 237 39 228

HSL 302.73, 0.85%, 0.54%

LAB 57.13, 87.48, -51.03

 

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

CMYK 0 / 70 / 92 / 30

HEX #B3350F

RGB 179 53 15

HSL 13.9, 0.85%, 0.38%

LAB 41.48, 49.4, 48.64

 

CMYK 92 / 0 / 34 / 30

HEX #0FB377

RGB 15 179 119

HSL 158.05, 0.85%, 0.38%

LAB 64.7, -52.22, 20.17

 

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

CMYK 3 / 0 / 92 / 30

HEX #AEB30F

RGB 174 179 15

HSL 61.83, 0.85%, 0.38%

LAB 70.37, -18.52, 70.17

 

CMYK 92 / 3 / 0 / 30

HEX #0FAEB3

RGB 15 174 179

HSL 181.83, 0.85%, 0.38%

LAB 64.67, -34.02, -13.03

 

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

CMYK 0 / 70 / 92 / 30

HEX #B3350F

RGB 179 53 15

HSL 13.9, 0.85%, 0.38%

LAB 41.48, 49.4, 48.64

 

CMYK 92 / 0 / 89 / 30

HEX #0FB314

RGB 15 179 20

HSL 121.83, 0.85%, 0.38%

LAB 63.67, -64.78, 61.05

 

CMYK 92 / 21 / 0 / 30

HEX #0F8DB3

RGB 15 141 179

HSL 193.9, 0.85%, 0.38%

LAB 54.46, -17.31, -28.63

 

CMYK 0 / 92 / 4 / 29

HEX #B40FAC

RGB 180 15 172

HSL 302.91, 0.85%, 0.38%

LAB 42.8, 72.95, -42.04

 

CMYK 0 / 43 / 92 / 30

HEX #B3660F

RGB 179 102 15

HSL 31.83, 0.85%, 0.38%

LAB 50.83, 25.45, 55.44

 

CMYK 92 / 0 / 89 / 30

HEX #0FB314

RGB 15 179 20

HSL 121.83, 0.85%, 0.38%

LAB 63.67, -64.78, 61.05

 

CMYK 92 / 49 / 0 / 30

HEX #0F5BB3

RGB 15 91 179

HSL 212.2, 0.85%, 0.38%

LAB 39.31, 12.96, -52.62

 

Description

Color code: HEX #B40FAC | qconv.com Color code: HEX #B40FAC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 15 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 15 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 4 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 4% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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