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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B40B3B it is the complementary color #4BF4C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B40B3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B40B3B shade: #B90B36, #CA1D49, #DB2F5C, #EC416F and #FD5382

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B40B3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B40B3B shade: #B40B3B, #A30028, #920015, #810002 and #700000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B40B3B shade: #B10B3A, #B10B0E and #B10B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B40B3B shade: #B10B3A, #B10B67, #B10B94, #A20BB1 and #750BB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B40B3B shade matches the following richer shades: #B10B3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B40B3B shade: #B10B3A, #A21B41, #932A48, #84394E and #744855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B40B3B shade: #B10B96, #B10B69, #B10B3D, #B10B11 and #B1320B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B40B3B shade: #640621, #8B092E, #B10B3A, #D80E47 and #F11F5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B40B3B shade: #B40B3B, #B1A10B and #0B80B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B40B3B shade: #B40B3B, #3DB10B and #0B3DB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B40B3B shade: #B40B3B, #B1A10B, #0BB180 and #0B1CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B40B3B shade: #B40B3B, #90B10B, #0BB180 and #2D0BB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

Complementary color

CMYK 69 / 0 / 20 / 4

HEX #4BF4C4

RGB 75 244 196

HSL 162.96, 0.88%, 0.63%

LAB 87.09, -54.02, 10.74

 

CMYK 0 / 94 / 71 / 27

HEX #B90B36

RGB 185 11 54

HSL 345.17, 0.89%, 0.38%

LAB 39.28, 63.02, 26.24

 

CMYK 0 / 86 / 64 / 21

HEX #CA1D49

RGB 202 29 73

HSL 344.74, 0.75%, 0.45%

LAB 44.11, 65.46, 21.23

 

CMYK 0 / 79 / 58 / 14

HEX #DB2F5C

RGB 219 47 92

HSL 344.3, 0.7%, 0.52%

LAB 49.33, 66.81, 17.08

 

CMYK 0 / 72 / 53 / 7

HEX #EC416F

RGB 236 65 111

HSL 343.86, 0.82%, 0.59%

LAB 54.83, 67.38, 13.67

 

CMYK 0 / 67 / 49 / 1

HEX #FD5382

RGB 253 83 130

HSL 343.41, 0.98%, 0.66%

LAB 60.5, 67.41, 10.84

 

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

CMYK 0 / 100 / 75 / 36

HEX #A30028

RGB 163 0 40

HSL 345.28, 1%, 0.32%

LAB 33.86, 58.19, 27.47

 

CMYK 0 / 100 / 86 / 43

HEX #920015

RGB 146 0 21

HSL 351.37, 1%, 0.29%

LAB 29.83, 53.24, 33.68

 

CMYK 0 / 100 / 98 / 49

HEX #810002

RGB 129 0 2

HSL 359.07, 1%, 0.25%

LAB 25.78, 48.36, 37.56

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 94 / 67 / 31

HEX #B10B3A

RGB 177 11 58

HSL 343.01, 0.88%, 0.37%

LAB 37.65, 61.19, 21.31

 

CMYK 0 / 94 / 92 / 31

HEX #B10B0E

RGB 177 11 14

HSL 358.92, 0.88%, 0.37%

LAB 37.15, 59.79, 45.86

 

CMYK 0 / 94 / 94 / 31

HEX #B10B0B

RGB 177 11 11

HSL 0, 0.88%, 0.37%

LAB 37.13, 59.75, 47.02

 

CMYK 0 / 94 / 67 / 31

HEX #B10B3A

RGB 177 11 58

HSL 343.01, 0.88%, 0.37%

LAB 37.65, 61.19, 21.31

 

CMYK 0 / 94 / 42 / 31

HEX #B10B67

RGB 177 11 103

HSL 326.75, 0.88%, 0.37%

LAB 38.84, 64.45, -5.86

 

CMYK 0 / 94 / 16 / 31

HEX #B10B94

RGB 177 11 148

HSL 310.48, 0.88%, 0.37%

LAB 40.77, 69.53, -30.85

 

CMYK 8 / 94 / 0 / 31

HEX #A20BB1

RGB 162 11 177

HSL 294.58, 0.88%, 0.37%

LAB 39.74, 71.12, -50.09

 

CMYK 34 / 94 / 0 / 31

HEX #750BB1

RGB 117 11 177

HSL 278.31, 0.88%, 0.37%

LAB 32.25, 64.57, -62.6

 

CMYK 0 / 94 / 67 / 31

HEX #B10B3A

RGB 177 11 58

HSL 343.01, 0.88%, 0.37%

LAB 37.65, 61.19, 21.31

 

CMYK 0 / 94 / 67 / 31

HEX #B10B3A

RGB 177 11 58

HSL 343.01, 0.88%, 0.37%

LAB 37.65, 61.19, 21.31

 

CMYK 0 / 83 / 60 / 36

HEX #A21B41

RGB 162 27 65

HSL 343.11, 0.71%, 0.37%

LAB 35.69, 54.69, 13.64

 

CMYK 0 / 71 / 51 / 42

HEX #932A48

RGB 147 42 72

HSL 342.86, 0.56%, 0.37%

LAB 34.65, 45.91, 7.22

 

CMYK 0 / 57 / 41 / 48

HEX #84394E

RGB 132 57 78

HSL 343.2, 0.4%, 0.37%

LAB 34.77, 34.46, 3.16

 

CMYK 0 / 38 / 27 / 55

HEX #744855

RGB 116 72 85

HSL 342.27, 0.23%, 0.37%

LAB 35.99, 20.73, 0.18

 

CMYK 0 / 94 / 15 / 31

HEX #B10B96

RGB 177 11 150

HSL 309.76, 0.88%, 0.37%

LAB 40.88, 69.79, -31.9

 

CMYK 0 / 94 / 41 / 31

HEX #B10B69

RGB 177 11 105

HSL 326.02, 0.88%, 0.37%

LAB 38.91, 64.63, -7.03

 

CMYK 0 / 94 / 66 / 31

HEX #B10B3D

RGB 177 11 61

HSL 341.93, 0.88%, 0.37%

LAB 37.7, 61.35, 19.46

 

CMYK 0 / 94 / 90 / 31

HEX #B10B11

RGB 177 11 17

HSL 357.83, 0.88%, 0.37%

LAB 37.16, 59.84, 44.57

 

CMYK 0 / 72 / 94 / 31

HEX #B1320B

RGB 177 50 11

HSL 14.1, 0.88%, 0.37%

LAB 40.66, 49.83, 49.25

 

CMYK 0 / 94 / 67 / 61

HEX #640621

RGB 100 6 33

HSL 342.77, 0.89%, 0.21%

LAB 19.84, 40.02, 11.68

 

CMYK 0 / 94 / 67 / 45

HEX #8B092E

RGB 139 9 46

HSL 342.92, 0.88%, 0.29%

LAB 29.11, 50.96, 16.53

 

CMYK 0 / 94 / 67 / 31

HEX #B10B3A

RGB 177 11 58

HSL 343.01, 0.88%, 0.37%

LAB 37.65, 61.19, 21.31

 

CMYK 0 / 94 / 67 / 15

HEX #D80E47

RGB 216 14 71

HSL 343.07, 0.88%, 0.45%

LAB 46.13, 71.14, 25.63

 

CMYK 0 / 87 / 63 / 5

HEX #F11F5A

RGB 241 31 90

HSL 343.14, 0.88%, 0.53%

LAB 52.31, 75.88, 23.02

 

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

CMYK 0 / 9 / 94 / 31

HEX #B1A10B

RGB 177 161 11

HSL 54.22, 0.88%, 0.37%

LAB 65.64, -7.96, 67.21

 

CMYK 94 / 28 / 0 / 31

HEX #0B80B1

RGB 11 128 177

HSL 197.71, 0.88%, 0.37%

LAB 50.32, -10.96, -33.94

 

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

CMYK 66 / 0 / 94 / 31

HEX #3DB10B

RGB 61 177 11

HSL 101.93, 0.88%, 0.37%

LAB 63.72, -58.06, 62.86

 

CMYK 94 / 66 / 0 / 31

HEX #0B3DB1

RGB 11 61 177

HSL 221.93, 0.88%, 0.37%

LAB 30.84, 32.11, -65.24

 

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

CMYK 0 / 9 / 94 / 31

HEX #B1A10B

RGB 177 161 11

HSL 54.22, 0.88%, 0.37%

LAB 65.64, -7.96, 67.21

 

CMYK 94 / 0 / 28 / 31

HEX #0BB180

RGB 11 177 128

HSL 162.29, 0.88%, 0.37%

LAB 64.22, -49.6, 14.61

 

CMYK 94 / 84 / 0 / 31

HEX #0B1CB1

RGB 11 28 177

HSL 233.86, 0.88%, 0.37%

LAB 23.92, 51.43, -76.68

 

CMYK 0 / 94 / 67 / 29

HEX #B40B3B

RGB 180 11 59

HSL 342.96, 0.88%, 0.37%

LAB 38.3, 62, 21.64

 

CMYK 19 / 0 / 94 / 31

HEX #90B10B

RGB 144 177 11

HSL 71.93, 0.88%, 0.37%

LAB 67.57, -30.4, 67.58

 

CMYK 94 / 0 / 28 / 31

HEX #0BB180

RGB 11 177 128

HSL 162.29, 0.88%, 0.37%

LAB 64.22, -49.6, 14.61

 

CMYK 75 / 94 / 0 / 31

HEX #2D0BB1

RGB 45 11 177

HSL 252.29, 0.88%, 0.37%

LAB 23.58, 58.46, -77.21

 

Description

Color code: HEX #B40B3B | qconv.com Color code: HEX #B40B3B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 11 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 11 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 67 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 67% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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