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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3F03A it is the complementary color #4C0FC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3F03A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3F03A shade: #B8F035, #C9FF48, #DAFF5B, #EBFF6E and #FCFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3F03A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3F03A shade: #B3F03A, #A2DE27, #91CC14, #80BA01 and #6FA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3F03A shade: #B2F038, #E4F038, #F0CA38, #F09938 and #F06738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3F03A shade: #B2F038, #81F038, #4FF038, #38F052 and #38F084

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3F03A shade matches the following richer shades: #B2F038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3F03A shade: #B2F038, #ADDF49, #A7CD5A, #A1BC6C and #9BAB7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3F03A shade: #F0CB38, #E4F038, #B3F038, #81F038 and #50F038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3F03A shade: #89C60F, #A3ED12, #B2F038, #C1F35E and #D0F685

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3F03A shade: #B3F03A, #38F09A and #E438F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3F03A shade: #B3F03A, #38B3F0 and #F038B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3F03A shade: #B3F03A, #38F09A, #7538F0 and #F0388E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3F03A shade: #B3F03A, #38F0D1, #7538F0 and #F03856

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

Complementary color

CMYK 61 / 92 / 0 / 23

HEX #4C0FC5

RGB 76 15 197

HSL 260.11, 0.86%, 0.42%

LAB 29.18, 64.37, -79.69

 

CMYK 23 / 0 / 78 / 6

HEX #B8F035

RGB 184 240 53

HSL 77.97, 0.86%, 0.57%

LAB 88.34, -41.92, 77.3

 

CMYK 21 / 0 / 72 / 0

HEX #C9FF48

RGB 201 255 72

HSL 77.7, 1%, 0.64%

LAB 93.63, -41.2, 76.84

 

CMYK 15 / 0 / 64 / 0

HEX #DAFF5B

RGB 218 255 91

HSL 73.54, 1%, 0.68%

LAB 94.81, -33.63, 71.58

 

CMYK 8 / 0 / 57 / 0

HEX #EBFF6E

RGB 235 255 110

HSL 68.28, 1%, 0.72%

LAB 96.12, -25.75, 65.62

 

CMYK 1 / 0 / 49 / 0

HEX #FCFF81

RGB 252 255 129

HSL 61.43, 1%, 0.75%

LAB 97.55, -17.62, 59.21

 

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

CMYK 27 / 0 / 82 / 13

HEX #A2DE27

RGB 162 222 39

HSL 79.67, 0.73%, 0.51%

LAB 81.88, -42.9, 74.67

 

CMYK 29 / 0 / 90 / 20

HEX #91CC14

RGB 145 204 20

HSL 79.24, 0.82%, 0.44%

LAB 75.61, -42.05, 72.78

 

CMYK 31 / 0 / 99 / 27

HEX #80BA01

RGB 128 186 1

HSL 78.81, 0.99%, 0.37%

LAB 69.26, -41, 69.65

 

CMYK 34 / 0 / 100 / 34

HEX #6FA800

RGB 111 168 0

HSL 80.36, 1%, 0.33%

LAB 62.83, -39.65, 64.42

 

CMYK 26 / 0 / 77 / 6

HEX #B2F038

RGB 178 240 56

HSL 80.22, 0.86%, 0.58%

LAB 88, -44.03, 76.01

 

CMYK 5 / 0 / 77 / 6

HEX #E4F038

RGB 228 240 56

HSL 63.91, 0.86%, 0.58%

LAB 91.28, -24.47, 80.22

 

CMYK 0 / 16 / 77 / 6

HEX #F0CA38

RGB 240 202 56

HSL 47.61, 0.86%, 0.58%

LAB 82.41, -0.63, 72.51

 

CMYK 0 / 36 / 77 / 6

HEX #F09938

RGB 240 153 56

HSL 31.63, 0.86%, 0.58%

LAB 70.59, 25.05, 61.41

 

CMYK 0 / 57 / 77 / 6

HEX #F06738

RGB 240 103 56

HSL 15.33, 0.86%, 0.58%

LAB 60.35, 50.23, 51.3

 

CMYK 26 / 0 / 77 / 6

HEX #B2F038

RGB 178 240 56

HSL 80.22, 0.86%, 0.58%

LAB 88, -44.03, 76.01

 

CMYK 46 / 0 / 77 / 6

HEX #81F038

RGB 129 240 56

HSL 96.2, 0.86%, 0.58%

LAB 85.64, -60.54, 72.95

 

CMYK 67 / 0 / 77 / 6

HEX #4FF038

RGB 79 240 56

HSL 112.5, 0.86%, 0.58%

LAB 84.11, -72.77, 70.94

 

CMYK 77 / 0 / 66 / 6

HEX #38F052

RGB 56 240 82

HSL 128.48, 0.86%, 0.58%

LAB 83.85, -74.35, 61.41

 

CMYK 77 / 0 / 45 / 6

HEX #38F084

RGB 56 240 132

HSL 144.78, 0.86%, 0.58%

LAB 84.39, -67.8, 39.58

 

CMYK 26 / 0 / 77 / 6

HEX #B2F038

RGB 178 240 56

HSL 80.22, 0.86%, 0.58%

LAB 88, -44.03, 76.01

 

CMYK 26 / 0 / 77 / 6

HEX #B2F038

RGB 178 240 56

HSL 80.22, 0.86%, 0.58%

LAB 88, -44.03, 76.01

 

CMYK 22 / 0 / 67 / 13

HEX #ADDF49

RGB 173 223 73

HSL 80, 0.7%, 0.58%

LAB 82.99, -37.48, 65.27

 

CMYK 19 / 0 / 56 / 20

HEX #A7CD5A

RGB 167 205 90

HSL 79.83, 0.53%, 0.58%

LAB 77.65, -30.17, 52.23

 

CMYK 14 / 0 / 43 / 26

HEX #A1BC6C

RGB 161 188 108

HSL 80.25, 0.37%, 0.58%

LAB 72.65, -22.39, 37.4

 

CMYK 9 / 0 / 27 / 33

HEX #9BAB7D

RGB 155 171 125

HSL 80.87, 0.21%, 0.58%

LAB 67.71, -13.76, 21.89

 

CMYK 0 / 15 / 77 / 6

HEX #F0CB38

RGB 240 203 56

HSL 47.93, 0.86%, 0.58%

LAB 82.66, -1.14, 72.75

 

CMYK 5 / 0 / 77 / 6

HEX #E4F038

RGB 228 240 56

HSL 63.91, 0.86%, 0.58%

LAB 91.28, -24.47, 80.22

 

CMYK 25 / 0 / 77 / 6

HEX #B3F038

RGB 179 240 56

HSL 79.89, 0.86%, 0.58%

LAB 88.06, -43.66, 76.08

 

CMYK 46 / 0 / 77 / 6

HEX #81F038

RGB 129 240 56

HSL 96.2, 0.86%, 0.58%

LAB 85.64, -60.54, 72.95

 

CMYK 67 / 0 / 77 / 6

HEX #50F038

RGB 80 240 56

HSL 112.17, 0.86%, 0.58%

LAB 84.13, -72.58, 70.97

 

CMYK 31 / 0 / 92 / 22

HEX #89C60F

RGB 137 198 15

HSL 80, 0.86%, 0.42%

LAB 73.38, -42.57, 71.51

 

CMYK 31 / 0 / 92 / 7

HEX #A3ED12

RGB 163 237 18

HSL 80.27, 0.86%, 0.5%

LAB 86.21, -49.41, 82.02

 

CMYK 26 / 0 / 77 / 6

HEX #B2F038

RGB 178 240 56

HSL 80.22, 0.86%, 0.58%

LAB 88, -44.03, 76.01

 

CMYK 21 / 0 / 61 / 5

HEX #C1F35E

RGB 193 243 94

HSL 80.13, 0.86%, 0.66%

LAB 89.97, -37.46, 64.73

 

CMYK 15 / 0 / 46 / 4

HEX #D0F685

RGB 208 246 133

HSL 80.18, 0.86%, 0.74%

LAB 92.14, -29.7, 50.1

 

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

CMYK 77 / 0 / 36 / 6

HEX #38F09A

RGB 56 240 154

HSL 151.96, 0.86%, 0.58%

LAB 84.74, -63.87, 29.05

 

CMYK 5 / 77 / 0 / 6

HEX #E438F0

RGB 228 56 240

HSL 296.09, 0.86%, 0.58%

LAB 57.67, 83.76, -56.99

 

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

CMYK 77 / 25 / 0 / 6

HEX #38B3F0

RGB 56 179 240

HSL 199.89, 0.86%, 0.58%

LAB 69.02, -13.35, -39.9

 

CMYK 0 / 77 / 25 / 6

HEX #F038B3

RGB 240 56 179

HSL 319.89, 0.86%, 0.58%

LAB 56.69, 77.77, -23.65

 

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

CMYK 77 / 0 / 36 / 6

HEX #38F09A

RGB 56 240 154

HSL 151.96, 0.86%, 0.58%

LAB 84.74, -63.87, 29.05

 

CMYK 51 / 77 / 0 / 6

HEX #7538F0

RGB 117 56 240

HSL 259.89, 0.86%, 0.58%

LAB 42.61, 65.47, -82.11

 

CMYK 0 / 77 / 41 / 6

HEX #F0388E

RGB 240 56 142

HSL 331.96, 0.86%, 0.58%

LAB 55.39, 73.84, -3.9

 

CMYK 25 / 0 / 76 / 6

HEX #B3F03A

RGB 179 240 58

HSL 80.11, 0.86%, 0.58%

LAB 88.07, -43.57, 75.5

 

CMYK 77 / 0 / 13 / 6

HEX #38F0D1

RGB 56 240 209

HSL 169.89, 0.86%, 0.58%

LAB 85.89, -51.51, 2.18

 

CMYK 51 / 77 / 0 / 6

HEX #7538F0

RGB 117 56 240

HSL 259.89, 0.86%, 0.58%

LAB 42.61, 65.47, -82.11

 

CMYK 0 / 77 / 64 / 6

HEX #F03856

RGB 240 56 86

HSL 350.22, 0.86%, 0.58%

LAB 54.05, 69.68, 27.64

 

Description

Color code: HEX #B3F03A | qconv.com Color code: HEX #B3F03A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 240 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 240 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 76 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 76% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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