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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3EFCF it is the complementary color #4C1030. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3EFCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3EFCF shade: #B8EFCA, #C9FFDD, #DAFFF0, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3EFCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3EFCF shade: #B3EFCF, #A2DDBC, #91CBA9, #80B996 and #6FA783

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3EFCF shade: #B3EFCF, #B3EFBF, #B8EFB3, #C8EFB3 and #D8EFB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3EFCF shade: #B3EFCF, #B3EFDF, #B3EFEF, #B3DEEF and #B3CEEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3EFCF shade matches the following richer shades: #B3EFCF, #ACF6CF and #A4FECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3EFCF shade: #B3EFCF, #BBE8D0, #C2E0D0, #CAD9D1 and #D1D1D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3EFCF shade: #B7EFB3, #B3EFBF, #B3EFCF, #B3EFDF and #B3EFEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3EFCF shade: #6FE0A4, #91E8BA, #B3EFCF, #D5F6E5 and #F7FDFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3EFCF shade: #B3EFCF, #B3C7EF and #EFB7B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3EFCF shade: #B3EFCF, #CFB3EF and #EFCFB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3EFCF shade: #B3EFCF, #B3C7EF, #EFB3D3 and #EFDBB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3EFCF shade: #B3EFCF, #B3B5EF, #EFB3D3 and #EFEDB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

Complementary color

CMYK 0 / 79 / 37 / 70

HEX #4C1030

RGB 76 16 48

HSL 328, 0.65%, 0.18%

LAB 16.11, 31.05, -5.12

 

CMYK 23 / 0 / 15 / 6

HEX #B8EFCA

RGB 184 239 202

HSL 139.64, 0.63%, 0.83%

LAB 89.95, -24.69, 12.26

 

CMYK 21 / 0 / 13 / 0

HEX #C9FFDD

RGB 201 255 221

HSL 142.22, 1%, 0.89%

LAB 95.65, -23.55, 10.7

 

CMYK 15 / 0 / 6 / 0

HEX #DAFFF0

RGB 218 255 240

HSL 155.68, 1%, 0.93%

LAB 97.11, -14.68, 3.18

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 27 / 0 / 15 / 13

HEX #A2DDBC

RGB 162 221 188

HSL 146.44, 0.46%, 0.75%

LAB 83.46, -25.51, 10.18

 

CMYK 29 / 0 / 17 / 20

HEX #91CBA9

RGB 145 203 169

HSL 144.83, 0.36%, 0.68%

LAB 77.04, -25.73, 11.02

 

CMYK 31 / 0 / 19 / 27

HEX #80B996

RGB 128 185 150

HSL 143.16, 0.29%, 0.61%

LAB 70.52, -25.97, 11.92

 

CMYK 34 / 0 / 22 / 35

HEX #6FA783

RGB 111 167 131

HSL 141.43, 0.24%, 0.55%

LAB 63.88, -26.23, 12.88

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 0 / 20 / 6

HEX #B3EFBF

RGB 179 239 191

HSL 132, 0.65%, 0.82%

LAB 89.43, -28.25, 17.19

 

CMYK 23 / 0 / 25 / 6

HEX #B8EFB3

RGB 184 239 179

HSL 115, 0.65%, 0.82%

LAB 89.48, -28.67, 23.49

 

CMYK 16 / 0 / 25 / 6

HEX #C8EFB3

RGB 200 239 179

HSL 99, 0.65%, 0.82%

LAB 90.44, -23.27, 24.97

 

CMYK 10 / 0 / 25 / 6

HEX #D8EFB3

RGB 216 239 179

HSL 83, 0.65%, 0.82%

LAB 91.5, -17.66, 26.58

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 0 / 7 / 6

HEX #B3EFDF

RGB 179 239 223

HSL 164, 0.65%, 0.82%

LAB 90.16, -22.14, 1.59

 

CMYK 25 / 0 / 0 / 6

HEX #B3EFEF

RGB 179 239 239

HSL 180, 0.65%, 0.82%

LAB 90.57, -18.77, -6.15

 

CMYK 25 / 7 / 0 / 6

HEX #B3DEEF

RGB 179 222 239

HSL 197, 0.65%, 0.82%

LAB 86.04, -10.2, -12.89

 

CMYK 25 / 14 / 0 / 6

HEX #B3CEEF

RGB 179 206 239

HSL 213, 0.65%, 0.82%

LAB 81.82, -1.85, -19.24

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 30 / 0 / 16 / 4

HEX #ACF6CF

RGB 172 246 207

HSL 148.38, 0.8%, 0.82%

LAB 91.32, -30.75, 11.53

 

CMYK 35 / 0 / 19 / 0

HEX #A4FECE

RGB 164 254 206

HSL 148, 0.98%, 0.82%

LAB 93.12, -36.95, 14.54

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 19 / 0 / 10 / 9

HEX #BBE8D0

RGB 187 232 208

HSL 148, 0.49%, 0.82%

LAB 88.37, -19.2, 6.89

 

CMYK 13 / 0 / 7 / 12

HEX #C2E0D0

RGB 194 224 208

HSL 148, 0.33%, 0.82%

LAB 86.67, -12.94, 4.5

 

CMYK 7 / 0 / 4 / 15

HEX #CAD9D1

RGB 202 217 209

HSL 148, 0.16%, 0.82%

LAB 85.4, -6.52, 2.19

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 23 / 0 / 25 / 6

HEX #B7EFB3

RGB 183 239 179

HSL 116, 0.65%, 0.82%

LAB 89.42, -29, 23.4

 

CMYK 25 / 0 / 20 / 6

HEX #B3EFBF

RGB 179 239 191

HSL 132, 0.65%, 0.82%

LAB 89.43, -28.25, 17.19

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 0 / 7 / 6

HEX #B3EFDF

RGB 179 239 223

HSL 164, 0.65%, 0.82%

LAB 90.16, -22.14, 1.59

 

CMYK 25 / 0 / 0 / 6

HEX #B3EFEF

RGB 179 239 239

HSL 180, 0.65%, 0.82%

LAB 90.57, -18.77, -6.15

 

CMYK 50 / 0 / 27 / 12

HEX #6FE0A4

RGB 111 224 164

HSL 148.14, 0.65%, 0.66%

LAB 81.5, -45.82, 19.7

 

CMYK 38 / 0 / 20 / 9

HEX #91E8BA

RGB 145 232 186

HSL 148.28, 0.65%, 0.74%

LAB 85.64, -36.12, 14.21

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 13 / 0 / 7 / 4

HEX #D5F6E5

RGB 213 246 229

HSL 149.09, 0.65%, 0.9%

LAB 94.19, -13.87, 4.58

 

CMYK 2 / 0 / 1 / 1

HEX #F7FDFA

RGB 247 253 250

HSL 150, 0.6%, 0.98%

LAB 98.8, -2.5, 0.73

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 17 / 0 / 6

HEX #B3C7EF

RGB 179 199 239

HSL 220, 0.65%, 0.82%

LAB 79.99, 1.88, -22

 

CMYK 0 / 23 / 25 / 6

HEX #EFB7B3

RGB 239 183 179

HSL 4, 0.65%, 0.82%

LAB 79.31, 19.67, 9.87

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 13 / 25 / 0 / 6

HEX #CFB3EF

RGB 207 179 239

HSL 268, 0.65%, 0.82%

LAB 77.12, 21.31, -26.18

 

CMYK 0 / 13 / 25 / 6

HEX #EFCFB3

RGB 239 207 179

HSL 28, 0.65%, 0.82%

LAB 85.11, 7.03, 18.05

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 17 / 0 / 6

HEX #B3C7EF

RGB 179 199 239

HSL 220, 0.65%, 0.82%

LAB 79.99, 1.88, -22

 

CMYK 0 / 25 / 12 / 6

HEX #EFB3D3

RGB 239 179 211

HSL 328, 0.65%, 0.82%

LAB 79.21, 26.65, -7.6

 

CMYK 0 / 8 / 25 / 6

HEX #EFDBB3

RGB 239 219 179

HSL 40, 0.65%, 0.82%

LAB 88.1, 0.82, 22.19

 

CMYK 25 / 0 / 13 / 6

HEX #B3EFCF

RGB 179 239 207

HSL 148, 0.65%, 0.82%

LAB 89.78, -25.31, 9.38

 

CMYK 25 / 24 / 0 / 6

HEX #B3B5EF

RGB 179 181 239

HSL 238, 0.65%, 0.82%

LAB 75.37, 11.67, -29.06

 

CMYK 0 / 25 / 12 / 6

HEX #EFB3D3

RGB 239 179 211

HSL 328, 0.65%, 0.82%

LAB 79.21, 26.65, -7.6

 

CMYK 0 / 1 / 25 / 6

HEX #EFEDB3

RGB 239 237 179

HSL 58, 0.65%, 0.82%

LAB 92.65, -8.31, 28.43

 

Description

Color code: HEX #B3EFCF | qconv.com Color code: HEX #B3EFCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 239 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 239 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 13 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 13% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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