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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3E930 it is the complementary color #4C16CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3E930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3E930 shade: #B8E92B, #C9FB3E, #DAFF51, #EBFF64 and #FCFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3E930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3E930 shade: #B3E930, #A2D71D, #91C50A, #80B300 and #6FA100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3E930 shade: #B3E92F, #E5E92F, #E9BB2F, #E9892F and #E9572F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3E930 shade: #B3E92F, #81E92F, #4FE92F, #2FE942 and #2FE974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3E930 shade matches the following richer shades: #B3E92F and #BBFC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3E930 shade: #B3E92F, #ABD742, #A3C454, #9CB167 and #949F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3E930 shade: #E9BB2F, #E6E92F, #B5E92F, #83E92F and #51E92F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3E930 shade: #84B313, #A0D917, #B3E92F, #C1ED55 and #CEF17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3E930 shade: #B3E930, #2FE989 and #D42FE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3E930 shade: #B3E930, #2FB5E9 and #E92FB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3E930 shade: #B3E930, #2FE989, #642FE9 and #E92F8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3E930 shade: #B3E930, #2FE9C1, #642FE9 and #E92F58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

Complementary color

CMYK 63 / 89 / 0 / 19

HEX #4C16CF

RGB 76 22 207

HSL 257.51, 0.81%, 0.45%

LAB 30.91, 65.13, -82.66

 

CMYK 21 / 0 / 82 / 9

HEX #B8E92B

RGB 184 233 43

HSL 75.47, 0.81%, 0.54%

LAB 86.33, -39.21, 78.11

 

CMYK 20 / 0 / 75 / 2

HEX #C9FB3E

RGB 201 251 62

HSL 75.87, 0.96%, 0.61%

LAB 92.47, -39.92, 78.89

 

CMYK 15 / 0 / 68 / 0

HEX #DAFF51

RGB 218 255 81

HSL 72.76, 1%, 0.66%

LAB 94.75, -34.24, 75.22

 

CMYK 8 / 0 / 61 / 0

HEX #EBFF64

RGB 235 255 100

HSL 67.74, 1%, 0.7%

LAB 96.04, -26.46, 69.67

 

CMYK 1 / 0 / 53 / 0

HEX #FCFF77

RGB 252 255 119

HSL 61.32, 1%, 0.73%

LAB 97.45, -18.43, 63.56

 

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

CMYK 25 / 0 / 87 / 16

HEX #A2D71D

RGB 162 215 29

HSL 77.1, 0.76%, 0.48%

LAB 79.82, -40.15, 75.08

 

CMYK 26 / 0 / 95 / 23

HEX #91C50A

RGB 145 197 10

HSL 76.68, 0.9%, 0.41%

LAB 73.53, -39.16, 72.41

 

CMYK 28 / 0 / 100 / 30

HEX #80B300

RGB 128 179 0

HSL 77.09, 1%, 0.35%

LAB 67.15, -37.95, 68.15

 

CMYK 31 / 0 / 100 / 37

HEX #6FA100

RGB 111 161 0

HSL 78.63, 1%, 0.32%

LAB 60.67, -36.57, 62.75

 

CMYK 23 / 0 / 80 / 9

HEX #B3E92F

RGB 179 233 47

HSL 77.42, 0.81%, 0.55%

LAB 86.04, -40.99, 76.73

 

CMYK 2 / 0 / 80 / 9

HEX #E5E92F

RGB 229 233 47

HSL 61.29, 0.81%, 0.55%

LAB 89.46, -21.01, 81.06

 

CMYK 0 / 20 / 80 / 9

HEX #E9BB2F

RGB 233 187 47

HSL 45.16, 0.81%, 0.55%

LAB 77.92, 3.83, 71.1

 

CMYK 0 / 41 / 80 / 9

HEX #E9892F

RGB 233 137 47

HSL 29.03, 0.81%, 0.55%

LAB 66.07, 30.25, 60.42

 

CMYK 0 / 63 / 80 / 9

HEX #E9572F

RGB 233 87 47

HSL 12.9, 0.81%, 0.55%

LAB 56.43, 54.6, 51.35

 

CMYK 23 / 0 / 80 / 9

HEX #B3E92F

RGB 179 233 47

HSL 77.42, 0.81%, 0.55%

LAB 86.04, -40.99, 76.73

 

CMYK 45 / 0 / 80 / 9

HEX #81E92F

RGB 129 233 47

HSL 93.55, 0.81%, 0.55%

LAB 83.52, -58.36, 73.52

 

CMYK 66 / 0 / 80 / 9

HEX #4FE92F

RGB 79 233 47

HSL 109.68, 0.81%, 0.55%

LAB 81.92, -71.07, 71.45

 

CMYK 80 / 0 / 72 / 9

HEX #2FE942

RGB 47 233 66

HSL 126.13, 0.81%, 0.55%

LAB 81.44, -74.75, 64.83

 

CMYK 80 / 0 / 50 / 9

HEX #2FE974

RGB 47 233 116

HSL 142.26, 0.81%, 0.55%

LAB 81.92, -68.99, 44.16

 

CMYK 23 / 0 / 80 / 9

HEX #B3E92F

RGB 179 233 47

HSL 77.42, 0.81%, 0.55%

LAB 86.04, -40.99, 76.73

 

CMYK 26 / 0 / 88 / 1

HEX #BBFC1D

RGB 187 252 29

HSL 77.49, 0.97%, 0.55%

LAB 91.81, -46.71, 85.58

 

CMYK 23 / 0 / 80 / 9

HEX #B3E92F

RGB 179 233 47

HSL 77.42, 0.81%, 0.55%

LAB 86.04, -40.99, 76.73

 

CMYK 20 / 0 / 69 / 16

HEX #ABD742

RGB 171 215 66

HSL 77.72, 0.65%, 0.55%

LAB 80.55, -35.07, 65.36

 

CMYK 17 / 0 / 57 / 23

HEX #A3C454

RGB 163 196 84

HSL 77.68, 0.49%, 0.55%

LAB 74.77, -27.99, 51.59

 

CMYK 12 / 0 / 42 / 31

HEX #9CB167

RGB 156 177 103

HSL 77.03, 0.32%, 0.55%

LAB 69.11, -19.43, 35.42

 

CMYK 7 / 0 / 23 / 38

HEX #949F7A

RGB 148 159 122

HSL 77.84, 0.16%, 0.55%

LAB 63.75, -10.58, 18.04

 

CMYK 0 / 20 / 80 / 9

HEX #E9BB2F

RGB 233 187 47

HSL 45.16, 0.81%, 0.55%

LAB 77.92, 3.83, 71.1

 

CMYK 1 / 0 / 80 / 9

HEX #E6E92F

RGB 230 233 47

HSL 60.97, 0.81%, 0.55%

LAB 89.54, -20.6, 81.15

 

CMYK 22 / 0 / 80 / 9

HEX #B5E92F

RGB 181 233 47

HSL 76.77, 0.81%, 0.55%

LAB 86.16, -40.22, 76.89

 

CMYK 44 / 0 / 80 / 9

HEX #83E92F

RGB 131 233 47

HSL 92.9, 0.81%, 0.55%

LAB 83.6, -57.75, 73.62

 

CMYK 65 / 0 / 80 / 9

HEX #51E92F

RGB 81 233 47

HSL 109.03, 0.81%, 0.55%

LAB 81.96, -70.68, 71.51

 

CMYK 26 / 0 / 89 / 30

HEX #84B313

RGB 132 179 19

HSL 77.63, 0.81%, 0.39%

LAB 67.42, -36.03, 65.92

 

CMYK 26 / 0 / 89 / 15

HEX #A0D917

RGB 160 217 23

HSL 77.63, 0.81%, 0.47%

LAB 80.27, -41.94, 76.46

 

CMYK 23 / 0 / 80 / 9

HEX #B3E92F

RGB 179 233 47

HSL 77.42, 0.81%, 0.55%

LAB 86.04, -40.99, 76.73

 

CMYK 19 / 0 / 64 / 7

HEX #C1ED55

RGB 193 237 85

HSL 77.37, 0.81%, 0.63%

LAB 88.24, -35.4, 66.49

 

CMYK 15 / 0 / 49 / 5

HEX #CEF17A

RGB 206 241 122

HSL 77.65, 0.81%, 0.71%

LAB 90.52, -29.23, 53.27

 

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

CMYK 80 / 0 / 41 / 9

HEX #2FE989

RGB 47 233 137

HSL 149.03, 0.81%, 0.55%

LAB 82.21, -65.53, 34.25

 

CMYK 9 / 80 / 0 / 9

HEX #D42FE9

RGB 212 47 233

HSL 293.23, 0.81%, 0.55%

LAB 53.93, 82.02, -59.18

 

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

CMYK 80 / 22 / 0 / 9

HEX #2FB5E9

RGB 47 181 233

HSL 196.77, 0.81%, 0.55%

LAB 69.14, -17.68, -35.92

 

CMYK 0 / 80 / 22 / 9

HEX #E92FB5

RGB 233 47 181

HSL 316.77, 0.81%, 0.55%

LAB 54.75, 78.75, -27.9

 

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

CMYK 80 / 0 / 41 / 9

HEX #2FE989

RGB 47 233 137

HSL 149.03, 0.81%, 0.55%

LAB 82.21, -65.53, 34.25

 

CMYK 57 / 80 / 0 / 9

HEX #642FE9

RGB 100 47 233

HSL 257.1, 0.81%, 0.55%

LAB 38.94, 65.35, -84.25

 

CMYK 0 / 80 / 39 / 9

HEX #E92F8F

RGB 233 47 143

HSL 329.03, 0.81%, 0.55%

LAB 53.32, 74.58, -7.7

 

CMYK 23 / 0 / 79 / 9

HEX #B3E930

RGB 179 233 48

HSL 77.51, 0.81%, 0.55%

LAB 86.04, -40.95, 76.47

 

CMYK 80 / 0 / 17 / 9

HEX #2FE9C1

RGB 47 233 193

HSL 167.1, 0.81%, 0.55%

LAB 83.3, -53.53, 6.83

 

CMYK 57 / 80 / 0 / 9

HEX #642FE9

RGB 100 47 233

HSL 257.1, 0.81%, 0.55%

LAB 38.94, 65.35, -84.25

 

CMYK 0 / 80 / 62 / 9

HEX #E92F58

RGB 233 47 88

HSL 346.77, 0.81%, 0.55%

LAB 51.91, 70.34, 23.41

 

Description

Color code: HEX #B3E930 | qconv.com Color code: HEX #B3E930 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 233 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 233 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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