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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3DD5E it is the complementary color #4C22A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3DD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3DD5E shade: #B8DD59, #C9EF6C, #DAFF7F, #EBFF92 and #FCFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3DD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3DD5E shade: #B3DD5E, #A2CB4B, #91B938, #80A725 and #6F9512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3DD5E shade: #B3DD5F, #D5DD5F, #DDC25F, #DDA05F and #DD7E5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3DD5E shade: #B3DD5F, #91DD5F, #6FDD5F, #5FDD70 and #5FDD92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3DD5E shade matches the following richer shades: #B3DD5F, #B8EC4F and #BEFC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3DD5E shade: #B3DD5F, #AECD6E, #A8BD7E, #A3AE8E and #9E9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3DD5E shade: #DDC15F, #D6DD5F, #B5DD5F, #93DD5F and #72DD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3DD5E shade: #8EC028, #A3D53D, #B3DD5F, #C3E481 and #D3EBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3DD5E shade: #B3DD5E, #5FDDA0 and #D25FDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3DD5E shade: #B3DD5E, #5FB5DD and #DD5FB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3DD5E shade: #B3DD5E, #5FDDA0, #875FDD and #DD5F9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3DD5E shade: #B3DD5E, #5FDDC5, #875FDD and #DD5F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

Complementary color

CMYK 53 / 79 / 0 / 37

HEX #4C22A1

RGB 76 34 161

HSL 259.84, 0.65%, 0.38%

LAB 27.45, 48.66, -61.05

 

CMYK 17 / 0 / 60 / 13

HEX #B8DD59

RGB 184 221 89

HSL 76.82, 0.66%, 0.61%

LAB 83.24, -31.2, 59.27

 

CMYK 16 / 0 / 55 / 6

HEX #C9EF6C

RGB 201 239 108

HSL 77.4, 0.8%, 0.68%

LAB 89.5, -31.48, 58.35

 

CMYK 15 / 0 / 50 / 0

HEX #DAFF7F

RGB 218 255 127

HSL 77.34, 1%, 0.75%

LAB 95.14, -30.77, 56.68

 

CMYK 8 / 0 / 43 / 0

HEX #EBFF92

RGB 235 255 146

HSL 71.01, 1%, 0.79%

LAB 96.52, -22.52, 49.75

 

CMYK 1 / 0 / 35 / 0

HEX #FCFFA5

RGB 252 255 165

HSL 62, 1%, 0.82%

LAB 98.01, -14.08, 42.71

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

CMYK 20 / 0 / 63 / 20

HEX #A2CB4B

RGB 162 203 75

HSL 79.22, 0.55%, 0.55%

LAB 76.62, -32.42, 57.55

 

CMYK 22 / 0 / 70 / 27

HEX #91B938

RGB 145 185 56

HSL 78.6, 0.54%, 0.47%

LAB 70.18, -32.01, 58.08

 

CMYK 23 / 0 / 78 / 35

HEX #80A725

RGB 128 167 37

HSL 78, 0.64%, 0.4%

LAB 63.64, -31.45, 58.03

 

CMYK 26 / 0 / 88 / 42

HEX #6F9512

RGB 111 149 18

HSL 77.4, 0.78%, 0.33%

LAB 57, -30.66, 56.89

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5F

RGB 179 221 95

HSL 80, 0.65%, 0.62%

LAB 82.98, -32.62, 56.27

 

CMYK 4 / 0 / 57 / 13

HEX #D5DD5F

RGB 213 221 95

HSL 63.81, 0.65%, 0.62%

LAB 85.34, -19.26, 59.58

 

CMYK 0 / 12 / 57 / 13

HEX #DDC25F

RGB 221 194 95

HSL 47.14, 0.65%, 0.62%

LAB 78.92, -2.35, 52.47

 

CMYK 0 / 28 / 57 / 13

HEX #DDA05F

RGB 221 160 95

HSL 30.95, 0.65%, 0.62%

LAB 70.41, 15.65, 42.44

 

CMYK 0 / 43 / 57 / 13

HEX #DD7E5F

RGB 221 126 95

HSL 14.76, 0.65%, 0.62%

LAB 62.61, 33.81, 32.79

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5F

RGB 179 221 95

HSL 80, 0.65%, 0.62%

LAB 82.98, -32.62, 56.27

 

CMYK 34 / 0 / 57 / 13

HEX #91DD5F

RGB 145 221 95

HSL 96.19, 0.65%, 0.62%

LAB 81.05, -44.87, 53.56

 

CMYK 50 / 0 / 57 / 13

HEX #6FDD5F

RGB 111 221 95

HSL 112.38, 0.65%, 0.62%

LAB 79.57, -55.34, 51.46

 

CMYK 57 / 0 / 49 / 13

HEX #5FDD70

RGB 95 221 112

HSL 128.1, 0.65%, 0.62%

LAB 79.22, -57.25, 42.96

 

CMYK 57 / 0 / 34 / 13

HEX #5FDD92

RGB 95 221 146

HSL 144.29, 0.65%, 0.62%

LAB 79.74, -51.7, 26.57

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5F

RGB 179 221 95

HSL 80, 0.65%, 0.62%

LAB 82.98, -32.62, 56.27

 

CMYK 22 / 0 / 67 / 7

HEX #B8EC4F

RGB 184 236 79

HSL 79.87, 0.81%, 0.62%

LAB 87.36, -38.76, 67.73

 

CMYK 25 / 0 / 75 / 1

HEX #BEFC3F

RGB 190 252 63

HSL 79.68, 0.97%, 0.62%

LAB 92.1, -44.44, 78.01

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5F

RGB 179 221 95

HSL 80, 0.65%, 0.62%

LAB 82.98, -32.62, 56.27

 

CMYK 15 / 0 / 46 / 20

HEX #AECD6E

RGB 174 205 110

HSL 79.58, 0.49%, 0.62%

LAB 78.34, -25.48, 43.69

 

CMYK 11 / 0 / 33 / 26

HEX #A8BD7E

RGB 168 189 126

HSL 80, 0.32%, 0.62%

LAB 73.69, -17.9, 29.53

 

CMYK 6 / 0 / 18 / 32

HEX #A3AE8E

RGB 163 174 142

HSL 80.63, 0.16%, 0.62%

LAB 69.48, -9.64, 15.15

 

CMYK 0 / 0 / 1 / 38

HEX #9E9E9D

RGB 158 158 157

HSL 60, 0.01%, 0.62%

LAB 65.09, -0.19, 0.51

 

CMYK 0 / 13 / 57 / 13

HEX #DDC15F

RGB 221 193 95

HSL 46.67, 0.65%, 0.62%

LAB 78.66, -1.83, 52.17

 

CMYK 3 / 0 / 57 / 13

HEX #D6DD5F

RGB 214 221 95

HSL 63.33, 0.65%, 0.62%

LAB 85.42, -18.86, 59.69

 

CMYK 18 / 0 / 57 / 13

HEX #B5DD5F

RGB 181 221 95

HSL 79.05, 0.65%, 0.62%

LAB 83.11, -31.85, 56.45

 

CMYK 33 / 0 / 57 / 13

HEX #93DD5F

RGB 147 221 95

HSL 95.24, 0.65%, 0.62%

LAB 81.15, -44.2, 53.7

 

CMYK 48 / 0 / 57 / 13

HEX #72DD5F

RGB 114 221 95

HSL 110.95, 0.65%, 0.62%

LAB 79.68, -54.51, 51.62

 

CMYK 26 / 0 / 79 / 25

HEX #8EC028

RGB 142 192 40

HSL 79.74, 0.66%, 0.45%

LAB 71.96, -37.26, 65.12

 

CMYK 23 / 0 / 71 / 16

HEX #A3D53D

RGB 163 213 61

HSL 79.74, 0.64%, 0.54%

LAB 79.45, -37.54, 65.9

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5F

RGB 179 221 95

HSL 80, 0.65%, 0.62%

LAB 82.98, -32.62, 56.27

 

CMYK 14 / 0 / 43 / 11

HEX #C3E481

RGB 195 228 129

HSL 80, 0.65%, 0.7%

LAB 86.34, -26.47, 44.64

 

CMYK 10 / 0 / 31 / 8

HEX #D3EBA3

RGB 211 235 163

HSL 80, 0.64%, 0.78%

LAB 89.82, -19.74, 32.4

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

CMYK 57 / 0 / 28 / 13

HEX #5FDDA0

RGB 95 221 160

HSL 150.95, 0.65%, 0.62%

LAB 80, -48.98, 19.64

 

CMYK 5 / 57 / 0 / 13

HEX #D25FDD

RGB 210 95 221

HSL 294.76, 0.65%, 0.62%

LAB 59.07, 62.38, -44.27

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

CMYK 57 / 18 / 0 / 13

HEX #5FB5DD

RGB 95 181 221

HSL 199.05, 0.65%, 0.62%

LAB 69.97, -14.59, -27.98

 

CMYK 0 / 57 / 18 / 13

HEX #DD5FB5

RGB 221 95 181

HSL 319.05, 0.65%, 0.62%

LAB 58.87, 58.86, -21.71

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

CMYK 57 / 0 / 28 / 13

HEX #5FDDA0

RGB 95 221 160

HSL 150.95, 0.65%, 0.62%

LAB 80, -48.98, 19.64

 

CMYK 39 / 57 / 0 / 13

HEX #875FDD

RGB 135 95 221

HSL 259.05, 0.65%, 0.62%

LAB 50.16, 44.04, -59

 

CMYK 0 / 57 / 29 / 13

HEX #DD5F9C

RGB 221 95 156

HSL 330.95, 0.65%, 0.62%

LAB 58, 55.47, -8.58

 

CMYK 19 / 0 / 57 / 13

HEX #B3DD5E

RGB 179 221 94

HSL 79.84, 0.65%, 0.62%

LAB 82.97, -32.7, 56.7

 

CMYK 57 / 0 / 11 / 13

HEX #5FDDC5

RGB 95 221 197

HSL 168.57, 0.65%, 0.62%

LAB 80.84, -40.68, 1.27

 

CMYK 39 / 57 / 0 / 13

HEX #875FDD

RGB 135 95 221

HSL 259.05, 0.65%, 0.62%

LAB 50.16, 44.04, -59

 

CMYK 0 / 57 / 47 / 13

HEX #DD5F76

RGB 221 95 118

HSL 349.05, 0.65%, 0.62%

LAB 56.94, 51.27, 12.11

 

Description

Color code: HEX #B3DD5E | qconv.com Color code: HEX #B3DD5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 221 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 221 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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