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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3D671 it is the complementary color #4C298E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3D671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3D671 shade: #B8D66C, #C9E87F, #DAFA92, #EBFFA5 and #FCFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3D671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3D671 shade: #B3D671, #A2C45E, #91B24B, #80A038 and #6F8E25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3D671 shade: #B3D671, #CED671, #D6C271, #D6A771 and #D68C71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3D671 shade: #B3D671, #97D671, #7CD671, #71D680 and #71D69C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3D671 shade matches the following richer shades: #B3D671, #B7E562 and #BCF353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3D671 shade: #B3D671, #AEC780, #AAB88E, #A5A99D and #A09AAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3D671 shade: #D6C171, #CFD671, #B4D671, #99D671 and #7ED671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3D671 shade: #8FBD37, #A2CC51, #B3D671, #C4DF91 and #D5E8B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3D671 shade: #B3D671, #71D6A7 and #CF71D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3D671 shade: #B3D671, #71B4D6 and #D671B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3D671 shade: #B3D671, #71D6A7, #9271D6 and #D671A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3D671 shade: #B3D671, #71D6C5, #9271D6 and #D67182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

Complementary color

CMYK 46 / 71 / 0 / 44

HEX #4C298E

RGB 76 41 142

HSL 260.79, 0.55%, 0.36%

LAB 26.95, 39.83, -50.21

 

CMYK 14 / 0 / 50 / 16

HEX #B8D66C

RGB 184 214 108

HSL 76.98, 0.56%, 0.63%

LAB 81.49, -26.19, 48.64

 

CMYK 13 / 0 / 45 / 9

HEX #C9E87F

RGB 201 232 127

HSL 77.71, 0.7%, 0.7%

LAB 87.81, -26.35, 47.52

 

CMYK 13 / 0 / 42 / 2

HEX #DAFA92

RGB 218 250 146

HSL 78.46, 0.91%, 0.78%

LAB 94.03, -26.47, 46.39

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA5

RGB 235 255 165

HSL 73.33, 1%, 0.82%

LAB 96.78, -20.39, 40.88

 

CMYK 1 / 0 / 28 / 0

HEX #FCFFB8

RGB 252 255 184

HSL 62.54, 1%, 0.86%

LAB 98.3, -11.8, 33.69

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 17 / 0 / 52 / 23

HEX #A2C45E

RGB 162 196 94

HSL 80, 0.46%, 0.57%

LAB 74.81, -27.44, 46.97

 

CMYK 19 / 0 / 58 / 30

HEX #91B24B

RGB 145 178 75

HSL 79.22, 0.41%, 0.5%

LAB 68.29, -27.23, 48.02

 

CMYK 20 / 0 / 65 / 37

HEX #80A038

RGB 128 160 56

HSL 78.46, 0.48%, 0.42%

LAB 61.67, -26.92, 48.89

 

CMYK 22 / 0 / 74 / 44

HEX #6F8E25

RGB 111 142 37

HSL 77.71, 0.59%, 0.35%

LAB 54.93, -26.44, 49.31

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 4 / 0 / 47 / 16

HEX #CED671

RGB 206 214 113

HSL 64.75, 0.55%, 0.64%

LAB 83.13, -17.09, 48.6

 

CMYK 0 / 9 / 47 / 16

HEX #D6C271

RGB 214 194 113

HSL 48.12, 0.55%, 0.64%

LAB 78.5, -3.71, 43.1

 

CMYK 0 / 22 / 47 / 16

HEX #D6A771

RGB 214 167 113

HSL 32.08, 0.55%, 0.64%

LAB 71.64, 10.58, 34.46

 

CMYK 0 / 35 / 47 / 16

HEX #D68C71

RGB 214 140 113

HSL 16.04, 0.55%, 0.64%

LAB 65.16, 25.16, 26.01

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 29 / 0 / 47 / 16

HEX #97D671

RGB 151 214 113

HSL 97.43, 0.55%, 0.64%

LAB 79.54, -37.76, 43.39

 

CMYK 42 / 0 / 47 / 16

HEX #7CD671

RGB 124 214 113

HSL 113.47, 0.55%, 0.64%

LAB 78.21, -46.54, 41.45

 

CMYK 47 / 0 / 40 / 16

HEX #71D680

RGB 113 214 128

HSL 128.91, 0.55%, 0.64%

LAB 77.97, -47.51, 33.56

 

CMYK 47 / 0 / 27 / 16

HEX #71D69C

RGB 113 214 156

HSL 145.54, 0.55%, 0.64%

LAB 78.46, -42.56, 19.71

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 20 / 0 / 57 / 10

HEX #B7E562

RGB 183 229 98

HSL 81.07, 0.72%, 0.64%

LAB 85.5, -34.53, 57.88

 

CMYK 23 / 0 / 66 / 5

HEX #BCF353

RGB 188 243 83

HSL 80.63, 0.87%, 0.64%

LAB 89.59, -40.11, 68.59

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 13 / 0 / 36 / 22

HEX #AEC780

RGB 174 199 128

HSL 81.13, 0.39%, 0.64%

LAB 76.92, -20.37, 32.81

 

CMYK 8 / 0 / 23 / 28

HEX #AAB88E

RGB 170 184 142

HSL 80, 0.23%, 0.64%

LAB 72.75, -12.26, 19.76

 

CMYK 2 / 0 / 7 / 34

HEX #A5A99D

RGB 165 169 157

HSL 80, 0.07%, 0.64%

LAB 68.61, -3.65, 5.69

 

CMYK 7 / 10 / 0 / 33

HEX #A09AAC

RGB 160 154 172

HSL 260, 0.1%, 0.64%

LAB 64.61, 5.71, -8.58

 

CMYK 0 / 10 / 47 / 16

HEX #D6C171

RGB 214 193 113

HSL 47.52, 0.55%, 0.64%

LAB 78.24, -3.19, 42.78

 

CMYK 3 / 0 / 47 / 16

HEX #CFD671

RGB 207 214 113

HSL 64.16, 0.55%, 0.64%

LAB 83.21, -16.69, 48.71

 

CMYK 16 / 0 / 47 / 16

HEX #B4D671

RGB 180 214 113

HSL 80.2, 0.55%, 0.64%

LAB 81.29, -27.2, 45.93

 

CMYK 29 / 0 / 47 / 16

HEX #99D671

RGB 153 214 113

HSL 96.24, 0.55%, 0.64%

LAB 79.65, -37.06, 43.55

 

CMYK 41 / 0 / 47 / 16

HEX #7ED671

RGB 126 214 113

HSL 112.28, 0.55%, 0.64%

LAB 78.3, -45.94, 41.58

 

CMYK 24 / 0 / 71 / 26

HEX #8FBD37

RGB 143 189 55

HSL 80.6, 0.55%, 0.48%

LAB 71.22, -34.71, 59.47

 

CMYK 21 / 0 / 60 / 20

HEX #A2CC51

RGB 162 204 81

HSL 80.49, 0.55%, 0.56%

LAB 76.96, -32.41, 55.36

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 12 / 0 / 35 / 13

HEX #C4DF91

RGB 196 223 145

HSL 80.77, 0.55%, 0.72%

LAB 85.28, -21.76, 35.34

 

CMYK 8 / 0 / 24 / 9

HEX #D5E8B1

RGB 213 232 177

HSL 80.73, 0.54%, 0.8%

LAB 89.41, -15.57, 24.72

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 47 / 0 / 22 / 16

HEX #71D6A7

RGB 113 214 167

HSL 152.08, 0.55%, 0.64%

LAB 78.69, -40.35, 14.21

 

CMYK 3 / 47 / 0 / 16

HEX #CF71D6

RGB 207 113 214

HSL 295.84, 0.55%, 0.64%

LAB 61.59, 51.67, -36.4

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 47 / 16 / 0 / 16

HEX #71B4D6

RGB 113 180 214

HSL 200.2, 0.55%, 0.64%

LAB 70.18, -12.18, -23.76

 

CMYK 0 / 47 / 16 / 16

HEX #D671B4

RGB 214 113 180

HSL 320.2, 0.55%, 0.64%

LAB 61.13, 47.98, -17.78

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 47 / 0 / 22 / 16

HEX #71D6A7

RGB 113 214 167

HSL 152.08, 0.55%, 0.64%

LAB 78.69, -40.35, 14.21

 

CMYK 32 / 47 / 0 / 16

HEX #9271D6

RGB 146 113 214

HSL 259.6, 0.55%, 0.64%

LAB 54.84, 34.69, -47.5

 

CMYK 0 / 47 / 25 / 16

HEX #D671A0

RGB 214 113 160

HSL 332.08, 0.55%, 0.64%

LAB 60.47, 45.04, -7.32

 

CMYK 16 / 0 / 47 / 16

HEX #B3D671

RGB 179 214 113

HSL 80.79, 0.55%, 0.64%

LAB 81.22, -27.58, 45.84

 

CMYK 47 / 0 / 8 / 16

HEX #71D6C5

RGB 113 214 197

HSL 169.9, 0.55%, 0.64%

LAB 79.41, -33.64, -0.75

 

CMYK 32 / 47 / 0 / 16

HEX #9271D6

RGB 146 113 214

HSL 259.6, 0.55%, 0.64%

LAB 54.84, 34.69, -47.5

 

CMYK 0 / 47 / 39 / 16

HEX #D67182

RGB 214 113 130

HSL 349.9, 0.55%, 0.64%

LAB 59.63, 41.25, 8.78

 

Description

Color code: HEX #B3D671 | qconv.com Color code: HEX #B3D671 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 214 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 214 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 47 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 47% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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