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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3D554 it is the complementary color #4C2AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3D554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3D554 shade: #B8D54F, #C9E762, #DAF975, #EBFF88 and #FCFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3D554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3D554 shade: #B3D554, #A2C341, #91B12E, #809F1B and #6F8D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3D554 shade: #B3D553, #D5D453, #D5B153, #D58E53 and #D56B53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3D554 shade: #B3D553, #90D553, #6CD553, #53D55C and #53D57F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3D554 shade matches the following richer shades: #B3D553, #BBE741 and #C3F830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3D554 shade: #B3D553, #ABC464, #A2B375, #9AA187 and #929098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3D554 shade: #D5B053, #D5D353, #B5D553, #92D553 and #6FD553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3D554 shade: #89AC2A, #A4CD32, #B3D553, #C1DD74 and #D0E595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3D554 shade: #B3D554, #53D58D and #C253D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3D554 shade: #B3D554, #53B5D5 and #D553B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3D554 shade: #B3D554, #53D58D, #7353D5 and #D5539A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3D554 shade: #B3D554, #53D5B5, #7353D5 and #D55373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

Complementary color

CMYK 56 / 75 / 0 / 33

HEX #4C2AAB

RGB 76 42 171

HSL 255.81, 0.61%, 0.42%

LAB 29.74, 47.66, -63.32

 

CMYK 14 / 0 / 63 / 16

HEX #B8D54F

RGB 184 213 79

HSL 72.99, 0.61%, 0.57%

LAB 80.93, -28.18, 60.95

 

CMYK 13 / 0 / 58 / 9

HEX #C9E762

RGB 201 231 98

HSL 73.53, 0.73%, 0.65%

LAB 87.22, -28.58, 60.14

 

CMYK 12 / 0 / 53 / 2

HEX #DAF975

RGB 218 249 117

HSL 74.09, 0.92%, 0.72%

LAB 93.42, -28.9, 59.17

 

CMYK 8 / 0 / 47 / 0

HEX #EBFF88

RGB 235 255 136

HSL 70.08, 1%, 0.77%

LAB 96.39, -23.52, 54.31

 

CMYK 1 / 0 / 39 / 0

HEX #FCFF9B

RGB 252 255 155

HSL 61.8, 1%, 0.8%

LAB 97.87, -15.16, 47.4

 

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

CMYK 17 / 0 / 67 / 24

HEX #A2C341

RGB 162 195 65

HSL 75.23, 0.52%, 0.51%

LAB 74.25, -29.37, 59.11

 

CMYK 18 / 0 / 74 / 31

HEX #91B12E

RGB 145 177 46

HSL 74.66, 0.59%, 0.44%

LAB 67.77, -28.81, 59.34

 

CMYK 19 / 0 / 83 / 38

HEX #809F1B

RGB 128 159 27

HSL 74.09, 0.71%, 0.36%

LAB 61.19, -28.07, 58.75

 

CMYK 21 / 0 / 94 / 45

HEX #6F8D08

RGB 111 141 8

HSL 73.53, 0.89%, 0.29%

LAB 54.5, -27.08, 56.69

 

CMYK 16 / 0 / 61 / 16

HEX #B3D553

RGB 179 213 83

HSL 75.69, 0.61%, 0.58%

LAB 80.63, -29.86, 58.85

 

CMYK 0 / 0 / 61 / 16

HEX #D5D453

RGB 213 212 83

HSL 59.54, 0.61%, 0.58%

LAB 82.84, -15.66, 61.97

 

CMYK 0 / 17 / 61 / 16

HEX #D5B153

RGB 213 177 83

HSL 43.38, 0.61%, 0.58%

LAB 73.68, 2.33, 51.92

 

CMYK 0 / 33 / 61 / 16

HEX #D58E53

RGB 213 142 83

HSL 27.23, 0.61%, 0.58%

LAB 65.06, 21.13, 41.95

 

CMYK 0 / 50 / 61 / 16

HEX #D56B53

RGB 213 107 83

HSL 11.08, 0.61%, 0.58%

LAB 57.35, 39.66, 32.6

 

CMYK 16 / 0 / 61 / 16

HEX #B3D553

RGB 179 213 83

HSL 75.69, 0.61%, 0.58%

LAB 80.63, -29.86, 58.85

 

CMYK 32 / 0 / 61 / 16

HEX #90D553

RGB 144 213 83

HSL 91.85, 0.61%, 0.58%

LAB 78.54, -42.91, 55.97

 

CMYK 49 / 0 / 61 / 16

HEX #6CD553

RGB 108 213 83

HSL 108.46, 0.61%, 0.58%

LAB 76.92, -54.36, 53.7

 

CMYK 61 / 0 / 57 / 16

HEX #53D55C

RGB 83 213 92

HSL 124.15, 0.61%, 0.58%

LAB 76.19, -59.64, 48.64

 

CMYK 61 / 0 / 40 / 16

HEX #53D57F

RGB 83 213 127

HSL 140.31, 0.61%, 0.58%

LAB 76.65, -54.49, 32.16

 

CMYK 16 / 0 / 61 / 16

HEX #B3D553

RGB 179 213 83

HSL 75.69, 0.61%, 0.58%

LAB 80.63, -29.86, 58.85

 

CMYK 19 / 0 / 72 / 9

HEX #BBE741

RGB 187 231 65

HSL 75.9, 0.78%, 0.58%

LAB 86.06, -36.2, 71.51

 

CMYK 21 / 0 / 81 / 3

HEX #C3F830

RGB 195 248 48

HSL 75.9, 0.93%, 0.58%

LAB 91.21, -41.45, 81.44

 

CMYK 16 / 0 / 61 / 16

HEX #B3D553

RGB 179 213 83

HSL 75.69, 0.61%, 0.58%

LAB 80.63, -29.86, 58.85

 

CMYK 13 / 0 / 49 / 23

HEX #ABC464

RGB 171 196 100

HSL 75.63, 0.45%, 0.58%

LAB 75.49, -23.32, 45.04

 

CMYK 9 / 0 / 35 / 30

HEX #A2B375

RGB 162 179 117

HSL 76.45, 0.29%, 0.58%

LAB 70.32, -16.33, 29.75

 

CMYK 4 / 0 / 16 / 37

HEX #9AA187

RGB 154 161 135

HSL 76.15, 0.12%, 0.58%

LAB 65.05, -7.24, 12.71

 

CMYK 4 / 5 / 0 / 40

HEX #929098

RGB 146 144 152

HSL 255, 0.04%, 0.58%

LAB 60.18, 2.31, -3.97

 

CMYK 0 / 17 / 61 / 16

HEX #D5B053

RGB 213 176 83

HSL 42.92, 0.61%, 0.58%

LAB 73.43, 2.86, 51.63

 

CMYK 0 / 1 / 61 / 16

HEX #D5D353

RGB 213 211 83

HSL 59.08, 0.61%, 0.58%

LAB 82.57, -15.16, 61.69

 

CMYK 15 / 0 / 61 / 16

HEX #B5D553

RGB 181 213 83

HSL 74.77, 0.61%, 0.58%

LAB 80.76, -29.07, 59.04

 

CMYK 31 / 0 / 61 / 16

HEX #92D553

RGB 146 213 83

HSL 90.92, 0.61%, 0.58%

LAB 78.65, -42.2, 56.12

 

CMYK 48 / 0 / 61 / 16

HEX #6FD553

RGB 111 213 83

HSL 107.08, 0.61%, 0.58%

LAB 77.04, -53.51, 53.87

 

CMYK 20 / 0 / 76 / 33

HEX #89AC2A

RGB 137 172 42

HSL 76.15, 0.61%, 0.42%

LAB 65.74, -29.91, 58.58

 

CMYK 20 / 0 / 76 / 20

HEX #A4CD32

RGB 164 205 50

HSL 75.87, 0.61%, 0.5%

LAB 77.15, -34.09, 67.39

 

CMYK 16 / 0 / 61 / 16

HEX #B3D553

RGB 179 213 83

HSL 75.69, 0.61%, 0.58%

LAB 80.63, -29.86, 58.85

 

CMYK 13 / 0 / 48 / 13

HEX #C1DD74

RGB 193 221 116

HSL 76, 0.61%, 0.66%

LAB 84.13, -25.28, 48.16

 

CMYK 9 / 0 / 35 / 10

HEX #D0E595

RGB 208 229 149

HSL 75.75, 0.61%, 0.74%

LAB 87.78, -19.73, 36.75

 

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

CMYK 61 / 0 / 34 / 16

HEX #53D58D

RGB 83 213 141

HSL 146.77, 0.61%, 0.58%

LAB 76.89, -51.94, 25.25

 

CMYK 9 / 61 / 0 / 16

HEX #C253D5

RGB 194 83 213

HSL 291.23, 0.61%, 0.58%

LAB 54.51, 62.31, -47.1

 

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

CMYK 61 / 15 / 0 / 16

HEX #53B5D5

RGB 83 181 213

HSL 194.77, 0.61%, 0.58%

LAB 69.25, -19.25, -24.74

 

CMYK 0 / 61 / 15 / 16

HEX #D553B5

RGB 213 83 181

HSL 314.77, 0.61%, 0.58%

LAB 55.75, 61.86, -26.61

 

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

CMYK 61 / 0 / 34 / 16

HEX #53D58D

RGB 83 213 141

HSL 146.77, 0.61%, 0.58%

LAB 76.89, -51.94, 25.25

 

CMYK 46 / 61 / 0 / 16

HEX #7353D5

RGB 115 83 213

HSL 254.77, 0.61%, 0.58%

LAB 45.13, 44.31, -62.66

 

CMYK 0 / 61 / 28 / 16

HEX #D5539A

RGB 213 83 154

HSL 327.23, 0.61%, 0.58%

LAB 54.73, 58.13, -12.44

 

CMYK 16 / 0 / 61 / 16

HEX #B3D554

RGB 179 213 84

HSL 75.81, 0.61%, 0.58%

LAB 80.63, -29.78, 58.44

 

CMYK 61 / 0 / 15 / 16

HEX #53D5B5

RGB 83 213 181

HSL 165.23, 0.61%, 0.58%

LAB 77.74, -43.27, 5.26

 

CMYK 46 / 61 / 0 / 16

HEX #7353D5

RGB 115 83 213

HSL 254.77, 0.61%, 0.58%

LAB 45.13, 44.31, -62.66

 

CMYK 0 / 61 / 46 / 16

HEX #D55373

RGB 213 83 115

HSL 345.23, 0.61%, 0.58%

LAB 53.57, 53.77, 8.95

 

Description

Color code: HEX #B3D554 | qconv.com Color code: HEX #B3D554 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 213 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 213 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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