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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3D146 it is the complementary color #4C2EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3D146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3D146 shade: #B8D141, #C9E354, #DAF567, #EBFF7A and #FCFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3D146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3D146 shade: #B3D146, #A2BF33, #91AD20, #809B0D and #6F8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3D146 shade: #B3D147, #D1CA47, #D1A547, #D17F47 and #D15A47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3D146 shade: #B3D147, #8ED147, #69D147, #47D14B and #47D170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3D146 shade matches the following richer shades: #B3D147, #BEE435 and #C8F622

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3D146 shade: #B3D147, #A9BF5A, #9EAC6D, #94997F and #898792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3D146 shade: #D1A347, #D1C847, #B6D147, #91D147 and #6CD147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3D146 shade: #859E28, #A0BF30, #B3D147, #C1D968 and #CFE289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3D146 shade: #B3D146, #47D17E and #B647D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3D146 shade: #B3D146, #47B6D1 and #D147B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3D146 shade: #B3D146, #47D17E, #6347D1 and #D1479A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3D146 shade: #B3D146, #47D1A8, #6347D1 and #D14771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

Complementary color

CMYK 59 / 75 / 0 / 27

HEX #4C2EB9

RGB 76 46 185

HSL 252.95, 0.6%, 0.45%

LAB 31.79, 49.72, -68.3

 

CMYK 12 / 0 / 69 / 18

HEX #B8D141

RGB 184 209 65

HSL 70.42, 0.61%, 0.54%

LAB 79.71, -27.17, 65.17

 

CMYK 11 / 0 / 63 / 11

HEX #C9E354

RGB 201 227 84

HSL 70.91, 0.72%, 0.61%

LAB 86, -27.73, 64.68

 

CMYK 11 / 0 / 58 / 4

HEX #DAF567

RGB 218 245 103

HSL 71.41, 0.88%, 0.68%

LAB 92.22, -28.17, 63.9

 

CMYK 8 / 0 / 52 / 0

HEX #EBFF7A

RGB 235 255 122

HSL 69.02, 1%, 0.74%

LAB 96.24, -24.79, 60.51

 

CMYK 1 / 0 / 45 / 0

HEX #FCFF8D

RGB 252 255 141

HSL 61.58, 1%, 0.78%

LAB 97.69, -16.55, 53.84

 

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

CMYK 15 / 0 / 73 / 25

HEX #A2BF33

RGB 162 191 51

HSL 72.43, 0.58%, 0.47%

LAB 73.01, -28.29, 63.07

 

CMYK 16 / 0 / 82 / 32

HEX #91AD20

RGB 145 173 32

HSL 71.91, 0.69%, 0.4%

LAB 66.53, -27.52, 62.55

 

CMYK 17 / 0 / 92 / 39

HEX #809B0D

RGB 128 155 13

HSL 71.41, 0.85%, 0.33%

LAB 59.94, -26.54, 60.75

 

CMYK 19 / 0 / 100 / 46

HEX #6F8900

RGB 111 137 0

HSL 71.39, 1%, 0.27%

LAB 53.24, -25.29, 57.1

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 0 / 3 / 66 / 18

HEX #D1CA47

RGB 209 202 71

HSL 56.96, 0.6%, 0.55%

LAB 79.76, -13.05, 63.53

 

CMYK 0 / 21 / 66 / 18

HEX #D1A547

RGB 209 165 71

HSL 40.87, 0.6%, 0.55%

LAB 70.12, 6.24, 53.39

 

CMYK 0 / 39 / 66 / 18

HEX #D17F47

RGB 209 127 71

HSL 24.35, 0.6%, 0.55%

LAB 60.95, 26.78, 43.19

 

CMYK 0 / 57 / 66 / 18

HEX #D15A47

RGB 209 90 71

HSL 8.26, 0.6%, 0.55%

LAB 53.3, 45.79, 34.21

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 32 / 0 / 66 / 18

HEX #8ED147

RGB 142 209 71

HSL 89.13, 0.6%, 0.55%

LAB 77.17, -42.87, 59.42

 

CMYK 50 / 0 / 66 / 18

HEX #69D147

RGB 105 209 71

HSL 105.22, 0.6%, 0.55%

LAB 75.49, -54.81, 57.13

 

CMYK 66 / 0 / 64 / 18

HEX #47D14B

RGB 71 209 75

HSL 121.74, 0.6%, 0.55%

LAB 74.48, -62.65, 54.07

 

CMYK 66 / 0 / 46 / 18

HEX #47D170

RGB 71 209 112

HSL 137.83, 0.6%, 0.55%

LAB 74.89, -57.82, 37.39

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 17 / 0 / 77 / 11

HEX #BEE435

RGB 190 228 53

HSL 73.03, 0.76%, 0.55%

LAB 85.35, -34.24, 74.7

 

CMYK 19 / 0 / 86 / 4

HEX #C8F622

RGB 200 246 34

HSL 73.02, 0.92%, 0.55%

LAB 90.92, -39.06, 84.32

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 12 / 0 / 53 / 25

HEX #A9BF5A

RGB 169 191 90

HSL 73.07, 0.44%, 0.55%

LAB 73.83, -22.63, 47.83

 

CMYK 8 / 0 / 37 / 33

HEX #9EAC6D

RGB 158 172 109

HSL 73.33, 0.28%, 0.55%

LAB 67.93, -15.34, 30.81

 

CMYK 3 / 0 / 17 / 40

HEX #94997F

RGB 148 153 127

HSL 71.54, 0.11%, 0.55%

LAB 62.18, -6.53, 13.07

 

CMYK 6 / 8 / 0 / 43

HEX #898792

RGB 137 135 146

HSL 250.91, 0.05%, 0.55%

LAB 56.8, 2.96, -5.61

 

CMYK 0 / 22 / 66 / 18

HEX #D1A347

RGB 209 163 71

HSL 40, 0.6%, 0.55%

LAB 69.62, 7.31, 52.84

 

CMYK 0 / 4 / 66 / 18

HEX #D1C847

RGB 209 200 71

HSL 56.09, 0.6%, 0.55%

LAB 79.22, -12.04, 62.98

 

CMYK 13 / 0 / 66 / 18

HEX #B6D147

RGB 182 209 71

HSL 71.74, 0.6%, 0.55%

LAB 79.61, -27.61, 62.74

 

CMYK 31 / 0 / 66 / 18

HEX #91D147

RGB 145 209 71

HSL 87.83, 0.6%, 0.55%

LAB 77.33, -41.8, 59.64

 

CMYK 48 / 0 / 66 / 18

HEX #6CD147

RGB 108 209 71

HSL 103.91, 0.6%, 0.55%

LAB 75.6, -53.95, 57.28

 

CMYK 16 / 0 / 75 / 38

HEX #859E28

RGB 133 158 40

HSL 72.71, 0.6%, 0.39%

LAB 61.3, -24.89, 54.93

 

CMYK 16 / 0 / 75 / 25

HEX #A0BF30

RGB 160 191 48

HSL 73.01, 0.6%, 0.47%

LAB 72.86, -29.25, 63.89

 

CMYK 14 / 0 / 66 / 18

HEX #B3D147

RGB 179 209 71

HSL 73.04, 0.6%, 0.55%

LAB 79.41, -28.81, 62.46

 

CMYK 11 / 0 / 52 / 15

HEX #C1D968

RGB 193 217 104

HSL 72.74, 0.6%, 0.63%

LAB 82.89, -24.52, 52.34

 

CMYK 8 / 0 / 39 / 11

HEX #CFE289

RGB 207 226 137

HSL 72.81, 0.61%, 0.71%

LAB 86.73, -20.08, 41.38

 

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

CMYK 66 / 0 / 40 / 18

HEX #47D17E

RGB 71 209 126

HSL 143.91, 0.6%, 0.55%

LAB 75.11, -55.45, 30.58

 

CMYK 13 / 66 / 0 / 18

HEX #B647D1

RGB 182 71 209

HSL 288.26, 0.6%, 0.55%

LAB 50.75, 63.89, -50.91

 

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

CMYK 66 / 13 / 0 / 18

HEX #47B6D1

RGB 71 182 209

HSL 191.74, 0.6%, 0.55%

LAB 69.04, -22.99, -22.9

 

CMYK 0 / 66 / 13 / 18

HEX #D147B6

RGB 209 71 182

HSL 311.74, 0.6%, 0.55%

LAB 53.43, 65.8, -30.85

 

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

CMYK 66 / 0 / 40 / 18

HEX #47D17E

RGB 71 209 126

HSL 143.91, 0.6%, 0.55%

LAB 75.11, -55.45, 30.58

 

CMYK 53 / 66 / 0 / 18

HEX #6347D1

RGB 99 71 209

HSL 252.17, 0.6%, 0.55%

LAB 40.84, 46.89, -67.42

 

CMYK 0 / 66 / 26 / 18

HEX #D1479A

RGB 209 71 154

HSL 323.91, 0.6%, 0.55%

LAB 52.28, 61.94, -16.2

 

CMYK 14 / 0 / 67 / 18

HEX #B3D146

RGB 179 209 70

HSL 72.95, 0.6%, 0.55%

LAB 79.4, -28.88, 62.84

 

CMYK 66 / 0 / 20 / 18

HEX #47D1A8

RGB 71 209 168

HSL 162.17, 0.6%, 0.55%

LAB 75.93, -46.72, 9.58

 

CMYK 53 / 66 / 0 / 18

HEX #6347D1

RGB 99 71 209

HSL 252.17, 0.6%, 0.55%

LAB 40.84, 46.89, -67.42

 

CMYK 0 / 66 / 46 / 18

HEX #D14771

RGB 209 71 113

HSL 341.74, 0.6%, 0.55%

LAB 50.98, 57.4, 6.38

 

Description

Color code: HEX #B3D146 | qconv.com Color code: HEX #B3D146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 209 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 209 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 67 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 67% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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