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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3CDD8 it is the complementary color #4C3227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3CDD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3CDD8 shade: #B8CDD3, #C9DFE6, #DAF1F9, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3CDD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3CDD8 shade: #B3CDD8, #A2BBC5, #91A9B2, #80979F and #6F858C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3CDD8 shade: #B2CCD7, #B2C2D7, #B2B8D7, #B6B2D7 and #C0B2D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3CDD8 shade: #B2CCD7, #B2C2D7, #B2B8D7 and #B2B2D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3CDD8 shade matches the following richer shades: #B2CCD7, #A8D0E1, #9FD4EA, #95D7F4 and #8CDBFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3CDD8 shade: #B2CCD7, #BBC8CE, #C5C4C4, #CEC0BB and #D8BDB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3CDD8 shade: #B2D7CE, #B2D6D7, #B2CCD7, #B2C2D7 and #B2B8D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3CDD8 shade: #7BA8BB, #96BAC9, #B2CCD7, #CDDEE5 and #E8F0F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3CDD8 shade: #B3CDD8, #C4B2D7 and #D7D3B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3CDD8 shade: #B3CDD8, #D7B2CC and #CCD7B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3CDD8 shade: #B3CDD8, #C4B2D7, #D7BCB2 and #C5D7B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3CDD8 shade: #B3CDD8, #CFB2D7, #D7BCB2 and #BAD7B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

Complementary color

CMYK 0 / 34 / 49 / 70

HEX #4C3227

RGB 76 50 39

HSL 17.84, 0.32%, 0.23%

LAB 23.55, 10.23, 11.75

 

CMYK 13 / 3 / 0 / 17

HEX #B8CDD3

RGB 184 205 211

HSL 193.33, 0.23%, 0.77%

LAB 81.05, -5.84, -5.39

 

CMYK 13 / 3 / 0 / 10

HEX #C9DFE6

RGB 201 223 230

HSL 194.48, 0.37%, 0.85%

LAB 87.44, -5.89, -5.91

 

CMYK 12 / 3 / 0 / 2

HEX #DAF1F9

RGB 218 241 249

HSL 195.48, 0.72%, 0.92%

LAB 93.73, -5.94, -6.42

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

CMYK 18 / 5 / 0 / 23

HEX #A2BBC5

RGB 162 187 197

HSL 197.14, 0.23%, 0.7%

LAB 74.35, -6.36, -7.91

 

CMYK 19 / 5 / 0 / 30

HEX #91A9B2

RGB 145 169 178

HSL 196.36, 0.18%, 0.63%

LAB 67.73, -6.32, -7.42

 

CMYK 19 / 5 / 0 / 38

HEX #80979F

RGB 128 151 159

HSL 195.48, 0.14%, 0.56%

LAB 60.98, -6.3, -6.92

 

CMYK 21 / 5 / 0 / 45

HEX #6F858C

RGB 111 133 140

HSL 194.48, 0.12%, 0.49%

LAB 54.08, -6.28, -6.4

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 17 / 10 / 0 / 16

HEX #B2C2D7

RGB 178 194 215

HSL 214.05, 0.32%, 0.77%

LAB 77.85, -1.11, -12.34

 

CMYK 17 / 14 / 0 / 16

HEX #B2B8D7

RGB 178 184 215

HSL 230.27, 0.32%, 0.77%

LAB 75.23, 4.27, -16.26

 

CMYK 15 / 17 / 0 / 16

HEX #B6B2D7

RGB 182 178 215

HSL 246.49, 0.32%, 0.77%

LAB 73.99, 8.82, -18.11

 

CMYK 11 / 17 / 0 / 16

HEX #C0B2D7

RGB 192 178 215

HSL 262.7, 0.32%, 0.77%

LAB 74.8, 12.06, -16.82

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 17 / 10 / 0 / 16

HEX #B2C2D7

RGB 178 194 215

HSL 214.05, 0.32%, 0.77%

LAB 77.85, -1.11, -12.34

 

CMYK 17 / 14 / 0 / 16

HEX #B2B8D7

RGB 178 184 215

HSL 230.27, 0.32%, 0.77%

LAB 75.23, 4.27, -16.26

 

CMYK 17 / 17 / 0 / 16

HEX #B2B2D7

RGB 178 178 215

HSL 240, 0.32%, 0.77%

LAB 73.68, 7.55, -18.61

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 25 / 8 / 0 / 12

HEX #A8D0E1

RGB 168 208 225

HSL 197.89, 0.49%, 0.77%

LAB 81.22, -9.35, -12.73

 

CMYK 32 / 9 / 0 / 8

HEX #9FD4EA

RGB 159 212 234

HSL 197.6, 0.64%, 0.77%

LAB 82.05, -11.9, -16.33

 

CMYK 39 / 12 / 0 / 4

HEX #95D7F4

RGB 149 215 244

HSL 198.32, 0.81%, 0.77%

LAB 82.66, -13.65, -20.79

 

CMYK 45 / 13 / 0 / 1

HEX #8CDBFD

RGB 140 219 253

HSL 198.05, 0.97%, 0.77%

LAB 83.62, -15.58, -24.14

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 9 / 3 / 0 / 19

HEX #BBC8CE

RGB 187 200 206

HSL 198.95, 0.16%, 0.77%

LAB 79.8, -3.24, -4.52

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C4

RGB 197 196 196

HSL 0, 0.01%, 0.77%

LAB 79.23, 0.35, 0.11

 

CMYK 0 / 7 / 9 / 19

HEX #CEC0BB

RGB 206 192 187

HSL 15.79, 0.16%, 0.77%

LAB 78.7, 4.06, 4.28

 

CMYK 0 / 13 / 18 / 15

HEX #D8BDB1

RGB 216 189 177

HSL 18.46, 0.33%, 0.77%

LAB 78.56, 7.68, 9.58

 

CMYK 17 / 0 / 4 / 16

HEX #B2D7CE

RGB 178 215 206

HSL 165.41, 0.32%, 0.77%

LAB 83.19, -13.94, 0.38

 

CMYK 17 / 0 / 0 / 16

HEX #B2D6D7

RGB 178 214 215

HSL 181.62, 0.32%, 0.77%

LAB 83.16, -11.59, -4.45

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 17 / 10 / 0 / 16

HEX #B2C2D7

RGB 178 194 215

HSL 214.05, 0.32%, 0.77%

LAB 77.85, -1.11, -12.34

 

CMYK 17 / 14 / 0 / 16

HEX #B2B8D7

RGB 178 184 215

HSL 230.27, 0.32%, 0.77%

LAB 75.23, 4.27, -16.26

 

CMYK 34 / 10 / 0 / 27

HEX #7BA8BB

RGB 123 168 187

HSL 197.81, 0.32%, 0.61%

LAB 66.37, -10.35, -14.6

 

CMYK 25 / 7 / 0 / 21

HEX #96BAC9

RGB 150 186 201

HSL 197.65, 0.32%, 0.69%

LAB 73.43, -8.66, -11.55

 

CMYK 17 / 5 / 0 / 16

HEX #B2CCD7

RGB 178 204 215

HSL 197.84, 0.32%, 0.77%

LAB 80.49, -6.4, -8.4

 

CMYK 10 / 3 / 0 / 10

HEX #CDDEE5

RGB 205 222 229

HSL 197.5, 0.32%, 0.85%

LAB 87.43, -4.29, -5.37

 

CMYK 5 / 1 / 0 / 5

HEX #E8F0F3

RGB 232 240 243

HSL 196.36, 0.31%, 0.93%

LAB 94.29, -2.09, -2.38

 

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

CMYK 9 / 17 / 0 / 16

HEX #C4B2D7

RGB 196 178 215

HSL 269.19, 0.32%, 0.77%

LAB 75.13, 13.38, -16.28

 

CMYK 0 / 2 / 17 / 16

HEX #D7D3B2

RGB 215 211 178

HSL 53.51, 0.32%, 0.77%

LAB 84.1, -4.07, 16.86

 

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

CMYK 0 / 17 / 5 / 16

HEX #D7B2CC

RGB 215 178 204

HSL 317.84, 0.32%, 0.77%

LAB 76.46, 17.71, -8.12

 

CMYK 5 / 0 / 17 / 16

HEX #CCD7B2

RGB 204 215 178

HSL 77.84, 0.32%, 0.77%

LAB 84.3, -10.11, 17.03

 

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

CMYK 9 / 17 / 0 / 16

HEX #C4B2D7

RGB 196 178 215

HSL 269.19, 0.32%, 0.77%

LAB 75.13, 13.38, -16.28

 

CMYK 0 / 13 / 17 / 16

HEX #D7BCB2

RGB 215 188 178

HSL 16.22, 0.32%, 0.77%

LAB 78.24, 8, 8.58

 

CMYK 8 / 0 / 17 / 16

HEX #C5D7B2

RGB 197 215 178

HSL 89.19, 0.32%, 0.77%

LAB 83.8, -12.61, 16.25

 

CMYK 17 / 5 / 0 / 15

HEX #B3CDD8

RGB 179 205 216

HSL 197.84, 0.32%, 0.77%

LAB 80.85, -6.4, -8.39

 

CMYK 4 / 17 / 0 / 16

HEX #CFB2D7

RGB 207 178 215

HSL 287.03, 0.32%, 0.77%

LAB 76.08, 17.02, -14.76

 

CMYK 0 / 13 / 17 / 16

HEX #D7BCB2

RGB 215 188 178

HSL 16.22, 0.32%, 0.77%

LAB 78.24, 8, 8.58

 

CMYK 13 / 0 / 17 / 16

HEX #BAD7B2

RGB 186 215 178

HSL 107.03, 0.32%, 0.77%

LAB 83.05, -16.46, 15.08

 

Description

Color code: HEX #B3CDD8 | qconv.com Color code: HEX #B3CDD8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 205 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 205 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 5 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 5% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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