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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3CCEC it is the complementary color #4C3313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3CCEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3CCEC shade: #B8CCE7, #C9DEFA, #DAF0FF, #EBFFFF and #FCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3CCEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3CCEC shade: #B3CCEC, #A2BAD9, #91A8C6, #8096B3 and #6F84A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3CCEC shade: #B1CBEC, #B1BBEC, #B7B1EC, #C7B1EC and #D7B1EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3CCEC shade: #B1CBEC, #B1BBEC and #B1B1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3CCEC shade matches the following richer shades: #B1CBEC, #AACAF3 and #A2C9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3CCEC shade: #B1CBEC, #B9CCE4, #C1CDDC, #C9CED4 and #D1CFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3CCEC shade: #B1EBEC, #B1DBEC, #B1CCEC, #B1BCEC and #B6B1EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3CCEC shade: #6F9FDB, #90B5E3, #B1CBEC, #D2E1F4 and #F3F7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3CCEC shade: #B3CCEC, #DDB1EC and #E3ECB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3CCEC shade: #B3CCEC, #ECB1CC and #CCECB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3CCEC shade: #B3CCEC, #DDB1EC, #ECD1B1 and #C0ECB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3CCEC shade: #B3CCEC, #ECB1E9, #ECD1B1 and #B1ECB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

Complementary color

CMYK 0 / 33 / 75 / 70

HEX #4C3313

RGB 76 51 19

HSL 33.68, 0.6%, 0.19%

LAB 23.51, 7.61, 24.2

 

CMYK 20 / 12 / 0 / 9

HEX #B8CCE7

RGB 184 204 231

HSL 214.47, 0.49%, 0.81%

LAB 81.37, -1.08, -15.6

 

CMYK 20 / 11 / 0 / 2

HEX #C9DEFA

RGB 201 222 250

HSL 214.29, 0.83%, 0.88%

LAB 87.76, -1.22, -15.97

 

CMYK 15 / 6 / 0 / 0

HEX #DAF0FF

RGB 218 240 255

HSL 204.32, 1%, 0.93%

LAB 93.64, -4.24, -9.67

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

CMYK 25 / 14 / 0 / 15

HEX #A2BAD9

RGB 162 186 217

HSL 213.82, 0.42%, 0.74%

LAB 74.7, -1.32, -18.26

 

CMYK 27 / 15 / 0 / 22

HEX #91A8C6

RGB 145 168 198

HSL 213.96, 0.32%, 0.67%

LAB 68.1, -1.15, -17.96

 

CMYK 28 / 16 / 0 / 30

HEX #8096B3

RGB 128 150 179

HSL 214.12, 0.25%, 0.6%

LAB 61.36, -0.96, -17.67

 

CMYK 31 / 18 / 0 / 37

HEX #6F84A0

RGB 111 132 160

HSL 214.29, 0.21%, 0.53%

LAB 54.47, -0.75, -17.4

 

CMYK 25 / 14 / 0 / 7

HEX #B1CBEC

RGB 177 203 236

HSL 213.56, 0.61%, 0.81%

LAB 80.8, -1.54, -19.18

 

CMYK 25 / 21 / 0 / 7

HEX #B1BBEC

RGB 177 187 236

HSL 229.83, 0.61%, 0.81%

LAB 76.65, 7.08, -25.5

 

CMYK 22 / 25 / 0 / 7

HEX #B7B1EC

RGB 183 177 236

HSL 246.1, 0.61%, 0.81%

LAB 74.55, 14.37, -28.67

 

CMYK 16 / 25 / 0 / 7

HEX #C7B1EC

RGB 199 177 236

HSL 262.37, 0.61%, 0.81%

LAB 75.85, 19.27, -26.56

 

CMYK 9 / 25 / 0 / 7

HEX #D7B1EC

RGB 215 177 236

HSL 278.64, 0.61%, 0.81%

LAB 77.25, 24.31, -24.3

 

CMYK 25 / 14 / 0 / 7

HEX #B1CBEC

RGB 177 203 236

HSL 213.56, 0.61%, 0.81%

LAB 80.8, -1.54, -19.18

 

CMYK 25 / 21 / 0 / 7

HEX #B1BBEC

RGB 177 187 236

HSL 229.83, 0.61%, 0.81%

LAB 76.65, 7.08, -25.5

 

CMYK 25 / 25 / 0 / 7

HEX #B1B1EC

RGB 177 177 236

HSL 240, 0.61%, 0.81%

LAB 74.09, 12.57, -29.41

 

CMYK 25 / 14 / 0 / 7

HEX #B1CBEC

RGB 177 203 236

HSL 213.56, 0.61%, 0.81%

LAB 80.8, -1.54, -19.18

 

CMYK 30 / 17 / 0 / 5

HEX #AACAF3

RGB 170 202 243

HSL 213.7, 0.75%, 0.81%

LAB 80.32, -1.39, -23.69

 

CMYK 35 / 20 / 0 / 2

HEX #A2C9FB

RGB 162 201 251

HSL 213.71, 0.92%, 0.81%

LAB 79.85, -1.1, -28.72

 

CMYK 25 / 14 / 0 / 7

HEX #B1CBEC

RGB 177 203 236

HSL 213.56, 0.61%, 0.81%

LAB 80.8, -1.54, -19.18

 

CMYK 19 / 11 / 0 / 11

HEX #B9CCE4

RGB 185 204 228

HSL 213.49, 0.44%, 0.81%

LAB 81.35, -1.42, -14.03

 

CMYK 12 / 7 / 0 / 14

HEX #C1CDDC

RGB 193 205 220

HSL 213.33, 0.28%, 0.81%

LAB 81.93, -1.1, -8.83

 

CMYK 5 / 3 / 0 / 17

HEX #C9CED4

RGB 201 206 212

HSL 212.73, 0.11%, 0.81%

LAB 82.55, -0.57, -3.57

 

CMYK 0 / 1 / 2 / 18

HEX #D1CFCC

RGB 209 207 204

HSL 36, 0.05%, 0.81%

LAB 83.2, 0.15, 1.72

 

CMYK 25 / 0 / 0 / 7

HEX #B1EBEC

RGB 177 235 236

HSL 181.02, 0.61%, 0.81%

LAB 89.31, -18.01, -6.46

 

CMYK 25 / 7 / 0 / 7

HEX #B1DBEC

RGB 177 219 236

HSL 197.29, 0.61%, 0.81%

LAB 85.03, -9.91, -12.82

 

CMYK 25 / 14 / 0 / 7

HEX #B1CCEC

RGB 177 204 236

HSL 212.54, 0.61%, 0.81%

LAB 81.07, -2.07, -18.78

 

CMYK 25 / 20 / 0 / 7

HEX #B1BCEC

RGB 177 188 236

HSL 228.81, 0.61%, 0.81%

LAB 76.9, 6.54, -25.11

 

CMYK 23 / 25 / 0 / 7

HEX #B6B1EC

RGB 182 177 236

HSL 245.08, 0.61%, 0.81%

LAB 74.47, 14.07, -28.79

 

CMYK 49 / 27 / 0 / 14

HEX #6F9FDB

RGB 111 159 219

HSL 213.33, 0.6%, 0.65%

LAB 64.4, 0.36, -35.44

 

CMYK 37 / 20 / 0 / 11

HEX #90B5E3

RGB 144 181 227

HSL 213.25, 0.6%, 0.73%

LAB 72.58, -1.29, -27.04

 

CMYK 25 / 14 / 0 / 7

HEX #B1CBEC

RGB 177 203 236

HSL 213.56, 0.61%, 0.81%

LAB 80.8, -1.54, -19.18

 

CMYK 14 / 8 / 0 / 4

HEX #D2E1F4

RGB 210 225 244

HSL 213.53, 0.61%, 0.89%

LAB 88.96, -1.25, -10.95

 

CMYK 4 / 2 / 0 / 1

HEX #F3F7FC

RGB 243 247 252

HSL 213.33, 0.6%, 0.97%

LAB 97.07, -0.41, -2.87

 

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

CMYK 6 / 25 / 0 / 7

HEX #DDB1EC

RGB 221 177 236

HSL 284.75, 0.61%, 0.81%

LAB 77.8, 26.23, -23.41

 

CMYK 4 / 0 / 25 / 7

HEX #E3ECB1

RGB 227 236 177

HSL 69.15, 0.61%, 0.81%

LAB 91.46, -12.49, 27.68

 

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

CMYK 0 / 25 / 14 / 7

HEX #ECB1CC

RGB 236 177 204

HSL 332.54, 0.61%, 0.81%

LAB 78.25, 25.54, -5.26

 

CMYK 14 / 0 / 25 / 7

HEX #CCECB1

RGB 204 236 177

HSL 92.54, 0.61%, 0.81%

LAB 89.86, -20.73, 25.24

 

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

CMYK 6 / 25 / 0 / 7

HEX #DDB1EC

RGB 221 177 236

HSL 284.75, 0.61%, 0.81%

LAB 77.8, 26.23, -23.41

 

CMYK 0 / 11 / 25 / 7

HEX #ECD1B1

RGB 236 209 177

HSL 32.54, 0.61%, 0.81%

LAB 85.31, 4.59, 19.33

 

CMYK 19 / 0 / 25 / 7

HEX #C0ECB1

RGB 192 236 177

HSL 104.75, 0.61%, 0.81%

LAB 89.1, -24.88, 24.07

 

CMYK 24 / 14 / 0 / 7

HEX #B3CCEC

RGB 179 204 236

HSL 213.68, 0.6%, 0.81%

LAB 81.2, -1.47, -18.57

 

CMYK 0 / 25 / 1 / 7

HEX #ECB1E9

RGB 236 177 233

HSL 303.05, 0.61%, 0.81%

LAB 79.13, 30.51, -19.63

 

CMYK 0 / 11 / 25 / 7

HEX #ECD1B1

RGB 236 209 177

HSL 32.54, 0.61%, 0.81%

LAB 85.31, 4.59, 19.33

 

CMYK 25 / 0 / 24 / 7

HEX #B1ECB4

RGB 177 236 180

HSL 123.05, 0.61%, 0.81%

LAB 88.27, -29.38, 21.25

 

Description

Color code: HEX #B3CCEC | qconv.com Color code: HEX #B3CCEC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 204 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 204 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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