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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3CB55 it is the complementary color #4C34AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3CB55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3CB55 shade: #B8CB50, #C9DD63, #DAEF76, #EBFF89 and #FCFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3CB55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3CB55 shade: #B3CB55, #A2B942, #91A72F, #80951C and #6F8309

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3CB55 shade: #B2CA53, #CAC253, #CAA253, #CA8253 and #CA6253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3CB55 shade: #B2CA53, #92CA53, #72CA53, #53CA55 and #53CA75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3CB55 shade matches the following richer shades: #B2CA53, #BDDC41 and #C8EF2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3CB55 shade: #B2CA53, #A7B865, #9DA678, #92948A and #87829C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3CB55 shade: #CAA353, #CAC253, #B2CA53, #93CA53 and #73CA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3CB55 shade: #859B30, #A1BB39, #B2CA53, #C0D473 and #CEDE92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3CB55 shade: #B3CB55, #53CA83 and #B253CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3CB55 shade: #B3CB55, #53B2CA and #CA53B2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3CB55 shade: #B3CB55, #53CA83, #6B53CA and #CA539B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3CB55 shade: #B3CB55, #53CAA7, #6B53CA and #CA5377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

Complementary color

CMYK 55 / 69 / 0 / 33

HEX #4C34AA

RGB 76 52 170

HSL 252.2, 0.53%, 0.44%

LAB 31.57, 42.02, -59.73

 

CMYK 9 / 0 / 61 / 20

HEX #B8CB50

RGB 184 203 80

HSL 69.27, 0.54%, 0.55%

LAB 78.16, -23.3, 57.54

 

CMYK 9 / 0 / 55 / 13

HEX #C9DD63

RGB 201 221 99

HSL 69.84, 0.64%, 0.63%

LAB 84.5, -23.74, 56.62

 

CMYK 9 / 0 / 51 / 6

HEX #DAEF76

RGB 218 239 118

HSL 70.41, 0.79%, 0.7%

LAB 90.76, -24.09, 55.59

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF89

RGB 235 255 137

HSL 70.17, 1%, 0.77%

LAB 96.41, -23.42, 53.86

 

CMYK 1 / 0 / 39 / 0

HEX #FCFF9C

RGB 252 255 156

HSL 61.82, 1%, 0.81%

LAB 97.88, -15.06, 46.93

 

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

CMYK 12 / 0 / 64 / 27

HEX #A2B942

RGB 162 185 66

HSL 71.6, 0.47%, 0.49%

LAB 71.4, -24.48, 55.72

 

CMYK 13 / 0 / 72 / 35

HEX #91A72F

RGB 145 167 47

HSL 71, 0.56%, 0.42%

LAB 64.85, -23.89, 56.15

 

CMYK 14 / 0 / 81 / 42

HEX #80951C

RGB 128 149 28

HSL 70.41, 0.68%, 0.35%

LAB 58.2, -23.12, 55.82

 

CMYK 15 / 0 / 93 / 49

HEX #6F8309

RGB 111 131 9

HSL 69.84, 0.87%, 0.27%

LAB 51.42, -22.08, 54.06

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 0 / 4 / 59 / 21

HEX #CAC253

RGB 202 194 83

HSL 55.97, 0.53%, 0.56%

LAB 77.14, -11.16, 55.5

 

CMYK 0 / 20 / 59 / 21

HEX #CAA253

RGB 202 162 83

HSL 39.83, 0.53%, 0.56%

LAB 68.77, 5.66, 46.01

 

CMYK 0 / 36 / 59 / 21

HEX #CA8253

RGB 202 130 83

HSL 23.7, 0.53%, 0.56%

LAB 60.91, 23.08, 36.65

 

CMYK 0 / 51 / 59 / 21

HEX #CA6253

RGB 202 98 83

HSL 7.56, 0.53%, 0.56%

LAB 53.94, 40.05, 27.95

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 28 / 0 / 59 / 21

HEX #92CA53

RGB 146 202 83

HSL 88.24, 0.53%, 0.56%

LAB 75.44, -37.33, 52.51

 

CMYK 44 / 0 / 59 / 21

HEX #72CA53

RGB 114 202 83

HSL 104.37, 0.53%, 0.56%

LAB 73.83, -48.21, 50.26

 

CMYK 59 / 0 / 58 / 21

HEX #53CA55

RGB 83 202 85

HSL 121.01, 0.53%, 0.56%

LAB 72.72, -56.47, 47.77

 

CMYK 59 / 0 / 42 / 21

HEX #53CA75

RGB 83 202 117

HSL 137.14, 0.53%, 0.56%

LAB 73.13, -51.9, 32.67

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 14 / 0 / 70 / 14

HEX #BDDC41

RGB 189 220 65

HSL 72, 0.69%, 0.56%

LAB 83.12, -30.36, 68.67

 

CMYK 16 / 0 / 80 / 6

HEX #C8EF2F

RGB 200 239 47

HSL 72.19, 0.86%, 0.56%

LAB 89.03, -35.54, 79.88

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 9 / 0 / 45 / 28

HEX #A7B865

RGB 167 184 101

HSL 72.29, 0.37%, 0.56%

LAB 71.85, -18.83, 40.04

 

CMYK 5 / 0 / 28 / 35

HEX #9DA678

RGB 157 166 120

HSL 71.74, 0.21%, 0.56%

LAB 66.36, -11.1, 22.81

 

CMYK 1 / 0 / 7 / 42

HEX #92948A

RGB 146 148 138

HSL 72, 0.04%, 0.56%

LAB 60.89, -2.62, 5.02

 

CMYK 13 / 17 / 0 / 39

HEX #87829C

RGB 135 130 156

HSL 251.54, 0.12%, 0.56%

LAB 55.6, 7.3, -13.2

 

CMYK 0 / 19 / 59 / 21

HEX #CAA353

RGB 202 163 83

HSL 40.34, 0.53%, 0.56%

LAB 69.02, 5.12, 46.3

 

CMYK 0 / 4 / 59 / 21

HEX #CAC253

RGB 202 194 83

HSL 55.97, 0.53%, 0.56%

LAB 77.14, -11.16, 55.5

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 27 / 0 / 59 / 21

HEX #93CA53

RGB 147 202 83

HSL 87.73, 0.53%, 0.56%

LAB 75.49, -36.97, 52.59

 

CMYK 43 / 0 / 59 / 21

HEX #73CA53

RGB 115 202 83

HSL 103.87, 0.53%, 0.56%

LAB 73.88, -47.9, 50.32

 

CMYK 14 / 0 / 69 / 39

HEX #859B30

RGB 133 155 48

HSL 72.34, 0.53%, 0.4%

LAB 60.46, -22.93, 51.08

 

CMYK 14 / 0 / 70 / 27

HEX #A1BB39

RGB 161 187 57

HSL 72, 0.53%, 0.48%

LAB 71.83, -26.44, 59.72

 

CMYK 12 / 0 / 59 / 21

HEX #B2CA53

RGB 178 202 83

HSL 72.1, 0.53%, 0.56%

LAB 77.48, -25, 55.36

 

CMYK 9 / 0 / 46 / 17

HEX #C0D473

RGB 192 212 115

HSL 72.37, 0.53%, 0.64%

LAB 81.58, -21.41, 45.52

 

CMYK 7 / 0 / 34 / 13

HEX #CEDE92

RGB 206 222 146

HSL 72.63, 0.54%, 0.72%

LAB 85.73, -17.41, 35.55

 

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

CMYK 59 / 0 / 35 / 21

HEX #53CA83

RGB 83 202 131

HSL 144.2, 0.53%, 0.56%

LAB 73.36, -49.41, 25.72

 

CMYK 12 / 59 / 0 / 21

HEX #B253CA

RGB 178 83 202

HSL 287.9, 0.53%, 0.56%

LAB 51.74, 56.26, -45.36

 

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

CMYK 59 / 12 / 0 / 21

HEX #53B2CA

RGB 83 178 202

HSL 192.1, 0.53%, 0.56%

LAB 67.98, -20.99, -20.63

 

CMYK 0 / 59 / 12 / 21

HEX #CA53B2

RGB 202 83 178

HSL 312.1, 0.53%, 0.56%

LAB 53.98, 58.39, -27.75

 

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

CMYK 59 / 0 / 35 / 21

HEX #53CA83

RGB 83 202 131

HSL 144.2, 0.53%, 0.56%

LAB 73.36, -49.41, 25.72

 

CMYK 47 / 59 / 0 / 21

HEX #6B53CA

RGB 107 83 202

HSL 252.1, 0.53%, 0.56%

LAB 43.62, 39.51, -58.82

 

CMYK 0 / 59 / 23 / 21

HEX #CA539B

RGB 202 83 155

HSL 323.7, 0.53%, 0.56%

LAB 53.07, 55.01, -15.7

 

CMYK 12 / 0 / 58 / 20

HEX #B3CB55

RGB 179 203 85

HSL 72.2, 0.53%, 0.56%

LAB 77.85, -24.93, 54.91

 

CMYK 59 / 0 / 17 / 21

HEX #53CAA7

RGB 83 202 167

HSL 162.35, 0.53%, 0.56%

LAB 74.11, -41.78, 7.56

 

CMYK 47 / 59 / 0 / 21

HEX #6B53CA

RGB 107 83 202

HSL 252.1, 0.53%, 0.56%

LAB 43.62, 39.51, -58.82

 

CMYK 0 / 59 / 41 / 21

HEX #CA5377

RGB 202 83 119

HSL 341.85, 0.53%, 0.56%

LAB 51.92, 50.59, 3.98

 

Description

Color code: HEX #B3CB55 | qconv.com Color code: HEX #B3CB55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 203 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 203 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 58 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 58% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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