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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3C223 it is the complementary color #4C3DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3C223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3C223 shade: #B8C21E, #C9D431, #DAE644, #EBF857 and #FCFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3C223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3C223 shade: #B3C223, #A2B010, #919E00, #808C00 and #6F7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3C223 shade: #B3C224, #C2A624, #C27B24, #C25124 and #C22624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3C223 shade: #B3C224, #88C224, #5EC224, #33C224 and #24C23F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3C223 shade matches the following richer shades: #B3C224 and #C2D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3C223 shade: #B3C224, #A4AF36, #959D49, #868A5B and #77786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3C223 shade: #C27B24, #C2A524, #B5C224, #8BC224 and #60C224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3C223 shade: #737C17, #939F1D, #B3C224, #CADA35 and #D3E058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3C223 shade: #B3C223, #24C250 and #9024C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3C223 shade: #B3C223, #24B5C2 and #C224B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3C223 shade: #B3C223, #24C250, #3124C2 and #C22495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3C223 shade: #B3C223, #24C280, #3124C2 and #C22466

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

Complementary color

CMYK 65 / 72 / 0 / 14

HEX #4C3DDC

RGB 76 61 220

HSL 245.66, 0.69%, 0.55%

LAB 37.92, 52.42, -78.6

 

CMYK 5 / 0 / 85 / 24

HEX #B8C21E

RGB 184 194 30

HSL 63.66, 0.73%, 0.44%

LAB 75.37, -21.36, 71.76

 

CMYK 5 / 0 / 77 / 17

HEX #C9D431

RGB 201 212 49

HSL 64.05, 0.65%, 0.51%

LAB 81.69, -22.39, 72.82

 

CMYK 5 / 0 / 70 / 10

HEX #DAE644

RGB 218 230 68

HSL 64.44, 0.76%, 0.58%

LAB 87.93, -23.25, 73.04

 

CMYK 5 / 0 / 65 / 3

HEX #EBF857

RGB 235 248 87

HSL 64.84, 0.92%, 0.66%

LAB 94.09, -23.97, 72.72

 

CMYK 1 / 0 / 58 / 0

HEX #FCFF6A

RGB 252 255 106

HSL 61.21, 1%, 0.71%

LAB 97.33, -19.37, 68.98

 

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

CMYK 8 / 0 / 91 / 31

HEX #A2B010

RGB 162 176 16

HSL 65.25, 0.83%, 0.38%

LAB 68.58, -22.2, 68.21

 

CMYK 8 / 0 / 100 / 38

HEX #919E00

RGB 145 158 0

HSL 64.94, 1%, 0.31%

LAB 62.06, -20.86, 64.82

 

CMYK 9 / 0 / 100 / 45

HEX #808C00

RGB 128 140 0

HSL 65.14, 1%, 0.27%

LAB 55.43, -19.26, 59.3

 

CMYK 9 / 0 / 100 / 52

HEX #6F7A00

RGB 111 122 0

HSL 65.41, 1%, 0.24%

LAB 48.63, -17.62, 53.65

 

CMYK 8 / 0 / 81 / 24

HEX #B3C224

RGB 179 194 36

HSL 65.7, 0.69%, 0.45%

LAB 75.01, -23.3, 69.87

 

CMYK 0 / 14 / 81 / 24

HEX #C2A624

RGB 194 166 36

HSL 49.37, 0.69%, 0.45%

LAB 68.66, -2.46, 64.85

 

CMYK 0 / 37 / 81 / 24

HEX #C27B24

RGB 194 123 36

HSL 33.04, 0.69%, 0.45%

LAB 57.81, 20.95, 55.27

 

CMYK 0 / 58 / 81 / 24

HEX #C25124

RGB 194 81 36

HSL 17.09, 0.69%, 0.45%

LAB 48.86, 42.94, 47.06

 

CMYK 0 / 80 / 81 / 24

HEX #C22624

RGB 194 38 36

HSL 0.76, 0.69%, 0.45%

LAB 42.74, 59.57, 41.21

 

CMYK 8 / 0 / 81 / 24

HEX #B3C224

RGB 179 194 36

HSL 65.7, 0.69%, 0.45%

LAB 75.01, -23.3, 69.87

 

CMYK 30 / 0 / 81 / 24

HEX #88C224

RGB 136 194 36

HSL 82.03, 0.69%, 0.45%

LAB 72.19, -40.6, 66.3

 

CMYK 52 / 0 / 81 / 24

HEX #5EC224

RGB 94 194 36

HSL 97.97, 0.69%, 0.45%

LAB 70.24, -54.7, 63.81

 

CMYK 74 / 0 / 81 / 24

HEX #33C224

RGB 51 194 36

HSL 114.3, 0.69%, 0.45%

LAB 69.05, -64.44, 62.28

 

CMYK 81 / 0 / 68 / 24

HEX #24C23F

RGB 36 194 63

HSL 130.25, 0.69%, 0.45%

LAB 68.98, -64.43, 52.84

 

CMYK 8 / 0 / 81 / 24

HEX #B3C224

RGB 179 194 36

HSL 65.7, 0.69%, 0.45%

LAB 75.01, -23.3, 69.87

 

CMYK 8 / 0 / 92 / 17

HEX #C2D411

RGB 194 212 17

HSL 65.54, 0.85%, 0.45%

LAB 81.07, -26.14, 78.9

 

CMYK 8 / 0 / 81 / 24

HEX #B3C224

RGB 179 194 36

HSL 65.7, 0.69%, 0.45%

LAB 75.01, -23.3, 69.87

 

CMYK 6 / 0 / 69 / 31

HEX #A4AF36

RGB 164 175 54

HSL 65.45, 0.53%, 0.45%

LAB 68.62, -19.44, 57.71

 

CMYK 5 / 0 / 54 / 38

HEX #959D49

RGB 149 157 73

HSL 65.71, 0.37%, 0.45%

LAB 62.49, -15.21, 42.38

 

CMYK 3 / 0 / 34 / 46

HEX #868A5B

RGB 134 138 91

HSL 65.11, 0.21%, 0.45%

LAB 56.09, -9.38, 24.73

 

CMYK 1 / 0 / 8 / 53

HEX #77786E

RGB 119 120 110

HSL 66, 0.04%, 0.45%

LAB 50.07, -2.32, 5.36

 

CMYK 0 / 37 / 81 / 24

HEX #C27B24

RGB 194 123 36

HSL 33.04, 0.69%, 0.45%

LAB 57.81, 20.95, 55.27

 

CMYK 0 / 15 / 81 / 24

HEX #C2A524

RGB 194 165 36

HSL 48.99, 0.69%, 0.45%

LAB 68.39, -1.93, 64.62

 

CMYK 7 / 0 / 81 / 24

HEX #B5C224

RGB 181 194 36

HSL 64.94, 0.69%, 0.45%

LAB 75.16, -22.45, 70.06

 

CMYK 28 / 0 / 81 / 24

HEX #8BC224

RGB 139 194 36

HSL 80.89, 0.69%, 0.45%

LAB 72.36, -39.47, 66.52

 

CMYK 51 / 0 / 81 / 24

HEX #60C224

RGB 96 194 36

HSL 97.22, 0.69%, 0.45%

LAB 70.31, -54.12, 63.9

 

CMYK 7 / 0 / 81 / 51

HEX #737C17

RGB 115 124 23

HSL 65.35, 0.69%, 0.29%

LAB 49.64, -16.2, 49.3

 

CMYK 8 / 0 / 82 / 38

HEX #939F1D

RGB 147 159 29

HSL 65.54, 0.69%, 0.37%

LAB 62.58, -19.85, 59.96

 

CMYK 8 / 0 / 81 / 24

HEX #B3C224

RGB 179 194 36

HSL 65.7, 0.69%, 0.45%

LAB 75.01, -23.3, 69.87

 

CMYK 7 / 0 / 76 / 15

HEX #CADA35

RGB 202 218 53

HSL 65.82, 0.69%, 0.53%

LAB 83.42, -24.71, 73.23

 

CMYK 6 / 0 / 61 / 12

HEX #D3E058

RGB 211 224 88

HSL 65.74, 0.69%, 0.61%

LAB 85.94, -22.03, 63.18

 

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

CMYK 81 / 0 / 59 / 24

HEX #24C250

RGB 36 194 80

HSL 136.71, 0.69%, 0.45%

LAB 69.14, -62.48, 45.63

 

CMYK 26 / 81 / 0 / 24

HEX #9024C2

RGB 144 36 194

HSL 281.01, 0.69%, 0.45%

LAB 39.73, 66.2, -60.28

 

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

CMYK 81 / 7 / 0 / 24

HEX #24B5C2

RGB 36 181 194

HSL 184.94, 0.69%, 0.45%

LAB 67.51, -31.34, -17.03

 

CMYK 0 / 81 / 7 / 24

HEX #C224B5

RGB 194 36 181

HSL 304.94, 0.69%, 0.45%

LAB 47.06, 73.16, -40.44

 

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

CMYK 81 / 0 / 59 / 24

HEX #24C250

RGB 36 194 80

HSL 136.71, 0.69%, 0.45%

LAB 69.14, -62.48, 45.63

 

CMYK 75 / 81 / 0 / 24

HEX #3124C2

RGB 49 36 194

HSL 244.94, 0.69%, 0.45%

LAB 28.93, 54.61, -78.41

 

CMYK 0 / 81 / 23 / 24

HEX #C22495

RGB 194 36 149

HSL 317.09, 0.69%, 0.45%

LAB 45.5, 68.81, -23.85

 

CMYK 8 / 0 / 82 / 24

HEX #B3C223

RGB 179 194 35

HSL 65.66, 0.69%, 0.45%

LAB 75.01, -23.33, 70.12

 

CMYK 81 / 0 / 34 / 24

HEX #24C280

RGB 36 194 128

HSL 154.94, 0.69%, 0.45%

LAB 69.84, -54.33, 22.37

 

CMYK 75 / 81 / 0 / 24

HEX #3124C2

RGB 49 36 194

HSL 244.94, 0.69%, 0.45%

LAB 28.93, 54.61, -78.41

 

CMYK 0 / 81 / 47 / 24

HEX #C22466

RGB 194 36 102

HSL 334.94, 0.69%, 0.45%

LAB 43.79, 63.84, 2.42

 

Description

Color code: HEX #B3C223 | qconv.com Color code: HEX #B3C223 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 194 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 194 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 82% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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