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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3BD13 it is the complementary color #4C42EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3BD13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3BD13 shade: #B8BD0E, #C9CF21, #DAE134, #EBF347 and #FCFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3BD13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3BD13 shade: #B3BD13, #A2AB00, #919900, #808700 and #6F7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3BD13 shade: #B4BE13, #BE9A13, #BE6C13, #BE3E13 and #BE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3BD13 shade: #B4BE13, #86BE13, #58BE13, #29BE13 and #13BE2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3BD13 shade matches the following richer shades: #B4BE13 and #C3CF02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3BD13 shade: #B4BE13, #A5AD24, #969C35, #878C46 and #787B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3BD13 shade: #BE6B13, #BE9913, #B6BE13, #88BE13 and #5ABE13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3BD13 shade: #6D730B, #91990F, #B4BE13, #D8E417 and #E1EB38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3BD13 shade: #B3BD13, #13BE3E and #8213BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3BD13 shade: #B3BD13, #13B6BE and #BE13B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3BD13 shade: #B3BD13, #13BE3E, #1B13BE and #BE1393

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3BD13 shade: #B3BD13, #13BE71, #1B13BE and #BE1360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

Complementary color

CMYK 68 / 72 / 0 / 7

HEX #4C42EC

RGB 76 66 236

HSL 243.53, 0.82%, 0.59%

LAB 40.39, 54.67, -83.63

 

CMYK 3 / 0 / 93 / 26

HEX #B8BD0E

RGB 184 189 14

HSL 61.71, 0.86%, 0.4%

LAB 73.94, -19.21, 73.43

 

CMYK 3 / 0 / 84 / 19

HEX #C9CF21

RGB 201 207 33

HSL 62.07, 0.73%, 0.47%

LAB 80.27, -20.46, 75.71

 

CMYK 3 / 0 / 77 / 12

HEX #DAE134

RGB 218 225 52

HSL 62.43, 0.74%, 0.54%

LAB 86.51, -21.53, 76.78

 

CMYK 3 / 0 / 71 / 5

HEX #EBF347

RGB 235 243 71

HSL 62.79, 0.88%, 0.62%

LAB 92.67, -22.43, 77.04

 

CMYK 1 / 0 / 65 / 0

HEX #FCFF5A

RGB 252 255 90

HSL 61.09, 1%, 0.68%

LAB 97.21, -20.35, 75.19

 

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

CMYK 5 / 0 / 100 / 33

HEX #A2AB00

RGB 162 171 0

HSL 63.16, 1%, 0.34%

LAB 67.13, -19.94, 69.17

HEX #A2AB00

CMYK 5 / 0 / 100 / 40

HEX #919900

RGB 145 153 0

HSL 63.14, 1%, 0.3%

LAB 60.61, -18.32, 63.74

HEX #919900

CMYK 5 / 0 / 100 / 47

HEX #808700

RGB 128 135 0

HSL 63.11, 1%, 0.26%

LAB 53.94, -16.66, 58.2

HEX #808700

CMYK 5 / 0 / 100 / 54

HEX #6F7500

RGB 111 117 0

HSL 63.08, 1%, 0.23%

LAB 47.11, -14.95, 52.52

HEX #6F7500

CMYK 5 / 0 / 90 / 25

HEX #B4BE13

RGB 180 190 19

HSL 63.51, 0.82%, 0.41%

LAB 73.92, -21.34, 72.55

 

CMYK 0 / 19 / 90 / 25

HEX #BE9A13

RGB 190 154 19

HSL 47.37, 0.82%, 0.41%

LAB 65.05, 1.76, 65.96

 

CMYK 0 / 43 / 90 / 25

HEX #BE6C13

RGB 190 108 19

HSL 31.23, 0.82%, 0.41%

LAB 53.73, 26.97, 57.24

 

CMYK 0 / 67 / 90 / 25

HEX #BE3E13

RGB 190 62 19

HSL 15.09, 0.82%, 0.41%

LAB 44.86, 49.6, 50.56

 

CMYK 0 / 90 / 90 / 25

HEX #BE1313

RGB 190 19 19

HSL 0, 0.82%, 0.41%

LAB 40.34, 62.19, 47.25

 

CMYK 5 / 0 / 90 / 25

HEX #B4BE13

RGB 180 190 19

HSL 63.51, 0.82%, 0.41%

LAB 73.92, -21.34, 72.55

 

CMYK 29 / 0 / 90 / 25

HEX #86BE13

RGB 134 190 19

HSL 79.65, 0.82%, 0.41%

LAB 70.83, -40.15, 68.77

 

CMYK 54 / 0 / 90 / 25

HEX #58BE13

RGB 88 190 19

HSL 95.79, 0.82%, 0.41%

LAB 68.71, -55.59, 66.15

 

CMYK 78 / 0 / 90 / 25

HEX #29BE13

RGB 41 190 19

HSL 112.28, 0.82%, 0.41%

LAB 67.54, -65.45, 64.68

 

CMYK 90 / 0 / 78 / 25

HEX #13BE2A

RGB 19 190 42

HSL 128.07, 0.82%, 0.41%

LAB 67.38, -66.52, 58.78

 

CMYK 5 / 0 / 90 / 25

HEX #B4BE13

RGB 180 190 19

HSL 63.51, 0.82%, 0.41%

LAB 73.92, -21.34, 72.55

 

CMYK 6 / 0 / 99 / 19

HEX #C3CF02

RGB 195 207 2

HSL 63.51, 0.98%, 0.41%

LAB 79.75, -23.49, 79.44

 

CMYK 5 / 0 / 90 / 25

HEX #B4BE13

RGB 180 190 19

HSL 63.51, 0.82%, 0.41%

LAB 73.92, -21.34, 72.55

 

CMYK 5 / 0 / 79 / 32

HEX #A5AD24

RGB 165 173 36

HSL 63.5, 0.66%, 0.41%

LAB 68.03, -18.85, 63.32

 

CMYK 4 / 0 / 66 / 39

HEX #969C35

RGB 150 156 53

HSL 63.5, 0.49%, 0.41%

LAB 62.1, -15.81, 51.11

 

CMYK 4 / 0 / 50 / 45

HEX #878C46

RGB 135 140 70

HSL 64.29, 0.33%, 0.41%

LAB 56.44, -12.49, 36.45

 

CMYK 2 / 0 / 30 / 52

HEX #787B56

RGB 120 123 86

HSL 64.86, 0.18%, 0.41%

LAB 50.49, -7.62, 19.91

 

CMYK 0 / 44 / 90 / 25

HEX #BE6B13

RGB 190 107 19

HSL 30.88, 0.82%, 0.41%

LAB 53.5, 27.51, 57.07

 

CMYK 0 / 19 / 90 / 25

HEX #BE9913

RGB 190 153 19

HSL 47.02, 0.82%, 0.41%

LAB 64.78, 2.3, 65.76

 

CMYK 4 / 0 / 90 / 25

HEX #B6BE13

RGB 182 190 19

HSL 62.81, 0.82%, 0.41%

LAB 74.07, -20.48, 72.74

 

CMYK 28 / 0 / 90 / 25

HEX #88BE13

RGB 136 190 19

HSL 78.95, 0.82%, 0.41%

LAB 70.95, -39.38, 68.91

 

CMYK 53 / 0 / 90 / 25

HEX #5ABE13

RGB 90 190 19

HSL 95.09, 0.82%, 0.41%

LAB 68.79, -55.02, 66.24

 

CMYK 5 / 0 / 90 / 55

HEX #6D730B

RGB 109 115 11

HSL 63.46, 0.83%, 0.25%

LAB 46.36, -14.54, 49.51

 

CMYK 5 / 0 / 90 / 40

HEX #91990F

RGB 145 153 15

HSL 63.48, 0.82%, 0.33%

LAB 60.64, -18.06, 61.49

 

CMYK 5 / 0 / 90 / 25

HEX #B4BE13

RGB 180 190 19

HSL 63.51, 0.82%, 0.41%

LAB 73.92, -21.34, 72.55

 

CMYK 5 / 0 / 90 / 11

HEX #D8E417

RGB 216 228 23

HSL 63.51, 0.82%, 0.49%

LAB 87.07, -24.56, 83.48

 

CMYK 4 / 0 / 76 / 8

HEX #E1EB38

RGB 225 235 56

HSL 63.35, 0.82%, 0.57%

LAB 89.72, -23.31, 78.73

 

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

CMYK 90 / 0 / 67 / 25

HEX #13BE3E

RGB 19 190 62

HSL 135.09, 0.82%, 0.41%

LAB 67.51, -64.81, 51.61

 

CMYK 32 / 90 / 0 / 25

HEX #8213BE

RGB 130 19 190

HSL 278.95, 0.82%, 0.41%

LAB 35.85, 67.5, -64.34

 

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

CMYK 90 / 4 / 0 / 25

HEX #13B6BE

RGB 19 182 190

HSL 182.81, 0.82%, 0.41%

LAB 67.51, -34.18, -14.84

 

CMYK 0 / 90 / 4 / 25

HEX #BE13B6

RGB 190 19 182

HSL 302.81, 0.82%, 0.41%

LAB 45.35, 75.68, -43.79

 

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

CMYK 90 / 0 / 67 / 25

HEX #13BE3E

RGB 19 190 62

HSL 135.09, 0.82%, 0.41%

LAB 67.51, -64.81, 51.61

 

CMYK 86 / 90 / 0 / 25

HEX #1B13BE

RGB 27 19 190

HSL 242.81, 0.82%, 0.41%

LAB 25, 59.14, -82.61

 

CMYK 0 / 90 / 23 / 25

HEX #BE1393

RGB 190 19 147

HSL 315.09, 0.82%, 0.41%

LAB 43.54, 70.98, -25.74

 

CMYK 5 / 0 / 90 / 26

HEX #B3BD13

RGB 179 189 19

HSL 63.53, 0.82%, 0.41%

LAB 73.56, -21.27, 72.23

 

CMYK 90 / 0 / 41 / 25

HEX #13BE71

RGB 19 190 113

HSL 152.98, 0.82%, 0.41%

LAB 68.14, -57.24, 27.98

 

CMYK 86 / 90 / 0 / 25

HEX #1B13BE

RGB 27 19 190

HSL 242.81, 0.82%, 0.41%

LAB 25, 59.14, -82.61

 

CMYK 0 / 90 / 49 / 25

HEX #BE1360

RGB 190 19 96

HSL 332.98, 0.82%, 0.41%

LAB 41.62, 65.8, 2.96

 

Description

Color code: HEX #B3BD13 | qconv.com Color code: HEX #B3BD13 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 189 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 189 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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