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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B3BC3A it is the complementary color #4C43C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B3BC3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B3BC3A shade: #B8BC35, #C9CE48, #DAE05B, #EBF26E and #FCFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B3BC3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B3BC3A shade: #B3BC3A, #A2AA27, #919814, #808601 and #6F7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B3BC3A shade: #B2BB3A, #BBA13A, #BB7E3A, #BB5B3A and #BB3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B3BC3A shade: #B2BB3A, #8FBB3A, #6CBB3A, #49BB3A and #3ABB4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B3BC3A shade matches the following richer shades: #B2BB3A, #C3CF26 and #D4E312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B3BC3A shade: #B2BB3A, #A1A74D, #909461, #7F8075 and #6E6C89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B3BC3A shade: #BB7F3A, #BBA13A, #B3BB3A, #90BB3A and #6DBB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B3BC3A shade: #767C26, #949C30, #B2BB3A, #C2CA54 and #CDD473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B3BC3A shade: #B3BC3A, #3ABB5C and #903ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B3BC3A shade: #B3BC3A, #3AB3BB and #BB3AB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B3BC3A shade: #B3BC3A, #3ABB5C, #423ABB and #BB3A99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B3BC3A shade: #B3BC3A, #3ABB83, #423ABB and #BB3A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

Complementary color

CMYK 61 / 66 / 0 / 23

HEX #4C43C5

RGB 76 67 197

HSL 244.15, 0.53%, 0.52%

LAB 37.08, 41.8, -66.67

 

CMYK 2 / 0 / 72 / 26

HEX #B8BC35

RGB 184 188 53

HSL 61.78, 0.56%, 0.47%

LAB 73.81, -17.52, 63.71

 

CMYK 2 / 0 / 65 / 19

HEX #C9CE48

RGB 201 206 72

HSL 62.24, 0.58%, 0.55%

LAB 80.2, -18.33, 63.38

 

CMYK 3 / 0 / 59 / 12

HEX #DAE05B

RGB 218 224 91

HSL 62.71, 0.68%, 0.62%

LAB 86.49, -19, 62.67

 

CMYK 3 / 0 / 55 / 5

HEX #EBF26E

RGB 235 242 110

HSL 63.18, 0.84%, 0.69%

LAB 92.7, -19.55, 61.76

 

CMYK 1 / 0 / 49 / 0

HEX #FCFF81

RGB 252 255 129

HSL 61.43, 1%, 0.75%

LAB 97.55, -17.62, 59.21

 

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

CMYK 5 / 0 / 77 / 33

HEX #A2AA27

RGB 162 170 39

HSL 63.66, 0.63%, 0.41%

LAB 66.96, -18.51, 61.35

 

CMYK 5 / 0 / 87 / 40

HEX #919814

RGB 145 152 20

HSL 63.18, 0.77%, 0.34%

LAB 60.36, -17.42, 60.26

 

CMYK 4 / 0 / 99 / 47

HEX #808601

RGB 128 134 1

HSL 62.71, 0.99%, 0.26%

LAB 53.64, -16.11, 57.8

 

CMYK 4 / 0 / 100 / 55

HEX #6F7400

RGB 111 116 0

HSL 62.59, 1%, 0.23%

LAB 46.8, -14.41, 52.3

 

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 0 / 14 / 69 / 27

HEX #BBA13A

RGB 187 161 58

HSL 47.91, 0.53%, 0.48%

LAB 66.79, -1.93, 54.89

 

CMYK 0 / 33 / 69 / 27

HEX #BB7E3A

RGB 187 126 58

HSL 31.63, 0.53%, 0.48%

LAB 57.84, 17.24, 45.44

 

CMYK 0 / 51 / 69 / 27

HEX #BB5B3A

RGB 187 91 58

HSL 15.35, 0.53%, 0.48%

LAB 49.92, 36.21, 36.6

 

CMYK 0 / 69 / 69 / 27

HEX #BB3A3A

RGB 187 58 58

HSL 0, 0.53%, 0.48%

LAB 44.08, 51.55, 29.73

 

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 24 / 0 / 69 / 27

HEX #8FBB3A

RGB 143 187 58

HSL 80.47, 0.53%, 0.48%

LAB 70.65, -33.6, 57.76

 

CMYK 42 / 0 / 69 / 27

HEX #6CBB3A

RGB 108 187 58

HSL 96.74, 0.53%, 0.48%

LAB 68.78, -46.26, 55.23

 

CMYK 61 / 0 / 69 / 27

HEX #49BB3A

RGB 73 187 58

HSL 113.02, 0.53%, 0.48%

LAB 67.47, -56.18, 53.46

 

CMYK 69 / 0 / 59 / 27

HEX #3ABB4D

RGB 58 187 77

HSL 128.84, 0.53%, 0.48%

LAB 67.26, -57.3, 44.92

 

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 6 / 0 / 82 / 19

HEX #C3CF26

RGB 195 207 38

HSL 64.26, 0.69%, 0.48%

LAB 79.82, -22.85, 73.98

 

CMYK 7 / 0 / 92 / 11

HEX #D4E312

RGB 212 227 18

HSL 64.31, 0.85%, 0.48%

LAB 86.49, -25.81, 83.56

 

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 4 / 0 / 54 / 35

HEX #A1A74D

RGB 161 167 77

HSL 64, 0.37%, 0.48%

LAB 66.33, -14.98, 45.14

 

CMYK 3 / 0 / 34 / 42

HEX #909461

RGB 144 148 97

HSL 64.71, 0.21%, 0.48%

LAB 59.86, -9.88, 26.53

 

CMYK 1 / 0 / 9 / 50

HEX #7F8075

RGB 127 128 117

HSL 65.45, 0.04%, 0.48%

LAB 53.21, -2.49, 5.84

 

CMYK 20 / 21 / 0 / 46

HEX #6E6C89

RGB 110 108 137

HSL 244.14, 0.12%, 0.48%

LAB 46.77, 7.27, -15.64

 

CMYK 0 / 32 / 69 / 27

HEX #BB7F3A

RGB 187 127 58

HSL 32.09, 0.53%, 0.48%

LAB 58.08, 16.69, 45.71

 

CMYK 0 / 14 / 69 / 27

HEX #BBA13A

RGB 187 161 58

HSL 47.91, 0.53%, 0.48%

LAB 66.79, -1.93, 54.89

 

CMYK 4 / 0 / 69 / 27

HEX #B3BB3A

RGB 179 187 58

HSL 63.72, 0.53%, 0.48%

LAB 73.17, -18.88, 61.12

 

CMYK 23 / 0 / 69 / 27

HEX #90BB3A

RGB 144 187 58

HSL 80, 0.53%, 0.48%

LAB 70.72, -33.21, 57.84

 

CMYK 42 / 0 / 69 / 27

HEX #6DBB3A

RGB 109 187 58

HSL 96.28, 0.53%, 0.48%

LAB 68.82, -45.93, 55.29

 

CMYK 5 / 0 / 69 / 51

HEX #767C26

RGB 118 124 38

HSL 64.19, 0.53%, 0.32%

LAB 49.99, -14.05, 44.14

 

CMYK 5 / 0 / 69 / 39

HEX #949C30

RGB 148 156 48

HSL 64.44, 0.53%, 0.4%

LAB 61.9, -16.99, 52.9

 

CMYK 5 / 0 / 69 / 27

HEX #B2BB3A

RGB 178 187 58

HSL 64.19, 0.53%, 0.48%

LAB 73.1, -19.3, 61.02

 

CMYK 4 / 0 / 58 / 21

HEX #C2CA54

RGB 194 202 84

HSL 64.07, 0.53%, 0.56%

LAB 78.67, -18.43, 56.57

 

CMYK 3 / 0 / 46 / 17

HEX #CDD473

RGB 205 212 115

HSL 64.33, 0.53%, 0.64%

LAB 82.54, -16.3, 46.91

 

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

CMYK 69 / 0 / 51 / 27

HEX #3ABB5C

RGB 58 187 92

HSL 135.81, 0.53%, 0.48%

LAB 67.44, -55.24, 37.93

 

CMYK 23 / 69 / 0 / 27

HEX #903ABB

RGB 144 58 187

HSL 280, 0.53%, 0.48%

LAB 42.07, 56.63, -52.39

 

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

CMYK 69 / 4 / 0 / 27

HEX #3AB3BB

RGB 58 179 187

HSL 183.72, 0.53%, 0.48%

LAB 67.07, -30.06, -13.79

 

CMYK 0 / 69 / 4 / 27

HEX #BB3AB3

RGB 187 58 179

HSL 303.72, 0.53%, 0.48%

LAB 48.06, 64.83, -37.75

 

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

CMYK 69 / 0 / 51 / 27

HEX #3ABB5C

RGB 58 187 92

HSL 135.81, 0.53%, 0.48%

LAB 67.44, -55.24, 37.93

 

CMYK 65 / 69 / 0 / 27

HEX #423ABB

RGB 66 58 187

HSL 243.72, 0.53%, 0.48%

LAB 33.5, 42.44, -66.7

 

CMYK 0 / 69 / 18 / 27

HEX #BB3A99

RGB 187 58 153

HSL 315.81, 0.53%, 0.48%

LAB 46.83, 60.9, -24.28

 

CMYK 5 / 0 / 69 / 26

HEX #B3BC3A

RGB 179 188 58

HSL 64.15, 0.53%, 0.48%

LAB 73.45, -19.38, 61.4

 

CMYK 69 / 0 / 30 / 27

HEX #3ABB83

RGB 58 187 131

HSL 153.95, 0.53%, 0.48%

LAB 68.08, -48.09, 18.42

 

CMYK 65 / 69 / 0 / 27

HEX #423ABB

RGB 66 58 187

HSL 243.72, 0.53%, 0.48%

LAB 33.5, 42.44, -66.7

 

CMYK 0 / 69 / 39 / 27

HEX #BB3A72

RGB 187 58 114

HSL 333.95, 0.53%, 0.48%

LAB 45.37, 56.03, -2.85

 

Description

Color code: HEX #B3BC3A | qconv.com Color code: HEX #B3BC3A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 188 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 188 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 69 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 69% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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